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Grafica antica

venerdì 18 settembre 2015, 9h30



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PIRANESI, GIOVANNI BATTISTA (Mogliano 1720 - 1778 Rome). Schemata Emissarii Lacus Albani and Tab. XIX, In hortis Palatinis Farnesianis Supra valvas templi SS Cosmae et Damiani. From the series: Della Magnificenza e d'Architettura de' Romani. Etching over two sheets, each 39.7 x 55 cm. Wilton-Ely 790; Taschen 467. The two sheets in separate frames.- In good condition.

Lotto 6842 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

PIRANESI, GIOVANNI BATTISTA (Mogliano 1720 - 1778 Rome). Schemata Emissarii Lacus Albani and Tab. XIX, In hortis Palatinis Farnesianis Supra valvas templi SS Cosmae et Damiani. From the series: Della Magnificenza e d'Architettura de' Romani. Etching over two sheets, each 39.7 x 55 cm. Wilton-Ely 790; Taschen 467. The two sheets in separate frames.- In good condition.

Schemata Emissarii Lacus Albani and Tab. XIX, In hortis Palatinis Farnesianis Supra valvas templi SS Cosmae et Damiani. Aus der Folge: Della Magnificenza e d'Architettura de' Romani. Radierung über zwei Bögen, jeweils 39,7 x 55 cm. Wilton-Ely 790; Taschen 467. Die beiden Bögen nicht zusammen montiert, sondern jeweils in separater Rahmung. - Guter Erhaltungszustand.

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SADELER, RAPHAEL (Antwerp 1560/61 - 1628 Venice or 1632 Munich).After Joannes Stradanus. Large Banquet. In the foreground: Death brandishing an hourglass and wearing a crown of snakes, pulling a rich guest to her death on a long chain. 1585. Engraving, 21.7 x 27.8 cm. - Very attractive, even, clear impression with margin. - In very good condition.

Lotto 6843 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

SADELER, RAPHAEL (Antwerp 1560/61 - 1628 Venice or 1632 Munich).After Joannes Stradanus. Large Banquet. In the foreground: Death brandishing an hourglass and wearing a crown of snakes, pulling a rich guest to her death on a long chain. 1585. Engraving, 21.7 x 27.8 cm. - Very attractive, even, clear impression with margin. - In very good condition.

Nach Joannes Stradanus. Grosses Festbankett, im Vordergrund reißt der Tod mit Stundenglas und Schlangenkrone eine reiche Bankett-Teilnehmerin an langer Kette in den Tod. 1585. Kupferstich, 21,7 x 27,8 cm. - Sehr schöner, gleichmässiger und transparenter Druck mit Rand. - Sehr gut erhalten.

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VICO, ENEA (Parma 1523 - 1567 Ferrara).Nach Giorgio Vasari, ca. 1539/40. Pilgrims Resting, with Bologna in the background. Engraving, 21.6 x 14.9 cm. - Mainly cut up to the edging, edging visible in parts. Somewhat foxed and with slight signs of wear. - Rare.

Lotto 6846 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

VICO, ENEA (Parma 1523 - 1567 Ferrara).Nach Giorgio Vasari, ca. 1539/40. Pilgrims Resting, with Bologna in the background. Engraving, 21.6 x 14.9 cm. - Mainly cut up to the edging, edging visible in parts. Somewhat foxed and with slight signs of wear. - Rare.

Nach Giorgio Vasari, um 1539/40. Rastende Pilger, im Hintergrund Bologna. Kupferstich, 21,6 x 14,9 cm. - Überwiegend bis zur Einfassungslinie beschnitten, diese stellenweise sichtbar. Dezent wenig fleckig und mit leichten Gebrauchsspuren. - Selten.

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ANKER, ALBERT (1831 Ins 1910).After Giovanni Bellini. Angel making music. Pencil on wove paper, 31.5 x 22.5 cm.

Lotto 6848 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

ANKER, ALBERT (1831 Ins 1910).After Giovanni Bellini. Angel making music. Pencil on wove paper, 31.5 x 22.5 cm.

Nach Giovanni Bellini. Musizierender Engel. Bleistift auf Bütten, 31,5 x 22,5 cm.

