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246 Treffer
CORPUS CHRISTI

CORPUS CHRISTI

From the Alpine region, South Tyrol ca. 1400.

Wood, carved all around and painted.

H 46 cm.


CHF 1 000 / 1 500 | (€ 930 / 1 400)

AQUAMANILE

AQUAMANILE

Northern Europe, probably Germany, end of the 15th century.

Bronze. Designed as a lion, the curved tail serving as a handle. Small spout tube in the muzzle.

H 10.5 cm.


CHF 4 000 / 7 000 | (€ 3 740 / 6 540)

PROCESSION CROSS

PROCESSION CROSS

Gothic, probably Burgundy, 1st half of the 15th century.

Wooden core, applied with chased silver plates, and decorated with pine cones and rosettes. Traces of a former gilding On the front: enameled God the Father in a Gothic niche with a canopy, on the back: an empty rectangular chamber, originally for holding a relic (door missing). Mounted on a later conical shaft with a flat nodus in gilt copper. Punch mark "PVE" below a crown, and date or place stamp B.

22 × 2 × 44 cm.


CHF 3 000 / 4 000 | (€ 2 800 / 3 740)

LATE-GOTHIC IRON CLOCK

LATE-GOTHIC IRON CLOCK

Switzerland, probably Zug, beginning of the 17th century.

Open case constructed of flat iron bands. Movement and striking mechanism arranged one behind the other. The movement, with verge escapement and foliot (restored back to original). Striking mechanism, striking the hours, with locking plate with internal teeth and external fly vane. Gothicized bell cage. The dial painted later with a view of Zug and the coat-of-arms of the Zug family Brandenberg.

16 × 21 × 48 cm.


CHF 5 000 / 7 000 | (€ 4 670 / 6 540)

RELIEF FIGURE OF SAINT URSUS

RELIEF FIGURE OF SAINT URSUS

Switzerland, probably Solothurn ca. 1580/1600.

Lime, carved in half-relief and painted, verso flattened. The saint is in full armor and bears a shield.

H 119 cm.


CHF 3 500 / 5 000 | (€ 3 270 / 4 670)

IRON CLOCK WITH ALARM

IRON CLOCK WITH ALARM

In the Late-Gothic style, Germany or Switzerland, the dial with a date: 1582.

Open case with a round cross-section. Movement and striking mechanism arranged one behind the other, with verge escapement and foliot. Striking mechanism with locking plate with internal teeth, striking the hour on bell. Small alarm movement. The top of the dial is painted with an angel playing a shawm. The lower section features two slightly protruding coats-of-arms with three stars and three half-moons, respectively.

15 × 12 × 33 cm.


CHF 1 500 / 2 500 | (€ 1 400 / 2 340)

RELIEF FIGURE OF SAINT CATHERINE

RELIEF FIGURE OF SAINT CATHERINE

Switzerland, probably Solothurn, ca. 1580/1600.

Wood; carved in half-relief and painted, verso flattened. Saint Catherine standing with a sword and a book as her attributes, with a small breaking wheel at her feet.

H 120 cm.


CHF 3 500 / 5 000 | (€ 3 270 / 4 670)

SMALL TOWER CLOCK WITH A FIGURE STRIKING THE BELL

SMALL TOWER CLOCK WITH A FIGURE STRIKING THE BELL

Switzerland or Germany, 16th / 17th century.

Wrought iron. Open case constructed of flat bands. Movement and striking mechanism arranged one behind the other, the movement with verge escapement and foliot, striking mechanism striking the hour on bell. The top decorated with a seated, carved figure striking the bell. Later sheet-metal dial, inscribed: Zeyt eilt, teilt, heilt.

22 × 27 × 45 cm.


CHF 5 000 / 8 000 | (€ 4 670 / 7 480)

BRONZE PLAQUE "THE CRUCIFIXION"

BRONZE PLAQUE "THE CRUCIFIXION"

Northern Italy, after a work by Galeazzo Mondella (1467–1528), known as Moderno. Later cast, probably 17th century.

