Mobilier et Arts Décoratifs

L’histoire de la maison Koller est indissociable des arts décoratifs et ce, depuis notre première vente en 1958. Meubles, argenterie, porcelaine et sculptures font parties des plus anciens domaines d’expertise et de nombreuses œuvres et objets d’art décoratif ont été vendus par Koller ventes aux enchères au cours des ans.

Par exemple, un bureau plat d’André-Charles Boulle vendu par Koller est aujourd’hui considéré comme étant la pièce de référence à laquelle toutes les autres créations du célèbre ébéniste du Roi-Soleil sont aujourd’hui comparées. Aucune autre maison de ventes européenne organise deux fois par an des enchères avec une si grande quantité de mobilier raffiné et d’objets d’art décoratif datant du XVème siècle jusqu’au XIXème siècle, parmi lesquelles d’importantes pièces en argent et en or, et de la porcelaine de Saxe datant de la première époque.

Stephan Koller
Mobilier & Pendules

Hardturmstrasse 102
8031 Zürich
skoller@kollerauctions.com
+41 44 445 63 20

Corinne Koller
Argenterie

Hardturmstrasse 102
8031 Zürich
ckoller@kollerauctions.com
+41 44 445 63 22

Sabine Neumaier
Porcelaine & Faïence

Hardturmstrasse 102
8031 Zürich
neumaier@kollerauctions.com
+41 44 445 63 12

Giordana Schmid

Hardturmstrasse 102
8031 Zürich
schmid@kollerauctions.com
+41 44 445 63 52

Ventes à venir

A200 - Mobilier, Porcelaine & Argenterie
24.03.2022
Clôture du catalogue :
01.01.2022
ibid126 - ibid Mobilier
29.03.2022
A202 - Mobilier, Porcelaine & Argenterie
21.09.2022
ibid129 - ibid Mobilier
27.09.2022

Ventes passées

ibid122 - ibid Mobilier
05.10.2021
A198 - Mobilier, Porcelaine & Argenterie
30.09.2021
 