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AURIOL, GEORGES (Beauvais (Oise) 1863 - 1938 Paris).Lot of two drawings: 1. Landscape in Brittany. Black chalk and watercolour, 32.6 x 49.4 cm (sheet size). Inscribed with black pencil in the lower right-hand corner: Georges Auriol Bretagne (Originale...); 2. The Coast of Brittany with Fishing Boats. Black pen and watercolour, 31.1 x 49.3 cm. Inscribed with pencil in the lower right-hand corner: aquarelle de G. Auriol.

Lotto 6850 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

AURIOL, GEORGES (Beauvais (Oise) 1863 - 1938 Paris).Lot of two drawings: 1. Landscape in Brittany. Black chalk and watercolour, 32.6 x 49.4 cm (sheet size). Inscribed with black pencil in the lower right-hand corner: Georges Auriol Bretagne (Originale...); 2. The Coast of Brittany with Fishing Boats. Black pen and watercolour, 31.1 x 49.3 cm. Inscribed with pencil in the lower right-hand corner: aquarelle de G. Auriol.

Lot von zwei Zeichnungen: 1.Landschaft in der Bretagne. Schwarze Kreide, Aquarell. 32,6 x 49,4 cm (Bogengrösse). In der unteren rechten Ecke mit schwarzem Stift bezeichnet: Georges Auriol Bretagne (Originale...); 2. Küste der Bretagne mit Fischerbooten. Schwarzer Stift, Aquarell. 31,1 x 49,3 cm. In der unteren rechten Ecke mit Bleistift bezeichnet: aquarelle de G. Auriol.

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BALZE, JEAN-ANTOINE RAYMOND (Rome 1818-1909 Paris).Or Jean-Paul-Etienne Balze (1815-1884). Hermes Farnese, ca. 1835/40. Black and white chalk, 58 x 43.5 cm. Verso, old inscription in pencil: Balze. - The Balze brothers were students of Ingres and copied the loggias by Raphael in the ENSBA, Paris. - Also included: French, 1891. Male nude. Chalk on vellum, 65 x 53 cm.

Lotto 6851 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

BALZE, JEAN-ANTOINE RAYMOND (Rome 1818-1909 Paris).Or Jean-Paul-Etienne Balze (1815-1884). Hermes Farnese, ca. 1835/40. Black and white chalk, 58 x 43.5 cm. Verso, old inscription in pencil: Balze. - The Balze brothers were students of Ingres and copied the loggias by Raphael in the ENSBA, Paris. - Also included: French, 1891. Male nude. Chalk on vellum, 65 x 53 cm.

Oder Jean-Paul-Etienne Balze (1815-1884). Hermes Farnese, um 1835/40. Schwarze und weisse Kreide, 58 x 43,5 cm. Verso mit Bleistift alt bezeichnet: Balze. - Die Gebrüder Balze waren Schüler von Ingres und haben die Loggien Raffaels in der ENSBA, Paris kopiert. - Beigabe: Französisch, 1891. Männerakt. Kreide auf Velin, 65 x 53 cm.

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BONNET, FRANCOIS (St. Marcellin 1811 - 1894 Fribourg).Group of tourists looking out at sea. Watercolour over black pencil, 15.5 x 28 cm. - Provenance: - red stamp on verso: Évèché de Lausanne Genève Fribourg; - Collection Albert Rossier (1876-1955), Paris.

Lotto 6853 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

BONNET, FRANCOIS (St. Marcellin 1811 - 1894 Fribourg).Group of tourists looking out at sea. Watercolour over black pencil, 15.5 x 28 cm. - Provenance: - red stamp on verso: Évèché de Lausanne Genève Fribourg; - Collection Albert Rossier (1876-1955), Paris.

Besuchergruppe auf einem Aussichtspunkt am Meer. Aquarell über schwarzem Stift. 15,5 x 28 cm. - Provenienz: Stempel in Rot verso: Évèché de Lausanne Genève Fribourg; - Sammlung Albert Rossier (1876-1955), Paris.

