Koller Auktionen AG, Zurich, Switzerland

PAUL TROUBETZKOY

(1866-1938)

BRONZE SCULPTURE OF ETTORE BUGATTI ON HORSEBACK, signed Paul Troubetzskoy and dated 1929 on the base. Bronze with dark brown patina. Foundry mark (front right): C VALSUANI CIRE PERDUE.

54x31x62 cm.

Sold for CHF 128 400 (including buyer’s premium)

A190 / 1361

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VERY RARE AND INTERESTING PRECISION REGULATOR CLOCK "RIEFLER",
CHF 51 540

VERY RARE AND INTERESTING PRECISION REGULATOR CLOCK "RIEFLER",

Munich, 1904. The dial signed S. RIEFLER MÜNCHEN D.R.P. No 50739 D.R.P. No 100870 and dated 1904 and numbered 78.

Solid brass pillar movement in an air-tight glass vessel with constant inner pressure. Clock dial with large minute ring and 2 smaller 24-hour and second chapter rings. Steel hands. Movement with Riefler spring-force escapement and electric winding mechanism. Heavy pendulum. Movement, may require revision. According to Riefler documents, the dial with number 78 was foreseen for an oak case clock. Apparently this clock was not completed or delivered. According to the same documents, our clock with pendulum number 194 and escapement number 102, an air-tight glass vessel clock, originally had the dial number 74. See: Dietrich Riefler, Riefler Präzisions-Pendeluhren 1890-1965, Callwey, 2. erweiterte Auflage, 1985. P. 166.

H 146 cm, D 35 cm.

Sold for CHF 51 540 (including buyer’s premium)

A190 / 1362

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VERY RARE AND INTERESTING PRECISION REGULATOR CLOCK "RIEFLER",

PAIR OF VASES "AUX TETES DE ZEPHYR",
CHF 44 220

PAIR OF VASES "AUX TETES DE ZEPHYR",

Louis XVI, signed PAJOT (Antoine Philippe Pajot, ca. 1730 Paris 1781), the porcelain from China,18th century, the bronze from Paris, 18th century, Paris ca. 1775.

Matte and polished gilt bronze and blue painted porcelain. Cylindrical shaft "en cornet", the walls finely decorated with bronze mounts and decorative frieze. Porcelain restored.

H 50 cm.

Sold for CHF 44 220 (including buyer’s premium)

A190 / 1249*

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PAIR OF DECORATIVE GILT BRONZE SWANS,
CHF 40 560

PAIR OF DECORATIVE GILT BRONZE SWANS,

after a Meissen porcelain model from 1748 by JOHANN JOACHIM KÄNDLER (1706-1775), Louis XV, Paris, probably 18th century.

Bronze, finely chiseled and embossed, and fire gilt. On a pierced rocaille base, decorated with shells and leaves.

25x18x29 cm.

Sold for CHF 40 560 (including buyer’s premium)

A190 / 1145

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COMMODE "A FLEURS",
CHF 36 900

COMMODE "A FLEURS",

so-called "marqueterie au jasmin", Louis XIV/Régence, from a Parisian master workshop, ca. 1720/30.

Ebony, rosewood, maple, amaranth, sycamore and cherry, exquisitely inlaid with flower bouquets, sphinxes, mythological creatures, leaves, scrolls, cartouches and decorative frieze. Front slightly "en arbalète" with 3 drawers, the top drawer divided in two. Gilt bronze mounts, drop handles and sabots, in part not original. Veneer with some alterations. Cracked top.

117x64x82 cm.

Sold for CHF 36 900 (including buyer’s premium)

A190 / 1059

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RARE TAPESTRY "Tobias mit dem Fisch" ("Tobias with the Fish"),
CHF 33 850

RARE TAPESTRY "Tobias mit dem Fisch" ("Tobias with the Fish"),

Brussels, ca. 1530/40. Based on the models of a successor of Bernard van Orley.

Depiction of Tobias with the Fish, with the Angel Raphael behind him. With a broad border featuring flowers and fruits, and birds. Slightly faded. Some repairs.

350x430 cm.

Sold for CHF 33 850 (including buyer’s premium)

A190 / 1012

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RARE TAPESTRY "Tobias mit dem Fisch" ("Tobias with the Fish"),

PORTAL LION,
CHF 23 480

PORTAL LION,

Romanesque, Italy, probably Apulia, ca. 1200.

White marble. Various losses and chips, signs of weathering.

69x32x47 cm.

Sold for CHF 23 480 (including buyer’s premium)

A190 / 1007

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CLOCK WITH CARILLON,
CHF 22 260

CLOCK WITH CARILLON,

so-called "Pendule turque", in the style of Pierre Jaquet-Droz (1721-1790), Neuchâtel ca. 1770/80.

Wooden case, painted with polychrome flowers on a green ground. Rectangular case, in part glazed, the top featuring a vase, and with scrolled feet. Opulent bronze mounts designed as laurel branches and garlands, and flowers. White enamel dial "en cuvette". Movement with verge escapement and carillon with 8 melodies on 12 bells. Petit-Sonnerie on 2 bells, the carillon plays on the hour. Carillon can be switched off, repeat function and dampening. Striking mechanism and carillon require servicing. Movement, somewhat restored, may require servicing.

40x27x68 cm.

Sold for CHF 22 260 (including buyer’s premium)

A190 / 1248

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PAIR OF GILT SCONCES,
CHF 18 600

PAIR OF GILT SCONCES,

Louis XV, Paris ca. 1740.

Bronze, in part pierced and chiseled, and fire-gilt. 2 curved light branches. Bud-shaped nozzles.

H 54 cm.

Sold for CHF 18 600 (including buyer’s premium)

A190 / 1169*

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VOTIVE STATUETTE OF A DORMANT IBIS,
CHF 17 380

VOTIVE STATUETTE OF A DORMANT IBIS,

Egypt, Late Period, 6th–3rd century before Christ.

Wood and bronze. Mounted on a plexiglass base.

L 29.5 cm, H 24 cm.

Sold for CHF 17 380 (including buyer’s premium)

A190 / 1003*

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PAIR OF BOTTLE HOLDERS,
CHF 17 380

PAIR OF BOTTLE HOLDERS,

Milan, 20th century. Maker's mark Buccellati.

Designed as swans. With removable inserts, for bottles.

H 28.5 and 34 cm. Total weight 2960 g.

Sold for CHF 17 380 (including buyer’s premium)

A190 / 1342

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CLOCK DESIGNED AS A TOWER,
CHF 12 500

CLOCK DESIGNED AS A TOWER,

Renaissance, Augsburg ca. 1600. The movement with monogram SA HA (Samuel Haug 1580-1637) and with Augsburg mark.

Brass and copper, fire-gilt, and iron. Tower-shaped case with pierced belfry. On a square base. Front with two silver-plated dials for the hours and the quarter-hours. Alarm disc. The back with auxiliary dials for the hour and quarter-hour striking mechanism. Movement with verge escapement and balance wheel, winding with fusee and chain. Two striking mechanisms, striking the 1/4-hour on two bells. Small alarm movement, to the side. Old key, but not original. Restored, parts of the mechanism probably replaced.

14.5x14.5x33 cm.

Sold for CHF 12 500 (including buyer’s premium)

A190 / 1020*

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THREE FAIENCE JUGS IN THE SHAPE OF PARROTS, WITH HANDLES,
CHF 8 125

THREE FAIENCE JUGS IN THE SHAPE OF PARROTS, WITH HANDLES,

Glienitz, ca. 1770.

Each bird sitting on a tree stump and applied with a handle in the shape of a branch. Decorated in bright colors, green, yellow and ocher. Each head modeled separately as a removable lid. No mark.

H 25.5 cm. Repairs. The beak of one of the birds is damaged, and needs to be repaired.

Sold for CHF 8 125 (including buyer’s premium)

A190 / 1031A

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THREE FAIENCE JUGS IN THE SHAPE OF PARROTS, WITH HANDLES,

JEAN LOUIS ERNEST MEISSONNIER (1815-1891),
CHF 180 500

JEAN LOUIS ERNEST MEISSONNIER (1815-1891),

Bronze figure, "Napoléon à cheval" or "Le voyageur", c. 1900.

Bronze with dark patina. Signed on the base MEISSONNIER, Giessermarke SIOT-DECAUVILLE PARIS, nummeriert 3.

L 59, H 48 cm. (Weight ca. 23kg)

Sold for CHF 180 500 (including buyer’s premium)

A188 / 1294

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JEAN LOUIS ERNEST MEISSONNIER (1815-1891),

AN IMPORTANT SAFE CABINET WITH IMPERIAL COAT OF ARMS,
CHF 84 500

AN IMPORTANT SAFE CABINET WITH IMPERIAL COAT OF ARMS,

signed HAFFNER FRERES, 8 PASSAGE JOUFFROY PARIS, probably C.G. DIEHL (Charles Guillaume Diehl, Steinbach 1811-1885 Paris) or G.GROHE (Guillaume Grohe, Wintersheim 1808–1885 Paris), Paris c. 1860.

Ebony with exceptionally fine inlays of green and red tortoiseshell, mother-of-pearl and engraved brass fillets in "Boulle" technique. One-door front with medallion set in bronze band. The interior fitted with with central drawer between double doors and 2 adjacent drawers. The interior of the door with etched depiction of the Paris stock exchange. Rich and fine matte and polished gilt bronze mounts and applications. "Vert de Mer" top edged in bronze. 8-bolt lock. 1 safe key. Right lock removed. Marble top repaired, some losses.

100x52x150 cm.

Sold for CHF 84 500 (including buyer’s premium)

A188 / 1283

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AN IMPORTANT SAFE CABINET WITH IMPERIAL COAT OF ARMS,

A RARE WHEELLOCK CARABINE OR PETRONEL,
CHF 36 500

A RARE WHEELLOCK CARABINE OR PETRONEL,

German, Augsburg c. 1590/1600.

Walnut stock with short butt, with bone inlays of dogs hunting rabbits and deer, busts, fruits, etc. (1 plaque missing). The butt end plate old supplemented. Two superimposed round barrels with squared chamber halves, rich parcel gilt etched decoration, sight missing (barrel length 66.5 and 60.5 cm, calibre 9 mm). The chamber with Augsburger punch, "Pinienzapfen". Double wheel lock with external wheels, pans with sliding covers. Angled iron trigger guard. Ramrod (incomplete).

L 90 cm.

Sold for CHF 36 500 (including buyer’s premium)

A188 / 1019

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A RARE CROSS-SHAPED NECK WATCH WITH ROCK CRYSTAL,
CHF 30 500

A RARE CROSS-SHAPED NECK WATCH WITH ROCK CRYSTAL,

probably Conrad Kreizer, Germany, end of the 16th century.

Gilt copper gilt, brass and translucent enamel champlevé in the form of stylised tendrils and leaves. Cross-shaped case with hinged, faceted rock crystal cover. The fine movement with spindle escapement hinged, the dial and backplate with decoration in translucent champlevé enamel, stylised leaves and tendrils. Spring escapement with chain and worm wheel. The rear housing section replaced, originally probably in rock crystal. Fine hanging eye with engraved leaf decoration. Leather-covered case in the form of a cross. Small breakout on the dial, losses and additions to the enamel.

4.5x3.3x1.7 cm.

Sold for CHF 30 500 (including buyer’s premium)

A188 / 1003*

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A RARE CROSS-SHAPED NECK WATCH WITH ROCK CRYSTAL,

IMPORTANT CABINET WITH BOULLE MARQUETRY,
CHF 444 500

IMPORTANT CABINET WITH BOULLE MARQUETRY,

so-called "bibliothèque en armoire", Louis XIV, by N. SAGEOT (Nicolas Sageot, maître 1706), Paris ca. 1715/25.

Ebony and red tortoiseshell, exquisitely inlaid with engraved brass fillets in "première partie" and "contre partie"; putti making music, mascarons, birds, flowers, leaves, fillets and decorative frieze. Front with finely paneled double-doors. Opulent matte and polished gilt bronze mounts and applications; the figures on the doors applied ca. 1800: Allegories of Power, Justice and Abundance. Doors with original inner surfaces and locks. Rear wall, replaced.

150x55x257 cm.

Sold for CHF 444 500 (including buyer’s premium)

A186 / 1048*

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IMPORTANT CABINET WITH BOULLE MARQUETRY,

PAIR OF LIDDED VASES WITH BRONZE MOUNTS,
CHF 132 500

PAIR OF LIDDED VASES WITH BRONZE MOUNTS,

Louis XVI, the porcelain from China, Kangxi ca. 1700, the bronze from Paris, ca. 1765/75.