A198 - Collection d’objets en ivoire
30.09.2021
 
A198 - Armes anciennes
30.09.2021
 

PAIR OF GAMES TABLES "A MECANISME", Louis XVI, attributed to D. ROENTGEN and his workshop (David Roentgen, Neuwied 1741-1809 Paris), Neuwied ca. 1785. Mahogany in veneer. Rectangular, triple-foldable leaf, lines with green felt. Inlaid with checkers game board, can also be used as a bookrest. Backgammon game board pops up with the aid of a spring mechanism. Secret drawer behind the foldable leg. Removable legs. Fine gilt bronze and brass mounts. 98x48.5x(open 96)x79.5 cm. Provenance: - formerly Didier Aaron, Paris. - from a European collection.
CHF 240 000
PAIR OF GAMES TABLES "A MECANISME", Louis XVI, attributed to D. ROENTGEN and his workshop (David Roentgen, Neuwied 1741-1809 Paris), Neuwied ca. 1785. Mahogany in veneer. Rectangular, triple-foldable leaf, lines with green felt. Inlaid with checkers game board, can also be used as a bookrest. Backgammon game board pops up with the aid of a spring mechanism. Secret drawer behind the foldable leg. Removable legs. Fine gilt bronze and brass mounts. 98x48.5x(open 96)x79.5 cm. Provenance: - formerly Didier Aaron, Paris. - from a European collection.
IMPORTANT COMMODE "L'ALLEGORIE DE LA MUSIQUE", Louis XVI, signed N. LANNUIER (Nicolas Louis Cyril Lannuier, maître 1783) and labelled "marchand mercier", Paris ca. 1785. Tulipwood, purpleheart and various exotic woods, exquisitely inlaid with central medallion after F. BOUCHER (1703 Paris 1770); Front with 2 sans traverse drawers below 3 adjacent drawers. Fine matte and polished gilt bronze mounts and sabots. Shaped "Brèche d'Alep" top. 130x59x85 cm. Provenance: - formerly Dubois-Chefdebien Collection, Paris. - Auction Hôtel Drouot, Paris, 23 July 1941 (Lot No. 111). - from a French collection.
CHF 168 000
IMPORTANT COMMODE "L'ALLEGORIE DE LA MUSIQUE", Louis XVI, signed N. LANNUIER (Nicolas Louis Cyril Lannuier, maître 1783) and labelled "marchand mercier", Paris ca. 1785. Tulipwood, purpleheart and various exotic woods, exquisitely inlaid with central medallion after F. BOUCHER (1703 Paris 1770); Front with 2 sans traverse drawers below 3 adjacent drawers. Fine matte and polished gilt bronze mounts and sabots. Shaped "Brèche d'Alep" top. 130x59x85 cm. Provenance: - formerly Dubois-Chefdebien Collection, Paris. - Auction Hôtel Drouot, Paris, 23 July 1941 (Lot No. 111). - from a French collection.
SMALL SIDEBOARD "AUX ODALISQUES DANSANTES", Empire, attributed to A. WEISWEILER (Adam Weisweiler, Meister 1778) or F.H.G. JACOB-DESMALTER (François Honoré Georges Jacob-Desmalter, 1770-1841) , Paris ca. 1810. Shaped mahogany. The front with double-doors, the inside with 4 drawers. Exquisite matte and polished gilt bronze mounts and applications. Fine "Carrara" top. 102.5x43.5x100 cm. Provenance: - from a French collection.
CHF 132 000
SMALL SIDEBOARD "AUX ODALISQUES DANSANTES", Empire, attributed to A. WEISWEILER (Adam Weisweiler, Meister 1778) or F.H.G. JACOB-DESMALTER (François Honoré Georges Jacob-Desmalter, 1770-1841) , Paris ca. 1810. Shaped mahogany. The front with double-doors, the inside with 4 drawers. Exquisite matte and polished gilt bronze mounts and applications. Fine "Carrara" top. 102.5x43.5x100 cm. Provenance: - from a French collection.
IMPORTANT PRINCELY BED "AUX SPHINGES", Empire, attributed to JACOB FRERES RUE MESLEE (collaboration between Georges II Jacob, 1768-1803, and François-Honoré-Georges Jacob-Desmalter, 1770-1841, 1796-1803), with brand of the CHATEAU DE COMPIEGNE and numbered C 1459, Paris ca. 1803/05. Mahogany, exquisitely carved with sphinxes, garlands, pillars, bows and decorative frieze, and gilt. Bronze mounts, not original. With old label and additional Inventory No. C 5668 in chalk. Some losses. Requires restoration. 215x130x78 cm. Provenance: - formerly part of the collections of the Château de Compiègne. - from the collection of the Marquis and the Marquise de Amodio y Moya, Hôtel particulier, 93 rue de l'Université, Paris (formerly de La Rochefoucauld).
CHF 129 600
IMPORTANT PRINCELY BED "AUX SPHINGES", Empire, attributed to JACOB FRERES RUE MESLEE (collaboration between Georges II Jacob, 1768-1803, and François-Honoré-Georges Jacob-Desmalter, 1770-1841, 1796-1803), with brand of the CHATEAU DE COMPIEGNE and numbered C 1459, Paris ca. 1803/05. Mahogany, exquisitely carved with sphinxes, garlands, pillars, bows and decorative frieze, and gilt. Bronze mounts, not original. With old label and additional Inventory No. C 5668 in chalk. Some losses. Requires restoration. 215x130x78 cm. Provenance: - formerly part of the collections of the Château de Compiègne. - from the collection of the Marquis and the Marquise de Amodio y Moya, Hôtel particulier, 93 rue de l'Université, Paris (formerly de La Rochefoucauld).
IMPORTANT BUREAU-PLAT OF THE MARQUIS DE NICOLAY "AUX TETES DE SATYRE",Regency, by A.C. BOULLE (André Charles Boulle, 1643-1732), Paris ca. 1720. Ebony and red/brown tortoise shell, exceptionally finely inlaid with engraved brass fillets in "première-partie"; flowers, cartouches and leaves. Rectangular top etched in bronze and lined with gold-stamped leather. Front with broad retracted central drawer, flanked by 1 drawer on each side, and the same but sham arrangement verso, with the exception of the central mascaron of the bust of Democritus. Exceptionally opulent matte and polished gilt brass mounts. Old restorations, so-called "restaurations d'usage". 195x98x80 cm. Provenance: - Family Malon de Bercy or family de Nicolay, in the 18th century. - Léon, Marquis de Nicolay (1801-1873). - Remained in possession of the same family by inheritance, presently in a castle collection, Suisse romande. With detailed opinion by J.D. Augarde, S.C.P. Jean Ronfort, Paris, 25 July 2014.
CHF 3.01 Mio.

