URI - CANTON.-

JOHANN RUDOLPH WEGMANN (ATTRIBUTED) (active circa/before 1830).

View of Lake Uri towards Flüelen, with the snow-covered Bristenstock beyond.

Gouache. The framing lines in black pen and with green gouached margins.

32 x 47.5 cm. Gold frame

SCHWYZ - CANTON.-

JOHANN RUDOLPH WEGMANN (active c. 1830)

View of the island of Schwanau in Lake Lauerz.

Gouache. The framing lines in pen and black ink and with green gouached margins.

Signed lower right in brown pen: R.Wegmann.

32 x 48.5 cm. Gold frame.

LUDWIG HESS

(1760 Zurich 1800)

1. 'Eine Gegend im Lauisser Thal unweit Lugaggio'; 2. 'Tellskapelle am 4 Waldstetter See, im Hintergrund die Blümlisalp'.

Pastel, heightened with gouache, on laid paper with watermark C&J Honig; the framing lines in brush and black ink.

1. Signed at the lower right margin L:Hess fec.; 2. Signed at the lower left margin in black pen: L.Hess. Each with old titling in brown pen on the back of the frames.

Each approx. 43 x 58 cm. Decoratively framed as counterparts in old gold frames of the period.

CARL LUDWIG HACKERT

(Prenzlau 1740 - 1796 Morges)

Vue de la mer de glace et de l’hopital de Blair du sommet Montanvert dans le mois d’aust, 1781.

Watercoloured etching on laid paper with watermark crowned coat of arms.

Titled, dated and signed in the plate at lower edge.

34.7 x 46.5 cm (sheet dimension: 39.5 x 50.5 cm). Framed.

JOHANN JAKOB MEYER

(Meilen 1787 - 1858 Zurich)

The bridge near Amsteg. Circa/beforer 1840.

Watercolour. Faintly squared in pencil.

13 x 20 cm. Framed.

SIGISMOND FREUDENBERGER

(1745 Bern 1801)

1. La leçon de guitare; 2. La leçon de clavecin. Pair of works.

Etchings with original watercolour.

Each approx. 22.8 x 18.5 cm. Framed as counterparts in decorative gold frames.

LOUIS-MARIN BONNET

(1736 Paris 1793)

Tête de jeune femme profilée à droite, after François Boucher, 1769.

Coloured crayon manner on brownish paper.

28.6 x 20.3 cm. Framed.

LOUIS-MARIN BONNET

(1736 Paris 1793)

Première tête, aux trois crayons, d'après F.Boucher, 1767.

Coloured crayon manner on cream-coloured laid paper.

31 x 23.5 cm. Framed.

NAPOLEONICA.-

August Christian HAUCK (1742-1801) and Cornelisz BAKKER (1771-1849).

Series of 14 illustrations of French revolutionary soldiers: "Serie van 14 Soldaten-Typen (Sans-Culotte) uit de Fransche Revolutie. 1795."

Engravings with original watercolour.

One sheet with engraved monogram at lower left margin: A:C:H & C:B. f.

All approx. 16 x 11 cm. In genuine gold frames.

HUNGARY - BRATISLAVA.-

JOSEPH and PETER SCHAFFER (active 18th/19th century)

Die Königliche Freystadt Presburg in Ungarn - Vue de Presbourg Ville libre Royale d'Hongrie.

Etching with original colour.

Engraved title, signature and inscription in the text margin: Nach der Natur gezeichnet und gestochen von Joseph und Peter Schaffer 1787. In Wien bey Arataria Compag.. Engraved number upper right: 12. Engraved number upper right: 11.

34 x 45.5 cm (sheet dimension: 46.5 x 64 cm).

ITALY - NAPLES.-

Anonymous, 1st half of the 19th century.

Napoli dal Carmine'.

Gouache, heightened in white. The framing line in pen and black ink and with black-grey gouached margins.

Titled in lower margin centre.

34 x 49 cm (visible dimension). In old gold frame of the period.