Matte and polished gilt bronze and finely painted porcelain; with light flowers, leaves and decorative frieze in "décor de rinceaux vermiculés" on a red background.

H 40.5 cm.

Sold for CHF 132 500 (including buyer’s premium)

A186 / 1147

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PAIR OF LIDDED VASES WITH BRONZE MOUNTS,

HUNTING HORN / "OLIFANT",
CHF 96 500

HUNTING HORN / "OLIFANT",

Portugal, probably ca. 1480.

Ivory, octagonally carved, and silver mounts engraved with foliage and with a circumferential inscription: EL PODER EN DIOS. 2 eyelets. Fine cracks.

L 40 cm.

Sold for CHF 96 500 (including buyer’s premium)

A186 / 1030

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LARGE CONSOLE "A LA COQUILLE",
CHF 78 500

LARGE CONSOLE "A LA COQUILLE",

Régence, from a Parisian master workshop, ca. 1710/20.

Oak, pierced and opulently carved with shells, foliage, scrolls and decorative frieze, and gilt. "Griotte Rouge" marble top, repaired. Gilding restored.

177x76x85 cm.

Sold for CHF 78 500 (including buyer’s premium)

A186 / 1050*

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LACQUERED SECRETAIRE "A ABATTANT",
CHF 78 500

LACQUERED SECRETAIRE "A ABATTANT",

Louis XV, with signature by L. BOUDIN (Léonard Boudîn, maître 1761), Guild stamp Paris ca. 1760/65.

Painted with Coromandel lacquer all around, with a group of figures in an idealized park and pagoda landscape on a polychrome background. Front with hinged writing surface lined with green, gold-impressed leather, a drawer on top, and a compartment with double-doors. Fitted interior with fine marquetry with a central compartment with 3 drawers on each side, below 3 large compartments arranged in 2 rows. Gilt bronze mounts and sabots, in part replaced. Shaped "Campan" marble top. Lacquer paintwork retouched.

104x40x(open 110)x144 cm.

Sold for CHF 78 500 (including buyer’s premium)

A186 / 1060

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PAIR OF FLINTLOCK PISTOLS,
CHF 36 500

PAIR OF FLINTLOCK PISTOLS,

Italy, mid-17th century. Signed LAZARINO COMINAZZO.

Carved walnut stocks, finely inlaid with iron in a design of tendrils, foliage and blossoms. Twelve-point barrels (L 40 cm), Cal. 12.5 mm, the chamber part accentuated with engraved leaf pattern. Flat lock-plates, the cocks screwed on the inside, decorated with carved foliage. Iron mounts. Long belt swivels, wooden ramrods with iron tips. One stock broken.

L 58 cm.

Sold for CHF 36 500 (including buyer’s premium)

A186 / 1026

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PAIR OF BRONZE HORSES,
CHF 55 700

PAIR OF BRONZE HORSES,

Renaissance, after the Byzantine Triumphal Quadriga at St. Mark's Square (Piazza San Marco), Venice, 17th century.

Patinated bronze and blue/green horn. Striding horses on a rectangular pedestal from the Régence with turtle. Bronze mounts and applications. Restorations.

L 18 cm. H (with base) 32 cm.

Sold for CHF 55 700 (including buyer’s premium)

A184 / 1011*

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PAIR OF TABLE ORNAMENTS "AUX ENFANTS",
CHF 48 500

PAIR OF TABLE ORNAMENTS "AUX ENFANTS",

Empire, attributable to P.F. FEUCHERE (Pierre François Feuchère, 1737 Paris 1823), Paris ca. 1815/20.

Matte and polished gilt bronze. With marks LJ.

H 43 cm. D 25.5 cm.

Sold for CHF 48 500 (including buyer’s premium)

A184 / 1323

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SMALL SIDE TABLE WITH GREEN HORN,
CHF 48 500

SMALL SIDE TABLE WITH GREEN HORN,

Louis XIV, Paris ca. 1700.

Green horn, exquisitely inlaid with black/brown strap work, fillets and decorative frieze. 1 drawer on the side. Gilt bronze mounts. Old mark 21 on the underside of the frame.

44x33x70 cm.

Sold for CHF 48 500 (including buyer’s premium)

A184 / 1056*

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SMALL COMMODE,
CHF 48 500

SMALL COMMODE,

Transition, signed L. BOUDIN (Leonard Boudin, maître 1761), Paris ca. 1765.

Mahogany in veneer, finely inlaid with fillets and reserves. Front with 2 sans-traverse drawers, with a narrow drawer on top. Exquisite matte and polished gilt bronze mounts and sabots. Shaped "Brèche d'Alep" marble top. Old inventory inscription SEL 210 in ink, applied by the East Ministry Rosenberg when confiscating the cabinet in 1940.

69x39x81 cm.

Sold for CHF 48 500 (including buyer’s premium)

A184 / 1147*

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COMMODE "A LA GRECQUE",
CHF 46 100

COMMODE "A LA GRECQUE",

Transition, signed G. DESTER (Godefroy Dester, maître 1774), Paris ca. 1775.

Tulipwood, rosewood and partly tinted precious woods in veneer and finely inlaid "à la Reine" with rosettes, blossoms, lozenge pattern, and decorative frieze. Front with 2 sans-traverse drawers. Fine, matte and polished gilt bronze mounts and sabots, in part replaced. Shaped "Brèche d'Alep" marble top. Restorations in the veneer.

125.5x60x90.5 cm.

Sold for CHF 46 100 (including buyer’s premium)

A184 / 1142

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MANTEL CLOCK "AUX TETES DE BELIER",
CHF 46 100

MANTEL CLOCK "AUX TETES DE BELIER",

Louis XVI, the bronzes from a Parisian master workshop, the dial signed BOURDIER A PARIS (Jean Simon Bourdier, maître 1787) and inscribed DUBUI(SSON) (Etienne Gobin, known as Dubuisson, 1731- ca. 1815), Paris ca. 1790.

"Carrara" and "Griotte Rouge" marble. Finely painted, parcel-gilt enamel dial. 3 fine, pierced and gilt hands. Anchor movement with Graham escapement, striking the 1/2-hour on bell. Exquisite mounts and applications.

H 62 cm.

Sold for CHF 46 100 (including buyer’s premium)

A184 / 1283

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PAIR OF NEO-GOTHIC "FRAGONARD" VASES,
CHF 46 100

PAIR OF NEO-GOTHIC "FRAGONARD" VASES,

Louis Philippe, Manufacture de Sèvres, France ca. 1840.

Gilt bronze and finely painted porcelain with decor "à cathédrale"; on a cobalt-blue ground. Old repairs.

H 36 cm.

Sold for CHF 46 100 (including buyer’s premium)

A184 / 1357*

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CENTER TABLE "AUX LIONS",
CHF 46 100

CENTER TABLE "AUX LIONS",

French Restoration, probably Palermo ca. 1840/60.

Wood, exquisitely carved with crouching lions, foliage and decorative frieze, and gilt, polychrome painted and lacquered. Some losses.

D 109 cm. H 89 cm.

Sold for CHF 46 100 (including buyer’s premium)

A184 / 1358*

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ROUND GUERIDON,
CHF 43 700

ROUND GUERIDON,

Transition, attributable to M. CARLIN (Martin Carlin, maître 1766), Paris ca. 1765/70.

Shaped mahogany. "Carrara" marble tops, edged in meander band. On castors. Requires some restoration.

D 37 cm. H 83 cm.

Sold for CHF 43 700 (including buyer’s premium)

A184 / 1133*

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CLOCK WITH MOON PHASE AND ALARM,
CHF 38 900

CLOCK WITH MOON PHASE AND ALARM,

Renaissance, indistinctly monogrammed WL (probably Erhard Liechti, died in 1591) and dated 1560.

Wrought iron, in part painted. 4 pillars holding the bell frame, painted red, with 2 bells, one on top of the other. Finely painted dial with window for moon phase, pierced dial with cut-out hour wheel and central coat-of-arms with date. One finely painted hand. Movements with iron cogwheels, arranged on behind the other. Finely shaped bell hammers, striking the hour and half-hour. Paint work of the dial, restored.

16x15x41.5 cm.

Sold for CHF 38 900 (including buyer’s premium)

A184 / 1005

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SUITE OF FURNITURE,
CHF 36 500

SUITE OF FURNITURE,

Empire, signed JACOB D.R. MESLEE (the collaboration between François Honoré Jacob-Desmalter and Georges Jacob between1803 and 1813), Paris ca. 1810.

Comprising 6 fauteuils "en gondole", 2 chairs "en gondole", 1 large canapé and 1pair of small canapés, so-called "têtes à tête". Wood, finely carved with foliage and decorative frieze, painted beige and parcel-gilt. Pink silk cover. Requires some restoration. The banquettes entirely upholstered with green and blue velour. Plinth "en faux marbre", some chips.The chairs and fauteuils in part with old label "Monsieur Maréchal Soult, Salon & Boudoir".

Fauteuils 60x42x40x86 cm. Chairs 40x40x48x86 cm. Canapé 230x59x44x98 cm and 98x58x44x98 cm.

Sold for CHF 36 500 (including buyer’s premium)

A184 / 1315

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SMALL CYLINDER DESK,
CHF 36 500

SMALL CYLINDER DESK,

Louis XVI, by F. BURY (Ferdinand Bury, maître 1774) and signed I.B. TUART (Jean Baptiste Tuart, maître 1741), Paris ca. 1775.

Tulipwood, amaranth, mahogany and various precious woods, fluted, shaped and in veneer. Pull-out leaf lined with green gold-impressed leather over central drawer, and 1 drawer on each side. Fitted interior with large compartment, on top 3 adjacent drawers and 2 cartonniers lined with matching leather. Retracted top with 3 adjacent drawers. Fine gilt bronze mounts and sabots, and brass fluting. "Carrara" marble top, edged with pierced brass. Free-standing.

100x57.5x(open 76)x114 cm.

Sold for CHF 36 500 (including buyer’s premium)

A184 / 1268*

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MANTEL CLOCK "AU MANEGE",
CHF 28 100

MANTEL CLOCK "AU MANEGE",

Empire/French Restoration, the dial signed VAILLANT A PARIS (Louis Jacques Vaillant, maître 1787), the bronze inscribed PRIX DU VAINQUEUR, Paris ca. 1815/30.

Matte and polished gilt bronze. Octagonal case with a central fluted shaft with a merry-go-round featuring 3 putti on swans. On a later octagonal mahogany base. Enamel dial with the hours in Roman numerals and the minutes in Arabic numerals. Parisian movement, striking the 1/2-hour on bell, the mechanism is triggered when striking the hour. Requires revision.

28.5x23.5x56.5 cm.

Sold for CHF 28 100 (including buyer’s premium)

A184 / 1346*

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LACQUER COMMODE "AU DECOR CHINOIS",
CHF 408 500

LACQUER COMMODE "AU DECOR CHINOIS",

Louis XV, Venice ca. 1730/40.

Shaped wood, finely carved with shells, rocailles and decorative frieze, and in part gilt. Exquisitely lacquered all-around, with a group of figures in an idealized park landscape on an azure ground. Front with 2 drawers. Iron mounts. "Giallo di Breccia" marble top.

144x70x87cm

Sold for CHF 408 500 (including buyer’s premium)

A182 / 1018*

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PAIR OF IMPORTANT LIDDED VASES "A L'ANTIQUE",
CHF 132 500

PAIR OF IMPORTANT LIDDED VASES "A L'ANTIQUE",

Louis XVI, after drawings by G.B. PIRANESI (Giovanni Battista Piranesi, Treviso 1720-1778 Rome), Italy, ca. 1780/1800.

"Carrara" marble. Urn-shaped vases on a gadrooned round foot with a square plinth. The walls decorated with human figures in oval medallions, and with rosettes, leaves and decorative frieze.

H 70 cm, Diam 34,2cm.

Sold for CHF 132 500 (including buyer’s premium)

A182 / 1416*

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PAIR OF IMPORTANT LIDDED VASES "A L'ANTIQUE",

LADY'S DESK "A FLEURS",
CHF 101 300

LADY'S DESK "A FLEURS",

Louis XV, attributed to P. ROUSSEL (Pierre Roussel, maître 1745), Paris, ca. 1760.

Purpleheart and various tinted precious woods in veneer and exquisitely inlaid with flowers, leaves and decorative frieze all-around. The side with 1 drawer. Fine, gilt bronze mounts and sabots.

83x43x72 cm.

