ABERLI, JOHANN LUDWIG

(Winterthur 1723 - 1786 Bern)

1. Vue du Chateau de Wimmis et des environs. Ca. 1783/84; 2. Vue d'Yverdon prise depuis Clindi. 1789.

Outline etchings with original colors.

32 x 49 cm and 32.5 x 49.5 cm.

ABERLI, JOHANN LUDWIG

(Winterthur 1723 - 1786 Bern)

Lot of 4 views: 1. Vue de Vevey; 2. Vue de Lausanne; 3. Vue du Village et du Lac de Brientz; 4. Dessiné sur les Remparts à Berne.

Outline etchings with original colors..

Each ca. 21 x 34 cm.

ASCHMANN, JOHANN JAKOB

(1747 Thalwil 1809)

Vorstellung der Aktion beÿ Boken zwischen den Eidgenössischen u: Cheff Willis Truppen den 28.ten Marti 1804.

Outline etching with original colors. The framing line in brown pen.

Title in brown pen below the image, signed bottom right: "zeichnet Aschman".

30.5 x 46 cm.

BLEULER, JOHANN LUDWIG

(Feuerthalen 1792 -1850 Laufen-Uhwiesen)

Reunion du Rhin antérieur et du Rhin postèrieur à Reichenau.

Gouache. The framing line in black pen, grey gouached margins.

Below the image: titled in black pen, signed bottom right, numbered top right: "par Louis Bleuler à Schaffhouse en Suisse. No. 21".

32 x 48 cm. Gold frame.

FERRIERE, FRANCOIS

(Geneva 1752 - 1839 Morges)

Vue de l'entrée des ports et sortie du Rhône du lac de Genève.

Outline etching with original colors. The framing line in black pen.

Engraved title and signature below the image.

35.5 x 50.8 cm (sheet size: 42 x 56 cm).

FREUDENBERGER, SIGMUND

(1745 Bern 1802)

Lot of 4 sheets: 1. La Propreté Villageoise; 2. La Fileuse; 3. La Toilette Champêtre; 4. La Dèvideuse.

Outline etchings with original colors on wove paper.

Engraved title and signature in the lower margin.

Each ca. 20.5 x 15 cm (sheet size, each ca. 27.5 x 20 cm).

WALLIS - ST. MAURICE

Nicolaus SPRÜNGLIN (1725 - 1802).

Vue du fameux pont et château de St Maurice.

Outline etching with original colors. The framing line in black pen.

24 x 35 cm.

INTERLAKEN.-

Simon Daniel LAFOND (1763 - 1831)

View of Interlaken.

Outline etching with original colors.

Engraved title, signature and inscription in the lower margin of the image: "à Berne chez Lafond & Lory peintres".

34.5 x 50 cm.

NIDWALD - CANTON.-

Franz Hegi, in the style of Johann Jakob Wetzel (1781 - 1834).

Vue de Stanzstad.

Aqua tint etching in color. The framing line in black pen.

19.5 x 27.5 cm (sheet size: 28.8 x 40.8 cm).

SCHMID, DAVID ALOIS

(1791 Schwyz 1861)

Lot of three landscapes in Eastern Switzerland.

Watercolor, pen, black crayon. The framing line in black pen.

One landscape with old inscription (not indentified) in pencil in the lower margin.

Each ca. 27 x 40 cm. In identical frames.

SWITZERLAND, ca. 1830.

View of Basel with the Rhine bridge.

Aqua tint etching in original colors. The edging in black pen and grey gouached margins.

12.5 x 16.5 cm. Framed.

SWITZERLAND - TRADITIONAL COSTUMES.-

Simon Daniel LAFOND (1763 - 1831) and Marquard Fidel Dom. WOCHER (1760 - 1830).

Mixed lot of 13 engravings with images of traditional costumes and professions, ca. 1780/1800. Comprising, inter alia:1. Vacher Allemand du Canton de Fribourg; 2. Fille de Chambre de Berne; 3. Laitiere du Canton d'Ury; 4. Une Fille dans le Caonton de Schweiz; 5. Paisans Suisses du Bailliage de Morat; 6. Paisane du Fores noir.

Outline etchings with original colors on wove paper.

Engraved title, signature and inscription in the lower margin: à Berne, chez B.Fehr.

Sheet size, each ca. 24 x 17 cm.

SCHWYZ - CANTON.-

Johann Jakob ASCHMANN (1747 Thalwil 1809)

Titled: "Hochfürstl. GottsHaus & Flecken Maria Einsideln. mit Hochfürstl. Gnädigster erlaubnis nach d. Natur gezeichn. & in Kupfer geetzt u. auch zu haben V. Joh Jac Aschman M. in Thalweil No. 28." Ca. 1785.

