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Old Master Prints

Friday 23 September 2011, 11.00 AM



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ALDEGREVER, HEINRICH (Paderborn 1502 - 1555/62 Soest).Rhea Silvia, with Romulus and Remus in the background. Copper engraving, 14.5 x 9.9 cm. Bartsch 66. - With fine margin around the outer lines. Some issues with condition. Overall good impression Also included: same artist Tarquinius and Lucretia after Pencz. Copper engraving, 12.2 x 7.8 cm. Bartsch 63 II. Small concerns with condition.

Lot 3442 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

ALDEGREVER, HEINRICH (Paderborn 1502 - 1555/62 Soest).Rhea Silvia, with Romulus and Remus in the background. Copper engraving, 14.5 x 9.9 cm. Bartsch 66. - With fine margin around the outer lines. Some issues with condition. Overall good impression Also included: same artist Tarquinius and Lucretia after Pencz. Copper engraving, 12.2 x 7.8 cm. Bartsch 63 II. Small concerns with condition.

Rhea Silvia, mit Romolus und Remus im Hintergrund. Kupferstich, 14,5 x 9,9 cm. Bartsch 66. - Mit feinem Rändchen um die Einfassungslinien. Erhaltungsmängel. Insgesamt guter Gesamteindruck. Beigabe: Derselbe. Tarquinius und Lucretia nach Pencz. Kupferstich, 12,2 x 7,8 cm. Bartsch 63 II. Kleinere Erhaltungsmängel.

CHF 400 / 600 | (€ 410 / 620)

Sold for CHF 960 (including buyer's premium)

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ALTDORFER, ALBRECHT (1480 - 1538 Regensburg).Christi Abschied von seiner Mutter (Christ takes his leave from his mother), circa 1513. From the suite: Sündenfall und Erlösung des Menschengeschlechts (The fall and redemption of mankind). Wood cut, 7.5 x 5 cm. Bartsch 16; Winzinger 41; Mielke (New Hollstein) w. 16. Framed. - Fine, deep black and clearly defined impression with small margins around the outer line. Very good condition.

Lot 3443 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

ALTDORFER, ALBRECHT (1480 - 1538 Regensburg).Christi Abschied von seiner Mutter (Christ takes his leave from his mother), circa 1513. From the suite: Sündenfall und Erlösung des Menschengeschlechts (The fall and redemption of mankind). Wood cut, 7.5 x 5 cm. Bartsch 16; Winzinger 41; Mielke (New Hollstein) w. 16. Framed. - Fine, deep black and clearly defined impression with small margins around the outer line. Very good condition.

Christi Abschied von seiner Mutter, um 1513. Aus der Folge: Sündenfall und Erlösung des Menschengeschlechts. Holzschnitt, 7,5 x 5 cm. Bartsch 16; Winzinger 41; Mielke (New Hollstein) w. 16. Gerahmt. - Schöner, tiefschwarzer und klarzeichnender Druck mit kleinem Rändchen um die Einfassungslinie. Sehr gut erhalten.

CHF 400 / 600 | (€ 410 / 620)

Sold for CHF 540 (including buyer's premium)

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ALTDORFER, ALBRECHT (circa 1480 Regensburg 1538).The judgement of Paris. Copper engraving, 6.1 x 4.1 cm. Bartsch 36; Winzinger 131; Mielke (New Hollstein) e. 37. - Strong, deep black impression, mostly cut up to the image, partly with fine margin around the image. Upper right corner with minor paper loss. The lower outer line partly re-drawn in black pen. Overall good condition.

Lot 3444 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

ALTDORFER, ALBRECHT (circa 1480 Regensburg 1538).The judgement of Paris. Copper engraving, 6.1 x 4.1 cm. Bartsch 36; Winzinger 131; Mielke (New Hollstein) e. 37. - Strong, deep black impression, mostly cut up to the image, partly with fine margin around the image. Upper right corner with minor paper loss. The lower outer line partly re-drawn in black pen. Overall good condition.

Das Urteil des Paris. Kupferstich, 6,1 x 4,1 cm. Bartsch 36; Winzinger 131; Mielke (New Hollstein) e. 37. - Kräftiger, tiefschwarzer Druck, überwiegend bis zur Darstellung beschnitten, teils mit feinem Rändchen um diese. Die obere rechte Ecke mit minimem Papierverlust. Die untere Einfassungslinie mit schwarzer Feder partiell überzeichnet. Insgesamt gut erhalten.

