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With our wide-ranging expertise in 20 specialist categories, Koller Auctions is the perfect partner for the successful sale of entire estates and collections. We examine and inventory all items suitable for our auctions on site. You will then receive our proposal, which includes an illustrated list of auction estimates as well as our terms. If you decide to consign with us, we will organise the rest, from collection to sale.

Collections are formed over the course of a lifetime, and often over generations. Enthusiasts spend decades intensively studying the artistic, social and historical influences and backgrounds of their personal speciality. They visit auctions and art dealers all over the world, exchange ideas with like-minded collectors and scholars, and continually add more items to their collections. When collections are sold, it is not simply individual objects but entire histories that are presented at auction. It is the wish of many collectors or their descendants to record this life’s work in a publication and at the same time to honour the great achievement that lies behind the building of such a collection.

Koller has sold numerous collections of various genres at auction over the past sixty years, many of them featured in their own catalogues. These carefully researched collection catalogues often later serve as reference works. Contact us for the most professional and effective presentation and sale of your collection or estate.



Valuations / Consignments


If you wish to consign to one of our auctions, we will value your artworks free of charge. Please send us photos if possible, or call us. We will arrange an appointment to view your property at your home or in one of our offices in Zurich, Geneva, Genoa, Munich or Düsseldorf. You will then receive our auction estimates so that you can make your decision.

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A selection of single-owner auctions



The Sigrist Collection of Arms & Armour

Auction 24 September 2020 (A194)

The collecting interests of the Lucerne officer Marolf Sigrist (1928-2005) quite logically focused on Swiss weapons, especially half-barrels and other pole arms. The Sigrist Collection contained a rare and unique variety of typical Swiss pole arms from the 16th to the 18th centuries. Sempacher half-barrels of the 17th century were represented by examples from Bern, Zurich, and Neuchâtel (lot 1428, sold for CHF 28 000); from Lucerne there were Kriegsgertel (lot 1415, CHF 3 250) and Luzernerhammer (lot 1427, CHF 4 500). Even the first representatives of the Ringiers, who immigrated to Zofingen, produced beautifully shaped half-barrels suitable for combat in the 16th century. Among the few hilt and guard weapons offered was an exceptionally rare "Swiss saber" with a hilt cut in iron, made around 1560 in Munich using a blade by the famous bladesmith Christoph Stäntler (lot 1418, result CHF 18 600). The weapon was owned by Baron Charles Alexander de Cosson (1846-1929) and was part of the Severance Collection at the Cleveland Museum of Art in 1924, and sold by him in the 1970s.
Online Catalogue



Porcelain from the Estate of Rosmarie Schmidt-Ducret

Auction 24 September 2020 (A194)

Porcelain from the personal collection of revered author and porcelain expert Dr Siegfried Ducret (1901–1972) created a buzz among ceramic collectors in September, as Koller offered 176 lots in a special session of the 24 September Fine Furniture & Decorative Arts auction. The works came to Koller through the estate of his daughter, Rosmarie Schmidt-Ducret, and were lovingly assembled with an unfailing eye for quality and rarity. His selection proved to be irresistible to many collectors, who often bid to multiples of the presale estimates in order to obtain a work from the erudite physician’s collection.

Two similar and rare Meissen porcelain candlesticks with elephant-head tripod feet, circa 1733, sold for CHF 54 000 and CHF 51 000 (lots 1265 and 1266) against conservative estimates of CHF 5 000/7 500 each. Meissen Böttger stoneware pieces sold well, headed by an early plate made for Augustus the Strong and inscribed with his monogram that sold for CHF 48 000 (lot 1220, estimate CHF 10 000/15 000). Other top lots in the sale included a Böttger porcelain figure of a Chinese woman from circa 1715-20 that sold for more than five times its low estimate at CHF 36 000 (lot 1223), a model of a farmhouse from Count von Brühl’s “Dutch village” table service that fetched CHF 29 000 against an estimate of CHF 4 000/5 000 (lot 1264), and a very interesting lot composed of a Vienna blue & white porcelain tea caddy from circa 1744 and its Chinese model, circa 1700, that sold for more than eight times its estimate at CHF 26 000 (lot 1213). Overall the lots from the Ducret porcelain collection sold for 183% by value (not including buyer’s premium), and 73% by lot.

