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57 Treffer
NERI DI BICCI

NERI DI BICCI

(1418 Florence 1492)

The Ascension of Christ. Circa 1475–80.

Tempera and gold ground on panel.

95 × 57 cm.


Sold for CHF 94 000 (including buyer’s premium)
All information is subject to change.

MASTER OF THE CHRISTCHURCH CORONATION

MASTER OF THE CHRISTCHURCH CORONATION

(active in Florence circa 1350-1370)

The Madonna enthroned with the Child and Saints Catherine of Alexandria, Dorothy, Verdiana (?), Helen, Magdalene and John Gualbertus. Circa 1350-55.

Tempera and gold ground on panel.

30.4 x 24.8 cm.


Sold for CHF 228 000 (including buyer’s premium)
All information is subject to change.

ZANOBI, DOMENICO DI called MASTER OF THE JOHNSON NATIVITY (active in Florence circa 1460-1499) Adoration of the Child, with the Shepherds and Saint John the Baptist. Tempera on panel. With red wax seal lower left. 88.5 x 46.5 cm. Provenance: - Collection of  the miniature painter August Grahl (1791-1868). - Collection of  Bevilacqua La Masa, Venice, until 1900. - Galleria Sangiorgi, vendita Bevilacqua La Masa, 15-22.10.1900, Lot 471. - Collection of  Marcello Galli-Dunn, Badia castle, Poggibonsi, 1900-1905. - Galleria Sangiorgi, Rome, Collection of  Galli-Dunn, 1.-6.5.1905, Lot 323 (as attributed to Cosimo Rosselli). - Swiss private collection. Literature: - Berenson, Bernard: Catalogue of a collection of Paintings and some Art Objects, I, John J. Johnson Collection, Philadelphia 1913, S. 35 (as school of Cosimo Rosselli). As with the two other devotional paintings from the Florentine Renaissance presented in this catalogue (Lot 3004 and lot 3006), the idea for this painting was taken from Filippo Lippi. It was a very popuelar motiv in Florence and therefore frequently commissioned. This panel, which depicts the Mother of God kneeling whilst praying in front of the child with the Baptist as a boy and two shepherds by her side, can be seen as one of many variations of a panel by Domenico di Zanobi who was formerly given the name Maestro della Natività Johnson (E. Fahy, in: Paragone 17,1966, S. 17-28) in regard of his painting "the adoration of the Child" from the Johnson collection in Philadelphia (Strehlke, C.B.: Italian Painting 1250-1450 in the John G. Johnson collection and the Philadelphia Museum of Art, Phildelphia 2004, S. 122-123). As mentioned earlier, these interpretations of the adoration of the Child derive from a prototype by Fra Filippo Lippi. Until 1467 Domenico di Zanobi assisted Filippo Lippi (1406-1469) in his last creative period and therefore had access to his paintings. Other variations include the painting in the collection of Siverio in Florence and in Philadelphia as well as the one in Kinnard Castle in Brechin (Southesk collection), which is very similar to our one.  Comparable is also a fresco depicting the birth of Christ by Alesso Baldovinetti, to be found in the Chiostrino dei Voti, Santissima Annunziata, Florence (1460-62), from which the artist took the idea of the red brick wall. Our painting can be dated just before 1470, a period in which the artist shows evident affinity with the works of Baldovinetti.

