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Grafica antica

venerdì 21 settembre 2012, 11h00



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SADELER, AEGIDIUS II (Antwerp, circa 1570 - 1629 Prague).Bartholomäus Spranger and his wife Christina Müller, circa 1600. Copper engraving, 29.3 x 41.5 cm. Hollstein 332 II (of II). - Fine even impression with the address/name of Marco Sadeler. The margin (ca. 2.5 cm) around the clearly visible plate edge. Some old numbers written on the margin in black crayon. A few areas of insignificant finger soiling in the margins. Overall in very fine condition.

Lotto 3538 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

SADELER, AEGIDIUS II (Antwerp, circa 1570 - 1629 Prague).Bartholomäus Spranger and his wife Christina Müller, circa 1600. Copper engraving, 29.3 x 41.5 cm. Hollstein 332 II (of II). - Fine even impression with the address/name of Marco Sadeler. The margin (ca. 2.5 cm) around the clearly visible plate edge. Some old numbers written on the margin in black crayon. A few areas of insignificant finger soiling in the margins. Overall in very fine condition.

Bartholomäus Spranger und seine Gattin Christina Müller, um 1600. Kupferstich, 29,3 x 41,5 cm. Hollstein 332 II (von II). - Hauptblatt der Druckgraphik des niederländischen Manierismus. - Schöner, gleichmässiger Druck mit der Adresse von Marco Sadeler. Mit Rand (ca. 2,5 cm) um die deutlich sichtbare Plattenkante. Dort mit schwarzem Stift einige alte Nummerierungen. Wenige unbedeutende Gebrauchsspuren in den Rändern. Insgesamt in sehr schöner Erhaltung.

CHF 1 000 / 1 500 | (€ 1 030 / 1 550)

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REMBRANDT, HARMENSZ VAN RIJN (Leiden 1606 - 1669 Amsterdam).The organ grinder, 1635. Etching, 5.2 x 4.8 cm. Bartsch 140 (unique state); Nowell-Eusticke 140 I (of II, of the still uneven printing plate). Old numbering in brown pen lower right: 6. Framed. - Fine, clearly defined impression, with small margin around the plate edge on two sides. The upper edge partly with small margin, partly cut to the plate edge. The right side cut to the plate edge. Minor soiling and greying. Verso old mount, visible on all corners from the front. Very rare.

Lotto 3539 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

REMBRANDT, HARMENSZ VAN RIJN (Leiden 1606 - 1669 Amsterdam).The organ grinder, 1635. Etching, 5.2 x 4.8 cm. Bartsch 140 (unique state); Nowell-Eusticke 140 I (of II, of the still uneven printing plate). Old numbering in brown pen lower right: 6. Framed. - Fine, clearly defined impression, with small margin around the plate edge on two sides. The upper edge partly with small margin, partly cut to the plate edge. The right side cut to the plate edge. Minor soiling and greying. Verso old mount, visible on all corners from the front. Very rare.

Der Drehorgelspieler, 1635. Radierung, 5,2 x 4,8 cm. Bartsch 140 (einziger Zustand); Nowell-Eusticke 140 I (von II, von der noch unregelmässigen Druckplatte). Mit brauner Feder unten rechts alt nummeriert: 6. Gerahmt. - Feiner, klarzeichnender Druck, zweiseitig mit feinem Rändchen um die Plattenkante. Der obere Rand teils mit Rändchen, teils auf die Plattenkante geschnitten. Der rechte Rand bis auf die Plattenkante beschnitten. Minim angeschmutzt und angegraut. Verso alte Montierung, die an allem Ecken sichtbar nach recto durchdrückt. - Von grosser Seltenheit.

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SADELER, AEGIDIUS II (Antwerp, circa 1570 - 1629 Prague).After Bartholomäus Spranger. Hercules spinning in the presence of Omphale. 42.8 x 31.5 cm. On laid paper with watermark: lily over coat of arms with double oblique division, and letters LH below. Hollstein 106; Wurzbach 68. - Fine even impression. Mostly cut to the plate edge, this partly visible. The left margin with a small tear in the centre (ca. 1 cm), which has an old backing; tiny paper loss on lower right margin. Overall good condition.