Online Catalogue


The Müller-Frei Collection

Auction 16 June 2020 (A192)

This private Swiss collection, lovingly assembled over decades, elicited a great amount of interest among bidders, particularly for its stellar examples of Meissen porcelain and English silver. An important Meissen porcelain “crinoline” group after a model by Johann Joachim Kändler from circa 1737 (lot 1542, CHF 50 000/70 000), was hotly disputed among the telephone and online bidders and rose to CHF 214 000. Another Kändler group, depicting an amorous couple with a birdcage (lot 1550) sold for nearly three times its estimate at CHF 116 000.

An English silver hot chocolate cup by Ralph Leake (lot 1531) tripled its low estimate at CHF 64 000. The Müller-Freis also collected Asian porcelain, Old Master & modern paintings, and fine furniture, and works in all of these categories sold very well, for example a fine Chinese porcelain “Doucai” vase (lot 1629) which sold for CHF 208 000 against an estimate of CHF 30 000/50 000.
Online Catalogue



From Corot to Purrmann

Auction 19 June 2020 (A192)

The auction 'From Corot to Purrmann', presenting a private Swiss collection of modern paintings, far exceeded expectations. The top lot was a view by Max Liebermann of his garden at Wannsee (lot 3115), which nearly doubled its pre-sale estimate to sell for CHF 488 000. Another work by Liebermann, a spontaneous depiction of ice skaters (lot 3122), sold for twice its estimate at CHF 305 000. All three works by Jean-Baptiste Camille Corot sold for between four and ten times their estimates, led by 'Ville d'Avray, un coin d'étang', 1865–70 (lot 3114), estimated CHF 20 000/30 000, which realised CHF 200 000.
Online Catalogue



Three Chinese imperial works of art

Auction 13 June 2017 (A181AS)

Three important Chinese imperial artworks from a private collection were featured in Koller’s June 2017 auction, and their presence created a wave of excitement that was felt as far as Beijing and Hong Kong. The three items – a carved palace partition, a pair of Imperial bronze censers, and a bronze bell with an emperor’s inscription, were in a German private collection for over 100 years and came to the market for the first time in Koller Auction’s sale.

After a prolonged, tense bidding war, the bell sold to a Chinese bidder for CHF 1.2 million (estimate CHF 200 000/300 000). The masterfully carved palace partition was very likely made for the living quarters of the Empress Dowager Cixi (1835–1908). The partition is the only one of its type ever offered for public sale, and realised CHF 940 500. The Imperial provenance of the pair of unusual bronze censers was never in doubt. Representing mythical dragon-turtles, or Bixi, bidding quickly rose far above the pre-sale estimate and finally ended at CHF 486 000.

Online Catalogue


The Schmitz-Eichhoff faïence collection

Auction 19 September 2016 (A178)

The wonderful Baroque trompe-l’oeil ceramics collection of Marie Teres Schmitz-Eichhoff aroused international interest, and the 19 September auction registered a total of over 90% sold by value. The catalogue contained approximately 250 faience trompe-l’oeil wares and animal figures from the 18th century: cabbage-form tureens, covered dishes in the shape of bundles of asparagus, and plates with eggs, beans and nuts. Many of these items were the subject of an exhibition in 1999 in the Museum of Decorative Arts (MAK) in Cologne, and again at the Hetjens Museum in Düsseldorf in 2006.

Online Catalogue


A private collection of Italian illuminated manuscripts

Auction 18 September 2015 (A174)

The seventy-lot private collection of Italian manuscript illumination from the 13th to the 15th centuries lived up to its reputation as “the finest of its kind in private hands,” exciting interest among museums, professionals and private collectors and selling at a healthy 91% by value. The highlights did particularly well, such as an initial V with the coronation of the Virgin attributed to Bartolomeo Caporali, sold for CHF 43 700 (lot 168), an initial S from 1331-1340 with the descent of the Holy Spirit by Vanni di Baldolo realized CHF 41 300 (lot 115), and an initial A depicting Christ by Neri da Rimini from an antiphonary of 1305 changed hands for CHF 46 100 (lot 134). An initial M with the three Marys at Christ’s tomb by a follower of Meo da Siena more than doubled its estimate to sell for CHF 60 500 (lot 113).