ZANOBI, DOMENICO DI called MASTER OF THE JOHNSON NATIVITY (active in Florence circa 1460-1499) Adoration of the Child, with the Shepherds and Saint John the Baptist. Tempera on panel. With red wax seal lower left. 88.5 x 46.5 cm. Provenance: - Collection of the miniature painter August Grahl (1791-1868). - Collection of Bevilacqua La Masa, Venice, until 1900. - Galleria Sangiorgi, vendita Bevilacqua La Masa, 15-22.10.1900, Lot 471. - Collection of Marcello Galli-Dunn, Badia castle, Poggibonsi, 1900-1905. - Galleria Sangiorgi, Rome, Collection of Galli-Dunn, 1.-6.5.1905, Lot 323 (as attributed to Cosimo Rosselli). - Swiss private collection. Literature: - Berenson, Bernard: Catalogue of a collection of Paintings and some Art Objects, I, John J. Johnson Collection, Philadelphia 1913, S. 35 (as school of Cosimo Rosselli). As with the two other devotional paintings from the Florentine Renaissance presented in this catalogue (Lot 3004 and lot 3006), the idea for this painting was taken from Filippo Lippi. It was a very popuelar motiv in Florence and therefore frequently commissioned. This panel, which depicts the Mother of God kneeling whilst praying in front of the child with the Baptist as a boy and two shepherds by her side, can be seen as one of many variations of a panel by Domenico di Zanobi who was formerly given the name Maestro della Natività Johnson (E. Fahy, in: Paragone 17,1966, S. 17-28) in regard of his painting "the adoration of the Child" from the Johnson collection in Philadelphia (Strehlke, C.B.: Italian Painting 1250-1450 in the John G. Johnson collection and the Philadelphia Museum of Art, Phildelphia 2004, S. 122-123). As mentioned earlier, these interpretations of the adoration of the Child derive from a prototype by Fra Filippo Lippi. Until 1467 Domenico di Zanobi assisted Filippo Lippi (1406-1469) in his last creative period and therefore had access to his paintings. Other variations include the painting in the collection of Siverio in Florence and in Philadelphia as well as the one in Kinnard Castle in Brechin (Southesk collection), which is very similar to our one. Comparable is also a fresco depicting the birth of Christ by Alesso Baldovinetti, to be found in the Chiostrino dei Voti, Santissima Annunziata, Florence (1460-62), from which the artist took the idea of the red brick wall. Our painting can be dated just before 1470, a period in which the artist shows evident affinity with the works of Baldovinetti.

(tätig in Florenz um 1460-1499)

Anbetung des Kindes mit Hirten und Hl. Johannes d. Täufer.

Tempera auf Holz.

Unten links mit rotem Wachssiegel.

88,5 x 46,5 cm.


Sold for CHF 9 000 (including buyer’s premium)
All information is subject to change.

ROSSELLI, COSIMO (1439 Florence 1507) The Adoration. Circa 1475-78. Tempera on panel. 107.7 x 73 cm. Provenance: - Gemäldegalerie Kaliningrad, held at the Gemäldegalerie Berlin, Inv. No. 1502. - European private collection. Literature: - Beschreibendes Verzeichnis der Gemälde, Königliche Museen zu Berlin, vol 6, Berlin 1906, p. 516, No. 1502. - Beschreibendes Verzeichnis der Gemälde im Kaiser-Friedrich-Museum, Königliche Museen zu Berlin, Band 9, Berlin 1931, p. 640, No. 1502. - Van Marle, Raymond: The Development of the Italian Schools of Painting, vol XI, The Hague 1929, pp. 613-14, note 3. - Kunstsammlungen der Stadt Königsberg Pr. Führer durch die Schausammlungen, vol 2, Königsberg 1931-1934, 1934, p. 52, No. 101, plate. 9. - Kunze, I.: Zu Florentinischen Gemälden des Quattrocento im Depotbestand der Gemäldegalerie, in: Berliner Museen, LXIII, 1942, p. 33. - Musatti, R.: Catalogo giovanile di Cosimo Rosselli, in: Rivista d'Arte, XXVI, 1950, p. 26. - Gabrielli, Edith: L' attività di Cosimo Rosselli dal primo soggiorno romano all' impresa sistina, in: Le due Roma del Quattrocento: Melozzo, Antoniazzo e la cultura artistica del '400 romano, Rome 1996, p. 131, 144 note  89, fig. 11. - Blumenthal, Arthur R. / Fahy, E.: Cosimo Rosselli. Painter of the Sistine Chapel, Exh. Cat. Florida 2001, p. 251, Text p. 97-101, fig. 51, p. 99. - Gabrielli, Edith: Cosimo Rosselli, Torino 2007, cat. No. 38, pp. 157-158.