CHF 500 / 700 | (€ 520 / 720)

Sold for CHF 3 840 (including buyer's premium)

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BALDUNG, HANS called GRIEN (1476 Weyersheim bei Strassburg - 1545 Strassburg).Adam and Eve, 1519. Wood cut, 25.2 x 9.6 cm. Bartsch 2; Curjel 73; Hollstein 2. - Excellent impression with small margin around the outer line. Upper left corner slightly soiled, the right margin with scattered small tears with old restorations. - Provenance: Kupferststichkabinett der Staatlichen Museen Berlin, Lugt 1606

Lot 3445 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

BALDUNG, HANS called GRIEN (1476 Weyersheim bei Strassburg - 1545 Strassburg).Adam and Eve, 1519. Wood cut, 25.2 x 9.6 cm. Bartsch 2; Curjel 73; Hollstein 2. - Excellent impression with small margin around the outer line. Upper left corner slightly soiled, the right margin with scattered small tears with old restorations. - Provenance: Kupferststichkabinett der Staatlichen Museen Berlin, Lugt 1606

Adam und Eva, 1519. Holzschnitt, 25,2 x 9,6 cm. Bartsch 2; Curjel 73; Hollstein 2. - Ausgezeichneter Druck mit Rändchen um die Einfassungslinie. Die obere linke Ecke leicht gestaucht, der rechte Rand mit einzelnen kleineren altrestaurierten Läsuren. - Provenienz: Kupferststichkabinett der Staatlichen Museen Berlin, Lugt 1606

CHF 1 000 / 1 500 | (€ 1 030 / 1 550)

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Attributed to BECCAFUMI, DOMENICO (1486 Siena 1551)Parnassus defiled. Etching, 35.5 x 50 cm. On handmade paper with watermark of double eagle with crown. Bartsch 4. With engraved monogram lower left: HFE. - Strong, even impression, probably from the early 17th century. Small issues concerning condition, otherwise overall fine condition.

Lot 3446 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

Attributed to BECCAFUMI, DOMENICO (1486 Siena 1551)Parnassus defiled. Etching, 35.5 x 50 cm. On handmade paper with watermark of double eagle with crown. Bartsch 4. With engraved monogram lower left: HFE. - Strong, even impression, probably from the early 17th century. Small issues concerning condition, otherwise overall fine condition.

Der entweihte Parnass. Radierung, 35,5 x 50 cm. Auf Bütten mit Wz. heraldischer Doppeladler mit Krone. Bartsch 4. Unten links gestochen monogrammiert: HFE. - Kräftiger gleichmässiger Druck, wohl des frühen 17. Jahrhundert. Mit den bereits schattierten Geschlechtsteilen der Bäume. Kleinere Erhaltungsmängel, doch insgesamt schöner Gesamteindruck.

CHF 700 / 900 | (€ 720 / 930)

Sold for CHF 36 000 (including buyer's premium)

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DELLA BELLA, STEFANO (1610 Florence 1664).Large landscape with herdsman riding, circa 1650. From the suite: Vier grosse Landschaften (four large landscapes). Etching on thick handmade paper, 25.4 x 18.9 cm. De Vesme 784. - Excellent strong impression with small margin around the clearly visible plate edge. Very good condition.

Lot 3447 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

DELLA BELLA, STEFANO (1610 Florence 1664).Large landscape with herdsman riding, circa 1650. From the suite: Vier grosse Landschaften (four large landscapes). Etching on thick handmade paper, 25.4 x 18.9 cm. De Vesme 784. - Excellent strong impression with small margin around the clearly visible plate edge. Very good condition.

Grosse Landschaft mit reitendem Hirten, um 1650. Aus der Folge: Vier grosse Landschaften. Radierung auf festem Bütten, 25,4 x 18,9 cm. De Vesme 784. - Ausgezeichneter, kräftiger Druck mit kleinem Rand um die deutlich sichtbare Plattenkante. - Sehr gut erhalten.

CHF 300 / 400 | (€ 310 / 410)

Sold for CHF 660 (including buyer's premium)

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DÜRER, ALBRECHT (1471 Nuremberg 1528).Der Schmerzensmann und der Landknecht (the Man of Sorrows and the solider), after 1511. Title page of the "Grossen Passion" (Great Passion). Wood cut, 19.7 x 19.5 cm. Bartsch 4; Meder 113 probably b (of f); Schoch/Mende/Scherbaum 154. - Without text and before the wormholes in leg and arm of the warrior. Both lower corners with races of blue chalk, the upper corners with minor stains (remains of old glue, which press through slightly from the back). Left margin with traces of black pen, also lower edge of cloud possibly traced in black pen. Overall good condition.

Lot 3449 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

DÜRER, ALBRECHT (1471 Nuremberg 1528).Der Schmerzensmann und der Landknecht (the Man of Sorrows and the solider), after 1511. Title page of the "Grossen Passion" (Great Passion). Wood cut, 19.7 x 19.5 cm. Bartsch 4; Meder 113 probably b (of f); Schoch/Mende/Scherbaum 154. - Without text and before the wormholes in leg and arm of the warrior. Both lower corners with races of blue chalk, the upper corners with minor stains (remains of old glue, which press through slightly from the back). Left margin with traces of black pen, also lower edge of cloud possibly traced in black pen. Overall good condition.

Der Schmerzensmann und der Landknecht, nach 1511. Titelblatt der "Grossen Passion". Holzschnitt, 19,7 x 19,5 cm. Bartsch 4; Meder 113 wohl b (von f); Schoch/Mende/Scherbaum 154. - Ohne den Text und noch vor den Wurmlöchlein in Bein und Arm des Kriegers. Die beiden unteren Ecken mit Spuren von blauer Kreide, die oberen Ecken mit minimen Flecken (alte Klebereste, die von hinten leicht durchdrücken). Am linken Rand Spuren von schwarzer Feder, ebenso möglicherweise am unteren Rand der Wolke mit schwarzer Feder stellenweise nachgezogen. Insgesamt in guter Erhaltung.