Gilt bronze. A multi-figure representation of the Crucifixion. Christ on the cross between the two thieves. Mary Magdalene clinging to the cross. Surrounded by numerous soldiers and guards, and St. John. Mary is sitting on the ground, supported by two women.

H 10.5 cm, W 7.5 cm.


CHF 800 / 1 200 | (€ 750 / 1 120)

A GOBLET

A GOBLET

South America, 16th century.

On a lobed foot. The stem with a squat knop between two baluster sections. Tapering bowl with smooth lip rim in a floral-moulded setting.

H 24 cm. 632 g.


CHF 1 500 / 2 500 | (€ 1 400 / 2 340)

ENAMEL PLAQUE "THE ENTOMBMENT OF CHRIST"

ENAMEL PLAQUE "THE ENTOMBMENT OF CHRIST"

Limoges, ca. 1520/30. Attributable to the master craftsman of the Altar of Mesnil-sous-Jumièges.

Depiction of the Entombment of Christ. The body of Christ is placed in the tomb by Joseph of Arimathea. Kneeling in front is Mary Magdalene, behind St. Nicodemus. Behind the tomb is a group of saints, including the Virgin Mary and St. John.

15.5 × 15.5 cm.


CHF 4 000 / 7 000 | (€ 3 740 / 6 540)

AN IZNIK CERAMIC PLATE

AN IZNIK CERAMIC PLATE

Turkey, c. 1620.

Relief painted in red, cobalt blue and green with a bouquet of roses, tulips and hyacinths, outlined in black. The rim painted in black with “breaking waves” border, the reverse with alternating leaf and flower motifs. The stand ring drilled with two holes for hanging.

D 29.5 cm.


CHF 2 000 / 3 000 | (€ 1 870 / 2 800)

AN IZNIK CERAMIC PLATE

AN IZNIK CERAMIC PLATE

Turkey, c. 1620.

Relief painted in red, cobalt blue and green, outlined in black, with a “SAZ” leaf amongst a loose bouquet of peonies, tulips and roses, the rim painted in black with “breaking wave” border, the reverse with alternating leaf and flower motifs in green and cobalt blue. The stand ring drilled for hanging.

D 28.8 cm.


CHF 2 500 / 3 500 | (€ 2 340 / 3 270)

CANDELABRUM DESIGNED AS A NEREID

CANDELABRUM DESIGNED AS A NEREID

Workshop of Severo Calzetta da Ravenna or his son Niccolò Calzetta, Ravenna, 16th century.

Bronze. Designed as the bust of a woman holding two curved candlesticks on her outstretched arms, with later vase-shaped nozzles. On a later foot designed as an eagle's claw.

H 26 cm.


CHF 8 000 / 12 000 | (€ 7 480 / 11 210)

SMALL IRON BOX

SMALL IRON BOX

Nuremberg, 16th century.

Iron, with etched decoration featuring half-height portraits of people in profile, surrounded by an architectural frame. Rectangular body on small spherical feet. Hinged lid. Iron lock. 1 key.

9 × 7 × 6.5 cm.


CHF 1 000 / 1 200 | (€ 930 / 1 120)

RELIEF PANEL WITH MOSES AND THE TEN-COMMANDMENT TABLETS

RELIEF PANEL WITH MOSES AND THE TEN-COMMANDMENT TABLETS

France, 16th / 17th century.

White, red, pink and black marble, hewn and engraved. Moses standing with the Two Tablets of the Law. Shaped frame. Verso, set in an iron frame.

68 × 86 cm.


CHF 15 000 / 20 000 | (€ 14 020 / 18 690)

TAPESTRY, PROBABLY FROM A SERIES DEPICTING THE LIFE OF JACOB

TAPESTRY, PROBABLY FROM A SERIES DEPICTING THE LIFE OF JACOB

Brussels or Enghien, ca. 1550/75.