ROSSELLI, COSIMO (1439 Florence 1507) The Adoration. Circa 1475-78. Tempera on panel. 107.7 x 73 cm. Provenance: - Gemäldegalerie Kaliningrad, held at the Gemäldegalerie Berlin, Inv. No. 1502. - European private collection. Literature: - Beschreibendes Verzeichnis der Gemälde, Königliche Museen zu Berlin, vol 6, Berlin 1906, p. 516, No. 1502. - Beschreibendes Verzeichnis der Gemälde im Kaiser-Friedrich-Museum, Königliche Museen zu Berlin, Band 9, Berlin 1931, p. 640, No. 1502. - Van Marle, Raymond: The Development of the Italian Schools of Painting, vol XI, The Hague 1929, pp. 613-14, note 3. - Kunstsammlungen der Stadt Königsberg Pr. Führer durch die Schausammlungen, vol 2, Königsberg 1931-1934, 1934, p. 52, No. 101, plate. 9. - Kunze, I.: Zu Florentinischen Gemälden des Quattrocento im Depotbestand der Gemäldegalerie, in: Berliner Museen, LXIII, 1942, p. 33. - Musatti, R.: Catalogo giovanile di Cosimo Rosselli, in: Rivista d'Arte, XXVI, 1950, p. 26. - Gabrielli, Edith: L' attività di Cosimo Rosselli dal primo soggiorno romano all' impresa sistina, in: Le due Roma del Quattrocento: Melozzo, Antoniazzo e la cultura artistica del '400 romano, Rome 1996, p. 131, 144 note 89, fig. 11. - Blumenthal, Arthur R. / Fahy, E.: Cosimo Rosselli. Painter of the Sistine Chapel, Exh. Cat. Florida 2001, p. 251, Text p. 97-101, fig. 51, p. 99. - Gabrielli, Edith: Cosimo Rosselli, Torino 2007, cat. No. 38, pp. 157-158.

(1439 Florenz 1507)

Anbetung des Kindes. Um 1475-78.

Tempera auf Holz.

107,7 x 73 cm.


Sold for CHF 80 000 (including buyer’s premium)
All information is subject to change.

FREDI, BARTOLO DI (circa 1330 Siena circa 1409) The Annunciation. Circa 1388-90. Tempera and gold ground on panel. 49 x 49 cm. Provenance: European private collection.

FREDI, BARTOLO DI (circa 1330 Siena circa 1409) The Annunciation. Circa 1388-90. Tempera and gold ground on panel. 49 x 49 cm. Provenance: European private collection.

(um 1330 Siena um 1409)

Verkündigung. Um 1388-90.

Tempera und Goldgrund auf Holz.

49 x 49 cm.


Sold for CHF 50 000 (including buyer’s premium)
All information is subject to change.

LIPPO D'ANDREA (PSEUDONYM OF AMBROGIO BALDESE) (circa 1370 Florence before 1451) The Madonna enthroned, with the Child, surrounded by Saints and Angels. Circa 1400-1410. Tempera and gold ground on panel. 76 x 45.5 cm. Provenance: - Art dealer Wiesbaden, 1958. - European private collection.

LIPPO D'ANDREA (PSEUDONYM OF AMBROGIO BALDESE) (circa 1370 Florence before 1451) The Madonna enthroned, with the Child, surrounded by Saints and Angels. Circa 1400-1410. Tempera and gold ground on panel. 76 x 45.5 cm. Provenance: - Art dealer Wiesbaden, 1958. - European private collection.

(um 1370 Florenz vor 1451)

Thronende Madonna mit Kind, umgeben von Heiligen und Engeln. Um 1400-1410.

Tempera und Goldgrund auf Holz.