Sold for CHF 101 300 (including buyer’s premium)

A182 / 1397*

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LARGE JARDINIERE "AUX ZEPHYRS",
CHF 78 500

LARGE JARDINIERE "AUX ZEPHYRS",

Empire/French Restoration, attributable to the ebenists A. WEISWEILER (Adama Weisweiler, maitre 1778) or C.J. LEMARCHAND (Charles Joseph Lemarchand, 1759 Paris 1826), the bronzes by P.P. THOMIRE (Pierre Philippe Thomire, 1751 Paris 1851), Paris, ca.1815/30.

Yew in veneer. Hexagonal body on 6 fine pillars "aux zephyrs" and matching base, on castors. Exquisite matte and polished gilt bronze mounts and applications. Removable tin basin.

D 82 cm. H 92 cm.

Sold for CHF 78 500 (including buyer’s premium)

A182 / 1435*

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PAIR OF POTPOURRIS WITH BRONZE MOUNTS,
CHF 58 100

PAIR OF POTPOURRIS WITH BRONZE MOUNTS,

Louis XV, the bronzes with "c couronné" (a revenue stamp placed on all copper alloys between 1745 and 1749 ), probably an order placed by the "marchand-mercier" L. DUVAUX (Lazare Duvaux, 1703 Paris 1758), Paris ca. 1745/49.

Matte and polished gilt bronze and celadon enameled biscuit porcelain "dans le goût chinois". Old restorations on 1 lid.

H 29 cm.

Sold for CHF 58 100 (including buyer’s premium)

A182 / 1055*

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PAIR OF LARGE SCONCES,
CHF 54 500

PAIR OF LARGE SCONCES,

French Regency, attributable to A.C. BOULLE (André Charles Boulle, 1642-1732), Paris, ca. 1715/20.

Matte and polished gilt bronze. Finely pierced wall plate, decorated with foliage. 2 light branches with broad drip plates and vase-shaped nozzles.

H 51 cm.

Sold for CHF 54 500 (including buyer’s premium)

A182 / 1380*

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PAIR OF IRON CONSOLES "AUX CARTOUCHES",
CHF 52 100

PAIR OF IRON CONSOLES "AUX CARTOUCHES",

Louis XV, Comtat Venaissin, ca. 1765/70.

Cast iron, chased and parcel-gilt. "Griotte Rouge" marble top. On spherical feet.

122x52x97 cm.

Sold for CHF 52 100 (including buyer’s premium)

A182 / 1382*

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STAINED GLASS "SCHWYZ",
CHF 22 100

STAINED GLASS "SCHWYZ",

monogrammed IM (Josias Murer, 15.0-1580) and dated 1608, Zurich.

The center depicting the coat-of-arms of Schwyz, on top the Imperial Eagle under a crown (both are later supplements). The bottom inscribed: DAS LAND SCHWYTZ 1608. Some cracks in the glass and lead.

40.5x30.5 cm.

Sold for CHF 22 100 (including buyer’s premium)

A182 / 1004

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PAIR OF PORTE-TORCHERES "AUX TETES DE BELIERS",
CHF 17 300

PAIR OF PORTE-TORCHERES "AUX TETES DE BELIERS",

Louis XVI, probably Piedmont, ca. 1780/90.

Fluted and profiled wood, and opulently carved with ram heads, foliage and decorative frieze, and gilt. Slightly protruding "Carrara" marble top. Some losses and restorations.

D 45 cm. H 85 cm.

Sold for CHF 17 300 (including buyer’s premium)

A182 / 1418*

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PAIR OF PORTE-TORCHERES "AUX TETES DE BELIERS",

SET OF 3 CACHE-POTS "A TETES DE NEPTUNE",
CHF 16 100

SET OF 3 CACHE-POTS "A TETES DE NEPTUNE",

French Regency, the porcelain from China, Kangxi, 18th century, the bronze from Paris, 19th century.

Matte and polished gilt bronze and finely painted porcelain; exotic birds, flowers and leaves on a light ground. Prominent handles "à têtes de Neptune".

D 19.5 cm. H 21.5 cm.

Sold for CHF 16 100 (including buyer’s premium)

A182 / 1038*

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SET OF 3 CACHE-POTS "A TETES DE NEPTUNE",

MARBLE GROUP OF FIGURES,
CHF 14 900

MARBLE GROUP OF FIGURES,

Louis XVI, probably V. CARADOSSI (Vittorio Caradossi,1861 Florence 1918), Italy, end of the 19th century.

"Carrara" marble. Some weathering and old repairs.

75x43x100 cm.

Sold for CHF 14 900 (including buyer’s premium)

A182 / 1359*

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IMPORTANT MANTEL CLOCK "L'INDIEN ET L'INDIENNE ENLACÉS",
CHF 270 500

IMPORTANT MANTEL CLOCK "L'INDIEN ET L'INDIENNE ENLACÉS",

Directoire, the model by J.S. DEVERBERIE (Jean Simon Deverberie died 1824), the dial signed DEVERBERIE A PARIS, Paris ca. 1800.

Matte and polished gilt bronze and burnished bronze. A couple embracing, with feather headdress, glass eyes, ear studs and feather skirt. Round enamel dial. Two finely pierced gilt hands. Movement with anchor escapement, striking the 1/2-hour on bell. Exquisite matte and polished gilt bronze mounts and applications.

46x17x57 cm.

Sold for CHF 270 500 (including buyer’s premium)

A180 / 1241

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IMPORTANT MANTEL CLOCK "L'INDIEN ET L'INDIENNE ENLACÉS",

PAIR OF BOULLE ENCOIGNURES "AUX ESPAGNOLETTES",
CHF 180 500

PAIR OF BOULLE ENCOIGNURES "AUX ESPAGNOLETTES",

Louis XV, by J. BAUMHAUER (Joseph Baumhauer, "ébéniste du Roi" ca. 1749), Paris ca. 1755.

Brown tortoiseshell, exquisitely inlaid with brass mounts "en première-partie"; blossoms, leaves, scrolls, cartouches and decorative frieze. Front with central door and 2 drawers. Exquisite matte and polished gilt bronze mounts and applications. The busts and the central cartouche replaced in the 19th century. Shaped "Portor" marble top, replaced.

78x55x94 cm.

Sold for CHF 180 500 (including buyer’s premium)

A180 / 1070

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PAIR OF BOULLE ENCOIGNURES "AUX ESPAGNOLETTES",

WRITING DESK "AUX ROSACES",
CHF 53 300

WRITING DESK "AUX ROSACES",

so-called "table liseuse", Louis XV, attributable to J.F. OEBEN (Jean François Oeben, maître 1761), Paris ca. 1760.

Tulipwood, rosewood and partly tinted precious woods, in veneer, and exquisitely inlaid with rosettes, flowers, leaves, meander band, fillets and decorative frieze. Top with pierced brass edging. Front with 1 drawer with hinged shelf lined with light blue silk and compartments for writing utensils. Fine, matte and polished gilt bronze mounts and sabots.

58.5x37x74.5 cm.

Sold for CHF 53 300 (including buyer’s premium)

A180 / 1107*

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PAIR OF BUREAU CABINETS,
CHF 41 300

PAIR OF BUREAU CABINETS,

Baroque, Lombardy ca. 1740.

Walnut and burlwood, in veneer and inlaid with reserves. Inclined, hinged writing surface. Front with 3 drawers. Inner compartment with 4 drawers arranged in 2 rows. Bronze mounts and sabots. Restored, requires some restoration.

128x59x(open 94)x120 cm.

Sold for CHF 41 300 (including buyer’s premium)

A180 / 1033

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MANTEL CLOCK "ROBINSON ET VENDREDI",
CHF 41 300

MANTEL CLOCK "ROBINSON ET VENDREDI",

Empire/Restoration, the dial signed by the re-seller WUAN OWERKLIFT DE DORCHDRECHT, ca. 1815/25,

Matte and polished gilt bronze and burnished bronze. Enamel dial. 2 fine gilt hands. Movement with anchor escapement, striking the 1/2-hour on bell. Exquisite matte and polished gilt bronze mounts and applications.

35.5x13.5x52.5 cm.

Sold for CHF 41 300 (including buyer’s premium)

A180 / 1274

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PAIR OF IMPORTANT CONSOLES "AI FOGLIAMI D'ACANTO",
CHF 36 500

PAIR OF IMPORTANT CONSOLES "AI FOGLIAMI D'ACANTO",

so-called "tavolo rettangolare a cespo", Baroque, Rome ca. 1680/1700.

Pierced wood, opulently carved with acanthus leaves, scrolls and decorative frieze, with remains of old gilding. Striking "Fleur de Pêche" marble top. Losses and restoration, probably shortened in height.

174x57x86 cm.

Sold for CHF 36 500 (including buyer’s premium)

A180 / 1032*

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PAIR OF IMPORTANT CONSOLES "AI FOGLIAMI D'ACANTO",

SET OF 4 LARGE CANDELABRAS "A L'ANTIQUE",
CHF 36 500

SET OF 4 LARGE CANDELABRAS "A L'ANTIQUE",

Empire, from a Parisian master workshop, ca. 1805/10.

Matte and polished gilt bronze and brass, and patinated bronze. Of slightly different heights. Some alterations to the nozzles.

H ca. 88 cm.

Sold for CHF 36 500 (including buyer’s premium)

A180 / 1271

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SET OF 4 LARGE CANDELABRAS "A L'ANTIQUE",

PAIR OF LARGE FIREPLACE CHENETS "AUX POMMES DE PINS",
CHF 29 300

PAIR OF LARGE FIREPLACE CHENETS "AUX POMMES DE PINS",

Louis XVI, from a Parisian master workshop, ca. 1775.

Matte and polished gilt bronze, and patinated steel. Fine mounts and applications.

51x19x42 cm.

Sold for CHF 29 300 (including buyer’s premium)

A180 / 1178

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PAIR OF LARGE FIREPLACE CHENETS "AUX POMMES DE PINS",

CHANDELIER "AUX ANGELOTS",
CHF 14 900

CHANDELIER "AUX ANGELOTS",

Restoration, Paris, 19th century.

Matte and polished gilt bronze. 12 curved light branches "aux angelots". 12 finely pierced chains. Fitted for electricity.

D 72 cm. H 96 cm.

Sold for CHF 14 900 (including buyer’s premium)

A180 / 1299*

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IMPORTANT BUREAU PLAT "AUX AIGLES",
CHF 48 500

IMPORTANT BUREAU PLAT "AUX AIGLES",

Restauration. Attributable to F. BARDI (Ranieri Bardi, active in Florence between 1820 and 1855) , Tuscany ca. 1840/60.

Birch in veneer, shaped and finely carved with cowering eagles and decorative frieze, and painted gold in part. Rectangular leaf lined with gold-impressed, brown leather, edged in bronze. Front with 3 adjoining drawers. Same but sham arrangement on verso. Exquisite bronze mounts and applications, designed as cartouches, leaves and decorative frieze. With later owner's label of a Polish nobleman: "Robioneto Biuro 1895 roku MNL Rydrenskich Ola Hrabiegot. Krevty Miescie Kole - Wladystal".

240x100x84 cm.

Sold for CHF 48 500 (including buyer’s premium)

A178 / 1233*

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IMPORTANT CHANDELIER "AUX DRAPERIES",
CHF 46 100

IMPORTANT CHANDELIER "AUX DRAPERIES",

Directory, St. Petersburg ca. 1790/95.

Cobalt-blue glass, gilt bronze and brass, and glass and crystal hangings, in part cut. Fitted for electricity.

D 68 cm. H 120 cm.

Sold for CHF 46 100 (including buyer’s premium)

A178 / 1192*

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DRINKING VESSEL WITH AUTOMATION,
CHF 42 500

DRINKING VESSEL WITH AUTOMATION,

so-called "Maiden's Cup", Renaissance, Augsburg or Nuremberg, 2nd half of the 16th century.

Matte and polished gilt bronze. Finely engraved beaker designed as a maiden in contemporary dress, with removable torso for opening the hollow space for the beverage, on 3 small wheels. Iron spring-driven movement with solid iron wheels and mechanism for automatic shut-off.

H 23 cm.

Sold for CHF 42 500 (including buyer’s premium)

A178 / 1020

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LADY'S WRITING DESK "A FLEURS",
CHF 192 500

LADY'S WRITING DESK "A FLEURS",

attributed to Louis XV, J.P. LATZ (Jean Pierre Latz, maître 1740) , the bronze mounts with "c couronné" (a tax mark which was applied to all copper-containing alloys between 1745 and 1749), Paris, ca. 1745/49.