Lotto 3540 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

SADELER, AEGIDIUS II (Antwerp, circa 1570 - 1629 Prague).After Bartholomäus Spranger. Hercules spinning in the presence of Omphale. 42.8 x 31.5 cm. On laid paper with watermark: lily over coat of arms with double oblique division, and letters LH below. Hollstein 106; Wurzbach 68. - Fine even impression. Mostly cut to the plate edge, this partly visible. The left margin with a small tear in the centre (ca. 1 cm), which has an old backing; tiny paper loss on lower right margin. Overall good condition.

Nach Bartholomäus Spranger. Herkules spinnend und Omphale. 42,8 x 31,5 cm. Auf Bütten mit Wz. Lilie über Wappen mit doppelter Schrägteilung, darunter Buchstabe LH. Hollstein 106; Wurzbach 68. - Schöner, gleichmässiger Druck. Überwiegend auf die Plattenkante geschnitten, diese teilweise sichtbar. Der linke Rand mittig mit kleinem althinterlegten Einriss (ca. 1 cm), am rechten unteren Rand mit winzigem Papierverlust. Insgesamt in guter Erhaltung.

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BRUYN, NICOLAES DE (Antwerp 1571 - 1656 Amsterdam).Gathering of men, a crocodile suspended above them, 1631. Engraving, 64.6 x 45.2 cm. Engraved signature on lower edge to the left: Nicolas de Bruÿn Inventor et S. Dated in upper section of picture: 1631. Framed. - The lower picture area to the left with minor creasing and horizontal and vertical creases on the left. Minor foxing. Scattered tears. Still in overall very good condition. Very rare.

Lotto 3541 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

BRUYN, NICOLAES DE (Antwerp 1571 - 1656 Amsterdam).Gathering of men, a crocodile suspended above them, 1631. Engraving, 64.6 x 45.2 cm. Engraved signature on lower edge to the left: Nicolas de Bruÿn Inventor et S. Dated in upper section of picture: 1631. Framed. - The lower picture area to the left with minor creasing and horizontal and vertical creases on the left. Minor foxing. Scattered tears. Still in overall very good condition. Very rare.

Versammlung von Männern, darüber ein aufgehängtes Krokodil, 1631 Kupferstich, 64,6 x 45,2 cm. Am unteren Rand links gestochen signiert: Nicolas de Bruÿn Inventor et S. Im oberen Bildbereich datiert: 1631. Gerahmt. - Der untere Bildbereich links wenig knittrig, horizontale und vertikale Knickfalten im rechten. Minim stockfleckig. Einzelne Läsuren. Insgesamt noch in guter Erhaltung. - Sehr selten.

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SADELER, RAPHAEL I (Antwerp 1560 - 1628 Venice or 1630 Munich).The Annunciation, surrounded by six prophets, after Federico Zuccaro, 1580. Engraving, 30.4 x 44.5 cm. Hollstein XXI, 12. - Clear, strong impression, the lower edge cut up to and within the outer line. Vertical fold, a small restored tear in the upper left corner, otherwise in good condition.

Lotto 3543* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

SADELER, RAPHAEL I (Antwerp 1560 - 1628 Venice or 1630 Munich).The Annunciation, surrounded by six prophets, after Federico Zuccaro, 1580. Engraving, 30.4 x 44.5 cm. Hollstein XXI, 12. - Clear, strong impression, the lower edge cut up to and within the outer line. Vertical fold, a small restored tear in the upper left corner, otherwise in good condition.

Die Verkündigung, umgeben von sechs Propheten, nach Federico Zuccaro, 1580. Kupferstich, 30,4 x 44,5 cm. Hollstein XXI, 12. - Klarer, kräftiger Druck, auf bzw. im unteren Rand innerhalb der Einfassungslinie geschnitten. Vertikale Bugfalte, in der oberen linken Ecke mit einem kleinen restaurierten Einriss, sonst insgesamt in guter Erhaltung.