Online Catalogue


Pierre-Jules Mêne – A collection of hunting and animal bronze sculpture

Auction 5 December 2012 (A163)

The private collection of 176 bronzes by Pierre-Jules Mêne realised 70% sold by lot. The outstanding condition of the works encouraged buyers to bid up to several times their estimates. The top lot, which sold for CHF 25 200, was the model 'Valet de chasse et sa harde' (lot 1806). A further hunting scene with a Scottish hunter ('Chasse en écosse') realised CHF 22 800 (lot 1887). An Arab falconer on horseback which was shown at the 1900 Centennial exhibition of French art in Paris, sold for CHF 20 400 (lot 1808) and the bronze of a deer hunt doubled its estimate of CHF 8 000, selling for CHF 19 200 (lot 1863).

Online Catalogue


The Nessi Collection

Auction 2 April 2012 (S11)

The collection of Luigi Nessi of Ticino was the star of the spring 2012 auction week. Already in the run-up to the sale, a great deal of interest in the group of around 900 scientific instruments, tools and articles of daily use, from the Renaissance to the modern age, was becoming apparent. On the auction day, an large number of international buyers from museums, the trade and the private sector filled the auction room and bid for nearly 12 hours. When the auction came to an end, 90% of the objects had been sold and, against an upper estimate of CHF 900 000, realised CHF 1.55 million.

Online Catalogue


The Estate of the counts zu Münster

Auction 26 March 2012 (A160)

In the sale of the estate of the Counts zu Münster, Barons of Grothaus, 91% of the circa 150 lots found buyers, and the auction, against a total estimate of CHF 300 000/450 000, realised CHF 1.2 million. The top lot of the collection was a painting from the school of Marco Ricci. The Mediterranean landscape with ruins brought CHF 312 000 (lot 1621). A sceptre, which was bestowed upon Ernst Friedrich Herbert Count zu Münster as symbol of his status as Marshall, was the second highest seller at the auction, at CHF 156 000 (lot 1629). Also very successful was a Bouillotte lamp which formerly belonged to emperor Napoleon I (lot 1626, CHF 27 600), which had been a gift from Tsar Alexander I to the Münster family during the wars of the coalition (lot 1626). Both portraits of Count and Countess zu Münster sold for CHF 112 800 each to the same owner (lots 1628/1630). The silver and porcelain from the collection also excelled. A massive jug with handle estimated CHF 7 000/9 000 brought CHF 43 200 (lot 1659), and 23 Viennese sweet dishes rose above the upper estimate to CHF 36 000 (lot 1639).

Online Catalogue


The Felber Collection

Auction 22 March 2010 (A152)

Antique porcelain, according to a widespread notion, doesn’t enjoy the same popularity as it did thirty years ago. The results of the auction of the Felber Collection at Koller proved just the contrary. Realizing a total of nearly CHF 1.5 million – double the pre-sale estimate – the collection of 18th-century Zurich porcelain and silver was hotly disputed by collectors who recognized the rarity of such a collection on the market, assembled with loving care and finely honed connoisseurship over the past 50 years by the erudite couple.

Of the 210 lots offered, 90% went to new owners. Among the buyers were not only the older generation of collectors but also younger bidders. ‘This collection was captivating because of its outstanding quality as well as the fact that it covered the entire range of the Zurich porcelain manufactory’s production’, commented Sabine Neumaier, porcelain specialist for Koller Auctions. ‘This combination created enormous interest in the sale already before the preview’s opening.’ During a round table discussion during the auction preview, a renowned museum curator commented on the significance of the auction catalogue: ‘Koller’s catalogue of the Felber Collection will remain a reference work on the subject long after the auction is over.’

