RING,

Byzantine.

Gold with an oval, blue glass cabochon.

L 1.7 cm. Size ca. 47.

NECKLACE,

in part using elements from Roman Antiquity, 2nd/3rd century A.D.

Amber and gold. Oval medallion with cabochon, probably garnet.

L 42 cm.

CROSS-SHAPED PENDANT,

Byzantine, 5th to 7th century.

Gold. Each arm has a pentagonal cross-section, tapering towards the center, the ends decorated with fine pearl beading. The center with a sapphire cabochon, framed by a pearl frieze. The eyelet, likewise with a pearl frieze.

H 7.1 cm, W 6 cm.

MADONNA AND CHILD, SEATED ON A THRONE,

Gothic, Northern Italy or Spain ca. 1300.

Pine and hardwood, carved, hollowed and closed, and painted.

H 113 cm.

ENAMEL RELIQUARY CABINET, so-called châsse,

Gothic, Limoges, 2nd half of the 13th century.

Copper, engraved and fire-gilt, and champlevé enamel in blue, white and red. Decorated with stylized tendrils and busts of angels all around. The front displaying scenes from the life of Mary. The cover crowned with 5 spheres, 2 of which are in rock crystal (possibly replaced later). The central sphere features a cross. Later lock and piercing for a key. The underside of the base with inventory number O.2 in red.

20.5 x 8 x 15.5 cm.

SAINT FLORIAN,

Late Gothic, probably Swabia ca. 1480.

Limewood, carved all around, with remains of paintwork. The saint is wearing full armour.

H 129 cm.

PAIR OF LATE GOTHIC CANDLESTICKS,

Germany, 16th century.

Brass and iron. Broad drip pan and tall iron spike.

H ca. 31 cm.

RELIQUARY BUST,

Rhenish, 1st half of the 14th century.

Female bust in carved walnut. The bosom featuring a round opening. The parting can be removed and is hinged. The inside is hollow, the bottom is closed-off by a board, the rear part of which has been restored. Face and neck, painted silver which has turned blackish over time. Gilding on the clothing and hair, later.

W 32 cm, H 39 cm.

CHANDELIER, so-called "LÜSTERWEIBCHEN",

Renaissance, Southern Germany or Switzerland ca. 1600.

Wood, carved all around and painted. Female bust with the tail of a siren. With coat-of-arms cartouche (not identifiable). Antlers.

102 x 105 x 58 cm.

ALLIANCE ARMORIAL PANEL,

Eastern Switzerland, Renaissance, dated 1570.

Central field with the coat-of-arms of the Zimmermann family and the Baumann family. The cartouche inscribed: Ulrich Zimmermann Bürger zu Wyll Anna Bumeni von Appenzell sin eliche Husfrow 1570.

21 x 32 cm.

MADONNA AND CHILD, SEATED ON A THRONE,

Gothic, Southern Germany, 1st half of the 14th century.

Limewood, carved, verso hollowed, and with remains of paintwork. Mary seated on a simple throne.

H 77 cm.

SAINT MARGARET,

Late Gothic, Southern Germany or Switzerland ca. 1500.

Lime, carved, painted and parcel-gilt, verso hollowed.

H 65 cm.

MADONNA AND CHILD, SEATED ON A THRONE,

Gothic, Italy, 13th/14th century.

Carved wood, verso flattened, with remains of paintwork. Strong worming, in part fragmentary state with numerous fillings.

H 80 cm.

IRON COFFER,

Renaissance, Germany, probably Augsburg 17th century.

Iron with etched decoration. Decorated all around, the decoration on the hinged cover, strongly rubbed. Lock with 5 bolts. Lateral handles. 1 key.

30 x 19 x 20 cm.

PAIR OF CANDLESTICKS DESIGNED AS ANGELS,

Late Gothic, Lucerne region ca, 1500.

Lime, carved all around and brown patinated The bottom with inscribed label. Restorations.

H 35 cm and 36 cm.

SMALL IRON COFFER,

Renaissance, probably France or Italy, 16th century.