Tulipwood, rosewood and various partly coloured precious woods, in veneer and exquisitely inlaid with flowers, leaves and cartouches and decorative frieze on all sides. Inclined front, the inside with a writing surface lined with black, gold-pressed leather. Fitted interior with large central drawer below a compartment, flanked by 1 drawer on each side. 2 secret compartments. Exquisite, matte and polished gilt bronze mounts and sabots. Free-standing.

83x47.5x(open 74)x98 cm.

Sold for CHF 192 500 (including buyer’s premium)

A176 / 1107*

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IMPORTANT CABINET, INLAID WITH "PIETRA DURA",
CHF 180 500

IMPORTANT CABINET, INLAID WITH "PIETRA DURA",

Renaissance, Florence, ca. 1600/30.

Shaped ebony, exquisitely inlaid with "Pietra Dura" on all sides; coat of arms of the Medici family, various exotic songbirds, flowers, leaves and decorative frieze. Feet, replaced. Shaped plinth of the frame, later. Front with central door between 2 drawers, flanked by 4 paneled double drawers. Fitted interior with large central drawer between 2 large drawers, flanked by 2 small drawers. Fine gilt bronze and brass mounts and applications, in part altered. Restorations and alterations. The frame, ca. 1870 and attributable to H.A. FOURDINOIS (Henri Auguste Fourdinois, 1830 Paris 1907) . Wood, exquisitely carved with stylised sphinxes, caryatids and foliage, and ebonized.

Cabinet 109x35x95 cm. Frame 135x46x99 cm.

Sold for CHF 180 500 (including buyer’s premium)

A176 / 1027

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IMPORTANT CABINET, INLAID WITH "PIETRA DURA",

PAIR OF IMPORTANT CANDELABRA "AUX VESTALES" WITH PEDESTALS,
CHF 87 530

PAIR OF IMPORTANT CANDELABRA "AUX VESTALES" WITH PEDESTALS,

Louis XVI, probably after designs by J.J. FOUCOU (Jean-Joseph Foucou, Riez 1739-1815 Paris), the bronze parts from a Parisian master workshop, manufactured for the Russian market, Paris, ca. 1790.

Matte and polished gilt bronze and green/grey speckled Sibirian porphyry. Matching rectangular pedestal with gilt rectangular plinth decorated with palmettes.

H candelabra 100.5 cm. H including pedestal 212.5 cm.

Sold for CHF 87 530 (including buyer’s premium)

A176 / 1163*

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PAIR OF IMPORTANT CANDELABRA "AUX VESTALES" WITH PEDESTALS,

GAMES TABLE "MECANIQUE",
CHF 72 500

GAMES TABLE "MECANIQUE",

Louis XV, stamped F.TE AN.A TOR.A (Andrea Torrazza, with a proven source of provenance as of 1759), Genoa, ca. 1760.

Purpleheart and tulipwood in veneer, inlaid with shamrock fillets and decorative frieze. Triple leaf, a push button in the third leaf causes a case with double-doors and 2 compartments over a drawer on each side to pop up from the leaf. 2 secret drawers for game pieces. Gilt bronze mounts and sabots.

91x46x(open 92)x84 cm.

Sold for CHF 72 500 (including buyer’s premium)

A176 / 1051*

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IMPORTANT MIRROR,
CHF 60 500

IMPORTANT MIRROR,

attributable to Charles II, G. PRECHT (Gustav Precht, a native of Bremen, settled in Stockholm in 1674 ) . Stockholm, ca. 1700.

"Verre églomisé" and hardwood; on a burgundy ground. Fine gilt bronze mounts and applications, the vases of gilt lead. Slightly chipped.

H 142 cm, W 79 cm.

Sold for CHF 60 500 (including buyer’s premium)

A176 / 1084*

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COMMODE,
CHF 58 100

COMMODE,

Louis XV, workshop of M. FUNK (Mathäus Funk, 1697-1783), Berne, ca. 1755.

Walnut and burlwood in veneer, inlaid with fine reserves. Front with 2 drawers with brass traverses. Fine gilt bronze mounts and sabots. The inside of the drawers lined with "cotton paper". Shaped "Marbre de Grindelwald" top, slightly chipped.

94x51x86 cm.

Sold for CHF 58 100 (including buyer’s premium)

A176 / 1067

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COMMODE "A FLEURS",
CHF 40 100

COMMODE "A FLEURS",

so-called "marqueterie au jasmin", Louis XIV/Régence, from a Parisian master workshop, ca. 1720/30.

Ebony, rosewood, maple, amaranth, sycamore and cherry, exquisitely inlaid with flower bouquets, sphinxes, mythological creatures, leaves, scrolls, cartouches and decorative frieze. Front slightly "en arbalète" with 3 drawers, the top drawer divided in two. Gilt bronze mounts, drop handles and sabots, in part not original. Veneer with some alterations. Cracked top.

117x64x82 cm.

Sold for CHF 40 100 (including buyer’s premium)

A176 / 1077

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PAIR OF LARGE COMMODES "A COLONNES",
CHF 36 500

PAIR OF LARGE COMMODES "A COLONNES",

Baroque, Malta, ca. 1650.

Plum, olive and sycamore wood, in veneer and finely inlaid with cartouches, leaves, scrolls, fillets and decorative frieze. Front with 4 drawers. Wooden knobs. Locks, replaced.

200x66x92 cm.

Sold for CHF 36 500 (including buyer’s premium)

A176 / 1048*

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OVAL EXTENDABLE TABLE,
CHF 14 900

OVAL EXTENDABLE TABLE,

Directoire, Paris; ca. 1800.

Shaped mahogany. On castors. Includes 5 later leaves measuring 50 cm each.

161x373x75 cm.

Sold for CHF 14 900 (including buyer’s premium)

A176 / 1197*

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PAIR OF IMPORTANT PEDESTALS WITH BOULLE MARQUETRY,
CHF 144 500

PAIR OF IMPORTANT PEDESTALS WITH BOULLE MARQUETRY,

Louis XIV, by A.J. OPPENORDT (Alexandre Jean Oppenordt, 1639–1715), Paris, ca. 1690/1700.

Ebony and red tortoiseshell, exquisitely inlaid in "premiere partie" and "contre–partie"; flowers, leaves, vases, cartouches and decorative frieze. Exceptionally fine, matte and polished gilt bronze mounts and applications in the form of masks, "masque d'indienne", laurel leaves and decorative frieze. 43x34x116.5 cm.

Sold for CHF 144 500 (including buyer’s premium)

A174 / 1058*

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PAIR OF IMPORTANT PEDESTALS WITH BOULLE MARQUETRY,

IMPORTANT COMMODE "A FLEURS",
CHF 62 900

IMPORTANT COMMODE "A FLEURS",

so–called "marqueterie au jasmin", Louis XIV, from a Parisian master workshop, ca. 1720/30.

Ebony, rosewood, maple, amaranth, sycamore and cherry, exquisitely inlaid all–around with flowers, birds, grotesques, mascarons, scrolled leaves and cartouches. Top edged in bronze, curved legs. Front "en arbalète" with 3 drawers, the top drawer divided in two. Opulent, matte and polished gilt bronze mounts, sabots and handles. Restorations and some cracks in the veneer. 119x66.5x90 cm.

Sold for CHF 62 900 (including buyer’s premium)

A174 / 1069*

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PAIR OF GAMES TABLES "A MECANISME", Louis XVI, attributed to D. ROENTGEN and his workshop (David Roentgen, Neuwied 1741-1809 Paris), Neuwied ca. 1785. Mahogany in veneer. Rectangular, triple-foldable leaf, lines with green felt. Inlaid with checkers game board, can also be used as a bookrest. Backgammon game board pops up with the aid of a spring mechanism. Secret drawer behind the foldable leg. Removable legs. Fine gilt bronze and brass mounts. 98x48.5x(open 96)x79.5 cm. Provenance: - formerly Didier Aaron, Paris. - from a European collection.
CHF 240 000

PAIR OF GAMES TABLES "A MECANISME", Louis XVI, attributed to D. ROENTGEN and his workshop (David Roentgen, Neuwied 1741-1809 Paris), Neuwied ca. 1785. Mahogany in veneer. Rectangular, triple-foldable leaf, lines with green felt. Inlaid with checkers game board, can also be used as a bookrest. Backgammon game board pops up with the aid of a spring mechanism. Secret drawer behind the foldable leg. Removable legs. Fine gilt bronze and brass mounts. 98x48.5x(open 96)x79.5 cm. Provenance: - formerly Didier Aaron, Paris. - from a European collection.

Louis XVI, D. ROENTGEN (David Roentgen, Neuwied 1741-1809 Paris) und seiner Werkstatt zuzuschreiben, Neuwied um 1785.

Mahagoni gefriest. Rechteckiges, dreifach aufklappbares Blatt - mit grünem Filz belegt, mit Damespiel eingelegt sowie ebenfalls mit grünem Filz belegt und teils aufklappbar als Lesepult verwendbar - auf gerader Zarge mit schwenkbarem hinteren Fuss als Stütze für die offenen Blätter, auf sich nach unten verjüngenden Vierkantbeinen. Per Federmechanismus aufsteigende, in der Zarge kaschierte Schatulle für das Backgammonspiel bzw. als Schatulle für die Spielutensilien, flankiert von je 1 Fach mit Lamellenverschluss. Geheimschublade hinter dem schwenkbaren Bein. Abschraubbare Beine. Feine, vergoldete Bronze- und Messingbeschläge und -kannelüren. 98x48,5x(offen 96)x79,5 cm.

Sold for CHF 240 000 (including buyer’s premium)

A172 / 1184*

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PAIR OF GAMES TABLES "A MECANISME", Louis XVI, attributed to D. ROENTGEN and his workshop (David Roentgen, Neuwied 1741-1809 Paris), Neuwied ca. 1785. Mahogany in veneer. Rectangular, triple-foldable leaf, lines with green felt. Inlaid with checkers game board, can also be used as a bookrest. Backgammon game board pops up with the aid of a spring mechanism. Secret drawer behind the foldable leg. Removable legs. Fine gilt bronze and brass mounts. 98x48.5x(open 96)x79.5 cm. Provenance: - formerly Didier Aaron, Paris. - from a European collection.

IMPORTANT COMMODE "L'ALLEGORIE DE LA MUSIQUE", Louis XVI, signed N. LANNUIER (Nicolas Louis Cyril Lannuier, maître 1783) and labelled "marchand mercier", Paris ca. 1785. Tulipwood, purpleheart and various exotic woods, exquisitely inlaid with central medallion after F. BOUCHER (1703 Paris 1770); Front with 2 sans traverse drawers below 3 adjacent drawers. Fine matte and polished gilt bronze mounts and sabots. Shaped "Brèche d'Alep" top. 130x59x85 cm. Provenance: - formerly Dubois-Chefdebien Collection, Paris. - Auction Hôtel Drouot, Paris, 23 July 1941 (Lot No. 111). - from a French collection.
CHF 140 000

IMPORTANT COMMODE "L'ALLEGORIE DE LA MUSIQUE", Louis XVI, signed N. LANNUIER (Nicolas Louis Cyril Lannuier, maître 1783) and labelled "marchand mercier", Paris ca. 1785. Tulipwood, purpleheart and various exotic woods, exquisitely inlaid with central medallion after F. BOUCHER (1703 Paris 1770); Front with 2 sans traverse drawers below 3 adjacent drawers. Fine matte and polished gilt bronze mounts and sabots. Shaped "Brèche d'Alep" top. 130x59x85 cm. Provenance: - formerly Dubois-Chefdebien Collection, Paris. - Auction Hôtel Drouot, Paris, 23 July 1941 (Lot No. 111). - from a French collection.

Louis XVI, sign. N. LANNUIER (Nicolas Louis Cyril Lannuier, Meister 1783) sowie mit Etikette als "marchand mercier" versehen, Paris um 1785.

Rosen-, Veilchenholz und diverse Edelhölzer ausserordentlich fein eingelegt mit Zentralmedaillon nach F. BOUCHER (1703 Paris 1770); auf Wolken liegende junge Frau mit Flöte und Lyra sowie Putto mit Notenblatt, Mäanderband, Filets und Zierfries. Rechteckiger Korpus auf gerader Zarge mit feinen Säulenbeinen. Front mit 2 grossen Schubladen ohne Traverse unter 3 nebeneinander liegenden Schubladen. Feine, matt- und glanzvergoldete Bronzebeschläge und -sabots. Profilierte "Brèche d'Alep"-Platte. Ergänzungen an der Zarge und den Beinen. 130x59x85 cm.