Online Catalogue


Contact


Cyril Koller

Impressionist, Modern and Swiss Art; CEO
koller@kollerauctions.com
+41 44 445 63 30

Stephan Koller

Furniture,
Estates & Collections
skoller@kollerauctions.com
+41 44 445 63 20


Representatives


Koller Geneva

Cyril Himmer
geneva@kollerauctions.com
+41 22 311 03 85

Koller Munich

Fiona Seidler
muenchen@kollerauctions.com
+49 89 22 802 766

Koller Düsseldorf

Ulrike Gruben
duesseldorf@kollerauctions.com
+49 211 30 14 36 38

Koller Italy

Luigi Pesce
italia@kollerauctions.com
+39 339 59 62 768

Koller China

Jing Li
beijing@kollerauctions.com
+86 135 2039 8057

SELECTED RESULTS Estates & Collections


RIMINI, NERI DA (Rimini ca. 1270 - ca. 1322 ?) Historiated initial A cut from a antiphonary (removed from binding) with Christ flanked by the Virgin and John, with three prophets in adoration. Vellum. Rimini, ca. 1305. 193 x 182 mm. Provenance: - Brussels, collection of Vicomte Hyppolyte Vilain (1793-1873). - 1981, London Sotheby's, 14 July 1981, lot 20. - 1992 Milan, collection of Nella Longari. - 2003, Hamburg, Jörn Günther. - Since 2004 in the current collection. Exhibited: - Rimini, Museo della Città, 2. April-28. May 1995, No. 8. Bibliography: - Milvia Bollati, in: Filippo Todini (ed.). Una collezione di Miniature Italiane, Dal Duecento al Cinquecento,Milan 1993, pp. 19-21. - Neri da Rimini, Il Trecento riminese tra pittura e scrittura, Ausstellungkatalog 1995 Rimini, Museo della Città, Milan 1995, p. 84. - Gudrun Dauner, Neri da Rimini und die Rimineser Miniaturmalerei des frühen Trecento, Munich 1998, pp. 87-90. - Pia Palladino, Treasures of a Lost Art. Italian Manuscript Painting of the Middle Ages and Renaissance, exh. cat. Cleveland/San Francisco/New York 2003, pp.15-20. - Gaudenz Freuler, Studi recenti sulla miniatura medievale (soprattutto) emiliana. Apunti intorno ad una recente mostra americana (parte1), in Arte Cristiana XCII, 2004, pp. 4-6. - Gaudenz Freuler, Italian Miniatures from the Twelfth to the Sixteenth Centuries, Milan 2013, pp. 214-227. - Friedrich G. Zeileis Più ridon le carte (3.ed.), Rauris 2014, pp. 68-69. This historiated initial A appeared on the frontispiece of a dismantled volume of antiphonaries, of which I have recently recorded a futher 17 single leaves or initials (Freuler 2013, fig.1) This superb initial and its sister pieces can be added to the miniature dated to 1300 at the Fondazione Cini, so may have been produced within the first five years.