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BOSSHARD, RODOLPHE THEOPHILE (Morges 1889 - 1960 Chardonne).Female nude. Black chalk, brush in grey, 37 x 25.5 cm (image). Monogrammed with pencil bottom right: RTh.B.. Framed.

Lotto 6854* - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

BOSSHARD, RODOLPHE THEOPHILE (Morges 1889 - 1960 Chardonne).Female nude. Black chalk, brush in grey, 37 x 25.5 cm (image). Monogrammed with pencil bottom right: RTh.B.. Framed.

Weiblicher Akt. Schwarze Kreide, Pinsel in Grau. 37 x 25,5 cm (licht). Unten rechts mit Bleistift monogrammiert: RTh.B.. Gerahmt.

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From the workshop of BOUCHER, FRANCOIS (1703 Paris 1770).Young woman with a laurel wreath at a sacrificial altar. Black chalk, heightened in white. On blue wove paper, 29 x 19.8 cm. Edging in black pen. Inscribed in brown pen on the bottom right of the mounting: F.Boucher.

Lotto 6855 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

From the workshop of BOUCHER, FRANCOIS (1703 Paris 1770).Young woman with a laurel wreath at a sacrificial altar. Black chalk, heightened in white. On blue wove paper, 29 x 19.8 cm. Edging in black pen. Inscribed in brown pen on the bottom right of the mounting: F.Boucher.

Junge Frau mit Lorbeerkranz an einem antiken Opferaltar. Schwarze Kreide, weiss gehöht. Auf blauem Bütten, 29 x 19,8 cm. Die Einfassungslinie mit schwarzer Feder. Auf der Montierung unten rechts mit brauner Feder bezeichnet: F.Boucher.

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CHATILLON, AUGUSTE DE (1808 Paris 1881).Lot of 5 drawings: 1. Portrait of a woman with a bonnet. Brown pen, watercolour, 9.2 x 9.2 cm. Signed and dated: 1845; 2. Women at a well. Pen and brush in brown, watercolour, 13 x 11.2 cm. Inscribed below the image: la fontaine; 3. Three women conversing. Brown pen, red chalk, watercolour, 14.3 x 11.2 cm. Signed and dated below the image: 1866; 4. Woman with sacrificial bowl. Pen and brush in brown, watercolour, 14.5 x 7.2 cm. Signed and dated in the left margin: 1844; 5. Woman resting in a chair. Pen and brush in brown and grey, 14 x 10.1 cm.

Lotto 6856 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

CHATILLON, AUGUSTE DE (1808 Paris 1881).Lot of 5 drawings: 1. Portrait of a woman with a bonnet. Brown pen, watercolour, 9.2 x 9.2 cm. Signed and dated: 1845; 2. Women at a well. Pen and brush in brown, watercolour, 13 x 11.2 cm. Inscribed below the image: la fontaine; 3. Three women conversing. Brown pen, red chalk, watercolour, 14.3 x 11.2 cm. Signed and dated below the image: 1866; 4. Woman with sacrificial bowl. Pen and brush in brown, watercolour, 14.5 x 7.2 cm. Signed and dated in the left margin: 1844; 5. Woman resting in a chair. Pen and brush in brown and grey, 14 x 10.1 cm.

Lot von 5 Zeichnungen: 1. Porträt einer Frau mit Haube. Feder in Braun, Aquarell, 9,2 x 9,2 cm. Signiert und datiert: 1845; 2. Frauen am Brunnen. Feder und Pinsel in Braun, Aquarell. 13 x 11,2 cm. Unterhalb der Darstellung bezeichnet: la fontaine; 3. Drei Frauen im Gespräch. Feder in Braun, Rötel, Aquarell. 14,3 x 11,2 cm. Unterhalb der Darstellung signiert und datiert: 1866; 4. Frau mit Opferschale. Feder und Pinsel in Braun, Aquarell. 14,5 x 7,2 cm. Am linken Rand signiert und datiert: 1844; 5. In einem Sessel ruhende Frau. Feder und Pinsel in Braun und Grau. 14 x 10,1 cm.

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CREMONA, TRANQUILLO (Pavia 1837 - 1878 Milan). Confidenze. Watercolour, 23 x 17.5 cm. Monogrammed lower left: CT. Framed.