Sold for CHF 140 000 (hammer price)

A172 / 1185*

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IMPORTANT COMMODE "L'ALLEGORIE DE LA MUSIQUE", Louis XVI, signed N. LANNUIER (Nicolas Louis Cyril Lannuier, maître 1783) and labelled "marchand mercier", Paris ca. 1785. Tulipwood, purpleheart and various exotic woods, exquisitely inlaid with central medallion after F. BOUCHER (1703 Paris 1770); Front with 2 sans traverse drawers below 3 adjacent drawers. Fine matte and polished gilt bronze mounts and sabots. Shaped "Brèche d'Alep" top. 130x59x85 cm. Provenance: - formerly Dubois-Chefdebien Collection, Paris. - Auction Hôtel Drouot, Paris, 23 July 1941 (Lot No. 111). - from a French collection.

SMALL SIDEBOARD "AUX ODALISQUES DANSANTES", Empire, attributed to A. WEISWEILER (Adam Weisweiler, Meister 1778) or F.H.G. JACOB-DESMALTER (François Honoré Georges Jacob-Desmalter, 1770-1841) , Paris ca. 1810. Shaped mahogany. The front with double-doors, the inside with 4 drawers. Exquisite matte and polished gilt bronze mounts and applications. Fine "Carrara" top. 102.5x43.5x100 cm. Provenance: - from a French collection.
CHF 132 000

SMALL SIDEBOARD "AUX ODALISQUES DANSANTES", Empire, attributed to A. WEISWEILER (Adam Weisweiler, Meister 1778) or F.H.G. JACOB-DESMALTER (François Honoré Georges Jacob-Desmalter, 1770-1841) , Paris ca. 1810. Shaped mahogany. The front with double-doors, the inside with 4 drawers. Exquisite matte and polished gilt bronze mounts and applications. Fine "Carrara" top. 102.5x43.5x100 cm. Provenance: - from a French collection.

Empire, A. WEISWEILER (Adam Weisweiler, Meister 1778) oder F.H.G. JACOB-DESMALTER (François Honoré Georges Jacob-Desmalter, 1770-1841) zuzuschreiben, die Bronzebeschläge wohl von P.P. THOMIRE (Pierre Philippe Thomire, 1751 Paris 1843), Paris um 1810.

Mahagoni profiliert. Rechteckiger Korpus mit wenig vorstehendem Blatt auf profiliertem Sockel. Front mit Doppeltüre. Inwendig mit 4 Schubladen. Ausserordentlich feine matt- und glanzvergoldete Bronzebeschläge und -applikationen in Form von tanzenden, musizierenden Odalisken mit Tambourin und Panflöte, Palmetten, Thyrsusstäben, Voluten, Lorbeerkränzen, Rosetten und Anthemionfries. Feine "Carrara"-Platte. 102,5x43,5x100 cm.

Sold for CHF 132 000 (including buyer’s premium)

A172 / 1237*

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SMALL SIDEBOARD "AUX ODALISQUES DANSANTES", Empire, attributed to A. WEISWEILER (Adam Weisweiler, Meister 1778) or F.H.G. JACOB-DESMALTER (François Honoré Georges Jacob-Desmalter, 1770-1841) , Paris ca. 1810. Shaped mahogany. The front with double-doors, the inside with 4 drawers. Exquisite matte and polished gilt bronze mounts and applications. Fine "Carrara" top. 102.5x43.5x100 cm. Provenance: - from a French collection.

IMPORTANT PRINCELY BED "AUX SPHINGES", Empire, attributed to JACOB FRERES RUE MESLEE (collaboration between Georges II Jacob, 1768-1803, and François-Honoré-Georges Jacob-Desmalter, 1770-1841, 1796-1803), with brand of the CHATEAU DE COMPIEGNE and numbered C 1459, Paris ca. 1803/05. Mahogany, exquisitely carved with sphinxes, garlands, pillars, bows and decorative frieze, and gilt. Bronze mounts, not original. With old label and additional Inventory No. C 5668 in chalk. Some losses. Requires restoration. 215x130x78 cm. Provenance: - formerly part of the collections of the Château de Compiègne. - from the collection of the Marquis and the Marquise de Amodio y Moya, Hôtel particulier, 93 rue de l'Université, Paris (formerly de La Rochefoucauld).
CHF 129 600

IMPORTANT PRINCELY BED "AUX SPHINGES", Empire, attributed to JACOB FRERES RUE MESLEE (collaboration between Georges II Jacob, 1768-1803, and François-Honoré-Georges Jacob-Desmalter, 1770-1841, 1796-1803), with brand of the CHATEAU DE COMPIEGNE and numbered C 1459, Paris ca. 1803/05. Mahogany, exquisitely carved with sphinxes, garlands, pillars, bows and decorative frieze, and gilt. Bronze mounts, not original. With old label and additional Inventory No. C 5668 in chalk. Some losses. Requires restoration. 215x130x78 cm. Provenance: - formerly part of the collections of the Château de Compiègne. - from the collection of the Marquis and the Marquise de Amodio y Moya, Hôtel particulier, 93 rue de l'Université, Paris (formerly de La Rochefoucauld).

Empire, JACOB FRERES RUE MESLEE (Zusammenarbeit von Georges II Jacob, 1768-1803, und François-Honoré-Georges Jacob-Desmalter, 1770-1841, 1796-1803) zuzuschreiben, mit Brandstempel des CHATEAU DE COMPIEGNE und num. C 1459, Paris um 1803/05.

Mahagoni ausserordentlich fein beschnitzt mit Sphingen, Girlanden, Säulen, Maschen und Zierfries sowie vergoldet. Gleich hohes, leicht eingerolltes Kopf- und Fussteil mit markanten, barkenförmigen Seitenteilen. Spätere Bronzebeschläge. Mit alter Etikette und zusätzlicher Inventarnr. in Kreide C 5668. Fehlstellen und zu restaurieren. 215x130x78 cm.

Sold for CHF 129 600 (including buyer’s premium)

A172 / 1267

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SET OF 4 LARGE FAUTEUILS "A LA REINE", Louis XV, signed GOURDIN (Jean Baptiste Gourdin, maître 1748), Paris ca. 1750. Beech, moulded and finely carved with shells, cartouches and decorative frieze, and gilt. Red silk cover with flowers and leaves. Cushion. Gilding restored, with some losses. 71x57x48x97 cm. Provenance: - from a European collection.
CHF 114 000

SET OF 4 LARGE FAUTEUILS "A LA REINE", Louis XV, signed GOURDIN (Jean Baptiste Gourdin, maître 1748), Paris ca. 1750. Beech, moulded and finely carved with shells, cartouches and decorative frieze, and gilt. Red silk cover with flowers and leaves. Cushion. Gilding restored, with some losses. 71x57x48x97 cm. Provenance: - from a European collection.

Louis XV, mit Sign. GOURDIN (Jean Baptiste Gourdin, Meister 1748), Paris um 1750.

Buche mouluriert sowie fein beschnitzt mit Muscheln, Kartuschen und Zierfries sowie vergoldet. Geschweifter, trapezförmiger Sitz auf wellig ausgeschnittener Zarge mit geschweiften Beinen. Flache, jochförmig abschliessende Rückenlehne mit gepolsterten Armlehnen auf geschweiften -stützen. Roter Seidenbezug mit Blumen und Blättern. Sitzkissen. Vergoldung restauriert und mit Fehlstellen. 71x57x48x97 cm.

Sold for CHF 114 000 (including buyer’s premium)

A172 / 1097*

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SET OF 4 LARGE FAUTEUILS "A LA REINE", Louis XV, signed GOURDIN (Jean Baptiste Gourdin, maître 1748), Paris ca. 1750. Beech, moulded and finely carved with shells, cartouches and decorative frieze, and gilt. Red silk cover with flowers and leaves. Cushion. Gilding restored, with some losses. 71x57x48x97 cm. Provenance: - from a European collection.

IMPORTANT BUREAU-PLAT OF THE MARQUIS DE NICOLAY "AUX TETES DE SATYRE",Regency, by A.C. BOULLE (André Charles Boulle, 1643-1732), Paris ca. 1720. Ebony and red/brown tortoise shell, exceptionally finely inlaid with engraved brass fillets in "première-partie"; flowers, cartouches and leaves. Rectangular top etched in bronze and lined with gold-stamped leather. Front with broad retracted central drawer, flanked by 1 drawer on each side, and the same but sham arrangement verso, with the exception of the central mascaron of the bust of Democritus. Exceptionally opulent matte and polished gilt brass mounts. Old restorations, so-called "restaurations d'usage". 195x98x80 cm. Provenance: - Family Malon de Bercy or family de Nicolay, in the 18th century. - Léon, Marquis de Nicolay (1801-1873). - Remained in possession of the same family by inheritance, presently in a castle collection, Suisse romande. With detailed opinion by J.D. Augarde, S.C.P. Jean Ronfort, Paris, 25 July 2014.
CHF 3 010 000

IMPORTANT BUREAU-PLAT OF THE MARQUIS DE NICOLAY "AUX TETES DE SATYRE",Regency, by A.C. BOULLE (André Charles Boulle, 1643-1732), Paris ca. 1720. Ebony and red/brown tortoise shell, exceptionally finely inlaid with engraved brass fillets in "première-partie"; flowers, cartouches and leaves. Rectangular top etched in bronze and lined with gold-stamped leather. Front with broad retracted central drawer, flanked by 1 drawer on each side, and the same but sham arrangement verso, with the exception of the central mascaron of the bust of Democritus. Exceptionally opulent matte and polished gilt brass mounts. Old restorations, so-called "restaurations d'usage". 195x98x80 cm. Provenance: - Family Malon de Bercy or family de Nicolay, in the 18th century. - Léon, Marquis de Nicolay (1801-1873). - Remained in possession of the same family by inheritance, presently in a castle collection, Suisse romande. With detailed opinion by J.D. Augarde, S.C.P. Jean Ronfort, Paris, 25 July 2014.

Régence, von A.C. BOULLE (André Charles Boulle, 1643-1732), Paris um 1720.

Ebenholz und rot/braunes Schildpatt ausserordentlich fein eingelegt mit gravierten Messingfilets in "première-partie"; Blumen, Kartuschen und Blätter. Rechteckiges, vorstehendes, mit schwarzem, goldgepresstem Leder bezogenes und in profiliertem Bronzestab gefasstes Blatt auf wellig ausgeschnittener Zarge mit markant geschweiften Beinen. Front mit breiter und eingezogener Zentralschublade, flankiert von je 1 Schublade. Gleiche, jedoch blinde Einteilung auf der Rückseite, mit Ausnahme des zentralen Maskarons in Form einer Demokrit-Büste. Ausserordentlich reiche, matt- und glanzvergoldete Bronzebeschläge und -applikationen in Form von Satyrbüsten, Maskarons, Blattwerk und Zierfries. Alte Restaurierungen, sog. "restaurations d'usage". 195x98x80 cm.

Sold for CHF 3 010 000 (including buyer’s premium)

A170 / 1078

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IMPORTANT BUREAU-PLAT OF THE MARQUIS DE NICOLAY "AUX TETES DE SATYRE",Regency, by A.C. BOULLE (André Charles Boulle, 1643-1732), Paris ca. 1720. Ebony and red/brown tortoise shell, exceptionally finely inlaid with engraved brass fillets in "première-partie"; flowers, cartouches and leaves. Rectangular top etched in bronze and lined with gold-stamped leather. Front with broad retracted central drawer, flanked by 1 drawer on each side, and the same but sham arrangement verso, with the exception of the central mascaron of the bust of Democritus. Exceptionally opulent matte and polished gilt brass mounts. Old restorations, so-called "restaurations d'usage". 195x98x80 cm. Provenance: - Family Malon de Bercy or family de Nicolay, in the 18th century. - Léon, Marquis de Nicolay (1801-1873). - Remained in possession of the same family by inheritance, presently in a castle collection, Suisse romande. With detailed opinion by J.D. Augarde, S.C.P. Jean Ronfort, Paris, 25 July 2014.