76 x 45,5 cm.


Sold for CHF 60 000 (including buyer’s premium)
All information is subject to change.

CALDENBACH, MARTIN (circa 1470 Frankfurt am Main 1518) James the Elder and the Devils of Hermogenes. Circa 1510-15. Oil on panel. 51 x 42 cm. Provenance: - Belgian private collection. - Swiss private collection. Literature: Schedl, Michaela: Tafelmalerei der Spätgotik am südlichen Mittelrhein, 2015 zu erscheinende Dissertation, part  III, chapter 5 Frankfurt am Main, Cat. No.75 (as Martin Caldenbach).

CALDENBACH, MARTIN (circa 1470 Frankfurt am Main 1518) James the Elder and the Devils of Hermogenes. Circa 1510-15. Oil on panel. 51 x 42 cm. Provenance: - Belgian private collection. - Swiss private collection. Literature: Schedl, Michaela: Tafelmalerei der Spätgotik am südlichen Mittelrhein, 2015 zu erscheinende Dissertation, part III, chapter 5 Frankfurt am Main, Cat. No.75 (as Martin Caldenbach).

(um 1470 Frankfurt am Main 1518)

Jakobus d. Ä. und die Teufel des Hermogenes. Um 1510-15.

Öl auf Holz.

51 x 42 cm.


Sold for CHF 45 000 (including buyer’s premium)
All information is subject to change.

MASTER OF THE FEMALE HALF LENGTHS

MASTER OF THE FEMALE HALF LENGTHS

(The Netherlands, active 1525–1550)

Triptych: Adoration of the Three Kings.

Oil on panel.

101 × 67 cm (central panel) / 101 × 24 cm (side panels).


Sold for CHF 456 000 (including buyer’s premium)
All information is subject to change.

16th century follower of WEYDEN, ROGIER VAN DER (1398/1400 Tournai - Brussels 1464) Triptych: central panel with the Lamentation of Christ; inner lateral panels with scenes from the Passion, the outer lateral panels with the Annunciation. Oil on panel. Central panel 108 x 72 cm, lateral panels 110.5 x 33 cm each. Expertise: Linda Jansen, 20.1.2014. Provenance: -  Otlet collection. - Fievez collection, Brussels ( Otlet collection), 19.12.1902, Lot 6 (as Rogier van der Weyden). - Kunsthandel Sedelmeyer, 1906, No.43 (as Rogier van der Weyden). - Collection of  Ittersum. - Frederik Muller auctions, Amsterdam (Collection of  Ittersum), 14.5.1912, Lot 143 (as attributed to Rogier van der Weyden). - Collection of  The Earl of Jersey. - Christie's, London, 15.7.1949, Lot 86 (as attributed to Goswin van der Weyden). - German private collection.

16th century follower of WEYDEN, ROGIER VAN DER (1398/1400 Tournai - Brussels 1464) Triptych: central panel with the Lamentation of Christ; inner lateral panels with scenes from the Passion, the outer lateral panels with the Annunciation. Oil on panel. Central panel 108 x 72 cm, lateral panels 110.5 x 33 cm each. Expertise: Linda Jansen, 20.1.2014. Provenance: - Otlet collection. - Fievez collection, Brussels ( Otlet collection), 19.12.1902, Lot 6 (as Rogier van der Weyden). - Kunsthandel Sedelmeyer, 1906, No.43 (as Rogier van der Weyden). - Collection of Ittersum. - Frederik Muller auctions, Amsterdam (Collection of Ittersum), 14.5.1912, Lot 143 (as attributed to Rogier van der Weyden). - Collection of The Earl of Jersey. - Christie's, London, 15.7.1949, Lot 86 (as attributed to Goswin van der Weyden). - German private collection.

(Tournai 1398/1400 - 1464 Brüssel)

Triptychon: Mitteltafel mit Beweinung Christi, Seitenflügel innen mit Szenen der Passion Christi, Seitenflügel aussen mit der Verkündigung.