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WIERIX, HIERONYMUS (1553 - 1619 Antwerp).Set of seven engravings with depictions of horses. Engravings after Johann Stradanus. Each ca. 19.5 x 26 cm (image). The engravings with engraved inscription within the image and with two-line text in margin. Each with engraved numbers left. All engravings in identical gold frame. - Even light browning and some foxing. Scattered restored tears (or creases). One sheet with small paper loss in lower text margin. All engravings with small worm hole in upper right corner. Overall fine, clearly defined impressions. - Also included: 1. Hans Collaert after Johann Stradanus. Centaur family. Engraving, 20 x 26 cm (image). Framed. 2. Anonymous, 17th century. Mula et Asinus. Engraving, 21 x 25.5 cm. Framed.

Lotto 3544 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

WIERIX, HIERONYMUS (1553 - 1619 Antwerp).Set of seven engravings with depictions of horses. Engravings after Johann Stradanus. Each ca. 19.5 x 26 cm (image). The engravings with engraved inscription within the image and with two-line text in margin. Each with engraved numbers left. All engravings in identical gold frame. - Even light browning and some foxing. Scattered restored tears (or creases). One sheet with small paper loss in lower text margin. All engravings with small worm hole in upper right corner. Overall fine, clearly defined impressions. - Also included: 1. Hans Collaert after Johann Stradanus. Centaur family. Engraving, 20 x 26 cm (image). Framed. 2. Anonymous, 17th century. Mula et Asinus. Engraving, 21 x 25.5 cm. Framed.

Folge von sieben Stichen mit Darstellungen von Pferden. Kupferstiche nach Johann Stradanus. Jeweils ca. 19,5 x 26 cm (licht). Die Stiche innerhalb der Darstellung gestochen bezeichnet und mit dem unteren zweizeiligen Schriftrand. Jeweils links mit gestochenen Nummerierungen. Alle Stiche in identischer Goldrahmung. - Die Stiche überwiegend gleichmässig leicht gebräunt und etwas stockfleckig. Vereinzelt mit restaurierten Einrissen (oder Quetschfalten?). Ein Blatt mit kleinem Papierverlust im unteren Schriftrand. Alle Stiche mit einem Wurmlöchlein in der oberen rechten Ecke. Insgesamt schöne, klarzeichnende Drucke. - Beigaben: 1. Hans Collaert nach Johann Stradanus. Kentaurenfamilie. Kupferstich, 20 x 26 cm (licht). Gerahmt. 2. Anonym, 17. Jh. Mula et Asinus. Kupferstich, 21 x 25,5 cm. Gerahmt.

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ZINGG, ADRIAN (St. Gallen 1734 - 1816 Leipzig).Lot of 3 views: 1. Italian landscape, after Dietricy. Etching, 17.5 x 23.5 cm. 2. Landscape with herd of cows and herdsmen, probably after Dietricy. Etching, 17.5 x 23.5 cm. 3. The glacier at Faucigny. Etching, 15.2 x 17.5. - All sheets with full margin. Some foxing, greying and with minor handling marks. Overall good condition.

Lotto 3546 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

ZINGG, ADRIAN (St. Gallen 1734 - 1816 Leipzig).Lot of 3 views: 1. Italian landscape, after Dietricy. Etching, 17.5 x 23.5 cm. 2. Landscape with herd of cows and herdsmen, probably after Dietricy. Etching, 17.5 x 23.5 cm. 3. The glacier at Faucigny. Etching, 15.2 x 17.5. - All sheets with full margin. Some foxing, greying and with minor handling marks. Overall good condition.

Lot von 3 Ansichten: 1. Italienische Landschaft, nach Dietricy. Radierung, 17,5 x 23,5 cm. 2. Landschaft mit Kuhherde und Hirten, wohl nach Dietricy. Radierung, 17,5 x 23,5 cm. 3. Der Gletscher im Faucigny. Radierung, 15,2 x 17,5. - Alle Blätter mit vollem Rand. Teils etwas stockfleckig, angestaubt und mit wenigen Gebrauchsspuren. Insgesamt in guter Erhaltung.