IMPORTANT COMMODE WITH BOULLE MARQUETRY,Louis XIV, by G.M. OPPENORDT (Gilles Marie Oppenordt, 1672-1742), Paris circa 1700. Ebony and brown tortoiseshell with exceptionally fine, engraved brass "contre partie" inlays. The top edged in bronze. "En arbalete" front with 3 drawers. Exceptionally rich, matte and polished gilt bronze mounts and applications. Verso old owner's label "Comte de Contades 9/5 - 21". 122x67x82 cm. Provenance: - Formerly part of the collections of the Marquis Charles Henry de Malon de Bercy, Chateau de Bercy. - Via inheritance and marriage in the de Nicolay collection, Chateau de Bercy. - Christie's Geneva auction on 18.11.1974 (Lot No. 57). - Private collection, Monte Carlo. A highly important commode of impressive quality and elegance.
CHF 549 000

IMPORTANT COMMODE WITH BOULLE MARQUETRY,Louis XIV, by G.M. OPPENORDT (Gilles Marie Oppenordt, 1672-1742), Paris circa 1700. Ebony and brown tortoiseshell with exceptionally fine, engraved brass "contre partie" inlays. The top edged in bronze. "En arbalete" front with 3 drawers. Exceptionally rich, matte and polished gilt bronze mounts and applications. Verso old owner's label "Comte de Contades 9/5 - 21". 122x67x82 cm. Provenance: - Formerly part of the collections of the Marquis Charles Henry de Malon de Bercy, Chateau de Bercy. - Via inheritance and marriage in the de Nicolay collection, Chateau de Bercy. - Christie's Geneva auction on 18.11.1974 (Lot No. 57). - Private collection, Monte Carlo. A highly important commode of impressive quality and elegance.

Louis XIV, von G.M. OPPENORDT (Gilles Marie Oppenordt, 1672-1742), Paris um 1700.

Ebenholz und braunes Schildpatt eingelegt mit ausserordentlich feinem, graviertem Messing in "contre-partie"; Blumen, Blätter, Voluten und Zierfries. Rechteckiger Korpus mit vorstehendem, in profilierten Bronzestab gefasstem Blatt und abgeschrägten Eckstollen auf gerader Zarge mit markanten Volutenfüssen. Geschweifte Front "en arbalète" mit 3 Schubladen. Ausserordentlich reiche, matt- und glanzvergoldete Bronzebeschläge und -applikationen in Form von Maskaronen, Widderköpfen, Blattwerk und Zierfries. Verso mit alter Besitzeretikette "Comte de Contades 9/5 - 21". 122x67x82 cm.

Sold for CHF 549 000 (including buyer’s premium)

A156 / 1045*

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IMPORTANT COMMODE WITH BOULLE MARQUETRY,Louis XIV, by G.M. OPPENORDT (Gilles Marie Oppenordt, 1672-1742), Paris circa 1700. Ebony and brown tortoiseshell with exceptionally fine, engraved brass "contre partie" inlays. The top edged in bronze. "En arbalete" front with 3 drawers. Exceptionally rich, matte and polished gilt bronze mounts and applications. Verso old owner's label "Comte de Contades 9/5 - 21". 122x67x82 cm. Provenance: - Formerly part of the collections of the Marquis Charles Henry de Malon de Bercy, Chateau de Bercy. - Via inheritance and marriage in the de Nicolay collection, Chateau de Bercy. - Christie's Geneva auction on 18.11.1974 (Lot No. 57). - Private collection, Monte Carlo. A highly important commode of impressive quality and elegance.

ASTRONOMICAL LONG CASE CLOCK WITH 3-MONTH POWER RESERVE "A EQUATION DU TEMPS",Empire/Restauration, the dial signed BREGUET (Abraham Louis Breguet, 1747 Neuchatel 1823), the movement signed and numbered BREGUET & COMPIE No 220, Neuchatel before 1836. Shaped mahogany. Silver-plated bronze chapter ring, additional ring for minutes and seconds, and window for the "equation du temps". Blued steel hands. Exceptional brass movement with Graham anchor escapement, jumping seconds, perpetual calendar, equation of time with linear and constant force as well as bell striking "a la minute" on demand. Running period: 90 days. H 200 cm. Provenance: - As the reference clock for the workshop of A.L. Breguet between 1836 and 1847. - Collection of the Conte di Montalvo y Nunez del Castillo, acquired on 28.10.1847 for Fr4000. - Repurchased by Breguet in 1849 and placed in the workshop again. - In 1855 presented in the "Exposition Universelle" exhibition in Paris where it was purchased for a private collection. - Swiss private collection. With expertise from Breguet & Companie. A very rare long case clock.
CHF 526 000

ASTRONOMICAL LONG CASE CLOCK WITH 3-MONTH POWER RESERVE "A EQUATION DU TEMPS",Empire/Restauration, the dial signed BREGUET (Abraham Louis Breguet, 1747 Neuchatel 1823), the movement signed and numbered BREGUET & COMPIE No 220, Neuchatel before 1836. Shaped mahogany. Silver-plated bronze chapter ring, additional ring for minutes and seconds, and window for the "equation du temps". Blued steel hands. Exceptional brass movement with Graham anchor escapement, jumping seconds, perpetual calendar, equation of time with linear and constant force as well as bell striking "a la minute" on demand. Running period: 90 days. H 200 cm. Provenance: - As the reference clock for the workshop of A.L. Breguet between 1836 and 1847. - Collection of the Conte di Montalvo y Nunez del Castillo, acquired on 28.10.1847 for Fr4000. - Repurchased by Breguet in 1849 and placed in the workshop again. - In 1855 presented in the "Exposition Universelle" exhibition in Paris where it was purchased for a private collection. - Swiss private collection. With expertise from Breguet & Companie. A very rare long case clock.

Empire/Restauration, das Zifferblatt sign. BREGUET (Abraham Louis Breguet, 1747 Neuchâtel 1823), das Werk sign. und num. BREGUET & COMPIE No 220, Neuchâtel vor 1836.

Mahagoni profiliert. Rechteckiges, dreiseitig verglastes Gehäuse mit vorkragendem, profiliertem und geradem Kranz auf vorstehendem Sockel. Versilberter Bronzezifferring mit römischen Stundenzahlen, weiterer Zifferring für die Minuten und Sekunden sowie Fenster für die "équation du temps". Blaue Stahlzeiger. Ausserordentliches Messingwerk mit Graham-Ankergang, springender Sekunde, Ewigem Kalender, Zeitequation mit linearischer und konstanter Kraft sowie auf Anfrage Glockenschlag "à la minute". Laufdauer 90 Tage. H 200 cm.

Sold for CHF 526 000 (including buyer’s premium)

A155 / 1198

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ASTRONOMICAL LONG CASE CLOCK WITH 3-MONTH POWER RESERVE "A EQUATION DU TEMPS",Empire/Restauration, the dial signed BREGUET (Abraham Louis Breguet, 1747 Neuchatel 1823), the movement signed and numbered BREGUET & COMPIE No 220, Neuchatel before 1836. Shaped mahogany. Silver-plated bronze chapter ring, additional ring for minutes and seconds, and window for the "equation du temps". Blued steel hands. Exceptional brass movement with Graham anchor escapement, jumping seconds, perpetual calendar, equation of time with linear and constant force as well as bell striking "a la minute" on demand. Running period: 90 days. H 200 cm. Provenance: - As the reference clock for the workshop of A.L. Breguet between 1836 and 1847. - Collection of the Conte di Montalvo y Nunez del Castillo, acquired on 28.10.1847 for Fr4000. - Repurchased by Breguet in 1849 and placed in the workshop again. - In 1855 presented in the "Exposition Universelle" exhibition in Paris where it was purchased for a private collection. - Swiss private collection. With expertise from Breguet & Companie. A very rare long case clock.

IMPORTANT CABINET WITH BOULLE MARQUETRY,known as a "bibliotheque en armoire", Louis XIV/Regence, by N. SAGEOT (Nicolas Sageot, maitre 1706), Paris circa 1715/1720. Ebony and ebonized fruitwoods, exceptionally finely inlaid with engraved brass fillets in "contre partie". Exceptionally fine, matte and polished gilt bronze mounts and applications. Doors with original interior surfaces and locks. 180x58.5x290 cm. Provenance: - From a Swiss collection. - Sotheby's Zurich 10.12.1998 (Lot No. 411). - Swiss private collection. A highly important and rare cabinet in excellent condition.
CHF 652 500

IMPORTANT CABINET WITH BOULLE MARQUETRY,known as a "bibliotheque en armoire", Louis XIV/Regence, by N. SAGEOT (Nicolas Sageot, maitre 1706), Paris circa 1715/1720. Ebony and ebonized fruitwoods, exceptionally finely inlaid with engraved brass fillets in "contre partie". Exceptionally fine, matte and polished gilt bronze mounts and applications. Doors with original interior surfaces and locks. 180x58.5x290 cm. Provenance: - From a Swiss collection. - Sotheby's Zurich 10.12.1998 (Lot No. 411). - Swiss private collection. A highly important and rare cabinet in excellent condition.

sog. "bibliothèque en armoire", Louis XIV/Régence, von N. SAGEOT (Nicolas Sageot, Meister 1706), Paris um 1715/1720.

Ebenholz und ebonisierte Früchtehölzer ausserordentlich fein eingelegt mit gravierten Messingfilets in "contre partie"; tanzende und Kastagnetten spielende Harlekine, Maskaronen, Vögel, Blumen, Blätter, Filets und Zierfries. Rechteckiger Korpus mit gekehltem, bogenförmig abschliessendem Kranz auf profiliertem, bogenförmig ausgeschnittenem Sockel. Doppeltürige Front mit feiner Kassettierung. Ausserordentlich feine, matt- und glanzvergoldete Bronzebeschläge und -applikationen. Türen mit originalen Innenflächen und Schlössern. 180x58,5x290 cm.

Sold for CHF 652 500 (including buyer’s premium)

A147 / 1109

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IMPORTANT CABINET WITH BOULLE MARQUETRY,known as a "bibliotheque en armoire", Louis XIV/Regence, by N. SAGEOT (Nicolas Sageot, maitre 1706), Paris circa 1715/1720. Ebony and ebonized fruitwoods, exceptionally finely inlaid with engraved brass fillets in "contre partie". Exceptionally fine, matte and polished gilt bronze mounts and applications. Doors with original interior surfaces and locks. 180x58.5x290 cm. Provenance: - From a Swiss collection. - Sotheby's Zurich 10.12.1998 (Lot No. 411). - Swiss private collection. A highly important and rare cabinet in excellent condition.

DOUBLE GLOBE CLOCK,Louis XVI, the dial inscribed and stamped INVENIT P. HAHN ECHTERDINGEN (Philipp Matthäus Hahn, Esslingen 1739-1790 Echterdingen), the globes stamped JOH.GAB. DOPPELMAIERI M.P.P. EXHIBITUW JOH.GEORG PULCHNERO CHALCOGR. JÖRIB.A. 1736, Echterdingen circa 1785. Shaped and finely carved mahogany with acanthus leaves, lotus flowers, beading and egg and dart moulding. The clock with enamel dial, the numerals in brown for the daylight hours and blck for the nighttime hours, indicators for days of the week and months and the planetary symbols. The globe turns once a day and has rings for solar hours, times of the year, sunrise and sunset. Fine mechanism with hook movement and count wheel, with 4/4 striking on 2 bells, the small bell can be tilted. Clapper over shaft, double count wheel, calendar movement. The clock and astronomical work connected by gear wheels. 50x28x70 cm. Provenance: - collection of the Prämonstratenkloster Geras, Upper Austria. - Sobek collection, Vienna. -Time Museum Rockford, Illinois. - Collection of E. Mannheimer, Zürich. - Swiss private collection
CHF 514 500

DOUBLE GLOBE CLOCK,Louis XVI, the dial inscribed and stamped INVENIT P. HAHN ECHTERDINGEN (Philipp Matthäus Hahn, Esslingen 1739-1790 Echterdingen), the globes stamped JOH.GAB. DOPPELMAIERI M.P.P. EXHIBITUW JOH.GEORG PULCHNERO CHALCOGR. JÖRIB.A. 1736, Echterdingen circa 1785. Shaped and finely carved mahogany with acanthus leaves, lotus flowers, beading and egg and dart moulding. The clock with enamel dial, the numerals in brown for the daylight hours and blck for the nighttime hours, indicators for days of the week and months and the planetary symbols. The globe turns once a day and has rings for solar hours, times of the year, sunrise and sunset. Fine mechanism with hook movement and count wheel, with 4/4 striking on 2 bells, the small bell can be tilted. Clapper over shaft, double count wheel, calendar movement. The clock and astronomical work connected by gear wheels. 50x28x70 cm. Provenance: - collection of the Prämonstratenkloster Geras, Upper Austria. - Sobek collection, Vienna. -Time Museum Rockford, Illinois. - Collection of E. Mannheimer, Zürich. - Swiss private collection

Louis XVI, das Zifferblatt bez. und sign. INVENIT P. HAHN ECHTERDINGEN (Philipp Matthäus Hahn, Esslingen 1739-1790 Echterdingen), die Globen sign. JOH.GAB. DOPPELMAIERI M.P.P. EXHIBITUW JOH.GEORG PULCHNERO CHALCOGR. JÖRIB.A. 1736, Echterdingen um 1785.

