SWITZERLAND - MILITARIA.-

Johann Jakob SPERLI (1770 - 1841)

1. Eidsgenössisches Uebungs-Lager bey Wohlen im August 1820. Von der Morgen = Seiten; 2. Eidsgenössisches Uebungs-Lager bey Wohlen im August 1820. Von der Abend = Seiten. A pair of works. - Plus two more prints.

Aquatint etchings with original colour. The framing lines in black pen.

Engraved title and signature in lower text margin: J.J. Sperli fecit Heinrich Hässli sculp.

Both approx. 27 x 42 cm.

THUN - MILITARIA.

Das Eidsgenössische Lager bey Thun von 1826. - Plus one more print.

Lithograph with original colour. The framing line in black pen.

Engraved signature lower left in text margin: Gezeichnet von J. J. Oesch.

34.5 x 52 cm (sheet dimensions: 40.2 x 56.8 cm).

SWITZERLAND - MILITARIA.-

"Vorstelung des Militärischen Zuzugs ganzer Hochl: Eidsgenosschaft, an den Gränzen bey Basel". Circa 1800. - Plus one watercolour.

Outline etching with original colour.

28 x 45 cm (sheet dimension: 30 x 48 cm).

ZURICH - MILITARIA.-

Friedrich SCHÖNFELD (1807-1853)

A lot of 5 sheets: Zürcherisches Cantonal=Militär.

Pen lithographs with original colour.

Titled, inscribed and signed below the image in the stone: Lit v. F. Schönfeld in Winterthur.

Sheet dimensions each approx. 35 x 44.5 cm.

AUSTRIA - VIENNA.-

CARL SCHÜTZ (1745-1800)

A lot of two views: 1. Ansicht der Schottenkirche und des Platzes bis auf den Hof. 2. Ansicht vom Graben gegen den Kohlmarkt.

Outline etching with original colour.

Each with engraved title, inscription and signature in the text margin: Nach der Natur gezeichnet und gestochen von C. Schütz in Wien, 1781 and 1790. In Wien bey Artaria Comp. Engraved numbering upper right: '13' and '9'.

33 x 43 cm (sheet dimensions: 46 x 66 cm) and 33.5 x 43 cm (sheet dimensions: 44.5 x 55 cm).

FLORENCE.-

Johann Sebastian MÜLLER (1715-1785) after Giuseppe ZOCCHI.

Veduta di Lung Arno e del Ponte a S. Trinita presa dal Terrazzo dé SS.Rucellai. Florence, Bouchard, 1754. - Plus one more print.

Etching.

Engraved title, inscription and numbering below the image: T.VII.

50 x 69 cm (sheet dimensions: 62 x 82 cm).

DANUBE - MAP.-

Tobias Conrad LOTTER (1717 - 1777 Augsburg).

Tabula Synoptica Totius Fluminis Danubii A Fontibus Usque Ade Ostia ... Augsburg, circa 1760.

Coloured copperplate map over three mounted sheets.

49 x 170 cm. Framed.

JOHANN JAKOB FALKEISEN

(1804 Basel 1883)

Esky Kap Ligiah near Brussa with figures and animals.

Pencil, pen and grey ink, watercolour. The framing line in black pen.

Signed lower right: J.J. Falkeisen.

24.5 x 33.5 cm. Framed.

JEAN-HONORÉ FRAGONARD

(Grasse 1732 - 1806 Paris)

1. A nymph sitting on the hands of two satyrs; 2. The satyr family. From the series: Quatre Bacchanales, ou Jeux de Satyres, 1763.

Etchings.

14.6 x 20.9 cm and 14.5 x 21.3 cm.

STEFANO DELLA BELLA

(1610 Florence 1664)

Two hugging children.

Etching.

5.8 x 8.8 cm.

STEFANO DELLA BELLA

(1610 Florence 1664)

A head of a child.

Etching.

9 x 6.8 cm.