CHF 800 / 1 200 | (€ 820 / 1 240)

Sold for CHF 900 (including buyer's premium)

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DÜRER, ALBRECHT (1471 Nuremberg 1528).Die Kreuztragung Christi, (Carrying of the cross) circa 1498/99. Sheet 7 of the suite: Grosse Passion (large passion). Wood cut on handmade paper with watermark of the Augsburg cup and imperial orb (.Meder 181), circa 1580. 39 x 28.5 cm. Meder 119 b (of c, edition without text); Schoch/Mende/Scherbaum 160. - Excellent deep black impression with margin around the outer line, ca. 2 cm above and below, the sides approx 0.8 cm. With smoothed central fold. Slight even foxing, the left margin somewhat browned. Verso remains of old mount. The outer line possibly retraced in black pen. Overall good condition. - Provenance: J.K. Brönner (1738-1812), Frankfurt a.M., Lugt 307; 1810 via inheritance to the Städelsche Kunstinstitut Frankfurt a.M.; Tilgungsstempel des Städel Museums Frankfurt a.M., Lugt 2396.

Lot 3450 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

DÜRER, ALBRECHT (1471 Nuremberg 1528).Die Kreuztragung Christi, (Carrying of the cross) circa 1498/99. Sheet 7 of the suite: Grosse Passion (large passion). Wood cut on handmade paper with watermark of the Augsburg cup and imperial orb (.Meder 181), circa 1580. 39 x 28.5 cm. Meder 119 b (of c, edition without text); Schoch/Mende/Scherbaum 160. - Excellent deep black impression with margin around the outer line, ca. 2 cm above and below, the sides approx 0.8 cm. With smoothed central fold. Slight even foxing, the left margin somewhat browned. Verso remains of old mount. The outer line possibly retraced in black pen. Overall good condition. - Provenance: J.K. Brönner (1738-1812), Frankfurt a.M., Lugt 307; 1810 via inheritance to the Städelsche Kunstinstitut Frankfurt a.M.; Tilgungsstempel des Städel Museums Frankfurt a.M., Lugt 2396.

Die Kreuztragung Christi, um 1498/99. Blatt 7 der Folge: Grosse Passion. Holzschnitt auf Bütten mit Wz. Augsburger Kelch mit Reichsapfel-Wäppchen, (.Meder 181), um 1580. 39 x 28,5 cm. Meder 119 b (von c, Ausgabe ohne Text); Schoch/Mende/Scherbaum 160. - Ausgezeichneter, tiefschwarzer Druck mit Rand um die Einfassungslinie, oben und unten ca. 2 cm, an den Seiten ca.0,8 cm. Mit geglätteter Mittelfalte. Gleichmässig wenig stockfleckig, am linken Rand etwas gebräunt.Verso Reste alter Montierung. Die Einfassungslinie wohl stellenweise mit der Feder in Schwarz nachgezogen. - Insgesamt in schöner Erhaltung. - Provenienz: J.K. Brönner (1738-1812), Frankfurt a.M., Lugt 307; 1810 durch Erbschaft an das Städelsche Kunstinstitut Frankfurt a.M.; Tilgungsstempel des Städel Museums Frankfurt a.M., Lugt 2396.

CHF 1 500 / 2 000 | (€ 1 550 / 2 060)

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DÜRER, ALBRECHT (1471 Nuremberg 1528).Maria mit der Meerkatze (Mary and the monkey), circa 1498. Copper engraving on handmade paper without watermark, 19.3 x 12.2 cm. Bartsch 42; Meder 30 probably d (of l); Schoch/Mende/Scherbaum 20. Framed. - Before the scratches through the arm, head and belly of the child. Even, clear and black impression. Small margin around the outer line, the plate edge visible in parts. Minor foxing, minor browning in parts. Scattered small areas of rubbing and scratches. Overall good condition. - Provenance: Libreria Ulrico Hoepfli 1930 (according to handwritten inscription verso).

Lot 3452 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

DÜRER, ALBRECHT (1471 Nuremberg 1528).Maria mit der Meerkatze (Mary and the monkey), circa 1498. Copper engraving on handmade paper without watermark, 19.3 x 12.2 cm. Bartsch 42; Meder 30 probably d (of l); Schoch/Mende/Scherbaum 20. Framed. - Before the scratches through the arm, head and belly of the child. Even, clear and black impression. Small margin around the outer line, the plate edge visible in parts. Minor foxing, minor browning in parts. Scattered small areas of rubbing and scratches. Overall good condition. - Provenance: Libreria Ulrico Hoepfli 1930 (according to handwritten inscription verso).

Maria mit der Meerkatze, um 1498. Kupferstich auf Bütten ohne Wz., 19,3 x 12,2 cm. Bartsch 42; Meder 30 wohl d (von l); Schoch/Mende/Scherbaum 20. Gerahmt. - Vor den Kratzern durch den Arm, Kopf und Bauch des Kindes. - Gleichmässiger, klarer und schwarzer Druck. Mit kleinem Rändchen um die Einfassungslinie, wobei die Plattenkante stellenweise sichtbar ist. Minim stockfleckig und stellenweise minim gebräunt. Vereinzelte kleinere Bereibungen und Kratzer. Insgesamt in guter Erhaltung. - Provenienz: Libreria Ulrico Hoepfli 1930 (laut handschriftlicher Bezeichnung verso).