Outline etching with original colors. The framing line in black pen.

25.7 x 44.7 cm.

URI - CANTON.-

Heinrich THOMANN (1748 - 1794)

Fluelen. Port du Canton Ury.

Outline etching with original colors.

Engraved signature, title and inscription in the lower margin of the sheet.

20.3 x 26 cm.

ZURICH.-

Rudolf DIKENMANN (1832 Zurich 1888).

View of Zurich. Ca. 1865.

Aqua tint etching. The framing line in black pen.

12.5 x 18.5 cm. Gold frame.

LAKE ZURICH - KÜSSNACHT.

Johann Jakob ASCHMANN (1747 Thalwil 1809).

Series of four views of the flooding of Küssnacht on Lake Zurich on 8. July 1778. Comprising: 1. Depiction of the village of Küssnacht on Lake Zurich prior to the flooding. 2. Depiction of the village of Küssnacht on Lake Zurich on the eve preceding the flooding. 3. Küssnacht on Lake Zurich on the morning of the flooding on 8 July 1778. 4. The destruction and flooding of Küssnacht on Lake Zurich of 8 July 1778 in the evening. J.J. Aschmann, painter in Thalwil.

Four copper engravings.

Each ca. 16 x 26 cm.

ZUG - CANTON.-

Peter BIRMANN (1758 - 1844).

Vue de la ville et d'une partie du Lac de Zoug. 1791.

Outline etching with original colors. The framing line in black pen.

42 x 61.7 cm (sheet size: 50 x 69.3 cm).

PEEP-BOX SHEETS.-

2nd half of the 18th century.

Mixed lot of 10 peep-box sheets. Comprising, inter alia: 1. View of the River Elbe and the regions towards the South seen from the Baumhaus in Hamburg; 2. View of the New Residence at Bonn of the Elector of Cologne as seen from the Franciscan side; 3. View of the Electoral Summer Residence Poppelsdorf in Bonn on the River Rhine; 4. View of the Palace of the 4 Nations (Paris). Further views of London, Brussels, Genoa, Cairo etc.

Colored copper engravings.

Each ca. 33 x 45 cm. Pair of works, in identical black wooden frames.

ITALY - SICILY.-

Frederick DE WIT, ca. 1680.

Regni et Insulae Siciliae Typus correctissimus.... novissimus exerptus per F. de Witt. Published in Amsterdam by Covers & Mortier, ca. 1720.

Originally colored copper map.

50 x 59 cm.

ITALY. -

Series of 6 views from the early 19th century. Comprising: 1. Campo Santo in Pisa; 2. Pantheon in Rome; 3. The Grave of Cecilia Metella; 4. The Cestius Pyramid in Rome; 5. The Mausoleum of the Plautii in Rome 6. Roman Triumphal Arch or Portal in a mountain landscape.

Outline etchings, brown and gray wash, and black and gray wash. The framing lines in black pen. In part with blue water-colored margins, the corners in part decorated with depictions of butterflies.

Each ca. 13 x 18.5 and 19 cm. Two and four views, each in identical frames.

ALDEGREVER, HEINRICH

(Paderborn 1502 - 1555 Soest)

Adam working a field.

Copper engraving.

The upper margin of the plate with an engraved monogram and date: AG 1540.

8.7 x 6.4 cm (slightly irregular).

ALTDORFER, ALBRECHT

(ca. 1480 - 1538 Regensburg)

Mary Looking for Jesus in the Temple. Ca. 1519/20.

Copper engraving.

Engraved monogram on the bottom right: A.

6.3 x 4 cm.

BEHAM, HANS SEBALD

(Nuremberg 1500 - 1550 Frankfurt a.M.)

The Judgement of Paris.

Copper engraving.

Top left, engraved and dated: 1546. Bottom center with engraved title: Iudicium Paridis.

7 x 4.8 cm.

BEHAM, HANS SEBALD

(Nuremberg 1500- 1550 Frankfurt a.M.)

The coat of arms of Sebald Behams, 1544.

Copper engraving (hexagonal).

The lower edge of the plate, monogrammed and dated in the center.

6.7 x 5.7 cm.

DÜRER, ALBRECHT

(1471 Nuremberg 1528)

Saint Joachim and Saint Anne under the Golden Gates. Ca. 1504.

Woodcut on wove paper with watermark depicting a coat of arms with inclined beam (Meder 245, ca. 1600).

Monogrammed and dated in the printed image.

29.7 x 21.1 cm.