Rimini, ca. 1305
Bildinitiale A aus einem aufgelösten Antiphonar geschnitten mit Christus, flankiert von der Jungfrau und Johannes von drei Propheten angebetet. Pergament 193 x 182 mm.
RIMINI, NERI DA (Rimini ca. 1270 - ca. 1322 ?) Historiated initial A cut from a antiphonary (removed from binding) with Christ flanked by the Virgin and John, with three prophets in adoration. Vellum. Rimini, ca. 1305. 193 x 182 mm. Provenance: - Brussels, collection of Vicomte Hyppolyte Vilain (1793-1873). - 1981, London Sotheby's, 14 July 1981, lot 20. - 1992 Milan, collection of Nella Longari. - 2003, Hamburg, Jörn Günther. - Since 2004 in the current collection. Exhibited: - Rimini, Museo della Città, 2. April-28. May 1995, No. 8. Bibliography: - Milvia Bollati, in: Filippo Todini (ed.). Una collezione di Miniature Italiane, Dal Duecento al Cinquecento,Milan 1993, pp. 19-21. - Neri da Rimini, Il Trecento riminese tra pittura e scrittura, Ausstellungkatalog 1995 Rimini, Museo della Città, Milan 1995, p. 84. - Gudrun Dauner, Neri da Rimini und die Rimineser Miniaturmalerei des frühen Trecento, Munich 1998, pp. 87-90. - Pia Palladino, Treasures of a Lost Art. Italian Manuscript Painting of the Middle Ages and Renaissance, exh. cat. Cleveland/San Francisco/New York 2003, pp.15-20. - Gaudenz Freuler, Studi recenti sulla miniatura medievale (soprattutto) emiliana. Apunti intorno ad una recente mostra americana (parte1), in Arte Cristiana XCII, 2004, pp. 4-6. - Gaudenz Freuler, Italian Miniatures from the Twelfth to the Sixteenth Centuries, Milan 2013, pp. 214-227. - Friedrich G. Zeileis Più ridon le carte (3.ed.), Rauris 2014, pp. 68-69. This historiated initial A appeared on the frontispiece of a dismantled volume of antiphonaries, of which I have recently recorded a futher 17 single leaves or initials (Freuler 2013, fig.1) This superb initial and its sister pieces can be added to the miniature dated to 1300 at the Fondazione Cini, so may have been produced within the first five years.
RIMINI, NERI DA (Rimini ca. 1270 - ca. 1322 ?) Historiated initial A cut from a antiphonary (removed from binding) with Christ flanked by the Virgin and John, with three prophets in adoration. Vellum. Rimini, ca. 1305. 193 x 182 mm. Provenance: - Brussels, collection of Vicomte Hyppolyte Vilain (1793-1873). - 1981, London Sotheby's, 14 July 1981, lot 20. - 1992 Milan, collection of Nella Longari. - 2003, Hamburg, Jörn Günther. - Since 2004 in the current collection. Exhibited: - Rimini, Museo della Città, 2. April-28. May 1995, No. 8. Bibliography: - Milvia Bollati, in: Filippo Todini (ed.). Una collezione di Miniature Italiane, Dal Duecento al Cinquecento,Milan 1993, pp. 19-21. - Neri da Rimini, Il Trecento riminese tra pittura e scrittura, Ausstellungkatalog 1995 Rimini, Museo della Città, Milan 1995, p. 84. - Gudrun Dauner, Neri da Rimini und die Rimineser Miniaturmalerei des frühen Trecento, Munich 1998, pp. 87-90. - Pia Palladino, Treasures of a Lost Art. Italian Manuscript Painting of the Middle Ages and Renaissance, exh. cat. Cleveland/San Francisco/New York 2003, pp.15-20. - Gaudenz Freuler, Studi recenti sulla miniatura medievale (soprattutto) emiliana. Apunti intorno ad una recente mostra americana (parte1), in Arte Cristiana XCII, 2004, pp. 4-6. - Gaudenz Freuler, Italian Miniatures from the Twelfth to the Sixteenth Centuries, Milan 2013, pp. 214-227. - Friedrich G. Zeileis Più ridon le carte (3.ed.), Rauris 2014, pp. 68-69. This historiated initial A appeared on the frontispiece of a dismantled volume of antiphonaries, of which I have recently recorded a futher 17 single leaves or initials (Freuler 2013, fig.1) This superb initial and its sister pieces can be added to the miniature dated to 1300 at the Fondazione Cini, so may have been produced within the first five years.

CHF 46 100

CHASSE EN ÉCOSSE (OU LA PRISE DU RENARD).Patinated bronze, signed PJ MÊNE 1861. Workshop of P.J. Mêne (1861-1879). 57x70x39 cm.

Bronze patiniert.
Dieses Modell war ausgestellt an den Weltausstellungen in London 1862 sowie in Paris 1867. Bruchstelle/Riss am Bein des Fuchses.
CHASSE EN ÉCOSSE (OU LA PRISE DU RENARD).Patinated bronze, signed PJ MÊNE 1861. Workshop of P.J. Mêne (1861-1879). 57x70x39 cm.
CHASSE EN ÉCOSSE (OU LA PRISE DU RENARD).Patinated bronze, signed PJ MÊNE 1861. Workshop of P.J. Mêne (1861-1879). 57x70x39 cm.

CHF 22 800

VENEUR LOUIS XVI À CHEVAL.Bronze finished in a reddish patina, signed P.J. MÊNE. 1874. Workshop of P.J. Mêne (1869-1879). 60x53.5x24 cm.

Bronze mit rötlicher Patina.
Dieses Modell war ausgestellt am Pariser Salon 1872 sowie an der Weltausstellung in Paris von 1878. Die rötliche Patina dieser Gruppe ist typisch für die Arbeiten Mênes der Zeit von 1870-1890. Der Künstler war einer der wenigen, der eine solche Patina herzustellen wusste, worauf er auch sehr stolz war.
VENEUR LOUIS XVI À CHEVAL.Bronze finished in a reddish patina, signed P.J. MÊNE. 1874. Workshop of  P.J. Mêne (1869-1879). 60x53.5x24 cm.
VENEUR LOUIS XVI À CHEVAL.Bronze finished in a reddish patina, signed P.J. MÊNE. 1874. Workshop of P.J. Mêne (1869-1879). 60x53.5x24 cm.