Öl auf Holz.

Zentraltafel 108 x 72 cm, Seitenflügel je 110,5 x 33 cm.


Sold for CHF 90 000 (including buyer’s premium)
All information is subject to change.

Circle of GOSSAERT, JAN called MABUSE (Maubeuge 1478 - 1532 Antwerp) Adam accuses Eve. Oil on panel. 32.5 x 41.5 cm. Provenance: - Collection of  Sloan-Stanley (label verso). - Collection of  Prof. Willem Mengelberg (label verso). - Mak auction, Amsterdam, 24.4.1952, Lot 61 (as Jan van Scorel). - German private collection.

Circle of GOSSAERT, JAN called MABUSE (Maubeuge 1478 - 1532 Antwerp) Adam accuses Eve. Oil on panel. 32.5 x 41.5 cm. Provenance: - Collection of Sloan-Stanley (label verso). - Collection of Prof. Willem Mengelberg (label verso). - Mak auction, Amsterdam, 24.4.1952, Lot 61 (as Jan van Scorel). - German private collection.

(Maubeuge 1478 - 1532 Antwerpen)

Adam beschuldigt Eva.

Öl auf Holz.

32,5 x 41,5 cm.


Sold for CHF 5 000 (including buyer’s premium)
All information is subject to change.

MASTER OF THE FEMALE HALF-LENGTHS (The Netherlands, active 1525-1550) Portrait of a young lady. Oil on panel. Monogram verso in the upper left corner: GG. 31.5 x 22.3 cm. Provenance: -  Estate of Prof. Dr. Johann Rudolf Rahn (1841-1912, label verso). - Swiss private collection.

MASTER OF THE FEMALE HALF-LENGTHS (The Netherlands, active 1525-1550) Portrait of a young lady. Oil on panel. Monogram verso in the upper left corner: GG. 31.5 x 22.3 cm. Provenance: - Estate of Prof. Dr. Johann Rudolf Rahn (1841-1912, label verso). - Swiss private collection.

(Niederlande, tätig 1525-1550)

Porträt einer jungen Dame.

Öl auf Holz.

Verso auf der Holzplatte mit Monogramm in der oberen linken Ecke: GG.

31,5 x 22,3 cm.


Sold for CHF 90 000 (including buyer’s premium)
All information is subject to change.

Circle of BELLEGAMBE, JEAN (circa 1470 Douai circa 1535) Madonna and Child with Saint Bernhard of Clairvaux. Oil on panel. 34.5 x 50.5 cm. Provenance: - Fischer auctions, Lucerne, 16.6.1959, Lot 1958 (as Jean Bellegambe). - German private collection.

Circle of BELLEGAMBE, JEAN (circa 1470 Douai circa 1535) Madonna and Child with Saint Bernhard of Clairvaux. Oil on panel. 34.5 x 50.5 cm. Provenance: - Fischer auctions, Lucerne, 16.6.1959, Lot 1958 (as Jean Bellegambe). - German private collection.

(um 1470 Douai um 1535)

Madonna mit Kind und Heiliger Bernhard von Clairvaux.

Öl auf Holz.

34,5 x 50,5 cm.


Sold for CHF 9 000 (including buyer’s premium)
All information is subject to change.

BAELLIEUR, CORNELIS DE (1607 Antwerp 1671) Madonna and Child with angels and the Holy Ghost. Oil on copper. 35 x 28 cm. Expertise: Dr. Ursula Härting, 1.2.2015. Provenance: Private collection, South America

BAELLIEUR, CORNELIS DE (1607 Antwerp 1671) Madonna and Child with angels and the Holy Ghost. Oil on copper. 35 x 28 cm. Expertise: Dr. Ursula Härting, 1.2.2015. Provenance: Private collection, South America

(1607 Antwerpen 1671)

Madonna und Kind mit Engeln und dem Heiligen Geist.

