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88 Treffer
PIETRO LONGHI (CIRCLE OF)

PIETRO LONGHI (CIRCLE OF)

(1702 Venice 1785)

Study of a striding man from behind. Verso: Hand study.

Pen and brush and brown ink, black chalk, heightened in white. Traces of red chalk.

25 x 18.7 cm.


CHF 1 000 / 1 500 | (€ 930 / 1 400)

MONOGRAMMIST 'CV'

MONOGRAMMIST 'CV'

(active in Switzerland in the 2nd half of the 16th century)

King Nebuchadnezzar and his entourage, the three youths in the fiery furnace in the background. Design for stained glass. 1582.

Pen and black and brown ink, brown wash.

Monogrammed and dated in pen in the right and left margin: CV 1582. Monogrammed below the image: CV and inscribed: Jacob Lauer(?).

32.5 x 21.5 cm.


CHF 600 / 800 | (€ 560 / 750)

HANS JAKOB NÜSCHELER THE ELDER (WORKSHOP)

HANS JAKOB NÜSCHELER THE ELDER (WORKSHOP)

(1583 Zurich 1654)

Allegorical depiction with the personification of the rule of human life. A woman, with crown, cross and mirror with two snakes, seated on an orb with the tablets of the law before her. 1646.

Pen and black ink, grey-blue wash.

Titled, dated and inscribed in upper and lower margins: Regel des Menschlichen Läbens. 1646. In the image:-gsatz. O Mensch fürcht Gott nach seinem gsatz: den Menschen Lieb In nit verlass/Biss Fürsichtig In glaubens sachen: Dass überig wirt Gott woll machen.

22.3 x 16.5 cm.


CHF 600 / 800 | (€ 560 / 750)

JOST AMMAN (ATTRIBUTED)

JOST AMMAN (ATTRIBUTED)

(Zurich 1539 - 1591 Nuremberg)

Joseph Telling His Dream to Jacob. Joseph Thrown into the Well.

Pen and black ink, brush and grey ink.

The verso with unidentified collector’s paraphrase in brown pen and numbered: 54.

9 x 13.7 cm.


CHF 500 / 700 | (€ 470 / 650)

MASTER OF THE DRAPERY STUDIES (CIRCLE OF)

MASTER OF THE DRAPERY STUDIES (CIRCLE OF)

(active Strasbourg, 1470 - 1500)

Luke the Evangelist with the ox.

Pen and black ink on laid paper with watermark: High Crown (fragmented), cf. Heawood 1166-1169; Meder 21), c. 1500/20.

16.5 cm (circular).


CHF 1 200 / 1 500 | (€ 1 120 / 1 400)

CHRISTOPH MURER

CHRISTOPH MURER

(Zurich 1558 - 1614 Winterthur)

The Three Graces. Circa 1585/87.

Pen and black ink, grey wash, heightened in white, on laid paper with grey ground.

20.4 x 15.1 cm.


CHF 6 000 / 8 000 | (€ 5 610 / 7 480)

CENTRAL SWITZERLAND, CIRCA 1600

CENTRAL SWITZERLAND, CIRCA 1600

The Last Judgement. Design for a glass plane. Circa 1600.

Pen and brown and red ink.

32.3 x 20.9 cm.


CHF 900 / 1 200 | (€ 840 / 1 120)

SWITZERLAND, 16TH CENTURY

SWITZERLAND, 16TH CENTURY

Design for stained glass with an uninterpreted scene.

Pen and black ink, grey and brown wash.

Dated in black pen lower centre: 1542.

31.4 x 21 cm.


CHF 900 / 1 200 | (€ 840 / 1 120)

GROSSHANS THOMANN

GROSSHANS THOMANN

(1525 Zurich 1567)

Design for stained glass with Aristotle and Phyllis. Walder-Zürich coat of arms, 1560.

Pen and black ink. On laid paper with watermark: Zürich escutcheon between lions.

Numbered and inscribed at upper edge: N.2. Aristoteles bist du gsyn wys vnd Kunstrich / So düst im zwar hie vngelyck. Inscribed below the image: M(eister). Felix Wallder 1560.

29.7 x 20.9 cm


CHF 1 000 / 1 500 | (€ 930 / 1 400)

BERNESE MASTER, CIRCA 1580

BERNESE MASTER, CIRCA 1580

Coat of arms with fleur-de-lys flanked by two standard bearers in a portico. Design for stained glass.

Pen and black ink on laid paper with watermark: Staff of Basel (Heawood No. 1179, c. 1578).

38.6 x 29.3 cm.


CHF 900 / 1 200 | (€ 840 / 1 120)

HANS BRAND (ATTRIBUTED)

HANS BRAND (ATTRIBUTED)

(1522 Basel 1576)

Design for stained glass with coat of arms.

Pen and black ink, grey wash.

31.7 x 22 cm.


CHF 700 / 900 | (€ 650 / 840)

NETHERLANDISH, 17TH CENTURY

NETHERLANDISH, 17TH CENTURY

Joseph fleeing from Potiphar's wife. Verso: caricature of a soldier.

Black chalk, brush and grey ink, heightened in white on blue laid paper. Verso: pen and brown ink.

27.5 x 21.5 cm.