CHF 4 000 / 6 000 | (€ 4 120 / 6 190)

Sold for CHF 3 960 (including buyer's premium)

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DUSART, CORNELIS (1660 Haarlem 1704).The drunken couple, 1685. Etching, 13 x 10.5 cm. Bartsch 7; Hollstein 7. - Splendid impression with margin (ca. 1.5 cm) around the clearly visible plate edge. Very good condition.

Lot 3453* - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

DUSART, CORNELIS (1660 Haarlem 1704).The drunken couple, 1685. Etching, 13 x 10.5 cm. Bartsch 7; Hollstein 7. - Splendid impression with margin (ca. 1.5 cm) around the clearly visible plate edge. Very good condition.

Das trunkene Paar, 1685. Radierung, 13 x 10,5 cm. Bartsch 7; Hollstein 7. - Prachtvoller Druck mit Rand (ca. 1,5 cm) um die deutlich sichtbare Plattenkante. Sehr guter Erhaltungszustand.

CHF 300 / 400 | (€ 310 / 410)

Sold for CHF 480 (including buyer's premium)

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GOLTZIUS, HENDRIK (Bracht 1558 - 1617 Haarlem).Pygmalion, 1593. Copper engraving, 32.5 x 21.8 cm. Bartsch 138; Strauss 315 III (of IV, R Baudoux excu.). - Bright, strong and clear impression with fine margin around the plate edge. In outstanding condition. Also included: Circle of/after Goltzius, H. Jesus with lamb. Copper engraving, 20.5 x 14 cm. Old mount.

Lot 3454 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

GOLTZIUS, HENDRIK (Bracht 1558 - 1617 Haarlem).Pygmalion, 1593. Copper engraving, 32.5 x 21.8 cm. Bartsch 138; Strauss 315 III (of IV, R Baudoux excu.). - Bright, strong and clear impression with fine margin around the plate edge. In outstanding condition. Also included: Circle of/after Goltzius, H. Jesus with lamb. Copper engraving, 20.5 x 14 cm. Old mount.

Pygmalion, 1593. Kupferstich, 32,5 x 21,8 cm. Bartsch 138; Strauss 315 III (von IV, R Baudoux excu.). - Brillianter, kräftiger, klarer Druck mit feinem Rändchen um die Plattenkante. In hervorragender Erhaltung. - Beigabe: Goltzius, H. Umkreis/nach. Jesus mit Lamm. Kupferstich, 20,5 x 14 cm. Alt montiert.

CHF 1 200 / 1 500 | (€ 1 240 / 1 550)

Sold for CHF 1 680 (including buyer's premium)

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GOYA, FRANCISCO DE (Fuendotodos 1746 - 1828 Bordeaux).Aveugle enlevé sur les cornes d'un taureau, 1812. (printed 1880). Etching and aquatint on handmade paper, 17.4 x 21.9 cm (sheet size 21 x 28.7 cm. Gazette de Beaux-Arts, pub. Imp. Delâtre Paris. Delteil 24; Harris 25 III (of IV). - With margin around the mostly visible plate edge. The lower margin is slightly unevenly cut. The sheet edges slightly browned. Overall good condition.

Lot 3455 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

GOYA, FRANCISCO DE (Fuendotodos 1746 - 1828 Bordeaux).Aveugle enlevé sur les cornes d'un taureau, 1812. (printed 1880). Etching and aquatint on handmade paper, 17.4 x 21.9 cm (sheet size 21 x 28.7 cm. Gazette de Beaux-Arts, pub. Imp. Delâtre Paris. Delteil 24; Harris 25 III (of IV). - With margin around the mostly visible plate edge. The lower margin is slightly unevenly cut. The sheet edges slightly browned. Overall good condition.

Aveugle enlevé sur les cornes d'un taureau, 1812. (Drucklegung 1880). Radierung und Aquatinta auf Bütten, 17,4 x 21,9 cm (Bogengrösse 21 x 28,7 cm. Gazette de Beaux-Arts, pub. Imp. Delâtre Paris. Delteil 24; Harris 25 III (von IV). - Mit Rand um die überwiegend sichtbare Plattenkante. Der untere Rand leicht unregelmässig beschnitten. Die Blattränder wenig gebräunt. Insgesamt gut erhalten.

CHF 300 / 400 | (€ 310 / 410)

Sold for CHF 240 (including buyer's premium)

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HOLBEIN, HANS the younger (Augsburg 1497/98 - 1543 London).Erasmus von Rotterdam in an alcove. Circa 1535. Wood cut on fine handmade paper with watermark (unidentified). 28.5 x 15.2 cm. (sheet size 38 x 25 cm). Hollstein 9 (edition with 4 lines of text). - Even clear impression. With smoothed central fold. Minor even browning. Small tear on upper margin. Brown pen line on upper right margin. Overall good condition.