Öl auf Kupfer.

35 x 28 cm.


Sold for CHF 11 000 (including buyer’s premium)
All information is subject to change.

SCARSELLA, IPPOLITO called SCARSELLINO (1550 Ferrara 1620) The Annunciation. Oil on panel. 22.5 x 18 cm. Provenance: Important Swiss private collection.

SCARSELLA, IPPOLITO called SCARSELLINO (1550 Ferrara 1620) The Annunciation. Oil on panel. 22.5 x 18 cm. Provenance: Important Swiss private collection.

(1550 Ferrara 1620)

Mariä Verkündigung.

Öl auf Holz.

22,5 x 18 cm.


Sold for CHF 9 000 (including buyer’s premium)
All information is subject to change.

CERRINI, GIAN DOMENICO (Perugia 1609 - 1681 Rome) Vanitas: Time reveals the truth. Oil on canvas. 151 x 185 cm. Provenance: - Probably painted for Tomasso Fantacci circa 1670 in Florence. - European private collection. We are grateful to Dr. Erich Schleier for identifying this painting as a work by Gian Domenico Cerrini.

CERRINI, GIAN DOMENICO (Perugia 1609 - 1681 Rome) Vanitas: Time reveals the truth. Oil on canvas. 151 x 185 cm. Provenance: - Probably painted for Tomasso Fantacci circa 1670 in Florence. - European private collection. We are grateful to Dr. Erich Schleier for identifying this painting as a work by Gian Domenico Cerrini.

(Perugia 1609 - 1681 Rom)

Vanitas: Die Zeit enthüllt die Wahrheit.

Öl auf Leinwand.

151 x 185 cm.


Sold for CHF 40 000 (including buyer’s premium)
All information is subject to change.

MACCHIETTI, GIROLAMO (1532 Florence 1592) Portrait of a noblewoman with a small dog. Oil on panel. 85.5 x 66.5 cm. Expertise: Marta Privitera, 2.12.2013. Provenance: European private collection.

MACCHIETTI, GIROLAMO (1532 Florence 1592) Portrait of a noblewoman with a small dog. Oil on panel. 85.5 x 66.5 cm. Expertise: Marta Privitera, 2.12.2013. Provenance: European private collection.

(1532 Florenz 1592)

Bildnis einer Edeldame mit einem kleinen Hund.

Öl auf Holz.

85,5 x 66,5 cm.


Sold for CHF 8 000 (including buyer’s premium)
All information is subject to change.

FLORENCE, CIRCA 1570 Portrait of a noblewoman with her son and a small dog. Oil on panel. With coat of arms of a Florentine family centre left on the table. 137.5 x 108 cm. Provenance: European private collection.

FLORENCE, CIRCA 1570 Portrait of a noblewoman with her son and a small dog. Oil on panel. With coat of arms of a Florentine family centre left on the table. 137.5 x 108 cm. Provenance: European private collection.

Porträt einer Edeldame mit ihrem Sohn und einem kleinen Hund.

Öl auf Holz.

Links mittig auf dem Tisch mit Wappen einer florentinischen Familie.

137,5 x 108 cm.


Sold for CHF 15 000 (including buyer’s premium)
All information is subject to change.

RENI, GUIDO (Calvenzano 1575 - 1642 Bologna) Portrait of Cardinal  Antonio Facchinetti (1575-1606). Oil on canvas. 67.3 x 52.5 cm. Expertise: Raffaella Morselli, Jan 2015. Provenance: - Collection of  Marchese Alessandro Facchinetti, 1685. -  Pamphili (?) collection - Sciarra Colonna collection, Rome. - European private collection. Literature: - Petrucci, F.: Pittura di Ritratto a Rom. Il Seicento, Rome 2008, Vol. III, No.108, p. 525 (as Giuseppe Cesare, called Cavaliere d'Arpino). - Morselli, Raffaella: Guido Reni from Bologna to Rome and back, in: Caravaggio's Rome 1600-1630, Milan 2012, pp. 286-287, figs. 2-3.

