PAINTED PENDULUM CLOCK ON PLINTH, WITH DATE

Neuchâtel, Louis XVI.

Curved wooden case, painted with flowers on a green ground. Chased brass mounts, and bronze mounts designed as bows, flowers and leaves. Enamel dial, gilt pierced hands. Movement with verge escapement, striking the 1/4-hour on 3 bells. Repetition on demand. 1 key. 1 pendulum.

43 x 19 x H 104 cm.

MANTEL CLOCK WITH BOULLE MARQUETRY

Louis XIV, Paris ca. 1700. The movement signed PEQUET À PARIS. Later "mariage".

Rectangular case with marquetry in brown tortoiseshell and brass, designed as tendrils, leaves, vases, a dancing couple, etc. Bronze mounts designed as espagnolettes, scrolled leaves, flowers, and garlands. The top, decorated with 2 putto figures. Relief-decorated bronze dial with white enamel cartouches. Movement modified to anchor escapement, striking the 1/2-hour on bell.

40 x 16 x 78 cm.

This object contains material of endangered species and is subject to certain trade restrictions. Prospective buyers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import it into another country.

PAINTED PENDULE

Louis XV, Paris, 2nd half of the 18th century. The dial and movement signed: Jacques Panier à Paris. Probably Jacques-Charles Panier, maître 1743.

Case, painted with flowers in green Vernis Martin. Opulent gilt bronze mounts. Bronze dial with white enamel cartouches. Movement, converted to anchor escapement, striking the 1/2-hour on bell. 1 key.

42 x 17 x 95 cm.

PENDULE ON PLINTH

Transition, Paris ca. 1775. The dial signed Baudoin à Paris. Probably Pierre Baudoin, maître ca. 1780.

Case decorated with flowers in Vernis Martin, on a red ground. Opulent gilt bronze mounts. White enamel dial. Neuchâtel movement with verge escapement, striking the 1/4-hour on 2 bells. Repetition on demand. 1 key.

42 x 24 x 100 cm.

CARTEL CLOCK

Louis XV, France, 18th/19th century.

Bronze, punched and gilt. White enamel dial. Movement, striking the 1/2-hour on bell.

H 53 cm.

PORTAL CLOCK

Louis XVI ca. 1780.

White and black marble. Decorated with gilt bronze and blue biscuit porcelain plates. White enamel dial. Neuchâtel movement, striking the 3/4-hour on 2 bells. 1 key.

30 x 10 x 47 cm.

"LANTERN" CLOCK WITH ONE HAND

England, 17th century. The dial signed John Beale London. Maître 1658.

Brass. Enclosed case, the top featuring the bell cage. Dial with engraved chapter ring, the inner field engraved with foliage. Movement modified to balance-wheel movement, striking the hour on bell.

16 x 15 x 40 cm.

RELIGIEUSE

The case, Louix XIV, Paris, 18th century. The movement and dial, 19th century, with signature 'Balthazar à Paris'.

Wood, applied with brown dyed tortoiseshell. FIne bronze dial with 12 enamel cartouches for the hours. Two blackened hands. Movement with anchor escapement, striking the 1/2-hour on bell. Fine, gilt bronze mounts and applications.

32 x 15 x 55 cm.

This object contains material of endangered species and is subject to certain trade restrictions. Prospective buyers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import it into another country.

MANTEL CLOCK "AUX PORTEUSES"

Empire style.

Gilt bronze. Enamel dial, featuring the hours in Roman numerals. Movement with anchor escapement, striking the 1/2-hour on bell.

32 x 13 x 34 cm.

SMALL CABINET

Renaissance and later, Italy.

Walnut and burlwood, carved with male figures. Rectangular frame with a shaped cornice with 2 drawers. Front with hinged door, opening up into 10 drawers, 1 door and 2 further drawers. Brass mounts. No key awailable.

51 x 35 x 59 cm.

CUPBOARD

Late Renaissance, Switzerland, 18th century.

Walnut, inlaid with light/dark fillets, and carved with scrolled leaves and capitals. Base with 2 drawers. Double-doors. Iron mounts. 1 key.

190 x 67 x 225 cm.

CARVED AND INLAID SIDE-BOARD

In the Late Renaissance style, Switzerland, in part arranged using older elements.

Walnut and maple, carved and inlaid. Two doors. The cornice with owner's initials and the year 1643.

139 x 40 x 99 cm.

"LUSTERWEIBCHEN" CHANDELIER

Renaissance style, Southern Germany or Switzerland.

Wood, carved all around and painted. With coat-of-arms cartouche (Inscribed: Alter Wein und junge Weiber Das find gute Zeitvertreiber). Deer antlers. Fitted for electricity.

H 90 cm, W 100 cm.

WALL-MOUNTED VITRINE CABINET

Switzerland, 18th century.

Walnut. Front with one door, glazed on three sides. Formerly, a watch vitrine-cabinet.

47.5 x 20 x 98.5 cm.

CUPBOARD

Baroque, Switzerland, 18th century.

Walnut and burlwood, inlaid with rectangular reserves and bands. Front with double-doors. Brass mounts. 1 key.

207 x 73 x 199 cm.

COMMODE

Baroque, Sweden.

Walnut, plum and other tinted woods, inlaid in fillets and reserves. 3 drawers. Bronze mounts.

105 x 54 x 83 cm.

PAINTED FAUTEUIL "À CHASSIS"

Baroque, probably Germany.

Wood, carved with rocailles and scrolls, painted beige and parcel-gilt. Tapestry cover.

60 x 54 x 95 cm.

SMALL COMMODE

Rococo, Sweden ca. 1760.

Plum and fruit wood, inlaid in reserves and fillets. 4 drawers. Bronze mounts. Violet marble top. 1 key.

49 x 38 x 80 cm.

SET OF 4 CHAIRS

Baroque, Berne.

Walnut. Pierced backrest. Yellow damask cover.

62 x 49 x 107.5 cm.

STOOL

Baroque, Italy.

Walnut. Foldable frame.

61 x 42 x 73 cm.

DRESSING-TABLE MIRROR

Rococo style, probably Aachen, 19th century.

Carved oak. The rear with a hinged support.

W 41 cm, H 53 cm.

DOCUMENT CHEST

Baroque, North-Eastern Switzerland, ca. 1700-1720.

Walnut. Drop handles. Hinge cover. Inside with additional tray. 1 key.

90 x 52 x 60 cm.

PAIR OF CHAIRS

Rococo style, Berne.

Walnut, carved and moulded. Brown/orange fabric cover.

52 x 45 x 95.5 cm.

PAIR OF CHAIRS

Rococo style, Berne.

Cherry, moulded and carved. Brown/orange velour cover.

52 x 45 x 94 cm.

LOT OF 4 ASSOCIATED CHAIRS

Rococo, Berne ca. 1750.

Walnut and cherry, moulded and carved. Brown/orange velour cover.

Ca. 50 x 45 x 91 cm.