Lot 3456 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

HOLBEIN, HANS the younger (Augsburg 1497/98 - 1543 London).Erasmus von Rotterdam in an alcove. Circa 1535. Wood cut on fine handmade paper with watermark (unidentified). 28.5 x 15.2 cm. (sheet size 38 x 25 cm). Hollstein 9 (edition with 4 lines of text). - Even clear impression. With smoothed central fold. Minor even browning. Small tear on upper margin. Brown pen line on upper right margin. Overall good condition.

Erasmus von Rotterdam im Gehäuse. Um 1535. Holzschnitt auf feinem Bütten mit Wz. (nicht identifiziert). 28,5 x 15,2 cm. (Blattgrösse 38 x 25 cm). Hollstein 9 (Ausgabe mit 4 Zeilen Text). - Gleichmässiger, klarer Druck. Mit geglätteter Mittelfalz. Gleichmässig wenig gebräunt, kleiner Einriss am oberen Rand. Am rechten Rand brauner Federstrich. Insgesamt in schöner Erhaltung.

CHF 1 500 / 2 000 | (€ 1 550 / 2 060)

Sold for CHF 1 200 (including buyer's premium)

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HOLLAR, WENCESLAUS (Prague 1607 - 1677 London).Lot of 7 sheets: 1. The market trader, after Brueghel. 1652. Parthey 1217; 2.Tyrus bei Sidon, after Peeters. Parthey 1137; 3. Portrait of a young lady, after Holbein. Parthey 1550; 4. Self portrait Raphael, 1651; Parthey 1486; 5. Portrait of the poet Pietro Aretino, after Tizian. Parthey 1346; 6. Strassburg cathedral, 1645. Parthey 892; 7. The dead hare, after P. Boel, 1649. Parthey 2058.

Lot 3457 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

HOLLAR, WENCESLAUS (Prague 1607 - 1677 London).Lot of 7 sheets: 1. The market trader, after Brueghel. 1652. Parthey 1217; 2.Tyrus bei Sidon, after Peeters. Parthey 1137; 3. Portrait of a young lady, after Holbein. Parthey 1550; 4. Self portrait Raphael, 1651; Parthey 1486; 5. Portrait of the poet Pietro Aretino, after Tizian. Parthey 1346; 6. Strassburg cathedral, 1645. Parthey 892; 7. The dead hare, after P. Boel, 1649. Parthey 2058.

Lot von 7 Bll.: 1. Die Marktgänger, nach Brueghel. 1652. Parthey 1217; 2.Tyrus bei Sidon, nach Peeters. Parthey 1137; 3. Porträt einer jungen Dame, nach Holbein. Parthey 1550; 4. Selbstbildnis Raphaels, 1651; Parthey 1486; 5. Porträt des Dichters Pietro Aretino, nach Tizian. Parthey 1346; 6. Das Strassburger Münster, 1645. Parthey 892; 7. Der tote Hase, nach P. Boel, 1649. Parthey 2058.

CHF 1 200 / 1 500 | (€ 1 240 / 1 550)

Sold for CHF 1 440 (including buyer's premium)

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HOPFER, DANIEL (Kaufbeuren, circa 1470 - 1536 Augsburg).Lot of 3 sheets: 1. Three old women beat the devil. Etching, 22.6 x 15.7 cm. Bartsch 71. 2. Jesus sends the Apostles out. Etching, 29.6 x 39.7 cm. Bartsch 32. 3. Jesus' parable of the scribes and the Pharisees. Etching. Bartsch 31.

Lot 3458 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

HOPFER, DANIEL (Kaufbeuren, circa 1470 - 1536 Augsburg).Lot of 3 sheets: 1. Three old women beat the devil. Etching, 22.6 x 15.7 cm. Bartsch 71. 2. Jesus sends the Apostles out. Etching, 29.6 x 39.7 cm. Bartsch 32. 3. Jesus' parable of the scribes and the Pharisees. Etching. Bartsch 31.

Lot von 3 Bll.: 1. Drei Alte Weiber verprügeln den Teufel. Radierung, 22,6 x 15,7 cm. Bartsch 71. 2. Jesus sendet die Apostel aus. Radierung, 29,6 x 39,7 cm. Bartsch 32. 3. Gleichnisse Jesu über die Schriftgelehrten und Pharisäer. Radierung. 26,7 x 38,5 cm. Bartsch 31.

CHF 800 / 1 200 | (€ 820 / 1 240)

Sold for CHF 6 720 (including buyer's premium)

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HOPFER, HIERONYMUS (Augsburg circa 1500 - after 1550 Nuremberg).Die Entführung auf dem Einhorn (the abduction on the unicorn), 1516. Iron etching after Albrecht Dürer. 28.7 x 21.1 cm. Bartsch 42; Hollstein 47 II (?). - Strong impression, partly with fine margin around the image, partly cut up to the image. Minor rubbing in parts and some browning. Verso remains of old mount. Overall good condition..

Lot 3459 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

HOPFER, HIERONYMUS (Augsburg circa 1500 - after 1550 Nuremberg).Die Entführung auf dem Einhorn (the abduction on the unicorn), 1516. Iron etching after Albrecht Dürer. 28.7 x 21.1 cm. Bartsch 42; Hollstein 47 II (?). - Strong impression, partly with fine margin around the image, partly cut up to the image. Minor rubbing in parts and some browning. Verso remains of old mount. Overall good condition..