CHF 11 400

A PRECISION SUNDIAL, Southern Germany, late 18th c. With monogram JPF (possibly J.P.Fischer). Engraved and gilt brass, iron and enamel. Semi-circular steel frame on rectangular wooden shaft holding the moveable mechanical sundial with meridian arc and fixed polar axis. With 3 cogwheels connected to clock dial showing the hours and minutes. H 40 cm.

süddeutsch, Ende 18. Jh. Mon. JPF (wohl J. P. Fischer).
Messing graviert und vergoldet, Eisen und Email. Halbkreisförmiger Stahlrahmen auf rechteckigem, profiliertem Holzschaft. Daran beweglich hängend die mechanische Sonnenuhr mit Meridianring und starrer Polachse. Der Rahmen ist durch 3 Zahnräder mit einem Uhrzifferblatt verbunden, deren Zeiger Stunden und Minuten angeben. H 40 cm.
A PRECISION SUNDIAL, Southern Germany, late 18th c. With monogram JPF (possibly J.P.Fischer). Engraved and gilt brass, iron and enamel. Semi-circular steel frame on rectangular wooden shaft holding the moveable mechanical sundial with meridian arc and fixed polar axis. With 3 cogwheels connected to clock dial showing the hours and minutes. H 40 cm.
A PRECISION SUNDIAL, Southern Germany, late 18th c. With monogram JPF (possibly J.P.Fischer). Engraved and gilt brass, iron and enamel. Semi-circular steel frame on rectangular wooden shaft holding the moveable mechanical sundial with meridian arc and fixed polar axis. With 3 cogwheels connected to clock dial showing the hours and minutes. H 40 cm.

CHF 54 000

AN ELEGANT TREPANNING SET, France, possibly 19th c. Shaped and engraved, partly gilt steel. Consisting of a trepan with screw-handle showing Chronos, 7 drill bits, 3 elevators, 5 scrapers, etc. some instruments inscribed IOANNES GANTE. In walnut case with brass mounts lined with red suede (lid warped and cracked). 34.5x20.5x5.2 cm.

Frankreich, wohl 19. Jh.
Stahl geschnitten und graviert sowie teils vergoldet. Bestehend aus Bohrer mit aufschraubbarem Knauf mit der Darstellung von Chronos, 7 verschiedenen Bohrköpfen, 3 Hebern, 5 Schabern mit vergoldeten Griffen geschnitten mit Akanthusblättern und Blumen, 1 Bürste, 1 Schraube mit durchbrochen gearbeitetem Kopf sowie einem ähnlichen Aufsatz. Die Instrumente teils bez. IOANNES GANTE. In Nussbaumschatulle mit Messinggriff und -beschlägen, innen mit rotem Wildleder ausgeschlagen. Der Deckel der Schatulle verzogen und gerissen. 34,5x20,5x5,2 cm.
AN ELEGANT TREPANNING SET, France, possibly 19th c. Shaped and engraved, partly gilt steel. Consisting of a trepan with screw-handle showing Chronos, 7 drill bits, 3 elevators, 5 scrapers, etc. some instruments inscribed IOANNES GANTE. In walnut case with brass mounts lined with red suede (lid warped and cracked). 34.5x20.5x5.2 cm.
AN ELEGANT TREPANNING SET, France, possibly 19th c. Shaped and engraved, partly gilt steel. Consisting of a trepan with screw-handle showing Chronos, 7 drill bits, 3 elevators, 5 scrapers, etc. some instruments inscribed IOANNES GANTE. In walnut case with brass mounts lined with red suede (lid warped and cracked). 34.5x20.5x5.2 cm.

CHF 26 400

A RICHLY DECORATED COMBINATION TOOL, Nuremberg, circa 1580. Iron with fine etched decoration. The tool can be used as pliers, hammer, nail-puller or mini-anvil. L 21.5 cm.

