TOWER CLOCK,

probably Switzerland, beginning of the 18th century.

Wrought iron, metal and brass. Open frame consisting of iron bands. 3 adjacent movements. Centrally positioned movement with a striking mechanism on each side, striking the 1/4-hour. Wind vane, hands, dials, pendulum and bell, missing. The movement converted later.

98x50x96 cm.

WALL CLOCK / "SURRER",

Entlebuch, 19th century.

Wooden case. Painted dial. Turned wood and brass gear train with verge escapement and front pendulum, striking the 1/4-hour on 2 gongs. External fly-vane. Matching: SIMILAR WALL CLOCK WITH ALARM, Black Forest, 19th century. Brass gear train with anchor escapement and rear pendulum, striking mechanism on gong, alarm on bell. Pendulum broken. 23x13x31 cm.

22x20x31.5 cm.

CLOCK WITH WOODEN GEARS AND FRONT PENDULUM,

Eastern Switzerland or Black Forest, 18th century.

Pinewood, in part blackened and painted in a reddish color. Dial with paper which was glued on later, painted with stylized flowers. Dated 1684. Movement with verge escapement, striking the hour on glass bell. Lateral doors, missing.

19x20x36 cm.

SMALL TABLE CLOCK,

Baroque, Southern Germany, 18th century.

Wooden case, painted to look like black marble and with remains of paintwork. Brass ornaments, such as Diana, hunters with dogs and falcons and scrolls. Metal frontispiece with copper chapter ring, with a small relief featuring Adam and Eve in Paradise, with a snake moving around. Movement with verge escapement, striking the hour on bell (can be switched off).

25x10x33 cm.

PAINTED CLOCK ON PLINTH,

Louis XV, Paris. The dial and movement signed GILBERT À PARIS.

Wooden case, painted with flowers and garlands, on a green background. Opulent gilt bronze mounts. Bronze dial with white enamel cartouches. Movement with verge escapement, striking the 1/2-hour on bell.

50x27x122 cm.

SMALL CARTEL CLOCK "D'ALCOVE",

Louis XV, Paris, 18th century. The dial signed VERDIER À PARIS (mentioned as a maître in Paris from 1730 onwards).

Gilt bronze. White enamel dial. Parisian movement, striking the 1/4-hour on bell, on demand. 1 dove, probably later. Key missing.

H 33 cm.

CARVED WOODEN CLOCK ON LATER PLINTH,

Rococo, Munich, 18th century.

Carved wood, decorated with rocailles, leaves and flowers, and painted, and parcel-gilt. Dial, in part silver-plated and with engraved, blackened numerals. Movement with verge escapement, striking mechanism removed. Dial/movment, plinth and case, associated later.

Clock: 36x15x65 cm; plinth: 39x15x65 cm.

VASE-SHAPED CLOCK,

Louis XVI style, Paris, 19th century. The dial signed LE ROY À PARIS.

Gilt bronze. White enamel dial. Parisian movement, striking the 1/2-hour on bell.

17x13.5x36 cm.

MANTEL CLOCK "A L'AMOUR",

Empire, Paris ca. 1810/20.

Burnished bronze, and matte and polished gilt bronze. White enamel dial. Parisian movement, striking the 1/2-hour on bell.

22x15x47 cm.

PORTAL CLOCK,

late Louis XVI, beginning of the 19th century.

White marble and gilt bronze mount. White enamel dial (with cracks). Parisian movement, striking the 1/2-hour on bell. With glass cloche (cracked).

24x8x40 cm.

MANTEL CLOCK "Allegory of Literature",

2nd Empire, France, 19th century. The movement signed CHARLET À PARIS.

Gilt bronze and gilt brass. Silver-plated chapter ring. Parisian movement, striking the 1/2-hour on bell. Key missing.

30x12x46 cm.

TRAVEL ALARM CLOCK,

mid-19th century.

Brass, glazed all around. White enamel dial signed J. VERMAGEN & CIE KÖLN A. RHEIN. Spring-wound, alarm on bell.

8x7x12 cm.

CLOCK IN A PAINTING, WITH MUSIC BOX,

Austria, beginning of the 19th century.

Sheet metal, painted with a landscape featuring mountains and lakes, a church, human figures and cows. Inscribed SCHLOSS GRIBSTEIN IN TYROL. Movement with verge escapement, striking the 3/4-hour on 2 gongs. Small music box, signed A. OLBRICH IN WIEN, plays on demand.

Painting 62x45 cm, with frame 65x82 cm.

CANTILEVER FIGURAL CLOCK,

in the Art Nouveau style, 20th century.

Bronze, metal and dark-lacquered sheet metal.

H 105 cm.

LOT OF 6 STABELLE CHAIRS,

Switzerland, beginning of the 19th century.

Walnut and cherrywood. The backrests with different carvings.

Ca. 39x40x188 cm.

OCTAGONAL SLATE TABLE,

Baroque, Alpine region, 18th century.

Walnut, cherrywood and burlwood, inlaid with light/dark geometric fillets and slate. 1 drawer.

98x98x71 cm.

HANGING CUPBOARD ("HÄNGEGÄNTERLI"),

Baroque, Alpine region, 18th century.

Stained pinewood. Front with door. Iron escutcheon. Lock removed.

70x38x85 cm.

HALF-HEIGHT CUPBOARD,

Baroque style, Valais, 19th century.

Pinewood with carved reserves, monogrammed RCJD and lacquered. Iron mounts.

108x41x147 cm.

CONSOLE TABLE,

in the Alpine style.

Hardwood. 2 drawers.

94x50x84 cm.

OCTAGONAL SLATE TABLE,

Baroque, Alpine style, 18th century.

Walnut and burlwood, inlaid with light/dark fillets. Slate top. Drawer.

119x119x74 cm.

BUFFET WITH COMPARTMENTS,

Alpine region, Switzerland, ca. 1800.

Pinewood and walnut, stained dark. Upper part with 2 doors. Lower part with 1 drawer and 2 doors.

155x42x187 cm.

EXTENDABLE SLATE TABLE,

Baroque, Switzerland, 19th century.

Walnut, inlaid with fillets. Rectangular extendable top and turned legs. Slate inlays.

119(227)x89x73 cm.

PAINTED CUPBOARD,

Bern, dated 1752, and inscribed ANNY KINGELY.

Pine, grained, and painted with flower bouquets, birds and 2 bears. Artist's monogram HW. Front with door. Iron escutcheon. 1 key.

137x54x179 cm.

MILKING STOOL,

Switzerland, probably Bern, dated 1865 and monogrammed TM.

Ash and fruitwood, carved with stylized rosettes, flowers and decorative friezes, and inlaid with stars and birds. 2 pierced areas for the belt. Turned leg (potentially later) with iron tip.

38x27x43 cm.

PAIR OF STABELLE CHAIRS.

Switzerland, beginning of the 19th century.

Walnut. Carved and pierced backrest.

38x37x83 cm.