URI - CANTON.-

JOHANN RUDOLPH WEGMANN (ATTRIBUTED) (active circa/before 1830).

View of Lake Uri towards Flüelen, with the snow-covered Bristenstock beyond.

Gouache. The framing lines in black pen and with green gouached margins.

32 x 47.5 cm. Gold frame

SCHWYZ - CANTON.-

JOHANN RUDOLPH WEGMANN (active c. 1830)

View of the island of Schwanau in Lake Lauerz.

Gouache. The framing lines in pen and black ink and with green gouached margins.

Signed lower right in brown pen: R.Wegmann.

32 x 48.5 cm. Gold frame.

LUDWIG HESS

(1760 Zurich 1800)

1. 'Eine Gegend im Lauisser Thal unweit Lugaggio'; 2. 'Tellskapelle am 4 Waldstetter See, im Hintergrund die Blümlisalp'.

Pastel, heightened with gouache, on laid paper with watermark C&J Honig; the framing lines in brush and black ink.

1. Signed at the lower right margin L:Hess fec.; 2. Signed at the lower left margin in black pen: L.Hess. Each with old titling in brown pen on the back of the frames.

Each approx. 43 x 58 cm. Decoratively framed as counterparts in old gold frames of the period.

CARL LUDWIG HACKERT

(Prenzlau 1740 - 1796 Morges)

Vue de la mer de glace et de l’hopital de Blair du sommet Montanvert dans le mois d’aust, 1781.

Watercoloured etching on laid paper with watermark crowned coat of arms.

Titled, dated and signed in the plate at lower edge.

34.7 x 46.5 cm (sheet dimension: 39.5 x 50.5 cm). Framed.

JOHANN JAKOB MEYER

(Meilen 1787 - 1858 Zurich)

Entrance to Via Mala from Schams.

Watercolour. Faintly squared in pencil.

Various annotations in pencil within the image: Sur Ranzungs, St. Ambriesch...

14.8 x 19.2 cm. Framed.

JOHANN JAKOB MEYER

(Meilen 1787 - 1858 Zurich)

The bridge near Amsteg. Circa/beforer 1840.

Watercolour. Faintly squared in pencil.

13 x 20 cm. Framed.

SIGISMOND FREUDENBERGER

(1745 Bern 1801)

1. La leçon de guitare; 2. La leçon de clavecin. Pair of works.

Etchings with original watercolour.

Each approx. 22.8 x 18.5 cm. Framed as counterparts in decorative gold frames.

LOUIS-MARIN BONNET

(1736 Paris 1793)

Tête de jeune femme profilée à droite, after François Boucher, 1769.

Coloured crayon manner on brownish paper.

28.6 x 20.3 cm. Framed.

LOUIS-MARIN BONNET

(1736 Paris 1793)

Première tête, aux trois crayons, d'après F.Boucher, 1767.

Coloured crayon manner on cream-coloured laid paper.

31 x 23.5 cm. Framed.

NAPOLEONICA.-

August Christian HAUCK (1742-1801) and Cornelisz BAKKER (1771-1849).

Series of 14 illustrations of French revolutionary soldiers: "Serie van 14 Soldaten-Typen (Sans-Culotte) uit de Fransche Revolutie. 1795."

Engravings with original watercolour.

One sheet with engraved monogram at lower left margin: A:C:H & C:B. f.

All approx. 16 x 11 cm. In genuine gold frames.

AUSTRIA - GRATZ.-

JOHANN ZIEGLER (1749-1822)

Die Stadt Grätz an der Mur/ La Ville de Grätz for la riviere de Mur.

Etching with original colour.

The wide text margin with engraved title, signature and inscription: Runk del.; Ziegler sc. Wien bei F.X. Stöckl.

32 x 42.3 cm (sheet dimension: 46 x 60.5 cm).

AUSTRIA - LINZ.-

JOSEPH and PETER SCHAFFER (active 18th/19th century).

Ansicht der Stadt Linz - Vue de la Ville de Lince.

Etching with original colour.

Engraved title, signature and inscription in text margin: Gez. und gest. von Joseph und Peter Schaffer. Zufinden in Wien und Mainz bey Arataria Compag.. Engraved number upper right: 4.

33 x 45 cm (sheet dimension: 47 x 64 cm).

AUSTRIA VIENNA.-

JOSEPH and PETER SCHAFFER (active 18th/19th century).

Ansicht von Nussdorf gegen Wien - Vue de Nussdorf vers Vienne. Um 1790.

Etching with original colour.