Mahagoni profiliert und fein beschnitzt mit Akanthusblättern, Lotusblüten, Perl- und Eierstab und Zierfries. Bastionsförmiges Gehäuse mit vorstehendem Kranz, darauf die Erd- und Himmelgloben, auf gekehltem Sockel. Emailzifferblatt mit arabischen Stundenzahlen, in Braun für die Tagesstunden, in Schwarz für die Nachtstunden, dazwischen 2 kleine Zifferblätter mit roten arabischen Minutenzahlen bzw. mit Angaben für Wochen- und Monatstage sowie Planetensymbolen. Der nach der Ekliptik ausgerichtete Erdglobus mit Wendekreisverschiebung dreht sich einmal täglich und hat Ringe für Sonnenzeit, Jahreszeit sowie Sonnenauf- und Untergang. Der Himmelsglobus stellt die Ansicht des Himmels im Laufe des siderischen Jahres dar. Feines Werk mit Hakengang und Schlossscheibenwerk mit 4/4-Stundenschlag auf 2 Glocken; die kleine Glocke neigbar. Klöppelantrieb über Spindel, Doppelschlossscheibe. Das Kalenderwerk mit Stufenrad, doppelepizyklischem Getriebe, Programmscheiben und Einsatzzähne und entriegelbares 24-Stundenrad. Durch Zahnradübertragung mit dem astronomischen Werk verbunden. 50x28x70 cm.

Sold for CHF 514 500 (including buyer’s premium)

A144 / 1296

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DOUBLE GLOBE CLOCK,Louis XVI, the dial inscribed and stamped INVENIT P. HAHN ECHTERDINGEN (Philipp Matthäus Hahn, Esslingen 1739-1790 Echterdingen), the globes stamped JOH.GAB. DOPPELMAIERI M.P.P. EXHIBITUW JOH.GEORG PULCHNERO CHALCOGR. JÖRIB.A. 1736, Echterdingen circa 1785. Shaped and finely carved mahogany with acanthus leaves, lotus flowers, beading and egg and dart moulding. The clock with enamel dial, the numerals in brown for the daylight hours and blck for the nighttime hours, indicators for days of the week and months and the planetary symbols. The globe turns once a day and has rings for solar hours, times of the year, sunrise and sunset. Fine mechanism with hook movement and count wheel, with 4/4 striking on 2 bells, the small bell can be tilted. Clapper over shaft, double count wheel, calendar movement. The clock and astronomical work connected by gear wheels. 50x28x70 cm. Provenance: - collection of the Prämonstratenkloster Geras, Upper Austria. - Sobek collection, Vienna. -Time Museum Rockford, Illinois. - Collection of E. Mannheimer, Zürich. - Swiss private collection

PAIR OF DEMI-LUNE CHESTS OF DRAWERS WITH FLORAL MARQUETRY,Louis XVI, stamped C. TOPINO (Charles Topino, maitre 1773), guild stamp, Paris circa 1775/80. Tulipwood, amaranth and partly dyed precious woods in veneer, with exceptionally fine inlay of floral garlands, fillets and frieze. The demi-lune chests with slightly salient angles and fluted columnar legs, 2 sans traverse drawers under a narrower top drawer, and 1 door at each side. Decorated with exceptionally fine matte and polished gilt bronze mounts, applications and sabots and with a shaped "Carrara" top. 142x58x87 cm and 130x60x88 cm. Provenance: from a German collection .
CHF 710 000

PAIR OF DEMI-LUNE CHESTS OF DRAWERS WITH FLORAL MARQUETRY,Louis XVI, stamped C. TOPINO (Charles Topino, maitre 1773), guild stamp, Paris circa 1775/80. Tulipwood, amaranth and partly dyed precious woods in veneer, with exceptionally fine inlay of floral garlands, fillets and frieze. The demi-lune chests with slightly salient angles and fluted columnar legs, 2 sans traverse drawers under a narrower top drawer, and 1 door at each side. Decorated with exceptionally fine matte and polished gilt bronze mounts, applications and sabots and with a shaped "Carrara" top. 142x58x87 cm and 130x60x88 cm. Provenance: from a German collection .

Louis XVI, sign. C. TOPINO (Charles Topino, Meister 1773), Innungsstempel, Paris um 1775/80.

Rosenholz, Amarant und teils kolorierte Edelhölzer gefriest sowie allseitig ausserordentlich fein eingelegt mit Blumengirlanden, Filets und Zierfries. Halbrunder Korpus mit leicht vorstehenden Eckstollen auf gerader Zarge mit sich nach unten verjüngenden Säulenbeinen. Front mit 2 Schubladen ohne Traverse unter schmaler Kopfschublade. Seitlich je 1 Türe. Ausserordentlich feine, matt- und glanzvergoldete Bronzebeschläge, -applikationen und -sabots. Profilierte "Carrara"-Platte. 142x58x87 cm bzw. 130x60x88 cm.

Sold for CHF 710 000 (including buyer’s premium)

A143 / 1231*

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PAIR OF DEMI-LUNE CHESTS OF DRAWERS WITH FLORAL MARQUETRY,Louis XVI, stamped C. TOPINO (Charles Topino, maitre 1773), guild stamp, Paris circa 1775/80. Tulipwood, amaranth and partly dyed precious woods in veneer, with exceptionally fine inlay of floral garlands, fillets and frieze. The demi-lune chests with slightly salient angles and fluted columnar legs, 2 sans traverse drawers under a narrower top drawer, and 1 door at each side. Decorated with exceptionally fine matte and polished gilt bronze mounts, applications and sabots and with a shaped "Carrara" top. 142x58x87 cm and 130x60x88 cm. Provenance: from a German collection .

IMPORTANT BOULLE MARQUETRY CHEST OF DRAWERS,Régence, from a Paris master workshop, circa 1720/30. Polychrome tortoiseshell finely inlaid on all sides with engraved brass "contre partie" with scenes from Ovid's Metamorphosis within cartouches. The bombé chest with 2 drawers at the front and shaped top edged in bronze. With exceptionally fine matte and polished gilt bronze mounts, sabots and applications. 129x65x84 cm. Provenance: - Galerie Didier Aaron, Paris. - from a very important European private collection. .
CHF 710 000

IMPORTANT BOULLE MARQUETRY CHEST OF DRAWERS,Régence, from a Paris master workshop, circa 1720/30. Polychrome tortoiseshell finely inlaid on all sides with engraved brass "contre partie" with scenes from Ovid's Metamorphosis within cartouches. The bombé chest with 2 drawers at the front and shaped top edged in bronze. With exceptionally fine matte and polished gilt bronze mounts, sabots and applications. 129x65x84 cm. Provenance: - Galerie Didier Aaron, Paris. - from a very important European private collection. .

Régence, aus einer Pariser Meisterwerkstatt, um 1720/30.

Polychromes Schildpatt allseitig ausserordentlich fein eingelegt mit graviertem Messing in "contre partie"; ovale Kartusche mit Szene aus den Metamorphosen von Ovid, mit König Midas, Pan, Apollo und Bacchus, Eichhörnchen, Arabesken, Blumen, Blättern, Kartuschen und Zierfries. Bombierter Korpus mit vorstehendem, in profilierten Bronzestab gefasstem Blatt auf wellig ausgeschnittener Zarge mit geschweiften Beinen. Front mit 2 Schubladen. Ausserordentlich feine, matt- und glanzvergoldete Bronzebeschläge, -sabots und -applikationen in Form von Löwenköpfen, Kartuschen, Blättern und Zierfries. 129x65x84 cm.

Sold for CHF 710 000 (including buyer’s premium)

A142 / 1097*

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IMPORTANT BOULLE MARQUETRY CHEST OF DRAWERS,Régence, from a Paris master workshop, circa 1720/30. Polychrome tortoiseshell finely inlaid on all sides with engraved brass "contre partie" with scenes from Ovid's Metamorphosis within cartouches. The bombé chest with 2 drawers at the front and shaped top edged in bronze. With exceptionally fine matte and polished gilt bronze mounts, sabots and applications. 129x65x84 cm. Provenance: - Galerie Didier Aaron, Paris. - from a very important European private collection. .

IMPORTANT MAHOGANY CONSOLE "A LA TETE D'HERCULE",Empire, after designs by C. PERCIER (Charles Percier 1764-1838) and P.F. FONTAINE (Pierre François Fontaine, 1762-1853), attributed to F.H.G. JACOB-DESMALTER (François Honoré Georges Jacob-Desmalter, 1770-1841), Paris circa 1810. With a "Carrara" top above 4 chimaera supports with the head of Hercules. Four drawers at the front. Decorated with exceptionally rich matte and polished gilt bronze mounts and applications. 300x60x93 cm. Provenance: - According to an invoice, formerly in the collection of the Duchesse de Valençay. - Galerie Aveline, Paris. - from a European private collection.
CHF 537 500

IMPORTANT MAHOGANY CONSOLE "A LA TETE D'HERCULE",Empire, after designs by C. PERCIER (Charles Percier 1764-1838) and P.F. FONTAINE (Pierre François Fontaine, 1762-1853), attributed to F.H.G. JACOB-DESMALTER (François Honoré Georges Jacob-Desmalter, 1770-1841), Paris circa 1810. With a "Carrara" top above 4 chimaera supports with the head of Hercules. Four drawers at the front. Decorated with exceptionally rich matte and polished gilt bronze mounts and applications. 300x60x93 cm. Provenance: - According to an invoice, formerly in the collection of the Duchesse de Valençay. - Galerie Aveline, Paris. - from a European private collection.

Empire, nach Vorlagen von C. PERCIER (Charles Percier 1764-1838) und P.F. FONTAINE (Pierre François Fontaine, 1762-1853), F.H.G. JACOB-DESMALTER (François Honoré Georges Jacob-Desmalter, 1770-1841) zuzuschreiben, Paris um 1810.

Mahagoni gefriest. Rechteckige, leicht vorstehende "Carrara"-Platte auf gerader Zarge mit 4 Chimärenstützen mit Herkuleskopf aus Bronze und verspiegelter Rückwand, auf markanter Sockelplatte mit gequetschten Kugelfüsssen. Front mit 4 nebeneinander liegenden Schubladen. Ausserordentlich reiche, matt- und glanzvergoldete Bronzebeschläge und -applikationen in Form von Figurenstaffage mit antikisierenden Sujets. 300x60x93 cm.

Sold for CHF 537 500 (including buyer’s premium)

A142 / 1311*

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IMPORTANT MAHOGANY CONSOLE "A LA TETE D'HERCULE",Empire, after designs by C. PERCIER (Charles Percier 1764-1838) and P.F. FONTAINE (Pierre François Fontaine, 1762-1853), attributed to F.H.G. JACOB-DESMALTER (François Honoré Georges Jacob-Desmalter, 1770-1841), Paris circa 1810. With a "Carrara" top above 4 chimaera supports with the head of Hercules. Four drawers at the front. Decorated with exceptionally rich matte and polished gilt bronze mounts and applications. 300x60x93 cm. Provenance: - According to an invoice, formerly in the collection of the Duchesse de Valençay. - Galerie Aveline, Paris. - from a European private collection.

SECRÉTAIRE A ABATTANT WITH PAINTED PANELS,Louis XVI, stamped N. PETIT (Nicolas Petit, maitre 1761), guild stamp, Paris circa 1775/80. Tulipwood, amaranth and partly green-dyed precious woods in veneer, the panels Chinese 18th century, with fine figural landscapes on light blue ground. The fall-front writing surface lined inside with green leather, set between drawer and compartment with double door. The fitted interior with large central compartment flanked by drawers under 3 large compartments. With exceptionally fine matte and polished gilt bronze mounts and shaped "Levanto" top. 114x41.5x(open101)x147 cm. Provenance: - Laire Dubreuil auction, Galerie G. Petit Paris am 4.6.1921 (lot no. 76). - Galerie Fleuries auction, Cannes 31.1.1962 (lot no. 44). - from a very important European private collection Publications: - G. Henriot, Les beaux meubles des collections privées, Paris 1928; plate IX, ill. 2. - Les ébénistes du XVIIIe siècle français, in: Collection Connaissances des Arts, Paris 1963; p. 209 (ill.5). - P. Lemonnier, Nicolas Petit, un ébéniste prospère, in: L'Estampille / L'Objet d'Art 1, 1990; p. 44f.
CHF 925 000

SECRÉTAIRE A ABATTANT WITH PAINTED PANELS,Louis XVI, stamped N. PETIT (Nicolas Petit, maitre 1761), guild stamp, Paris circa 1775/80. Tulipwood, amaranth and partly green-dyed precious woods in veneer, the panels Chinese 18th century, with fine figural landscapes on light blue ground. The fall-front writing surface lined inside with green leather, set between drawer and compartment with double door. The fitted interior with large central compartment flanked by drawers under 3 large compartments. With exceptionally fine matte and polished gilt bronze mounts and shaped "Levanto" top. 114x41.5x(open101)x147 cm. Provenance: - Laire Dubreuil auction, Galerie G. Petit Paris am 4.6.1921 (lot no. 76). - Galerie Fleuries auction, Cannes 31.1.1962 (lot no. 44). - from a very important European private collection Publications: - G. Henriot, Les beaux meubles des collections privées, Paris 1928; plate IX, ill. 2. - Les ébénistes du XVIIIe siècle français, in: Collection Connaissances des Arts, Paris 1963; p. 209 (ill.5). - P. Lemonnier, Nicolas Petit, un ébéniste prospère, in: L'Estampille / L'Objet d'Art 1, 1990; p. 44f.