IMPORTANT BUREAU-PLAT OF THE MARQUIS DE NICOLAY "AUX TETES DE SATYRE",Regency, by A.C. BOULLE (André Charles Boulle, 1643-1732), Paris ca. 1720. Ebony and red/brown tortoise shell, exceptionally finely inlaid with engraved brass fillets in "première-partie"; flowers, cartouches and leaves. Rectangular top etched in bronze and lined with gold-stamped leather. Front with broad retracted central drawer, flanked by 1 drawer on each side, and the same but sham arrangement verso, with the exception of the central mascaron of the bust of Democritus. Exceptionally opulent matte and polished gilt brass mounts. Old restorations, so-called "restaurations d'usage". 195x98x80 cm. Provenance: - Family Malon de Bercy or family de Nicolay, in the 18th century. - Léon, Marquis de Nicolay (1801-1873). - Remained in possession of the same family by inheritance, presently in a castle collection, Suisse romande. With detailed opinion by J.D. Augarde, S.C.P. Jean Ronfort, Paris, 25 July 2014.

Régence, von A.C. BOULLE (André Charles Boulle, 1643-1732), Paris um 1720.
Ebenholz und rot/braunes Schildpatt ausserordentlich fein eingelegt mit gravierten Messingfilets in "première-partie"; Blumen, Kartuschen und Blätter. Rechteckiges, vorstehendes, mit schwarzem, goldgepresstem Leder bezogenes und in profiliertem Bronzestab gefasstes Blatt auf wellig ausgeschnittener Zarge mit markant geschweiften Beinen. Front mit breiter und eingezogener Zentralschublade, flankiert von je 1 Schublade. Gleiche, jedoch blinde Einteilung auf der Rückseite, mit Ausnahme des zentralen Maskarons in Form einer Demokrit-Büste. Ausserordentlich reiche, matt- und glanzvergoldete Bronzebeschläge und -applikationen in Form von Satyrbüsten, Maskarons, Blattwerk und Zierfries. Alte Restaurierungen, sog. "restaurations d'usage". 195x98x80 cm.
IMPORTANT BUREAU-PLAT OF THE MARQUIS DE NICOLAY "AUX TETES DE SATYRE",Regency, by A.C. BOULLE (André Charles Boulle, 1643-1732), Paris ca. 1720. Ebony and red/brown tortoise shell, exceptionally finely inlaid with engraved brass fillets in "première-partie"; flowers, cartouches and leaves. Rectangular top etched in bronze and lined with gold-stamped leather. Front with broad retracted central drawer, flanked by 1 drawer on each side, and the same but sham arrangement verso, with the exception of the central mascaron of the bust of Democritus. Exceptionally opulent matte and polished gilt brass mounts. Old restorations, so-called "restaurations d'usage". 195x98x80 cm. Provenance: - Family Malon de Bercy or family de Nicolay, in the 18th century. - Léon, Marquis de Nicolay (1801-1873). - Remained in possession of the same family by inheritance, presently in a castle collection, Suisse romande. With detailed opinion by J.D. Augarde, S.C.P. Jean Ronfort, Paris, 25 July 2014.
IMPORTANT COMMODE WITH BOULLE MARQUETRY,Louis XIV, by G.M. OPPENORDT (Gilles Marie Oppenordt, 1672-1742), Paris circa 1700. Ebony and brown tortoiseshell with exceptionally fine, engraved brass "contre partie" inlays. The top edged in bronze. "En arbalete" front with 3 drawers. Exceptionally rich, matte and polished gilt bronze mounts and applications. Verso old owner's label "Comte de Contades 9/5 - 21". 122x67x82 cm. Provenance: - Formerly part of the collections of the Marquis Charles Henry de Malon de Bercy, Chateau de Bercy. - Via inheritance and marriage in the de Nicolay collection, Chateau de Bercy. - Christie's Geneva auction on 18.11.1974 (Lot No. 57). - Private collection, Monte Carlo. A highly important commode of impressive quality and elegance.
CHF 549 000

