Old Master Drawings
Friday 22 March 2013, 01.30 PM
ZÖTL, ALOYS
CHF 6 000 / 9 000 | (€ 5 610 / 8 410)
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Workshop of SANTI, RAFFAELLO
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LALLEMAND, JEAN BAPTISTE (Dijon 1716 - 1803 Paris) 1. Harbour view with Palladian style palace. 2. Harbour view with tower, seen through an antique arch. Gouache on paper, laid on canvas. The first signed lower right: 'Lall.../man..."; the second signed: Lallemand. Each 20.8 x 36.2 cm. Framed.
CHF 8 000 / 12 000 | (€ 7 480 / 11 210)
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DESPREZ, LOUIS- JEAN (Auxerre 1743 - 1804 Stockholm) The antique theatre of Taormina with a view of Etna. Watercolour on paper laid on canvas. 68 x 103 cm. Old gold frame.
CHF 15 000 / 20 000 | (€ 14 020 / 18 690)
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DREBER, HEINRICH (FRANZ- DREBER) (Dresden 1822 - 1875 Anticoli Corrado) Rock formations and trees Keppgrund near Dresden. Brown pen, brown wash. Inscribed and dated in brown pen on lower margin: Kepp Grund d. 20. Juli 42. 18.5 x 24.6 cm. Framed. Provenance: - Kunstsalon Emil Richter, Dresden - Private collection Dresden
CHF 2 000 / 3 000 | (€ 1 870 / 2 800)
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BOUDIN, EUGÈNE LOUIS (Honfleur 1824 - 1898 Deauville) Beach scene with fishermen throwing their nets. Brown pen, watercolour, heightened with white. Signed lower left in brown pen: E. Boudin. 14 x 28.2 cm.
CHF 800 / 1 200 | (€ 750 / 1 120)
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BASSETTI, MARCO ANTONIO (1588 Verona 1630) Four depictions of the senses: 1. Taste 2. Sight. 3. Smell 4. Hearing. Verso: figure studies. Brown pen, brown wash. 13.2 x 8.3 cm, 13.2 x 8 cm, 13 x 9.1 cm, 13.5 x 9.5 cm. Framed together Provenance: - collection of Girgio dalla Bella, Lugt 3774 Literature: - Ugo Ruggeri. Disegni Veneti e Lombardi dal XVI al XVIII secolo. Catalogue of the Istituto Nazionale per la Grafica Gabinetto dei Disegni e delle Stampe. Rome 1989. p. 15 and 16, figs. 4-7
CHF 2 500 / 4 000 | (€ 2 340 / 3 740)
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Attributed to CALLOT, JACQUES (1592 Nancy 1635) Studies of different figures. Verso: two studies of hands and four putti. Red chalk and red-brown wash. On laid paper with watermark: single contour circle with flower in the centre. 26.9 x 20 cm. Framed. Provenance: - collection of Count G.Strogonoff. Sold in Rome, 18.-23. April 1910 No. 392 as Callot - Private collection, Switzerland
CHF 3 000 / 4 000 | (€ 2 800 / 3 740)
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SALATHE, FRIEDRICH (Binningen 1793 - 1858 Paris) Peasant man and woman resting under some trees. Pencil and pen in grey and brown with wash. With estate stamp verso: 504. 24 x 32 cm. Framed. Provenance: - Salathé estate - Collection of Kurt Meissner, Zurich Exhibitions: - Kunstmuseum Basel,1988 - Museum für Kunst und Kulturgeschichte der Hansestadt Lübeck, 1988 - Staatsgalerie Stuttgart, 1988 Literature: Friedrich Salathé (1793-1858). Ein Zeichner der Romantik. Exh. Cat. , Basel 1988, No.188, fig.72
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PITTONI, GIAMBATTISTA (1687 Venice 1767) Pieta. Pen and brush in brown, brown wash over black crayon. Edging in black pen, inscribed lower left "Pittoni". 26.2 x 17.3 cm. Provenance: - Dr. K. Löchner, Senden, not in Lugt With an expertise by Dr. George Knox, Vancouver, 13.02.2009.
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BOUDIN, EUGÈNE LOUIS (Honfleur 1824 - 1898 Deauville) At the Patisserie. Brown pen, partly watercoloured, heightened with white. Signed lower right in pencil: E. Boudin. Dated lower left: 1879 11 x 15 cm. Framed.