Iron, engraved with scrolled leaves and flowers. With applied gilt brass or copper fittings, in part pierced. On round feet (probably later). The inside, lined with a later turquoise silk cover. 1 key.

14 x 9.5 x 7 cm.

RARE INLAID FOLDING CHAIR,

Nasrid Dynasty or slightly later, Andalusia, last quarter of the 15th century/beginning of the 16th century.

Walnut, inlaid with bone and metal designed as stylised blossom friezes. Fabric seat surface and hinged X-shaped frame. Curved, scrolled armrests. Backrest and seat in later green velour with gold brocade bands. Minor chips and losses in the inlaid parts.

69 x 48 x 101 cm.

This object contains material of endangered species and is subject to certain trade restrictions. Prospective buyers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import it into another country.

含有象牙、犀牛角及/或其他瀕危或受保護物種物質的拍賣品，在本目錄中特別註有?符號。一些國家禁止或限制進口或出口含有象牙、犀牛角及/或源於其他瀕危或受保護物種的物品。因此，若您拍賣購得標有?的物品，並擬運往其他國家，您應在拍賣前了解及遵守所有相關海關的規則及法規。

FIGURE OF CERES,

Renaissance, Venice ca. 1600. The plinth monogrammed IC, probably from the workshop of Girolamo Campagna (1549-1625).

Dark patinated bronze. On a pink and black stone base.

Figure H 35 cm.

ETCHING KNIFE,

Germany, ca. 1600.

The leaf-shaped steel blade with engraved decorations (strongly rubbed). Slightly curved handle in bone. Metal clamp.

L 28.2 cm.

ETCHING KNIFE,

France or Italy, end of the 16th century/beginning of the 17th century.

Gilt, leaf-shaped steel blade with engraved decorations and coat-of-arms cartouche. Slightly curved ivory handle, the front end carved with leaves and grooves.

L 26.3 cm.

This object contains material of endangered species and is subject to certain trade restrictions. Prospective buyers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import it into another country.

含有象牙、犀牛角及/或其他瀕危或受保護物種物質的拍賣品，在本目錄中特別註有?符號。一些國家禁止或限制進口或出口含有象牙、犀牛角及/或源於其他瀕危或受保護物種的物品。因此，若您拍賣購得標有?的物品，並擬運往其他國家，您應在拍賣前了解及遵守所有相關海關的規則及法規。

BUFFET "À DEUX CORPS",

Renaissance, France, probably Paris, 2nd half of the 16th century.

Walnut, opulently and finely carved. The upper section, the top of which features an interrupted gable and Diana in a framed niche, has paneled double-doors carved with lion heads, palmettes and sculpted eagles. The lower section has 1 drawer over double-doors. The drawer is carved with a winged angel head. The door panels are carved with Allegories of the Four Seasons. The pilasters of the lower section have 4 reserves with depictions of swans and mythical creatures. Both the upper and the lower section have rectangular reserves in black marble and breccia. The lateral walls are paneled. Iron mounts. 1 key.

105 x 42 x 201 cm.

SILVER-GILT KNOBBED GOBLET,

Augsburg, 1st half of the 17th century. Maker's mark Theodor Riederer or Tobias Riederer.

H 16.4 cm. 180 g.

PAIR OF "FURIETTI" CENTAURS,

Italy, probably Rome, 19th century. After the Hellenistic model, an allegory of Youth and Old Age.

Brown patinated bronze. Both centaurs feature a figure of Cupid riding on their backs, Mounted on a grained, painted, stepped wooden base.

H without base 34 cm and 30 cm.

CARVED CHAIR,

Renaissance, France, second half of the 16th century.

Opulently carved walnut. Portal-shaped backrests. Seat, modified, presently with removable cushion.

43 x 44 x 93 cm.

SMALL PASTIGLIA CASKET,

Renaissance, Italy, probably Ferrara, beginning of the 16th century.

Wooden core with pastiglia in relief and gilt. Circumferential depictions of Roman soldiers, probably the story of John the Baptist. Leaves and decorative friezes. Rectangular body with hinged cover and finial (probably later).

16 x 11 x 10 cm.