Louis XVI, sign. N. PETIT (Nicolas Petit, Meister 1761), Innungsstempel, Paris um 1775/80.

Rosenholz, Amarant und teils grün getönte Edelhölzer gefriest, die Panneaux aus China, 18. Jh.; auf hellblauem Fond ausserordentlich feine Figurenstaffage in idealisierter Parklandschaft. Prismierter Korpus mit leicht vorstehenden Eckstollen auf wellig ausgeschnittener Zarge mit Vierkantbeinen. Front mit abklappbarer, innen mit grünem Leder bezogener Schreibplatte zwischen Kopfschublade und Fach mit Doppeltüre. Inneneinteilung mit grossem Zentralfach, flankiert von je 3 übereinander liegenden Schubladen unter 3 grossen Fächern auf 2 Reihen. Ausserordentlich feine, matt- und glanzvergoldete Bronzebeschläge in Form von Rosetten, Mäanderband und Zierfries. Profilierte "Levanto"-Platte. 114x41,5x(offen101)x147 cm.

Sold for CHF 925 000 (including buyer’s premium)

A140 / 1221*

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SECRÉTAIRE A ABATTANT WITH PAINTED PANELS,Louis XVI, stamped N. PETIT (Nicolas Petit, maitre 1761), guild stamp, Paris circa 1775/80. Tulipwood, amaranth and partly green-dyed precious woods in veneer, the panels Chinese 18th century, with fine figural landscapes on light blue ground. The fall-front writing surface lined inside with green leather, set between drawer and compartment with double door. The fitted interior with large central compartment flanked by drawers under 3 large compartments. With exceptionally fine matte and polished gilt bronze mounts and shaped "Levanto" top. 114x41.5x(open101)x147 cm. Provenance: - Laire Dubreuil auction, Galerie G. Petit Paris am 4.6.1921 (lot no. 76). - Galerie Fleuries auction, Cannes 31.1.1962 (lot no. 44). - from a very important European private collection Publications: - G. Henriot, Les beaux meubles des collections privées, Paris 1928; plate IX, ill. 2. - Les ébénistes du XVIIIe siècle français, in: Collection Connaissances des Arts, Paris 1963; p. 209 (ill.5). - P. Lemonnier, Nicolas Petit, un ébéniste prospère, in: L'Estampille / L'Objet d'Art 1, 1990; p. 44f.

BUREAU-PLAT, Louis XV, stamped BVRB, The bronzes with "c couronné", Paris circa 1745/49. Highly important hitherto unknown bureau-plat by the most important royal cabinet maker of the mid 18th century, of perfect quality and elegance. The almost identical pair to this piece is today in the collection of the Cleveland Museum of Art (Inventory number. 44123). Provenance: Private Collection, West Switzerland.
CHF 580 000

BUREAU-PLAT, Louis XV, stamped BVRB, The bronzes with "c couronné", Paris circa 1745/49. Highly important hitherto unknown bureau-plat by the most important royal cabinet maker of the mid 18th century, of perfect quality and elegance. The almost identical pair to this piece is today in the collection of the Cleveland Museum of Art (Inventory number. 44123). Provenance: Private Collection, West Switzerland.

Louis XV, sign. BVRB (Bernard II Van Risenburgh, Meister 1735), die Bronzen mit "c couronné" (eine Steuermarke, die zwischen 1745 und 1749 auf alle Kupfer enthaltenden Legierungen angebracht wurde), Paris um 1745/49.

Amarant, Rosen- und Satinholz gefriest sowie ausserordentlich fein eingelegt "en bois de bout"; Blumen, Blätter, Reserven und Zierfries. Geschweiftes, rechteckiges, mit grünem, goldgepresstem Leder bezogenes und in mehrfach profilierten Bronzestab gefasstes Blatt auf wellig ausgeschnittener Zarge in "contour à l'arbalète" mit geschweiften Beinen. Front mit breiter Zentralschublade und 2 seitlichen Schubladen. Gleiche, jedoch blinde Einteilung auf der Rückseite. Ausserordentlich feine, matt- und glanzvergoldete Bronzebeschläge, -sabots und -applikationen in Form von Kartuschen, Blättern, Blumen und Zierfries. 150x72x79 cm.

Sold for CHF 580 000 (including buyer’s premium)

A138 / 1135

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BUREAU-PLAT, Louis XV, stamped BVRB, The bronzes with "c couronné", Paris circa 1745/49. Highly important hitherto unknown bureau-plat by the most important royal cabinet maker of the mid 18th century, of perfect quality and elegance. The almost identical pair to this piece is today in the collection of the Cleveland Museum of Art (Inventory number. 44123). Provenance: Private Collection, West Switzerland.

IMPORTANT CENTRE TABLE "AUX FEMMES AILEES", Restauration, sign. L.A. BELLANGE 8, PASSAGE SAULNIER (Louis Alexandre Bellangé, "Ebéniste de la Couronne" 1834), Paris circa 1835/40. Mahogany veneer and matte and polished and silver-plated bronze. The top lined with wine red leather and edged in bronze, with 2 caryatids and 2 column supports, the supports with armorial cartouche with monogram under crown. 172x86x80 cm. Provenance: - formerly Ségoura, Paris. - from a European collection.
CHF 950 000

IMPORTANT CENTRE TABLE "AUX FEMMES AILEES", Restauration, sign. L.A. BELLANGE 8, PASSAGE SAULNIER (Louis Alexandre Bellangé, "Ebéniste de la Couronne" 1834), Paris circa 1835/40. Mahogany veneer and matte and polished and silver-plated bronze. The top lined with wine red leather and edged in bronze, with 2 caryatids and 2 column supports, the supports with armorial cartouche with monogram under crown. 172x86x80 cm. Provenance: - formerly Ségoura, Paris. - from a European collection.

Restauration, sign. L.A. BELLANGE 8, PASSAGE SAULNIER (Louis Alexandre Bellangé, "Ebéniste de la Couronne" 1834), Paris um 1835/40.

Mahagoni gefriest sowie matt- und glanzvergoldete und versilberte Bronze. Bastionsförmiges, in profilierten Bronzestab gefasstes und mit bordeauxrotem Leder bezogenes Blatt auf gerader Zarge mit 2 Karyatiden- und 2 Säulenstützen sowie Kreuzsteg auf Quaderfüssen. Die Stützen mit Wappenkartusche, darin Monogramm unter Krone. 172x86x80 cm. Katalogkorrektur: Der Tisch ist vollumfänglich mehrwertsteuerpflichtig.

Sold for CHF 950 000 (hammer price)

A137 / 1342*

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IMPORTANT CENTRE TABLE "AUX FEMMES AILEES", Restauration, sign. L.A. BELLANGE 8, PASSAGE SAULNIER (Louis Alexandre Bellangé, "Ebéniste de la Couronne" 1834), Paris circa 1835/40. Mahogany veneer and matte and polished and silver-plated bronze. The top lined with wine red leather and edged in bronze, with 2 caryatids and 2 column supports, the supports with armorial cartouche with monogram under crown. 172x86x80 cm. Provenance: - formerly Ségoura, Paris. - from a European collection.

Fine Furniture & Decorative Arts

Stephan Koller

Giordana Schmid

Anahi Cardona

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PAUL TROUBETZKOY

VERY RARE AND INTERESTING PRECISION REGULATOR CLOCK "RIEFLER",

PAIR OF VASES "AUX TETES DE ZEPHYR",

PAIR OF DECORATIVE GILT BRONZE SWANS,

COMMODE "A FLEURS",

RARE TAPESTRY "Tobias mit dem Fisch" ("Tobias with the Fish"),

PORTAL LION,

CLOCK WITH CARILLON,

PAIR OF GILT SCONCES,

VOTIVE STATUETTE OF A DORMANT IBIS,

PAIR OF BOTTLE HOLDERS,

CLOCK DESIGNED AS A TOWER,

THREE FAIENCE JUGS IN THE SHAPE OF PARROTS, WITH HANDLES,

JEAN LOUIS ERNEST MEISSONNIER (1815-1891),

AN IMPORTANT SAFE CABINET WITH IMPERIAL COAT OF ARMS,

A RARE WHEELLOCK CARABINE OR PETRONEL,

A RARE CROSS-SHAPED NECK WATCH WITH ROCK CRYSTAL,

IMPORTANT CABINET WITH BOULLE MARQUETRY,

PAIR OF LIDDED VASES WITH BRONZE MOUNTS,

HUNTING HORN / "OLIFANT",

LARGE CONSOLE "A LA COQUILLE",

LACQUERED SECRETAIRE "A ABATTANT",

PAIR OF FLINTLOCK PISTOLS,

PAIR OF BRONZE HORSES,

PAIR OF TABLE ORNAMENTS "AUX ENFANTS",

SMALL SIDE TABLE WITH GREEN HORN,

SMALL COMMODE,

COMMODE "A LA GRECQUE",

MANTEL CLOCK "AUX TETES DE BELIER",

PAIR OF NEO-GOTHIC "FRAGONARD" VASES,

CENTER TABLE "AUX LIONS",

ROUND GUERIDON,

CLOCK WITH MOON PHASE AND ALARM,

SUITE OF FURNITURE,

SMALL CYLINDER DESK,

MANTEL CLOCK "AU MANEGE",

LACQUER COMMODE "AU DECOR CHINOIS",

PAIR OF IMPORTANT LIDDED VASES "A L'ANTIQUE",

LADY'S DESK "A FLEURS",

LARGE JARDINIERE "AUX ZEPHYRS",

PAIR OF POTPOURRIS WITH BRONZE MOUNTS,

PAIR OF LARGE SCONCES,

PAIR OF IRON CONSOLES "AUX CARTOUCHES",

STAINED GLASS "SCHWYZ",

PAIR OF PORTE-TORCHERES "AUX TETES DE BELIERS",

SET OF 3 CACHE-POTS "A TETES DE NEPTUNE",

MARBLE GROUP OF FIGURES,

IMPORTANT MANTEL CLOCK "L'INDIEN ET L'INDIENNE ENLACÉS",

PAIR OF BOULLE ENCOIGNURES "AUX ESPAGNOLETTES",

WRITING DESK "AUX ROSACES",

PAIR OF BUREAU CABINETS,

MANTEL CLOCK "ROBINSON ET VENDREDI",

PAIR OF IMPORTANT CONSOLES "AI FOGLIAMI D'ACANTO",

SET OF 4 LARGE CANDELABRAS "A L'ANTIQUE",

PAIR OF LARGE FIREPLACE CHENETS "AUX POMMES DE PINS",

CHANDELIER "AUX ANGELOTS",

IMPORTANT BUREAU PLAT "AUX AIGLES",

IMPORTANT CHANDELIER "AUX DRAPERIES",

DRINKING VESSEL WITH AUTOMATION,

LADY'S WRITING DESK "A FLEURS",

IMPORTANT CABINET, INLAID WITH "PIETRA DURA",

PAIR OF IMPORTANT CANDELABRA "AUX VESTALES" WITH PEDESTALS,

GAMES TABLE "MECANIQUE",

IMPORTANT MIRROR,

COMMODE,

COMMODE "A FLEURS",

PAIR OF LARGE COMMODES "A COLONNES",

OVAL EXTENDABLE TABLE,

PAIR OF IMPORTANT PEDESTALS WITH BOULLE MARQUETRY,

IMPORTANT COMMODE "A FLEURS",

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