IMPORTANT COMMODE WITH BOULLE MARQUETRY,Louis XIV, by G.M. OPPENORDT (Gilles Marie Oppenordt, 1672-1742), Paris circa 1700. Ebony and brown tortoiseshell with exceptionally fine, engraved brass "contre partie" inlays. The top edged in bronze. "En arbalete" front with 3 drawers. Exceptionally rich, matte and polished gilt bronze mounts and applications. Verso old owner's label "Comte de Contades 9/5 - 21". 122x67x82 cm. Provenance: - Formerly part of the collections of the Marquis Charles Henry de Malon de Bercy, Chateau de Bercy. - Via inheritance and marriage in the de Nicolay collection, Chateau de Bercy. - Christie's Geneva auction on 18.11.1974 (Lot No. 57). - Private collection, Monte Carlo. A highly important commode of impressive quality and elegance.

Louis XIV, von G.M. OPPENORDT (Gilles Marie Oppenordt, 1672-1742), Paris um 1700.
Ebenholz und braunes Schildpatt eingelegt mit ausserordentlich feinem, graviertem Messing in "contre-partie"; Blumen, Blätter, Voluten und Zierfries. Rechteckiger Korpus mit vorstehendem, in profilierten Bronzestab gefasstem Blatt und abgeschrägten Eckstollen auf gerader Zarge mit markanten Volutenfüssen. Geschweifte Front "en arbalète" mit 3 Schubladen. Ausserordentlich reiche, matt- und glanzvergoldete Bronzebeschläge und -applikationen in Form von Maskaronen, Widderköpfen, Blattwerk und Zierfries. Verso mit alter Besitzeretikette "Comte de Contades 9/5 - 21". 122x67x82 cm.
IMPORTANT COMMODE WITH BOULLE MARQUETRY,Louis XIV, by G.M. OPPENORDT (Gilles Marie Oppenordt, 1672-1742), Paris circa 1700. Ebony and brown tortoiseshell with exceptionally fine, engraved brass "contre partie" inlays. The top edged in bronze. "En arbalete" front with 3 drawers. Exceptionally rich, matte and polished gilt bronze mounts and applications. Verso old owner's label "Comte de Contades 9/5 - 21". 122x67x82 cm. Provenance: - Formerly part of the collections of the Marquis Charles Henry de Malon de Bercy, Chateau de Bercy. - Via inheritance and marriage in the de Nicolay collection, Chateau de Bercy. - Christie's Geneva auction on 18.11.1974 (Lot No. 57). - Private collection, Monte Carlo. A highly important commode of impressive quality and elegance.
ASTRONOMICAL LONG CASE CLOCK WITH 3-MONTH POWER RESERVE "A EQUATION DU TEMPS",Empire/Restauration, the dial signed BREGUET (Abraham Louis Breguet, 1747 Neuchatel 1823), the movement signed and numbered BREGUET & COMPIE No 220, Neuchatel before 1836. Shaped mahogany. Silver-plated bronze chapter ring, additional ring for minutes and seconds, and window for the "equation du temps". Blued steel hands. Exceptional brass movement with Graham anchor escapement, jumping seconds, perpetual calendar, equation of time with linear and constant force as well as bell striking "a la minute" on demand. Running period: 90 days. H 200 cm. Provenance: - As the reference clock for the workshop of A.L. Breguet between 1836 and 1847. - Collection of the Conte di Montalvo y Nunez del Castillo, acquired on 28.10.1847 for Fr4000. - Repurchased by Breguet in 1849 and placed in the workshop again. - In 1855 presented in the "Exposition Universelle" exhibition in Paris where it was purchased for a private collection. - Swiss private collection. With expertise from Breguet & Companie. A very rare long case clock.
CHF 526 000