Lotto 6858 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

CREMONA, TRANQUILLO (Pavia 1837 - 1878 Milan). Confidenze. Watercolour, 23 x 17.5 cm. Monogrammed lower left: CT. Framed.

Confidenze. Aquarell, 23 x 17,5 cm. Unten links monogrammiert: CT. Gerahmt.

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DE LA RIVE, PIERRE-LOUIS (1753 Geneva 1817).Study of a tree. Pen and brush in brown, 14.2 x 11.1 cm. Signed with brown pen bottom left: de la Rive del..

Lotto 6860 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

DE LA RIVE, PIERRE-LOUIS (1753 Geneva 1817).Study of a tree. Pen and brush in brown, 14.2 x 11.1 cm. Signed with brown pen bottom left: de la Rive del..

Studie zu einem Baum. Feder und Pinsel in Braun. 14,2 x 11,1 cm. Unten links mit brauner Feder signiert: de la Rive del..

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GERMAN, 18th century.Lot of 4 drawings depicting apostles: 1. Saint John 2. St. Peter 3. St. Jacob 4. Saint Andrew. Brown pen, brush in grey. Each ca. 14.5 x 11.5 cm.

Lotto 6861 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

GERMAN, 18th century.Lot of 4 drawings depicting apostles: 1. Saint John 2. St. Peter 3. St. Jacob 4. Saint Andrew. Brown pen, brush in grey. Each ca. 14.5 x 11.5 cm.

Lot von 4 Zeichnungen mit Darstellungen von Aposteln: 1. St. Johannes 2. St. Petrus 3. St. Jakobus 4. St.Andreas. Feder in Braun, Pinsel in Grau. Jeweils ca.14,5 x 11,5 cm.

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GERMAN.-Anonymous, ca. 1820. Christ bearing the Cross. Gouache on paper, mounted on wood. 13.2 x 11 cm (oval). Framed.

Lotto 6862 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

GERMAN.-Anonymous, ca. 1820. Christ bearing the Cross. Gouache on paper, mounted on wood. 13.2 x 11 cm (oval). Framed.

Anonym, um 1820. Sein Kreuz tragender Christus. Gouache auf Papier, auf Holz aufgezogen. 13,2 x 11 cm (im Oval). Gerahmt.

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DIDAY, FRANCOIS (1802 Geneva 1877). Mountain landscape with pond and two anglers in a boat. Pen and brush in brown, pencil. 17.8 x 27.5 cm. Signed lower left: F. Diday. Framed.

Lotto 6863 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

DIDAY, FRANCOIS (1802 Geneva 1877). Mountain landscape with pond and two anglers in a boat. Pen and brush in brown, pencil. 17.8 x 27.5 cm. Signed lower left: F. Diday. Framed.

Berglandschaft mit Teich und zwei Anglern in einem Boot. Feder und Pinsel in Braun, Bleistift. 17,8 x 27,5 cm. Unten links signiert: F. Diday. Gerahmt.

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FRENCH, 18TH CENTURY.Studies of men from the Orient with horses. Pen and brush in grey. 17 x 25 cm. Framed. Provenance: - Collection of Joseph van Haecken, London (1699-1749), Lugt 2516.

Lotto 6865 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

FRENCH, 18TH CENTURY.Studies of men from the Orient with horses. Pen and brush in grey. 17 x 25 cm. Framed. Provenance: - Collection of Joseph van Haecken, London (1699-1749), Lugt 2516.

Studienblatt zu Orientalen mit Pferden. Feder und Pinsel in Grau. 17 x 25 cm. Gerahmt. - Provenienz: Sammlung Joseph van Haecken, London (1699-1749), Lugt 2516.

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FRENCH, 18th century.Sacrificial procession from Antiquity. Pen and brush in grey, 11.8 x 27.9 cm. Old inscription on the mounting: Col. Steengracht. Provenance: - Kurt Meissner, Zurich.

Lotto 6866 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

FRENCH, 18th century.Sacrificial procession from Antiquity. Pen and brush in grey, 11.8 x 27.9 cm. Old inscription on the mounting: Col. Steengracht. Provenance: - Kurt Meissner, Zurich.