Nürnberg, um 1580.
Eisen mit reichem Ätzdekor in Form von Blumen und Blattranken. Das Werkzeug kann als Zage, Hammer, Nagelauszieher oder Miniamboss verwendet werden. L 21,5 cm.
A RICHLY DECORATED COMBINATION TOOL, Nuremberg, circa 1580. Iron with fine etched decoration. The tool can be used as pliers, hammer, nail-puller or mini-anvil. L 21.5 cm.
A RICHLY DECORATED COMBINATION TOOL, Nuremberg, circa 1580. Iron with fine etched decoration. The tool can be used as pliers, hammer, nail-puller or mini-anvil. L 21.5 cm.

CHF 54 000

A RARE TURNING LATHE WITH A NUMEROUS TOOLS IN 2 LARGE AND 3 SMALL BOXES, by the company Holzappfel, London, 1824. Mahogany, cast iron, brass and steel. Pedal driven.

IN 2 GROSSEN UND 3 KLEINEN KÄSTEN, HOLTZAPFFEL, London, 1824.
Mahagoni, Gusseisen, Messing und Stahl. Mit Antrieb über Pedal. Seltenes Modell, die Werkbank mit Zylinderverschluss. Diverse für die Drechselarbeit notwendige Werkzeuge, Klingen und Ersatzstücke. Mit Anleitung in 5 Bänden, TURNING AND MECHANICAL MANIPULATION, by Charles Holtzappfel.
A RARE TURNING LATHE WITH A NUMEROUS TOOLS IN 2 LARGE AND 3 SMALL BOXES, by the company Holzappfel, London, 1824. Mahogany, cast iron, brass and steel. Pedal driven.
A RARE TURNING LATHE WITH A NUMEROUS TOOLS IN 2 LARGE AND 3 SMALL BOXES, by the company Holzappfel, London, 1824. Mahogany, cast iron, brass and steel. Pedal driven.

CHF 48 000

A FINE IVORY PAPERKNIFE, possibly Dieppe, circa 1890. Ivory finely and partly openwork carved with a female bust, rose garlands and acanthus leaves, silver band in the shape of 2 acanthus leaves. Flattened, pointed blade. L 36 cm.

wohl Dieppe, um 1890.
Elfenbein fein und teils durchbrochen geschnitten mit Frauenbüste, Rosenranken sowie Akanthusblättern, Silberband ebenfalls in Form von Akanthusblättern. Abgeflachte, vorne zugespitzte Klinge. L 36 cm.
A FINE IVORY PAPERKNIFE, possibly Dieppe, circa 1890. Ivory finely and partly openwork carved with a female bust, rose garlands and acanthus leaves, silver band in the shape of 2 acanthus leaves. Flattened, pointed blade. L 36 cm.
A FINE IVORY PAPERKNIFE, possibly Dieppe, circa 1890. Ivory finely and partly openwork carved with a female bust, rose garlands and acanthus leaves, silver band in the shape of 2 acanthus leaves. Flattened, pointed blade. L 36 cm.

CHF 24 000

MAJESTAS DOMINI,Limoges, beginning of the 13th century. Finely engraved bronze plaque with champlevé enamel and embossed and gilt copper. With an applied, embossed and gilt copper figure of Christ enthroned. 24.5x13.5 cm. Some losses.

Limoges, Anfang 13. Jh.
Fein gravierte Bronzeplakette mit Grubenschmelz-Email sowie Kupfer getrieben und vergoldet. Hochrechteckige, oben bogenförmige Plakette mit Grubenschmelz-Email Dekor in Form von Rosetten und geometrischen Motiven in den Farben Blau, Grün und Rot. Applizierte, getriebene und vergoldete Kupferfigur des thronenden Christus mit Buch und segnendem Gestus. Über der Christusfigur die Buchstaben Alpha und Omega. In mit feiner Schlangenlinie ziselierter Umrandung. 24,5x13,5 cm. Fehlstellen.
MAJESTAS DOMINI,Limoges, beginning of the 13th century. Finely engraved bronze plaque with champlevé enamel and embossed and gilt copper. With an applied, embossed and gilt copper figure of Christ enthroned. 24.5x13.5 cm. Some losses.
MAJESTAS DOMINI,Limoges, beginning of the 13th century. Finely engraved bronze plaque with champlevé enamel and embossed and gilt copper. With an applied, embossed and gilt copper figure of Christ enthroned. 24.5x13.5 cm. Some losses.

CHF 60 000