GABRIEL LUDWIG LORY PÈRE

(1763 Bern 1840)

Vue sur le Lac de Bienne. Prise de l'Isle de S. Pierre dans le Canton de Berne.

Colored etching. The framing line in black pen.

Engraved signature below the image: Dessiné et Gravé par G: Lory.

35 x 49 cm (sheet size: 42 x 54 cm).

JOHANN RUDOLF FOLLENWEIDER

(1774 Basel 1847)

The Reichenbach in the Oberhaslital with bathing men.

Pen, pencil, watercolour, heightened in white. The framing line in black pen.

Signed in pen left below the image: R. Vollenweider fecit. Verso inscribed: Reichenbach/Oberhaslithal.

27.6 x 37.6 cm. Framed.

MICHEL VINCENT BRANDOIN

(1733 Vevey 1890)

Vue de Cygnoigner à Avenches.

Watercolour, gouache. The framing line in black pen.

Titled and inscribed in pencil on verso.

25.6 x 37 cm.

JEAN ANTOINE LINCK

(1766 Geneva 1843)

A stately home in a large park with numerous visitors.

Gouache, heightened in white. The framing line in black pen.

Signed lower left in black pen: Jn. Ant. Linck fec.

21.3 x 29 cm. Framed.

CONSTANTIN GUISE

(Kassel 1811 - 1858 Basel)

Aeschenschwibbogen in Basel, 1841.

Watercolour. The framing line in gold pen and black gouached margins.

Signed and dated lower right in margin: Constantin Guise 1841.

24.5 x 37 cm. Gerahmt.

JOHANN JAKOB MEYER

(Meilen 1787 - 1858 Zurich)

Entrance to Via Mala from Schams.

Watercolour. Faintly squared in pencil.

Various annotations in pencil within the image: Sur Ranzungs, St. Ambriesch...

14.8 x 19.2 cm. Framed.

GOTTFRIED MIND

(1768 Bern 1814)

Children playing.

Watercolour, gouache on brown paper.

11 x 24 cm.

GOTTFRIED MIND

(1768 Bern 1814)

Three resting cats and a beetle.

Pen and brush and grey ink, watercolour.

11.2 x 20 cm.

GOTTFRIED MIND

(1768 Bern 1814)

Three young cats.

Watercolour, pen and brush and grey ink.

25.7 x 40.3 cm.

GOTTFRIED MIND

(1768 Bern 1814)

Three resting cats watching flies.

Watercolour, pen and brush and grey ink.

15 x 18.7 cm.

JOSEPH DE LANDERSET

(1753 Fribourg 1824)

The attack, 1795.

Gouache on paper.

Signed and dated in white pen lower right: De Landerset p. 1795.

49.8 x 54.6 cm. Gold frame.

JOSEPH DE LANDERSET

(1753 Fribourg 1824)

A hunting party, 1795.

Gouache on paper.

Signed and dated lower right in white pen: de Landerset p: 1795.

49.8 x 57.8 cm. Gold frame.

SIGISMOND FREUDENBERGER

(1745 Bern 1801)

1. La Fileuse; 2. La Divideuse. A pair of works, 1793.

Etching with original colour.

No.1 titled and inscribed below the image: S. Freudenberger fecit; Nr.2 impression before any text.

Each 20 x 14.5 cm. Both in Louis XVI style frames.

PIETER BRUEGHEL I.

(probably Breda, c. 1525/1530 - 1569 Brussels)

Fides - Faith. From the series: The Seven Virtues. Circa 1559/60.

Engraving.

29 x 22.2 cm. Framed.

PIETER BRUEGHEL I.

(probably Breda, c. 1525/1530 - 1569 Brussels)

Prudentia - Prudence. From the series: The Seven Virtues. Circa 1559/60.

Engraving.

Engraved inscription lower right: Bruegel inventor.

23 x 30 cm (sheet size). Framed.

PIETER BRUEGHEL I.

(probably Breda, c. 1525/1530 - 1569 Brussels)

After HIERONYMUS BOSCH. Invidia - Envy. From the series: The Seven Deadly Sins. 1558.

Engraving on laid paper with watermark (two four-petalled flowers/crosses with letters?)

Engraved inscription at left lower margin: brueghel inuet.

22 x 29.2 cm. Framed.

ALBRECHT DÜRER

(1471 Nuremberg 1528)

The Circumcision of Christ. Circa 1505.

Woodcut with watermark: high crown (Meder 20).

Monogrammed in the block lower right: AD.

29.3 x 21 cm. Framed.

ALBRECHT DÜRER

(1471 Nuremberg 1528)

Christ Carrying the Cross, 1509. Plate 22 of the series: The Small Passion.

Woodcut on laid paper with watermark (fragmentary).

Monogrammed and dated lower right: AD 1509.

12.9 x 9.8 cm. Framed.

ALBRECHT DÜRER

(1471 Nuremberg 1528)

Madonna Queen of the Angels

Woodcut on laid paper without watermark.

Monogrammed and dated in the block lower left: AD 1518.

30 x 21 cm. Framed.

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606 - 1669 Amsterdam)

Abraham and Isaac, 1643.

Etching.

Engraved signature and date in the left lower corner: Rembrandt 1643.

15.6 x 13 cm. Framed.

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606 - 1669 Amsterdam)

Christ and the woman of Samaria among the ruins, 1634.

Etching.

Engraved signature and date upper right: Rembrandt f.1634.

12.4 x 11 cm. Framed.

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606 – 1669 Amsterdam)

Study sheet with six female heads, 1636.

Etching on laid paper with watermark (not identified).

Etched signature and date at the lower edge: Rembrandt f. 1636.

14.8 x 12.5 cm (the four corners angled). Framed.

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606 - 1669 Amsterdam)

Saint Jerome kneeling in prayer, 1635.

Etching.

The engraved signature predominantly faintly visible in upper right: Rembrandt.

11.6 x 8.2 cm. Gerahmt.

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606 - 1669 Amsterdam)

Woman bathing her feet in a brook, 1658.

Etching.

Engraved signature and date in the upper left corner: Rembrandt f. 1658.

16.2 x 8 cm. Old framing.

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606 – 1669 Amsterdam)

Self portrait in a flat cap, circa 1642.

Etching.

Trimmed at the upper margin, therefore without the signature.

7 x 6.2 cm.