Die Entführung auf dem Einhorn, 1516. Eisenradierung nach Albrecht Dürer. 28,7 x 21,1 cm. Bartsch 42; Hollstein 47 II (?). - Kräftiger Druck, teils mit feinem Rändchen um die Darstellung, teils bis zu dieser beschnitten. Stellenweise minime Bereibungen und etwas gebräunt. Verso Reste alter Montierungen. Insgesamt gut erhalten..

CHF 400 / 600 | (€ 410 / 620)

Sold for CHF 3 360 (including buyer's premium)

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BEGA, CORNELIS PIETERSZ (Haarlem 1620 - 1664).Der Bauer im Fenster (the peasant at the window). Etching, 9.5 x 9 cm. Bartsch 19. Verso old inscription in pencil: Aus der Klengelschen Sammlung.. - Outstanding deep black early impression before the cleaning of the plate. With clearly visible plate edge and margin (of 1.5 to 3.5 cm). Insignificant minor foxing. Very good condition.

Lot 3460 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

BEGA, CORNELIS PIETERSZ (Haarlem 1620 - 1664).Der Bauer im Fenster (the peasant at the window). Etching, 9.5 x 9 cm. Bartsch 19. Verso old inscription in pencil: Aus der Klengelschen Sammlung.. - Outstanding deep black early impression before the cleaning of the plate. With clearly visible plate edge and margin (of 1.5 to 3.5 cm). Insignificant minor foxing. Very good condition.

Der Bauer im Fenster. Radierung, 9,5 x 9 cm. Bartsch 19. Verso mit Bleistift alt bezeichnet: Aus der Klengelschen Sammlung.. - Hervorragender, tiefschwarzer früher Abdruck vor der Reinigung der Platte. Mit deutlich sichtbarer Plattenkante und mit Rand (von 1,5 bis 3,5 cm). Unbedeutend minim stockfleckig. Sehr gut erhalten.

CHF 600 / 800 | (€ 620 / 820)

Sold for CHF 480 (including buyer's premium)

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CORINTH, LOVIS (Tapiau 1858 - 1925 Zandvoort).Baum am Walchensee (tree at Walchensee). Etching. 13.5 x 17.3 cm. Signed lower right in pencil: Lovis Corinth. Müller 699. Framed.

Lot 3462* - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

CORINTH, LOVIS (Tapiau 1858 - 1925 Zandvoort).Baum am Walchensee (tree at Walchensee). Etching. 13.5 x 17.3 cm. Signed lower right in pencil: Lovis Corinth. Müller 699. Framed.

Baum am Walchensee. Radierung. 13,5 x 17,3 cm. Mit Bleistift unten rechts signiert: Lovis Corinth. Müller 699. Gerahmt.

CHF 300 / 400 | (€ 310 / 410)

Sold for CHF 480 (including buyer's premium)

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LAUTENSACK, HANS SEBALD (Bamberg 1524 - circa 1566 Vienna).Landschaft mit der Weide (landscape), 1553. Etching, 17 x 11.2 cm. Bartsch 26; Schmitt 61; Hollstein 16.- Even richly contrasted impression with fine margin around the outer line. Scattered small tears with old restorations; old backing at all four margins. Overall still good condition.

Lot 3463 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

LAUTENSACK, HANS SEBALD (Bamberg 1524 - circa 1566 Vienna).Landschaft mit der Weide (landscape), 1553. Etching, 17 x 11.2 cm. Bartsch 26; Schmitt 61; Hollstein 16.- Even richly contrasted impression with fine margin around the outer line. Scattered small tears with old restorations; old backing at all four margins. Overall still good condition.

Landschaft mit der Weide, 1553. Radierung, 17 x 11,2 cm. Bartsch 26; Schmitt 61; Hollstein 16.- Gleichmässiger, kontrastreicher Druck mit feinem Rändchen um die Einfassungslinie. Einzelne kleine, altrestaurierte Läsuren Verso an allen vier Rändern alt hinterlegt. Insgesamt noch gut erhalten.

CHF 700 / 900 | (€ 720 / 930)

Sold for CHF 1 920 (including buyer's premium)

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MONOGRAMMIST JS (active 16th century).Divo Herculi invicto, 1542. Wood cut, 21.7 x 16.5 cm. Entitled on right side in print, monogrammed and dated lower right in print: JS 1542. - Fine black impression. Mounted on backing sheet. Small cut on right side of image. Slightly rubbed. Overall good condition.

Lot 3465 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

MONOGRAMMIST JS (active 16th century).Divo Herculi invicto, 1542. Wood cut, 21.7 x 16.5 cm. Entitled on right side in print, monogrammed and dated lower right in print: JS 1542. - Fine black impression. Mounted on backing sheet. Small cut on right side of image. Slightly rubbed. Overall good condition.

Divo Herculi invicto, 1542. Holzschnitt, 21,7 x 16,5 cm. Am rechten Rand im Druckstock betitelt, unten rechts im Druckstock monogrammiert und datiert: JS 1542. - Schöner schwarzer Druck. Auf Unterlagenbogen aufgezogen. Am rechten Rand die Darstellung minim beschnitten. Leichte Bereibungen. Insgesamt gut erhalten.