CHF 400 / 600 | (€ 410 / 620)

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THAETER, JULIUS (Dresden 1804 - 1870 München).Rudolf von Habsburg wahret den Landfrieden, after Julius Schnorr von Carolsfeld. 1844. Etching on wove paper, 52.3 x 64 cm. Nagler 8. - With full margins. The margins slightly foxed, otherwise in good condition. - Also included: Same artist. Ritter Curts Brautfahrt, after Moritz von Schwind. 1846. Etching on wove paper, 52 x 46.5 cm. Not in Nagler. With full margins. Margins slightly foxed. - From the collection of Conrad Baumann zu Tischendorf (2nd half of the 19th century.)

Lotto 3547 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

THAETER, JULIUS (Dresden 1804 - 1870 München).Rudolf von Habsburg wahret den Landfrieden, after Julius Schnorr von Carolsfeld. 1844. Etching on wove paper, 52.3 x 64 cm. Nagler 8. - With full margins. The margins slightly foxed, otherwise in good condition. - Also included: Same artist. Ritter Curts Brautfahrt, after Moritz von Schwind. 1846. Etching on wove paper, 52 x 46.5 cm. Not in Nagler. With full margins. Margins slightly foxed. - From the collection of Conrad Baumann zu Tischendorf (2nd half of the 19th century.)

Rudolf von Habsburg wahret den Landfrieden, nach Julius Schnorr von Carolsfeld. 1844. Radierung auf Velin, 52,3 x 64 cm. Nagler 8. - Mit dem vollen Rändern. Dort leicht stockfleckig, sonst in guter Erhaltung. - Beigabe: Derselbe. Ritter Curts Brautfahrt, nach Moritz von Schwind. 1846. Radierung auf Velin, 52 x 46,5 cm. Nicht bei Nagler. Mit den vollen Rändern. Dort leicht stockfleckig. - Aus der Sammlung Conrad Baumann zu Tischendorf (2.H.19. Jh.)

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BOOK ILLUMINATION.-Probably German, 15th century. Page from an antiphonary, with Latin text on both sides. The notes in bistre on red scores with text mostly in bistre, partly also in red and blue. Vellum, 44 x 32 cm. The front with polychrome ornamented initial "O" and further decorations. The reverse with two red and blue ornamented initials: 'L' and 'T'. Framed.

Lotto 3549 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

BOOK ILLUMINATION.-Probably German, 15th century. Page from an antiphonary, with Latin text on both sides. The notes in bistre on red scores with text mostly in bistre, partly also in red and blue. Vellum, 44 x 32 cm. The front with polychrome ornamented initial "O" and further decorations. The reverse with two red and blue ornamented initials: 'L' and 'T'. Framed.

Wohl deutsch, 15. Jh.. Beidseitig mit lateinischem Text beschriebene Seite aus einem Antiphonar. Noten in Bister auf roten Notenlinien mit Text überwiegend in Bister, teils auch in Rot und Blau. Pergament, 44 x 32 cm. Die Vorderseite mit farbig ornamental ausgeschmückter Initiale "O" und weiteren Verzierungen. Die Rückseite mit zwei in Rot und Blau ornamental ausgestalteten Initialen 'L' und 'T'. Gerahmt.

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BOOK ILLUMINATION.-Northern France circa 1450. Page from a "Livre-d'heures" in Latin. Vellum, 13.7 x 10 cm. Written on both sides in red and brown pen. Polychrome and parcel gilt initial "D"(omine)...and floral decoration. Framed. - Good condition.

Lotto 3551 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

BOOK ILLUMINATION.-Northern France circa 1450. Page from a "Livre-d'heures" in Latin. Vellum, 13.7 x 10 cm. Written on both sides in red and brown pen. Polychrome and parcel gilt initial "D"(omine)...and floral decoration. Framed. - Good condition.