Antiker Opferzug. Feder und Pinsel in Grau, 11,8 x 27,9 cm. Auf der Montierung alt bezeichnet: Col. Steengracht. - Provenienz: Kurt Meissner, Zürich.

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GAZIN, JEAN BAPTISTE (active 1782 - 1830). Winter battle scene. Gouache, 10.5 x 20 cm. Signed lower left in pen: Gazin. Framed.

Lotto 6868 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

GAZIN, JEAN BAPTISTE (active 1782 - 1830). Winter battle scene. Gouache, 10.5 x 20 cm. Signed lower left in pen: Gazin. Framed.

Winterliche Schlachtenszene. Gouache, 10,5 x 20 cm. Unten links mit der Feder signiert: Gazin. Gerahmt.

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Circle of GIORDANO, LUCA (1634 Naples 1705).Christ surrounded by angels. Brown pen. 18.7 x 26.8 cm. Provenance: - Collection Geneux, Geneva, up until 1985.

Lotto 6869 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

Circle of GIORDANO, LUCA (1634 Naples 1705).Christ surrounded by angels. Brown pen. 18.7 x 26.8 cm. Provenance: - Collection Geneux, Geneva, up until 1985.

Christus von Engeln umschwärmt. Feder in Braun. 18,7 x 26,8 cm. - Provenienz: Collection Geneux, Genf, bis 1985.

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GOBAUT, GASPARD (1814 Paris 1882). Battle scene. Gouache, 13 x 20 cm. Signed lower right: Gobaut. Framed.

Lotto 6870 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

GOBAUT, GASPARD (1814 Paris 1882). Battle scene. Gouache, 13 x 20 cm. Signed lower right: Gobaut. Framed.

Schlachtenszene. Gouache, 13 x 20 cm. Unten rechts signiert: Gobaut. Gerahmt.

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MIXED LOT.-Lot of 3 drawings: 1. Circle of Fragonard, Honoré (1732-1806). Study of a festive group in a park. Red chalk on blue wove paper, traces of white chalk. 30.2 x 46.7 cm. 2. Circle of David, Jacques Louis (1748-1825). Study on the assassination of Caesar (?). Black chalk. 26.5 x 35.2 cm. Inscribed bottom left: David. Verso, study of a warrior. Pencil, brown wash. 3. Spanish, 17th century, Mythological scene. Black chalk. 22.5 x 35.2 cm.

Lotto 6876 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

MIXED LOT.-Lot of 3 drawings: 1. Circle of Fragonard, Honoré (1732-1806). Study of a festive group in a park. Red chalk on blue wove paper, traces of white chalk. 30.2 x 46.7 cm. 2. Circle of David, Jacques Louis (1748-1825). Study on the assassination of Caesar (?). Black chalk. 26.5 x 35.2 cm. Inscribed bottom left: David. Verso, study of a warrior. Pencil, brown wash. 3. Spanish, 17th century, Mythological scene. Black chalk. 22.5 x 35.2 cm.

Lot von 3 Zeichnungen: 1.Fragonard, Honoré (1732-1806), Umkreis. Studie zu einer Festgesellschaft in einem Park. Rötel auf blauem Bütten, Spuren von weisser Kreide. 30,2 x 46,7 cm. 2. David, Jacques Louis (1748-1825), Umkreis. Studie zur Ermordung Cäsars (?). Schwarze Kreide. 26,5 x 35,2 cm. Unten links bezeichnet: David. Verso Studie zu einem Krieger. Bleistift, braun laviert. 3. Spanisch, 17. Jh., Mythologische Szene, Schwarze Kreide, 22,5 x 35,2 cm.

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MIXED LOT.-Lot of two drawings: 1. Circle of/Follower of Adriaen van Ostade (1610-1684). Three farmers talking. Pen and brush in brown, 7.8 x 6.1 cm; 2. Dutch, 17th/18th century. Scene with passers-by on foot and on horseback. Brown pen, brush in grey. 11 x 16.6 cm. Old inscription on verso: 47 Lpg. F. hik. Percellsi. - Provenance: from the collection of the Baron Rolas du Rosey (1784-1862), Dresden, Lugt 2237.