Engraved title, signature and inscription in the text margin: Gezeichnet und gestochen von Jos. und Peter Schaffer. Zu Wien und Mainz bey Arataria Compag.. Engraved number upper right: 11.

33.2 x 45.8 cm (sheet dimension: 46.5 x 63 cm).

AUSTRIA VIENNA.-

CARL SCHÜTZ (1745-1800)

Das K.K. Lustschloss und der Garten Schönbrunn von der Hauptstrasse anzusehen.

Etching with original colour.

Engraved title, inscription and signature in the text margin: Nach der Natur gezeichnet und gestochen von C. Schütz in Wien, 1781. In Wien bey Artaria Comp. Engraved number upper right: 1.

34.5 x 45.5 cm (sheet dimension: 46.5 x 66 cm).

HUNGARY - BRATISLAVA.-

JOSEPH and PETER SCHAFFER (active 18th/19th century)

Die Königliche Freystadt Presburg in Ungarn - Vue de Presbourg Ville libre Royale d'Hongrie.

Etching with original colour.

Engraved title, signature and inscription in the text margin: Nach der Natur gezeichnet und gestochen von Joseph und Peter Schaffer 1787. In Wien bey Arataria Compag.. Engraved number upper right: 12. Engraved number upper right: 11.

34 x 45.5 cm (sheet dimension: 46.5 x 64 cm).

ITALY - NAPLES.-

ANONYMOUS, 1st half of the 19th century

Il Vesuvio'. View of the smoking Vesuvius with the port of Naples with flagged ships in the foreground.

Gouache, heightened in white. The framing line in brush and black ink and with grey gouache margins.

Titled in lower margin centre.

41 x 62.5 cm (visible dimensions). Framed.

ITALY - NAPLES.-

Anonymous, 1st half of the 19th century.

Napoli dal Carmine'.

Gouache, heightened in white. The framing line in pen and black ink and with black-grey gouached margins.

Titled in lower margin centre.

34 x 49 cm (visible dimension). In old gold frame of the period.

ITALIY - NAPLES.-

FERDINANDO ROBERTO (active in 19th century).

Napoli dal Carmine'.

Gouache. The framing line in brush and black ink and with grey-black gouached margins.

Signed lower left in white pen: Presso Ferd: Roberto; titled lower centre.

47 x 65 cm (visible dimensions). Framed.

ITALY - NAPLES.-

Anonymous, 1st half of the 19th century.

1. 'Napoli dal Capodimonte'. 2. 'Napoli dal Campo'. Pair of works.

Gouaches, the framing lines in pen and black ink and grey gouached margins.

Each titled in lower margin centre.

Each 36 x 50.5 cm (visible dimensions). Framed.

ITALY - NAPLES.-

Anonymous, 1st half of the 19th century.

Napoli dal Carmine.

Gouache.

40.5 x 61.5 cm. Framed.

MARCO RICCI

(Belluno 1676 - 1729 Venice)

View of a town on a river. From the series of 20 landscapes. 1730.

Etching on laid paper with watermark probably Tre Lune (trimmed).

Engraved number in the upper left corner: 1.

29 x 42.5 cm (sheet dimension: 37 x 52.5 cm).

MARCO RICCI

(Belluno 1676 - 1729 Venice)

Landscape with shepherds and washerwomen. From the series of 20 landscapes. 1730.

Etching on laid paper with watermark 'V' with accessories (not identified).

Engraved number in the upper left corner: 2.

29 x 43 cm (sheet dimension: 37.8 x 49.5 cm).

MARCO RICCI

(Belluno 1676 - 1729 Venice)

Landscape with shepherds and washerwomen. From the series of 20 landscapes. 1730.

Etching on laid paper without watermark.

29 x 43 cm (sheet dimension: 31.1 x 46.5 cm).

MARCO RICCI

(Belluno 1676 - 1729 Venice)

Landscape with a peasant and a horse on a jetty. From the series of 20 landscapes. 1730.

Etching on laid paper with watermark Tre Lune and watermark 'AS' .

Engraved number in the upper left corner: 4.

29.2 x 43 cm (sheet dimension: 39.5 x 53.5 cm).

BERNARDO BELLOTTO called IL CANALETTO

(Venice 1721 - 1780 Warsaw)

Perspective de la ville neuve, et du Palais de = S.M. dit de'Hollande et des Environs de /La campagne de Loschuwitz, avec una partie de la= Roiale Eglise Catolique et des Bastions de la ville de /Dresde (...), 1747.

Etching.

Engraved signature lower right below the image: Peint, dessiné et grave par Ber: Bellotto dit Canaletto Pe. in R.le.

54 x 85 cm (sheet dimension: 61 x 90 cm).