CHF 1 200 / 1 500 | (€ 1 120 / 1 400)

NETHERLANDISH, 18TH/19TH CENTURY

NETHERLANDISH, 18TH/19TH CENTURY

The cake seller.

Black chalk, pen and brown and black ink, brown wash.

27.2 x 23 cm.


CHF 900 / 1 200 | (€ 840 / 1 120)

DAVID TENIERS II (18TH CENTURY FOLLOWER)

DAVID TENIERS II (18TH CENTURY FOLLOWER)

(Antwerp 1610 - 1690 Brussels)

The temptation of Saint Anthony in a rock grotto.

Pen and brush and grey and brown ink, black chalk, squared in black pencil.

Old attribution on backing verso: David Teniers le vieux.

43.8 x 57.5 cm.


CHF 900 / 1 200 | (€ 840 / 1 120)

ROMEYN DE HOOGHE

ROMEYN DE HOOGHE

(Amsterdam 1645 - 1708 Haarlem)

Three partly crowned female allegories holding scrolls.

Pen and brown ink, brush in brown, blue, white and gold on blue laid paper.

Inscribed in pencil on the mount: Roman de Hooge.

15.5 x 9 cm.


CHF 700 / 900 | (€ 650 / 840)

JAN WYNANTS

JAN WYNANTS

(Haarlem 1632 - 1684 Amsterdam)

Hilly landscape with a farmhouse, a village in the background.

Black chalk, grey wash. The still partially visible framing line in brown pen.

Old inscription on the mat: Wynants.

12 x 17.8 cm.


CHF 700 / 900 | (€ 650 / 840)

HENDRICK GOLTZIUS (CIRCLE OF)

HENDRICK GOLTZIUS (CIRCLE OF)

(Brüggen 1558 - 1617 Haarlem)

Young woman with eyes closed, her head supported by one arm. Probably a portrait of Sophia Goltzius.

Pen and brown ink.

16.1 x 18.3 cm.


CHF 2 000 / 3 000 | (€ 1 870 / 2 800)

NETHERLANDISH, CIRCA/AFTER 1600

NETHERLANDISH, CIRCA/AFTER 1600

The Flight to Egypt.

Pen and brown ink, grey-brown wash, black pencil. The framing line in brown pen. Squared with black pencil.

16.5 x 30.2 cm.


CHF 700 / 900 | (€ 650 / 840)

WILLEM VAN DE VELDE II (ATTRIBUTED)

WILLEM VAN DE VELDE II (ATTRIBUTED)

(Leiden 1633 - 1707 Greenwich)

Three-master and other boats in a calm sea.

Pen and brown ink, black chalk.

Inscribed in black pencil lower right and on verso: Vandevelde.

20 x 28 cm.


CHF 700 / 900 | (€ 650 / 840)

CHARLES-NICOLAS COCHIN II (ATTRIBUTED)

CHARLES-NICOLAS COCHIN II (ATTRIBUTED)

(1715 Paris 1790)

Interior scene with a wedding party. From the life of Henry IV.

Red chalk.

Old contemporary mount with old inscription in brown pen on the reverse: Par, Raoux. un épisode du temps d' Henry IV.- Dessin d' un grand nombre de figures precisement terminés a la sanguine. No.2.

23.7 x 35.5 cm. Framed.


CHF 1 000 / 1 500 | (€ 930 / 1 400)

JOHANN GEORG WILLE

JOHANN GEORG WILLE

(Giessen 1715 - 1808 Paris)

Landscape with a group in conversation.

Black pen, grey wash. The framing line in black pen.

Signed upper right: Wille d.

17.2 x 23 cm


CHF 500 / 700 | (€ 470 / 650)

ANTOINE COYPEL (ATTRIBUTED)

ANTOINE COYPEL (ATTRIBUTED)

(1661 Paris 1722)

Heracles embracing the freed Deïaneira, with the slain centaur Nessus lying on the ground next to them.

Red and black chalk on laid paper with watermark: Foolscap.

Old numbering in brown pen lower right: 47; the verso with old inscription in brown pen: Jordans.

20.2 x 25 cm.


CHF 900 / 1 200 | (€ 840 / 1 120)

CLAUDE JOHN-BAPTISTE HOIN

CLAUDE JOHN-BAPTISTE HOIN

(1750 Dijon 1817)

Le Rende-vous d'amour.

Watercolour, traces of black chalk.

47 x 33.5 cm. Old Lous XVI gold frame.


CHF 3 000 / 4 000 | (€ 2 800 / 3 740)

NORTHERN EUROPEAN, 19TH CENTURY

NORTHERN EUROPEAN, 19TH CENTURY

Three men bringing a slain hare to an elegant party.

Pen and brush and brown and grey ink, black chalk, heightened in white.

Old inscription on the verso: Early 17th century after a Tintoretto painting.

26.8 x 57 cm.


CHF 900 / 1 200 | (€ 840 / 1 120)

FONTAINEBLEAU SCHOOL, CIRCA 1600

FONTAINEBLEAU SCHOOL, CIRCA 1600

Ornamental arch with two reclining female figures.

Pen and brush and brown ink on parchment.

9.8 x 20.5 cm.


CHF 900 / 1 200 | (€ 840 / 1 120)