Nordfrankreich, um 1450. Buchseite aus einem "Livre-d'heures" in lateinischer Sprache. Pergament, 13,7 x 10 cm . Mit roter und brauner Feder beidseitig beschrieben. Mit farbig ausgestalteter, teils vergoldeter Initiale "D"(omine)...und floralen Verzierungen. Gerahmt. - Guter Erhaltungszustand.

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PANORAMA - PROCESSION OF THE CORONATION OF QUEEN VICTORIA.-Fore's Correct Representation of the State Procession on the Occasion of the August Ceremony of Her Majresty's Coronation, June 28th, 1839... Hand-coloured aquatint etchings over a total of 34 sheets. Total length ca. 10.3 x 1776 cm. Including 7 sheets as decorative frame. Including the original linen sleeve with brass fasteners. Some sheets with slight even browning, few restorations. Overall with fresh colours and in good condition. Rare.

Lotto 3552 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

PANORAMA - PROCESSION OF THE CORONATION OF QUEEN VICTORIA.-Fore's Correct Representation of the State Procession on the Occasion of the August Ceremony of Her Majresty's Coronation, June 28th, 1839... Hand-coloured aquatint etchings over a total of 34 sheets. Total length ca. 10.3 x 1776 cm. Including 7 sheets as decorative frame. Including the original linen sleeve with brass fasteners. Some sheets with slight even browning, few restorations. Overall with fresh colours and in good condition. Rare.

Fore's Correct Representation of the State Procession on the Occasion of the August Ceremony of Her Majresty's Coronation, June 28th, 1839... Handkol. Aquatinta-Radierungen über insgesamt 34 Bögen. Gesamtlänge ca. 10,3 x 1776 cm. Davon 7 Blätter in dekorativer Rahmung. - Dabei der originale Leinenschuber mit Messingschliesse. - Einige Bögen gleichmässig leicht gebräunt, wenige Restaurierungen. Insgesamt überwiegend in farbfrischem Kolorit und guter Erhaltung. - Selten.

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BEHRENS, PETER (Hamburg 1868 - 1940 Berlin).Der Kuss, 1900 (The kiss). Colour woodcut, 19.1 x 15 cm (Sheet size: 28.5 x 19.8 cm). Monogrammed in block (ligature). PB. Inscribed below the image: P. Behrens München Originalholzschnitt. - Even browning, slightly sunned within passepartout. The left margin with traces of old binding. - Good condition.

Lotto 3553 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

BEHRENS, PETER (Hamburg 1868 - 1940 Berlin).Der Kuss, 1900 (The kiss). Colour woodcut, 19.1 x 15 cm (Sheet size: 28.5 x 19.8 cm). Monogrammed in block (ligature). PB. Inscribed below the image: P. Behrens München Originalholzschnitt. - Even browning, slightly sunned within passepartout. The left margin with traces of old binding. - Good condition.

Der Kuss, 1900. Farbholzschnitt, 19,1 x 15 cm (Blattgrösse: 28,5 x 19,8 cm). Im Stock monogrammiert (ligiert). PB. Unterhalb der Darstellung typographisch bezeichnet: P. Behrens München Originalholzschnitt. - Gleichässig gebräunt, im Passepartoutausschnitt etwas lichtrandig. Der linke Rand mit Spuren alter Heftung. - Gut erhalten. - Das Motiv erschien erstmals in der Zeitschrift 'Pan', Heft 2, 4. Jg., Berlin 1898 als Beilage vor S. 117 mit der Blattgröße 47,2 x 31,5 cm. Die vorliegende, verkleinerte Version erschienen in: Die Kunst, Bd. 2, München 1900, Beilage vor S. 1.

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POSTER.-Ferdinand Hodler (1853-1918). Kunsthaus Zürich. Sechste Ausstellung der Gesellschaft Schweizer Maler, Bildhauer, Architekten zur Feier ihres fünfzigjährigen Bestehens 1915. 3. Oktober - 31. Oktober 1915. Colour lithograph, 101 x 70 cm. Monogrammed lower right in stone: FH. Printed by Wolfensberger in Zurich. Framed.