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VENETIAN SCHOOL, 19TH CENTURY The Grand Canal in Venice. Brown and black pen. 26 x 44 cm. Old gold frame.
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Circle of BRIL, PAUL (Antwerp 1556 - 1626 Rome), Landscape with three figures, one hidden behind a tree. Brown pen. Numbered to the left on lower margin in brown pen: 556 (?) 15.2 x 20.8 cm. Framed.
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HORNER, FRIEDRICH (1800 Basel 1865) "Entrée en Italie du Gotthard". Weathered mountain fir trees with dried out branches. Watercolour in brown and grey, edged with a black India ink line, on yellowish wove paper. 28.5 x 21.5 cm. Provenance: - C.G.Boerner, Düsseldorf (as Theodor Verhas).
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BUSCH, WILHELM (Wiedensahl 1832 - 1908 Mechtshausen) Das Maikäferfest oder Schnurrdiburr oder Die Bienen. 1869. Pencil. 8.5 x 10 cm. Framed Provenance: - Galerie J.H.Bauer, Hannover - Private collection, Switzerland Literature: see. Ries, vol 1, p 1518 -1606, fig. 266
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Circle of ANTONILEZ, JOSE (Seville 1639 - 1676 Madrid), The Assumption of Mary. Circa 1670. Brown pen, watercolour and gouache, heightened with white. Old inscription lower right in black pen: Guardi. 45.3 x 29.8 cm. Framed. Provenance: - collection of Kurt Meissner, Zurich Exhibitions: - Kunsthalle Bremen/Kunsthaus Zürich 1967, Handzeichnungen alter Meister aus Schweizer private collection , Exh. Cat. , No.223 with ill.
CHF 1 800 / 2 500 | (€ 1 680 / 2 340)
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MAGANZA, ALESSANDRO (1556 Vicenza 1632) Mary receives the Holy Ghost, surrounded by saints. Pen and brush in brown. 24.5 x 20 cm.
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FRENCH SCHOOL, 18TH CENTURY The gardens of Olympus with muses and putti. Design for a fan. Gouache on paper, laid on panel. 28 x 54 cm. Framed.
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BÖCKLIN, ARNOLD (Basel 1827 - 1901 San Domenico near Fiesole) Hilly southern landscape with settlement. Circa 1850-52. Black and white chalk. Inscribed in the image by an unknown hand: AB. Attached to grey-blue board. Old inscription on board in brown pen: A.Böcklin; old inscription lower right: Aus der Montmorillon-Maillinger'schen Sammlung. Verso old inscription by unknown hand: Böklin. 16.8 x 28 cm. Framed. Provenance: - collection of Arthur Georg Freiherr von Ramberg, acquired by him in 1862 directly from the artist. - estate auction of von Ramberg at the Montmorillon auction house Munich, 11.12.1876 - collection of Joseph Maillinger, Munich, 1876 - Private collection, Switzerland Our thanks to Dr. Hans Holenweg for his expertise. The work will be included in the volume of corrections and supplementary material to the catalogue raisonné of the drawings of Böcklin, Basel 1998, listed under number 206a (note 14 Dec. 2012).
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HARTMANN, JOHANN DANIEL WILHELM
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ANONYMOUS, 19TH CENTURY Study sheet with cherries, gooseberries and redcurrants. Watercolour, gouache and chalk heightened with white. 28 x 26 cm (image). In gold frame from the period.
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ANONYMOUS, 18TH CENTURY Oriental landscape with exotic animals and plants. Design for a fan. Gouache, with gold and heightened with white. 24.5 x 46 cm. Framed.
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GESSNER, SALOMON (1730 Zurich 1788) Forest edge with cattle and figures. Pen and brush in grey over pencil, on laid paper with watermark: Pro Patria. With double grey pen line around and with a three-part pen line on the sides. 17.1 x 24.7 cm.
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FLORENTINE SCHOOL, END OF THE 16TH CENTURY Two standing women, the figure on the left almost facing, the figure on the right in profile to the right. Red chalk drawing. 36.4: x 24.3 cm. Provenance: -collection of G. Vallardi (1784-1863), Lugt 1223 - Private collection Munich
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LIEBERMANN, MAX (1847 Berlin 1935) Three soldiers at the forest edge. Black chalk. Signed lower left: M.Liebermann 16 x 14.5 cm.
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