CHF 500 / 700 | (€ 520 / 720)

Sold for CHF 600 (including buyer's premium)

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PENCZ, GEORG (Bad Windsheim 1500 - 1550, probably Breslau).Collection of 22 engravings. Including: 1. The judgement of Solomon B.23; 2. The seven acts of mercy 7 sheets from a suite of 8, B. 58-64; 3. the good Samaritan B.68; 4. Marcus Curtius falls into the chasm B.75; 5. Attilius Regulus B.77; 6. Tarquinius and Lucretia B. 78; 7. The dying Lucretia B. 79; 8. Horatius Cocles defends the bridge B.80; 9. King Porsenna receives the news of the violation of Cloelias B. 81; 10. Artemisia drinks the ashes of her husband B. 83; 11. The courtesan on show at the market B.88 (two impressions, one of which an undocumented early state); 13. Thetis and Chiron B.90; 14. Dialectica B.111; 15. Musica B.114; 16. Vergil at the mercy of the people's scorn, B.87 17. The death of Virginia. Various formats, some in the round

Lot 3466 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

PENCZ, GEORG (Bad Windsheim 1500 - 1550, probably Breslau).Collection of 22 engravings. Including: 1. The judgement of Solomon B.23; 2. The seven acts of mercy 7 sheets from a suite of 8, B. 58-64; 3. the good Samaritan B.68; 4. Marcus Curtius falls into the chasm B.75; 5. Attilius Regulus B.77; 6. Tarquinius and Lucretia B. 78; 7. The dying Lucretia B. 79; 8. Horatius Cocles defends the bridge B.80; 9. King Porsenna receives the news of the violation of Cloelias B. 81; 10. Artemisia drinks the ashes of her husband B. 83; 11. The courtesan on show at the market B.88 (two impressions, one of which an undocumented early state); 13. Thetis and Chiron B.90; 14. Dialectica B.111; 15. Musica B.114; 16. Vergil at the mercy of the people's scorn, B.87 17. The death of Virginia. Various formats, some in the round

Sammlung von insgesamt 22 Stichen. Dabei: 1. Das Urteil Salomons B.23; 2. Die sieben Werke der Barmherzigkeit 7 Bll aus einer Folge von 8, B. 58-64; 3. Der barmherzige Samariter B.68; 4. Marcus Curtius sich in den Abgrund stürzend B.75; 5. Attilius Regulus B.77; 6. Tarquinius und Lucretia B. 78; 7.Die sterbende Lucretia B. 79; 8. Horatius Cocles verteidigt die Brücke B.80; 9. Der König Porsenna erhält die Nachricht von der Entweichung Cloelias B. 81; 10. Artemisia trinkt die Asche ihres Gatten B. 83; 11.Die am Markt ausgestellte Kurtisane B.88 (zwei Drucke, davon ein unbeschriebener früher Zustand); 13. Thetis und Chiron B.90; 14. Dialectica B.111; 15. Musica B.114; 16. Vergil zum Gespött des Volkes ausgestellt B.87 17. Tod der Virginia. Diverse Formate, teils im Rund.

CHF 3 000 / 4 000 | (€ 3 090 / 4 120)

Sold for CHF 2 400 (including buyer's premium)

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PIRANESI, GIOVANNI BATTISTA (Mogliano near Mestre 1720 - 1778 Rome).Veduta dell' Arco di Tito, 1760. From the suite: Vedute di Roma. Etching, 40.9 x 62.5 cm. Hind 55 I (of V, with address and price); Ficacci 923. Framed. - Strong, even, deep black impression with broad margin around the clearly delineated plate edge. The vertical central fold partly torn and professionally restored. Two further professionally restored tears on the lower margin which reach as far as the image. The upper half of the central fold slightly and partially browned. Despite these issues, overall good condition.

Lot 3467 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

PIRANESI, GIOVANNI BATTISTA (Mogliano near Mestre 1720 - 1778 Rome).Veduta dell' Arco di Tito, 1760. From the suite: Vedute di Roma. Etching, 40.9 x 62.5 cm. Hind 55 I (of V, with address and price); Ficacci 923. Framed. - Strong, even, deep black impression with broad margin around the clearly delineated plate edge. The vertical central fold partly torn and professionally restored. Two further professionally restored tears on the lower margin which reach as far as the image. The upper half of the central fold slightly and partially browned. Despite these issues, overall good condition.

Veduta dell' Arco di Tito, 1760. Aus der Folge: Vedute di Roma. Radierung, 40,9 x 62,5 cm. Hind 55 I (von V, mit der Adresse und dem Preis); Ficacci 923. Gerahmt. - Kräftiger, gleichmässiger und tiefschwarzer Druck mit breitem Rand um die deutlich zeichnende Plattenkante. Die vertikale Mittelfalz teiweise gerissen und fachmännisch wieder zusammengefügt. Zwei weitere fachmännisch restaurierte Risse im unteren Rand, die bis in die Darstellung reichen. In der oberen Hälfte der Mittelfalz leicht, sonst partiell minim gebräunt. Trotz der genannten Mängel insgesamt guter Gesamteindruck.