ASTRONOMICAL LONG CASE CLOCK WITH 3-MONTH POWER RESERVE "A EQUATION DU TEMPS",Empire/Restauration, the dial signed BREGUET (Abraham Louis Breguet, 1747 Neuchatel 1823), the movement signed and numbered BREGUET & COMPIE No 220, Neuchatel before 1836. Shaped mahogany. Silver-plated bronze chapter ring, additional ring for minutes and seconds, and window for the "equation du temps". Blued steel hands. Exceptional brass movement with Graham anchor escapement, jumping seconds, perpetual calendar, equation of time with linear and constant force as well as bell striking "a la minute" on demand. Running period: 90 days. H 200 cm. Provenance: - As the reference clock for the workshop of A.L. Breguet between 1836 and 1847. - Collection of the Conte di Montalvo y Nunez del Castillo, acquired on 28.10.1847 for Fr4000. - Repurchased by Breguet in 1849 and placed in the workshop again. - In 1855 presented in the "Exposition Universelle" exhibition in Paris where it was purchased for a private collection. - Swiss private collection. With expertise from Breguet & Companie. A very rare long case clock.

Empire/Restauration, das Zifferblatt sign. BREGUET (Abraham Louis Breguet, 1747 Neuchâtel 1823), das Werk sign. und num. BREGUET & COMPIE No 220, Neuchâtel vor 1836.
Mahagoni profiliert. Rechteckiges, dreiseitig verglastes Gehäuse mit vorkragendem, profiliertem und geradem Kranz auf vorstehendem Sockel. Versilberter Bronzezifferring mit römischen Stundenzahlen, weiterer Zifferring für die Minuten und Sekunden sowie Fenster für die "équation du temps". Blaue Stahlzeiger. Ausserordentliches Messingwerk mit Graham-Ankergang, springender Sekunde, Ewigem Kalender, Zeitequation mit linearischer und konstanter Kraft sowie auf Anfrage Glockenschlag "à la minute". Laufdauer 90 Tage. H 200 cm.
ASTRONOMICAL LONG CASE CLOCK WITH 3-MONTH POWER RESERVE "A EQUATION DU TEMPS",Empire/Restauration, the dial signed BREGUET (Abraham Louis Breguet, 1747 Neuchatel 1823), the movement signed and numbered BREGUET & COMPIE No 220, Neuchatel before 1836. Shaped mahogany. Silver-plated bronze chapter ring, additional ring for minutes and seconds, and window for the "equation du temps". Blued steel hands. Exceptional brass movement with Graham anchor escapement, jumping seconds, perpetual calendar, equation of time with linear and constant force as well as bell striking "a la minute" on demand. Running period: 90 days. H 200 cm. Provenance: -  As the reference clock for the workshop of A.L. Breguet between 1836 and 1847. - Collection of the Conte di Montalvo y Nunez del Castillo, acquired on 28.10.1847 for Fr4000. - Repurchased by Breguet in 1849 and placed in the workshop again. - In 1855 presented in the "Exposition Universelle" exhibition in Paris where it was purchased for a private collection. - Swiss private collection. With expertise from Breguet & Companie. A very rare long case clock.
IMPORTANT CABINET WITH BOULLE MARQUETRY,known as a "bibliotheque en armoire", Louis XIV/Regence, by N. SAGEOT (Nicolas Sageot, maitre 1706), Paris circa 1715/1720. Ebony and ebonized fruitwoods, exceptionally finely inlaid with engraved brass fillets in "contre partie". Exceptionally fine, matte and polished gilt bronze mounts and applications. Doors with original interior surfaces and locks. 180x58.5x290 cm. Provenance: - From a Swiss collection. - Sotheby's Zurich 10.12.1998 (Lot No. 411). - Swiss private collection. A highly important and rare cabinet in excellent condition.
CHF 652 500
IMPORTANT CABINET WITH BOULLE MARQUETRY,known as a "bibliotheque en armoire", Louis XIV/Regence, by N. SAGEOT (Nicolas Sageot, maitre 1706), Paris circa 1715/1720. Ebony and ebonized fruitwoods, exceptionally finely inlaid with engraved brass fillets in "contre partie". Exceptionally fine, matte and polished gilt bronze mounts and applications. Doors with original interior surfaces and locks. 180x58.5x290 cm. Provenance: - From a Swiss collection. - Sotheby's Zurich 10.12.1998 (Lot No. 411). - Swiss private collection. A highly important and rare cabinet in excellent condition.