Lotto 6878 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

MIXED LOT.-Lot of two drawings: 1. Circle of/Follower of Adriaen van Ostade (1610-1684). Three farmers talking. Pen and brush in brown, 7.8 x 6.1 cm; 2. Dutch, 17th/18th century. Scene with passers-by on foot and on horseback. Brown pen, brush in grey. 11 x 16.6 cm. Old inscription on verso: 47 Lpg. F. hik. Percellsi. - Provenance: from the collection of the Baron Rolas du Rosey (1784-1862), Dresden, Lugt 2237.

Lot von zwei Zeichnungen: 1. Umkreis/Nachfolger von Adriaen van Ostade (1610-1684). Drei Bauern im Gespräch. Feder und Pinsel in Braun, 7,8 x 6,1 cm; 2. Niederländisch, 17./18. Jh.. Szene mit Passanten zu Fuss und zu Pferd. Feder in Braun, Pinsel in Grau. 11 x 16,6 cm. Verso alt bezeichnet: 47 Lpg. F. hik. Percellsi. - Provenienz: Aus der Sammlung Freiherr Rolas du Rosey (- 1862), Dresden, Lugt 2237.

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MIGLIARA, GIOVANNI (Alexandria 1785 - 1837 Milan).Italian landscape with a castle by a river, a bridge and a horseman. Watercolour, 15.1 x 22 cm. Signed in brown pen on the lower margin: Migliara. Edging in black pen. Framed.

Lotto 6884 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

MIGLIARA, GIOVANNI (Alexandria 1785 - 1837 Milan).Italian landscape with a castle by a river, a bridge and a horseman. Watercolour, 15.1 x 22 cm. Signed in brown pen on the lower margin: Migliara. Edging in black pen. Framed.

Italienische Landschaft mit Gebäuden an einem Fluss, Brücke und Reiter. Aquarell, 15,1 x 22 cm. Mit brauner Feder am unteren Rand signiert: Migliara. Die Einfassungslinie mit schwarzer Feder. Gerahmt.

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MIND, GOTTFRIED (1768 Berne 1814).Lot of 3 sheets: 1. Children at play. Watercolour, 14 x 21.2 cm; 2. Young girl. Watercolour, 9.5 x 10.2 cm. 3. Boy with wooden sled. Watercolour, 9.2 x 10.2 cm. - All three sheets somewhat browned and faded .

Lotto 6885* - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

MIND, GOTTFRIED (1768 Berne 1814).Lot of 3 sheets: 1. Children at play. Watercolour, 14 x 21.2 cm; 2. Young girl. Watercolour, 9.5 x 10.2 cm. 3. Boy with wooden sled. Watercolour, 9.2 x 10.2 cm. - All three sheets somewhat browned and faded .

Lot von 3 Bll.: 1. Kinder beim Spiel. Aquarell, 14 x 21,2 cm; 2. Junges Mädchen. Aquarell, 9,5 x 10,2 cm. 3. Kleiner Junge mit Holzschlitten. Aquarell, 9,2 x 10,2 cm. - Alle drei Blätter leicht gebräunt und lichtrandig.

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Attributed to MOEYAERT, CLAES NICOLAES CORNELISZ (ca. 1591 Amsterdam 1655). Scene at an inn. Black pen, grey wash. Verso old attribution in pencil: Nic. Moeyart. 15 x 21.8 cm. Framed.

Lotto 6886 - W246 Grafica antica - venerdì 18 settembre 2015, 9h30

Attributed to MOEYAERT, CLAES NICOLAES CORNELISZ (ca. 1591 Amsterdam 1655). Scene at an inn. Black pen, grey wash. Verso old attribution in pencil: Nic. Moeyart. 15 x 21.8 cm. Framed.

Szene in enem Gasthaus. Feder in Schwarz, grau laviert. 15 x 21,8 cm. Verso mit Bleistift alte Zuschreibung: Nic. Moeyart.

CHF 600 / 800 | (€ 620 / 820)

Venduto per CHF 750 (incl. premio)

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