RENI, GUIDO (Calvenzano 1575 - 1642 Bologna) Portrait of Cardinal Antonio Facchinetti (1575-1606). Oil on canvas. 67.3 x 52.5 cm. Expertise: Raffaella Morselli, Jan 2015. Provenance: - Collection of Marchese Alessandro Facchinetti, 1685. - Pamphili (?) collection - Sciarra Colonna collection, Rome. - European private collection. Literature: - Petrucci, F.: Pittura di Ritratto a Rom. Il Seicento, Rome 2008, Vol. III, No.108, p. 525 (as Giuseppe Cesare, called Cavaliere d'Arpino). - Morselli, Raffaella: Guido Reni from Bologna to Rome and back, in: Caravaggio's Rome 1600-1630, Milan 2012, pp. 286-287, figs. 2-3.

(Calvenzano 1575 - 1642 Bologna)

Porträt des Kardinals Antonio Facchinetti (1575-1606).

Öl auf Leinwand.

67,3 x 52,5 cm.


Sold for CHF 55 000 (including buyer’s premium)
All information is subject to change.

Workshop of BALEN, HENDRIK VAN (1575 Antwerp 1632) Adoration of the Three Kings. Circa 1616. Oil on copper, set in a wooden panel. 16.6 x 12.9 cm. Provenance: Swiss private collection

Workshop of BALEN, HENDRIK VAN (1575 Antwerp 1632) Adoration of the Three Kings. Circa 1616. Oil on copper, set in a wooden panel. 16.6 x 12.9 cm. Provenance: Swiss private collection

(1575 Antwerpen 1632)

Anbetung der Heiligen Drei Könige. Um 1616.

Öl auf Kupfer, in Holz eingelassen.

16,6 x 12,9 cm.


Sold for CHF 5 500 (including buyer’s premium)
All information is subject to change.

JAN BRUEGHEL the younger

JAN BRUEGHEL the younger

(1601 Antwerp 1678)

River landscape with jetty. Circa 1625.

Oil on panel.

38 × 62 cm.


Sold for CHF 120 000 (including buyer’s premium)
All information is subject to change.

LORME, ANTHONIE DE AND PALAMEDESZ., ANTHONIE (Tournai circa 1610 - 1673 Rotterdam) (Delft 1601 - 1673 Amsterdam) Interior of a church with figures. 1650. Oil on panel. Barely legibly signed and dated lower left: A. De. Lorme 1650. Inscribed centre bottom on the stone: Hier Leyt begraven Barthomoleus du Pon / hij is gestorben des 16. Jaerhunderts Januari 1650 / en begraven Januari van het jaer. 92.5 x 125.5 cm. Expertise: Dr. Walther Bernt, 17.4.1968 (as Gerard Houckgeest). Provenance: - Lempertz auctions, Cologne, 1970s. - Swiss private collection

LORME, ANTHONIE DE AND PALAMEDESZ., ANTHONIE (Tournai circa 1610 - 1673 Rotterdam) (Delft 1601 - 1673 Amsterdam) Interior of a church with figures. 1650. Oil on panel. Barely legibly signed and dated lower left: A. De. Lorme 1650. Inscribed centre bottom on the stone: Hier Leyt begraven Barthomoleus du Pon / hij is gestorben des 16. Jaerhunderts Januari 1650 / en begraven Januari van het jaer. 92.5 x 125.5 cm. Expertise: Dr. Walther Bernt, 17.4.1968 (as Gerard Houckgeest). Provenance: - Lempertz auctions, Cologne, 1970s. - Swiss private collection

(Tournai um 1610 - 1673 Rotterdam) (Delft 1601 - 1673 Amsterdam)

Interieur einer Kirche mit Figurenstaffage. 1650.

Öl auf Holz.

