PENDULE

Baroque, Holland ca. 1730.

Wooden case, painted black. Brass mounts, in part chased, designed as scrolled leaves, tendrils, acanthus, flower baskets and cartouches. The door, featuring Chronos (later supplement). Hidden drawer in the base, for the key. Chased brass dial with white enamel cartouches (in part chipped). Black hands. Italian movement with verge escapement, striking the 1/4-hour on 2 bells. 1 key.

40 x 16 x 84 cm.

KAMINPENDULE

Louis XV-Stil, Neuenburg, teils unter Verwendung alter Teile.

Geschweiftes Holzgehäuse, später furniert mit Veilchenholz. Reiche Bronzebeschläge in Form von Rocaillen und Blumen. Weisses Emailzifferblatt "en cuvette" und durchbrochene vergoldete Zeiger. Werk mit Ankergang und Halbstundenschlag auf Glocke. 1 Schlüssel.

44 x 17 x 80 cm.

PAINTED CARTEL CLOCK

Louis XVI style, France.

Wood, opulently carved with flowers, leaves, fruit, cornucopias and decorative frieze, and painted white and gilt. Round case, flanked by 2 cornucopias, and tall, opulently decorated upper part. Enamel dial featuring the minutes in Arabic numerals and the hours in Roman numerals. Brass movement with balance wheel (later), striking the 1/2-hour on bell.

50 x 15 x 103 cm.

MANTEL CLOCK

Biedermeier, German, 19th century.

Mahogany, in part ebonized. The front on brass paw-feet. Enamel dial. Fine brass movement, striking the 4/4-hour on 2 gongs. Requires servicing. Dial chipped.

28 x 16.5 x 39 cm.

REISEWECKER

Napoléon III, Frankreich, 19. Jh.

Bronze reliefiert mit Kartuschen, Vögeln, Maskarons, Eulen, Eichhörnchen, Ähren und Blüten sowie vergoldet. Rechteckiges, allseitig verglastes Gehäuse mit schwenkbarem Henkel. Blaues Zifferblatt in Email cloisonné mit Schmetterlingen, Vögeln und Girlanden. Unter dem Zifferring mit römischen Stunden ein kleiner Zifferring für den Wecker. Werk mit Ankergang und Unruh, Viertelstundenschlagwerk auf zwei Tonfedern. Kleines Weckerwerk auf Tonfeder. Das Schlagwerk mit Silence-Funktion. 1 Schlüssel.

11,5 x 10,5 x 17 cm.

LOT OF THREE SIMILAR CANDLESTICKS

Nuremberg, ca. 1600. Two with maker's mark: L(heart)B.

Brass.

H max. 15 cm.

SPANISH SOUP BOWL

Switzerland, 16th century.

Cylindrical bowl with a domed lid. Decorated with scrolls, blossoms and bands. On three feet.

H 17 cm, D 17 cm.

A LOT OF FOUR CANDLESTICKS

Southern Germany or Flanders, beginning of the 17th century.

Brass. All with a bell-shaped foot, two with a narrow shaft.

H 10 to 26 cm.

INLAID CABINET

Switzerland, Historicism, 19th century.

Ash, mahogany and maple, inlaid with stylized flowers and fillets. The interior with nine drawers and a door. Two iron corner reinforcements. 2 keys.

53 x 32 x 38 cm.

TWO PAINTED CASKETS

Switzerland, 19th century.

Beech, painted with stylised flowers, on a black and on a white ground.

22.5 x 16.5 x 11 and 29 x 17 x 11 cm.

MUSICAL BOX

Suisse romande, ca. 1900. Plaque inscribed: Ivolene Paul Ruchat Switzerland.

Walnut, inlaid with light fillets. Rectangular box with hinged lid. Barrel with eight melodies. Repeat function. Numbered 1472. 1 key.

75.5 x 32 x 22 cm.

PAIR OF IMPORTANT CANDELABRAS

Empire style, probably Russia, 20th century.

Silvered bronze and malachite. Palmette-decorated shaft with ten strikingly curved light branches.

H 235 cm.

PAIR OF CANDELABRAS "AUX VICTOIRES AILÉES"

Second Empire, France, end of the 19th century.

Bronze, parcel-gilt and dark patinated.

H 39 cm.

SATYR AND MAENAD

In the style of Jean Michel Clodion, 20th century.

Bronze with brown patina and parcel-gilt. Signed on the plinth: Clodion. Later brass base for mounting a table lamp.

37 x 17 x 29 cm.

ANTONIN MERCIÉ

(1845-1916)

Bronze figure of David (David vainqueur), ca. 1878. Bronze with brown patina. Signed A. MERCIÉ and with foundry stamp F. BARBEDIENNE FONDEUR PARIS. With stamp REPRODUCTION MÉCANIQUE A. COLLAS BREVETÉ. With dedication plaque with nine names and date 21 OCTOBRE 1878.

H 75.5 cm.

PAIR OF PORTRAITS IN RELIEF

In the Neo-classical style, probably Italy.

Alabaster. Relief busts of Dante and Raphael. Mounted on a faux marble base.

H 32 cm, W 24 cm.

PIERRE JULES MÊNE

(1810 Paris 1879). Dated 1852, Paris.

Burnished bronze. Round, relief-decorated vide-poche with hunting dogs, animal skins, a snake, squirrels and a medallion with monogram HB and inscribed: "A SON AMI H. BELLANGE P.J. MENE 1852."

D 15 cm. H 5.5 cm.

TWO MEDICI GARDEN VASES

Neo-classical, France, 19th century. Producer: Hersteller Maurice de Lerber à Romainmôtier (founded ca. 1835).

Terra-cotta with neo-classical and naturalistic motifs.

Ø 61 cm and Ø 55 cm, respectively, and H 68 cm.

PAINTED CUPBOARD

Appenzell, inscribed Matheis Engler Anno 1810.

Pine, painted with a vase, a landscape reserve, flower medallions and garlands, on a grey, in part faux marble ground. Front with door between pilaster strips. Brass escutcheon. 1 key.

137 × 63 × 173 cm.

PAINTED CUPBOARD

Southern German, probably from the area around Lake Constance, dated 1795.

Softwood, later painted with flowers and "en faux marbre". Paneled doors. Metal escutcheon. 1 key.

181 x 66 x 201 cm.

STABELLE CHAIR

Historicism, Switzerland, beginning of the 20th century.

Walnut. Brown leather cover.

43 x 40 x 84 cm.

"LUSTERWEIBCHEN" CHANDELIER

In the Gothic style, Southern Germany or Switzerland.

Wood, carved all around and painted. With coat-of-arms cartouche (not identifiable). Deer antlers. Fitted for electricity.

H 60 cm, W 173 cm.

LOT OF TWO STABELLE CHAIRS

Renaissance style, Switzerland, 19th/20th century.

Walnut. Brown leather cover.

47 x 37 x 89 cm and 39 x 42 x 90 cm.

COMMODE

Baroque, probably Lucerne, 18th century.

Cherry and plum wood, in part ebonized. Front with 3 drawers. Brass mounts. 1 key. Upper vitrine cabinet with glazed double-doors, later.

Commode: 126 x 60 x 80 cm. Vitrine cabinet: 123 x 50 x 140 cm.

CHANDELIER WITH CRYSTAL-GLASS HANGINGS

Baroque style, ca. 1900.

Metal frame. Glass decoration and hangings.

D 65 cm, H 75 cm.