GIOVANNI BATTISTA PIRANESI

(Mogliano by Mestre 1721 - 1778 Rome)

Veduta nella Via del Corso, 1752. From the series: Vedute di Roma.

Etching.

40 x 61 cm (sheet dimensions: 52,7 x 76 cm). Framed.

GIOVANNI BATTISTA PIRANESI

(Mogliano by Mestre 1720 - 1778 Rome)

Veduta interna dell’ Artrio del Portico di Ottavia, 1760. From the series: Vedute di Roma.

Etching.

41.5 x 55.5 cm (sheet dimensions: 50 x 65 cm). Framed.

RICHARD EARLOM

(1743 London 1822)

After Johann ZOFFANY. Colonel Mordaunt's Cock Match at Lucknow. 1792.

Coloured mezzotint.

46.5 x 58.5 cm (sheet dimensions: 50.8 x 72.5 cm).

JACOPO LEONARDIS

(1723 - 1794)

1. Or con la voce… (The quack as a dentist); 2. Vario è il vestir... (The minuet). Two Venetian scenes after Giovanni Battista TIEPOLO, 1765.

Coloured etchings.

Both with engraved title, signature, date and number below the image: Pl. 9 und Pl. 10.

Each approx. 36.5 x 48.5. Framed as pendants in decorative gold frames.

NICOLAS HENRI JACOB

(1782 Paris 1871)

A series of 24 plates depicting monkeys. From: Storia Naturale delle scimie, 1812. Published by F. Artaria.

Hand-coloured engravings.

Each with engraved title and with multiple line text in Italian below the image. Each inscribed lower right: Tavola...;

Each approx. 31.2 x 21.7 cm. All engravings framed as pendants in decorative frames.

CORNELIS II VISSCHER

(1619/29 Haarlem 1658/62)

After Pieter VAN LAER. The stall.

Etching and copperplate engraving. On laid paper with watermark in oval, not identified.

Inscribed at upper margin: P.de Laer pinxit.

28.5 x 38.2 cm.

JOHANNES SADELER I

(Brussels 1550 - 1600 Venice)

After Bartholomäus Spranger. The Holy Family with John the Baptist as a boy and music-making angels, 1581. - Plus one more print.

Copperplate engraving.

27.5 x 19 cm.

PIERRE IMBERT DREVET

(1697 Paris 1739)

Portrait of Jacques François Edouard Stuart, Prince of Wales. After Nicolas de Largillierre.

Copperplate engraving.

48.5 x 37 cm.

FLORENCE OR SIENA, LATE 16TH CENTURY

The meeting of Saint Francis and Saint Clare.

Black chalk, pen and brush and brown ink, heightened in white.

Inscribed at lower edge in brown pen: Vasari.

13 x 20 cm.

VENETIAN, CIRCA 1580

An homage scene or the Baptism of Christ in the Jordan.

Pen and brown ink. The framing line in brown pen.

6.6 x 11.6 cm.

ITALIAN, 16TH CENTURY

A breast-length portrait of an elderly bearded man. - Plus two more drawings.

Black, white and reddish-brown chalk on grey-blue laid paper with watermark: lily in a circle.

Inscribed lower right in brown pen: Titiano.

39.2 x 25.5 cm.

ITALIAN, 17TH CENTURY

A male head in profile to the right blowing a flute.

Pen and brown ink, red chalk.

18.8 x 17.9 cm.

ITALIAN, 17TH CENTURY

Mark the Evangelist with the lion; the Virgin and Child with John the Baptist as a boy. Two studies on one sheet.

Pen and brush and brown ink, black chalk.

16.7 x 31 cm (uneven).

ITALIAN, 17TH CENTURY

Study of the Annunciation. Verso: study of two fighting people.

Red chalk. Verso: pen and brown ink.

Verso with old inscription in brown pen: Giacomo Taluna (?).

22.2 x 19.8 cm.