ITALIY - NAPLES.-

FERDINANDO ROBERTO (active in 19th century).

Napoli dal Carmine'.

Gouache. The framing line in brush and black ink and with grey-black gouached margins.

Signed lower left in white pen: Presso Ferd: Roberto; titled lower centre.

47 x 65 cm (visible dimensions). Framed.

ITALY - NAPLES.-

Anonymous, 1st half of the 19th century.

1. 'Napoli dal Capodimonte'. 2. 'Napoli dal Campo'. Pair of works.

Gouaches, the framing lines in pen and black ink and grey gouached margins.

Each titled in lower margin centre.

Each 36 x 50.5 cm (visible dimensions). Framed.

GIOVANNI ANTONIO CANALETTO

(1697 Venice 1768)

Title sheet for 'Vedute Altre prese da i Luoghi altre ideate', 1742-43.

Etching.

30 x 42.8 cm (sheet dimension: 41.5 x 54.5 cm).

BERNARDO BELLOTTO called IL CANALETTO

(Venice 1721 - 1780 Warsaw)

Vue extérieure de la porte Wilsche Thor des remparts de la Ville de Dresden..., 1750.

Etching on laid paper with watermark lettering (Ravensburg?).

Peint et gravé par Ber: Bellotto, dit Canaletto, Peintre du: Roi. 1750.

54 x 84 cm.

MARCO RICCI

(Belluno 1676 - 1729 Venice)

Landscape with the ruins of a building and a large fountain. From the series of 20 landscapes. 1730.

Etching on laid paper with watermark (trimmed).

Engraved number in the upper left corner: 12.

28.7 x 36.2 cm (sheet dimension: 32 x 40 cm).

GIOVANNI BATTISTA PIRANESI

(Mogliano near Mestre 1720 - 1778 Rome)

Veduta della Basilica di San Lorenzo fuor delle mura..., 1750. From the series: Vedute die Roma.

Etching.

37.5 x 65 cm (sheet dimension: 53 x 75 cm). Framed.

MARTIN SCHONGAUER

(Colmar, circa 1430 - 1491 Breisach)

The birth of Christ. Circa 1475.

Copper engraving on laid paper with watermark: smallest ox head with T (Meder 79, from 1475 to 1504).

16.1 x 15.7 cm.

ALBRECHT DÜRER

(1471 Nuremberg 1528)

Saint George on Horseback, 1501/04.

Woodcut on laid paper with watermark eight pilgrims in a circle (Meder 8).

Monogrammed lower right in the block: AD.

21.4 x 14.4 cm.

ALBRECHT DÜRER

(1479 Nuremberg 1528)

The Temptation of the Idler (The Dream of the Doctor). After 1497.

Engraving on laid paper with watermark 'Bekröntes Lilienwappen' (Meder 123).

Engraved monogram at lower edge: AD.

19 x 12.2 cm.

ALBRECHT DÜRER

(1471 Nuremberg 1528)

The Angel Appearing to Joachim. From the Life of the Virgin. Circa 1504.

Woodcut on laid paper with watermark small city arms (Meder 273, from 1570-1585).

Monogrammed lower right in the block: AD.

29.8 x 21 cm.

ALBRECHT DÜRER

(1471 Nuremberg 1528)

Madonna by the Wall, 1514.

Engraving.

Monogrammed and dated in the plate.

14.8 x 10.1 cm.

REMBRANDT HARMENSZ VAN RIJN

(Leiden 1606 - 1669 Amsterdam)

Abraham Francken, Apothecary. Circa 1657.

Etching.

15.8 x 20.8 cm.

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606 - 1669 Amsterdam)

Beggars receiving alms at the door of a house.

Etching on wove paper.

Signed and dated in the plate at lower right edge: Rembrandt f. 1648.

16.8 x 12.9 cm.

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606 - 1669 Amsterdam)

Saint Jerome in a dark chamber.

Etching.

Engraved signature and date below the image: Rembrandt f. 1642.

15.2 x 17 cm. Framed.