CHF 600 / 800 | (€ 620 / 820)

Sold for CHF 1 320 (including buyer's premium)

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PIRANESI, GIOVANNI BATTISTA (Mogliano near Mestre 1720 - 1778 Rome).Anfiteatro Flavio detto il Colosseo, 1748. From the suite: Alcune Vedute di Archi Trionfali. Etching, 12.5 x 27 cm (sheet size: 36.5 x 50 cm. Fiacci 86; Focillon 53 ; Wilton Ely 115. Old numbering in brown pen over the image: 8. Framed. - Fine impression with full margin. Very good condition.

Lot 3468 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

PIRANESI, GIOVANNI BATTISTA (Mogliano near Mestre 1720 - 1778 Rome).Anfiteatro Flavio detto il Colosseo, 1748. From the suite: Alcune Vedute di Archi Trionfali. Etching, 12.5 x 27 cm (sheet size: 36.5 x 50 cm. Fiacci 86; Focillon 53 ; Wilton Ely 115. Old numbering in brown pen over the image: 8. Framed. - Fine impression with full margin. Very good condition.

Anfiteatro Flavio detto il Colosseo, 1748. Aus der Folge: Alcune Vedute di Archi Trionfali. Radierung, 12,5 x 27 cm (Blattgrösse: 36,5 x 50 cm. Fiacci 86; Focillon 53 ; Wilton Ely 115. Mit brauner Feder über der Darstellung mittig alt nummeriert: 8. Gerahmt. - Schöner Druck mit vollem Rand. Sehr gut erhalten.

CHF 300 / 400 | (€ 310 / 410)

Sold for CHF 720 (including buyer's premium)

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REMBRANDT, HARMENSZ VAN RIJN (Leidem 1606 - 1669 Amsterdam).The adoration of the shepherds by night. Circa 1652. Etching, 15 x 19.8 cm. Bartsch 46; White/Boon (Hollstein) 46 VIII; Nowell-Usticke probably IX or X (of X). Excellent, contrasting and deep black impression with small margin around the plate edge. With small scattered margin tears which are professionally restored, minor paper loss on the upper left margin. Remains of old mount verso mainly on the right and left sides. Overall good condition.

Lot 3469 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

REMBRANDT, HARMENSZ VAN RIJN (Leidem 1606 - 1669 Amsterdam).The adoration of the shepherds by night. Circa 1652. Etching, 15 x 19.8 cm. Bartsch 46; White/Boon (Hollstein) 46 VIII; Nowell-Usticke probably IX or X (of X). Excellent, contrasting and deep black impression with small margin around the plate edge. With small scattered margin tears which are professionally restored, minor paper loss on the upper left margin. Remains of old mount verso mainly on the right and left sides. Overall good condition.

Die Anbetung der Hirten bei Nacht. Um 1652. Radierung, 15 x 19,8 cm. Bartsch 46; White/Boon (Hollstein) 46 VIII; Nowell-Usticke wohl IX oder X (von X). - Ausgezeichneter, gegensatzreicher und tiefschwarzer Druck mit kleinem Rändchen um die Plattenkante. Umlaufend vereinzelte, fachmännisch restaurierte kleine Randläsuren, am linken Rand oben mit minimem Papierverlust. Verso vor allem am rechten und linken Rand mit Resten alter Montierung. Insgesamt in guter Erhaltung.

CHF 1 000 / 1 500 | (€ 1 030 / 1 550)

Sold for CHF 1 440 (including buyer's premium)

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REMBRANDT, HARMENSZ VAN RIJN (Leiden 1606 - 1669 Amsterdam).Rest on the flight (weakly etched). Etching, 13.1 x 11.5 cm. Signed lower left and dated: Rembrandt f. 1645. Bartsch 58. Nowell-Usticke 58 (unique state: impression weak). - Weak impression with condition issues, especially in the upper margin with small paper losses. Rubbing and some thin areas verso. - Formerly in the Albertina collection Vienna, stamped verso: Albertina ausgesondert, not in Lugt. - Very rare.

Lot 3470 - A158 Old Master Prints - Friday 23 September 2011, 11.00 AM

REMBRANDT, HARMENSZ VAN RIJN (Leiden 1606 - 1669 Amsterdam).Rest on the flight (weakly etched). Etching, 13.1 x 11.5 cm. Signed lower left and dated: Rembrandt f. 1645. Bartsch 58. Nowell-Usticke 58 (unique state: impression weak). - Weak impression with condition issues, especially in the upper margin with small paper losses. Rubbing and some thin areas verso. - Formerly in the Albertina collection Vienna, stamped verso: Albertina ausgesondert, not in Lugt. - Very rare.

Ruhe auf der Flucht (schwach geätzt). Radierung, 13,1 x 11,5 cm. Unten links signiert und datiert: Rembrandt f. 1645. Bartsch 58. Nowell-Usticke 58 (einziger Zustand: impression weak). - Schwacher Abdruck mit Erhaltungsmängeln, vor allem am oberen Rand mit kleineren Papierverlusten. Bereibungen und einige Dünnstellen verso. - Ehemals in Besitz der Albertina Wien, verso gestempelt: Albertina ausgesondert, nicht bei Lugt. - Von grosser Seltenheit.

CHF 1 000 / 1 500 | (€ 1 030 / 1 550)

Sold for CHF 1 920 (including buyer's premium)

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