This tapestry features an old bearded man leaning on a stick and being welcomed by a younger man. He is followed by a servant with a long staff, looking back at a seated woman with a child. Biblical depiction, probably of the Reconciliation between Jacob and his son Joseph, King of Egypt (Genesis 47: 5-6). Floral border decorated with fruit.

390 × 463 cm.


CHF 20 000 / 30 000 | (€ 18 690 / 28 040)

A LARGE MAIOLICA PLATTER

A LARGE MAIOLICA PLATTER

Liguria, Savona, 17th century.

The shape derived from silver forms with relief-decorated rim and well encircling a central stand ring. Painted in blue with a mythological scene in the centre, Neptune and Nereids in a seascape, within a radial arrangement of animal scenes on small landscape strips and plant motifs on the rim. With crown mark.

D 46 cm.


CHF 800 / 1 200 | (€ 750 / 1 120)

STRIDING HORSE

STRIDING HORSE

After models from the Renaissance, probably Italy, 17th / 18th century.

Patinated bronze. Mounted on a rectangular ebonized wooden base.

H 12 cm; with base 25 cm.


CHF 4 000 / 6 000 | (€ 3 740 / 5 610)

A FAIENCE WIDE-RIMMED PLATE

A FAIENCE WIDE-RIMMED PLATE

Winterthur, c. 1680.

Glazed light grey and painted with high-fired colours, the well with a Bacchus figure with grapes and wine leaves in his hair and a bowl in one hand within a hilly landscape, the rim with grapes, a pear, a pomegranate and a radish.

D 34 cm.


CHF 600 / 800 | (€ 560 / 750)

STRIDING BULL

STRIDING BULL

Probably Italy, 17th / 18th century. After a model by Giovanni da Bologna, known as Giambologna (Douai 1529-1608 Florence), and Antonio Susini (1558-1624).

Dark-patinated bronze. Mounted on an ebonized wooden base.

H 9.5 cm; H with base 23 cm.


CHF 5 000 / 8 000 | (€ 4 670 / 7 480)

FRAGMENT OF A TAPESTRY BORDER

FRAGMENT OF A TAPESTRY BORDER

Renaissance, Bruxelles, probably from the workshop of François Geubels, ca. 1560.

Allegorical representations of Generosity and Justice under a canopy, with three eagles on top. In an architectural frame.

167 × 66 cm.


CHF 1 500 / 2 000 | (€ 1 400 / 1 870)

FRAGMENT OF A TAPESTRY BORDER

FRAGMENT OF A TAPESTRY BORDER

Renaissance, Bruxelles, probably from the workshop of François Geubels, ca. 1560.

Depiction of a woman with a palm frond, with a dragon below. In an architectural frame.

60 x 150 cm.


CHF 1 500 / 2 000 | (€ 1 400 / 1 870)

A NAUTILUS CUP

A NAUTILUS CUP

Spain or South America 17th century.

“Nautilus" shell mounted in silver with floral decoration. Waisted stem on a slightly stepped, pierced round foot.

H 13.9 cm.


CHF 15 000 / 18 000 | (€ 14 020 / 16 820)

LARGE TAPESTRY "THE STORY OF PHILIPPUS"

LARGE TAPESTRY "THE STORY OF PHILIPPUS"

Renaissance, Flanders, 2nd half of the16th century.

Depicting the story of Philip (Acts of the Apostles 8.26 - 40). Philip is led by God to the road between Jerusalem and Gaza: "Leve toi et ... midi." The Holy Spirit advises him to keep to the Chamberlain of Candace, Queen of Ethiopia, who passes by on a chariot accompanied by soldiers: "Approche et tadionis a ce chariot". Philip points out a passage in the book of Isaiah to the Chamberlain, which he reads but does not understand at first: "Il fut mene come la brebis a occis iona". After understanding, the Chamberlain is baptized by Philip. Wide border with grotesque motifs, angels and tendrils.

372 x 337 cm.


CHF 20 000 / 30 000 | (€ 18 690 / 28 040)