Lotto 3554 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

POSTER.-Ferdinand Hodler (1853-1918). Kunsthaus Zürich. Sechste Ausstellung der Gesellschaft Schweizer Maler, Bildhauer, Architekten zur Feier ihres fünfzigjährigen Bestehens 1915. 3. Oktober - 31. Oktober 1915. Colour lithograph, 101 x 70 cm. Monogrammed lower right in stone: FH. Printed by Wolfensberger in Zurich. Framed.

Ferdinand Hodler (1853-1918). Kunsthaus Zürich. Sechste Ausstellung der Gesellschaft Schweizer Maler, Bildhauer, Architekten zur Feier ihres fünfzigjährigen Bestehens 1915. 3. Oktober - 31. Oktober 1915. Farblithographie, 101 x 70 cm. Unten rechts im Stein monogrammiert: FH. Gedruckt bei Wolfensberger in Zürich. Gerahmt.

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BOTANY.-German circa 1720. Centaurea Crocodylium. Watercolour and gouache on vellum. 53.8 x 37.4 cm. The outer lines in brown and black pen. Entitled below the image in brown pen.

Lotto 3555* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

BOTANY.-German circa 1720. Centaurea Crocodylium. Watercolour and gouache on vellum. 53.8 x 37.4 cm. The outer lines in brown and black pen. Entitled below the image in brown pen.

Deutsch, um 1720. Centaurea Crocodylium. Aquarell und Gouache auf Pergament. 53,8 x 37,4 cm. Die Einfassungslinien mit brauner und schwarzer Feder. Unterhalb der Darstellung mit brauner Feder betitelt.

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BOTANY.-German circa 1720. Malacra Alcea Folia. Gouache and watercolour on vellum. The outer lines in brown and black pen. Entitled below image in brown pen. 53.3 x 37.4 cm.

Lotto 3556* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

BOTANY.-German circa 1720. Malacra Alcea Folia. Gouache and watercolour on vellum. The outer lines in brown and black pen. Entitled below image in brown pen. 53.3 x 37.4 cm.

Deutsch, um 1720. Malacra Alcea Folia. Gouache und Aquarell auf Pergament. Die Einfassungslinien mit brauner und schwarzer Feder. Unterhalb der Darstellung mit brauner Feder betitelt. 53,3 x 37,4 cm.

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BOTANY.-German circa 1720. Branch of elder flowers. Gouache and watercolour on vellum. The outer lines in brown and black pen. 44.2 x 22.7 cm.

Lotto 3557* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

BOTANY.-German circa 1720. Branch of elder flowers. Gouache and watercolour on vellum. The outer lines in brown and black pen. 44.2 x 22.7 cm.

Deutsch, um 1720. Holunderblütenzweig. Gouache und Aquarell auf Pergament. Die Einfassungslinien mit brauner und schwarzer Feder. 44,2 x 22,7 cm.

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ORNITHOLOGY.-J. Smit after Joseph Wolf (1820-1899). Pavo Cristatus. Original coloured lithograph, 56 x 43 cm (image). Sheet 3 from Vol. I of: Monograph of Phasianide or Family of Pheasants. Pub by D.G. Elliot, 1872. Gold frame. - Fine condition with fresh colours.

Lotto 3558 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

ORNITHOLOGY.-J. Smit after Joseph Wolf (1820-1899). Pavo Cristatus. Original coloured lithograph, 56 x 43 cm (image). Sheet 3 from Vol. I of: Monograph of Phasianide or Family of Pheasants. Pub by D.G. Elliot, 1872. Gold frame. - Fine condition with fresh colours.

J. Smit nach Joseph Wolf (1820-1899). Pavo Cristatus. Altkol. Lithographie, 56 x 43 cm (licht). Blatt 3 aus Vol. I von: Monograph of Phasianide or Family of Pheasants. Verlegt bei D.G. Elliot, 1872. Echtgoldrahmung. - Schöner, farbfrischer Erhaltungszustand.

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