Unten links schwer leserlich signiert und datiert: A. De. Lorme 1650. Unten mittig auf dem Stein bezeichnet: Hier Leyt begraven Barthomoleus du Pon / hij is gestorben des 16. Jaerhunderts Januari 1650 / en begraven Januari van het jaer.

92,5 x 125,5 cm.


Sold for CHF 27 000 (including buyer’s premium)
All information is subject to change.

JACOB VAN WALSCAPELLE

JACOB VAN WALSCAPELLE

(Dordrecht 1644–1727 Amsterdam)

Still life of flowers in a vase on a stone plinth with insects.

Oil on panel.

Signed lower right: Jacob Walscappelle.

30 × 37.5 cm.


Sold for CHF 360 000 (including buyer’s premium)
All information is subject to change.

OSTADE, ADRIAEN VAN (1610 Haarlem 1685) Merry gathering at an inn. 1636. Oil on panel. Signed and dated lower left: AV. OSTADE 1636. 43.5 x 52.5 cm. Provenance: -  Vanderbueken collection, Brussels 1840. - Collection of  J.J. Chapuis. - Collection of  J. & A. Le Roy, Brussels, 4.12.1865, Lot 293. -  De Haest collection, Antwerp. - Antone Sils collection, Jean Dirickx, Antwerp, 21.3.1882, Lot 34. - Kunsthandel P. de Boer, Amsterdam, 1954. - Collection of  Colonel & Mrs Harry E. Stewart, Dallas. - European private collection. Literature: Groot, C. Hofstede de: A Catalogue Raisonné, London 1910, Vol. III, p. 312, No.554 (as van Ostade).

OSTADE, ADRIAEN VAN (1610 Haarlem 1685) Merry gathering at an inn. 1636. Oil on panel. Signed and dated lower left: AV. OSTADE 1636. 43.5 x 52.5 cm. Provenance: - Vanderbueken collection, Brussels 1840. - Collection of J.J. Chapuis. - Collection of J. & A. Le Roy, Brussels, 4.12.1865, Lot 293. - De Haest collection, Antwerp. - Antone Sils collection, Jean Dirickx, Antwerp, 21.3.1882, Lot 34. - Kunsthandel P. de Boer, Amsterdam, 1954. - Collection of Colonel & Mrs Harry E. Stewart, Dallas. - European private collection. Literature: Groot, C. Hofstede de: A Catalogue Raisonné, London 1910, Vol. III, p. 312, No.554 (as van Ostade).

(1610 Haarlem 1685)

Fröhliche Gesellschaft in einem Wirtshaus. 1636.

Öl auf Holz.

Unten links signiert und datiert: AV. OSTADE 1636.

43,5 x 52,5 cm.


Sold for CHF 36 000 (including buyer’s premium)
All information is subject to change.

DAVID TENIERS the younger

DAVID TENIERS the younger

(Antwerp 1610–1690 Brussels)

Music making with a barrel organ. Circa 1660.

Oil on panel.

Signed lower left on the stone: D. TENIERS. f.

26 × 19 cm.


Sold for CHF 90 000 (including buyer’s premium)
All information is subject to change.

SAVERY, ROELANT (Kortrijk 1576 - 1639 Utrecht) Forest landscape with a hunter. 1608. Oil on panel. Signed and dated centre bottom: R SAVERY FT 1608. 43.5 x 66 cm. Provenance: Swiss private collection.

SAVERY, ROELANT (Kortrijk 1576 - 1639 Utrecht) Forest landscape with a hunter. 1608. Oil on panel. Signed and dated centre bottom: R SAVERY FT 1608. 43.5 x 66 cm. Provenance: Swiss private collection.

(Kortrijk 1576 - 1639 Utrecht)

Waldlandschaft mit einem Jäger. 1608.

Öl auf Holz.

Unten mittig signiert und datiert: R SAVERY FT 1608.

43,5 x 66 cm.


Sold for CHF 35 000 (including buyer’s premium)
All information is subject to change.