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Old Master Drawings

Friday 23 March 2007, 02.00 PM



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FLORENTINE SCHOOL.-Circa 1580.

Lot 3413 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

FLORENTINE SCHOOL.-Circa 1580.

Male portrait in profile to the left.Verso sketch of a male portrait in profile to the right.
Red chalk drawing on wove paper with watermark: Cross in circle.Old numbering upper left: 64 or 67.
21.5 x 18.4 cm. Framed.

CHF 3 000 / 4 000 | (€ 2 800 / 3 740)

Sold for CHF 718 000

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PIAZZETTA, GIOVANNI BATTISTA

Lot 3442 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

PIAZZETTA, GIOVANNI BATTISTA

(1682 Venice 1754)
Young man reading.
Black chalk drawing heightened in white.
37.6 x 29.7 cm. Old mount. Stamped lower left: from the collection of Baron L.A.de Schwiter (1805-1889), Paris (Lugt 1768). Gold frame.
37,6 x 29,7 cm.

CHF 20 000 / 30 000 | (€ 18 690 / 28 040)

Sold for CHF 171 750

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PARMIGIANINO (GIROLAMO FRANCESCO MARIA MAZZOLA)

Lot 3440 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

PARMIGIANINO (GIROLAMO FRANCESCO MARIA MAZZOLA)

(Parma 1503-1540 Casalmaggiore)
Study for the Roman adoration of the shepherds.
Pen in brown with wash.
13.2 x 13.5 cm.Old mount.

CHF 9 000 / 12 000 | (€ 8 410 / 11 210)

Sold for CHF 154 500

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TIEPOLO, GIAMBATTISTA

Lot 3459 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

TIEPOLO, GIAMBATTISTA

(Venice 1696 - 1770 Madrid).
Head of a man turned to the left.
Red chalk, slightly rubbed, with some white chalk, on blue paper with watermark Tres-fleurs-de-lis.
22.7 x 19.2 cm. Gold frame.

CHF 30 000 / 50 000 | (€ 28 040 / 46 730)

Sold for CHF 114 000

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PIAZZETTA, GIOVANNI BATTISTA (1682 Venice 1754).Portrait of Giacomo with a book, circa 1742. Black and white chalk on brownish wove paper. 39.5 x 29.7 cm. Gold frame. - Lit.: Rodolfo Pallucchini, Piazzetta, Milan, 1956 Ill. 120. Expertise by George Knox dated 03.02.2007. - Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Lot 3443 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

PIAZZETTA, GIOVANNI BATTISTA (1682 Venice 1754).Portrait of Giacomo with a book, circa 1742. Black and white chalk on brownish wove paper. 39.5 x 29.7 cm. Gold frame. - Lit.: Rodolfo Pallucchini, Piazzetta, Milan, 1956 Ill. 120. Expertise by George Knox dated 03.02.2007. - Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Porträt von Giacomo mit Buch, um 1742. Schwarze und weisse Kreide auf bräunlichem Bütten. 39,5 x 29,7 cm. Echtgoldrahmung. - Lit.: Rodolfo Pallucchini, Piazzetta, Mailand, 1956 Abb. 120. Expertise von George Knox vom 03.02.2007. - Provenienz: René de Cérenville, Lausanne. Durch Erbfolge an den jetzigen Besitzer.

CHF 20 000 / 30 000 | (€ 18 690 / 28 040)

Sold for CHF 90 000

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PIAZZETTA, GIOVANNI BATTISTA (1682 Venice 1754).Head of a Levantine man, circa 1740. Black chalk drawing heightened in white. On light grey wove paper. 35.5 x 24.5 cm. Old numbering lower right verso in pencil.: 29. Gold frame. - Minor foxing. Good condition. - Lit.: See George Knox: Piazzetta, National Gallery of Art, Washington, 1983, p. 124 No. 44. Expertise by George Knox dated 03.02.2007. - Provenance: René de Cérenville, Lausanne. Via inheritance to the current owner.

Lot 3444 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

PIAZZETTA, GIOVANNI BATTISTA (1682 Venice 1754).Head of a Levantine man, circa 1740. Black chalk drawing heightened in white. On light grey wove paper. 35.5 x 24.5 cm. Old numbering lower right verso in pencil.: 29. Gold frame. - Minor foxing. Good condition. - Lit.: See George Knox: Piazzetta, National Gallery of Art, Washington, 1983, p. 124 No. 44. Expertise by George Knox dated 03.02.2007. - Provenance: René de Cérenville, Lausanne. Via inheritance to the current owner.

Kopf eines Levantiners, um 1740. Schwarze Kreidezeichnung mit Weisshöhung. Auf hellgrauem Bütten. 35,5 x 24,5 cm. Verso unten rechts von alter Hand mit Bleistift num.: 29. Echtgoldrahmung. - Wenig stockfleckig. Gut erhalten. - Lit.: Vgl. George Knox: Piazzetta, National Gallery of Art, Washington, 1983, S. 124 Nr. 44. Expertise von George Knox vom 03.02.2007. - Provenienz: René de Cérenville, Lausanne. Durch Erbfolge an den jetzigen Besitzer.

CHF 20 000 / 30 000 | (€ 18 690 / 28 040)

Sold for CHF 57 600

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TIEPOLO, GIAMBATTISTA (Venice 1696 - 1770 Madrid).Head of a young woman turned to the left, seen slightly from below. Black chalk drawing on wove paper with watermark. (unclear). 21 x 14.2 cm. Old attribution on back of frame: J..B. Tiepolo and old inscription.: Collection Edouard de Cerenville. Gold frame. - fully laid on backing sheet. - Expertise by George Knox 03.02.2007. Provenance: René de Cérenville, Lausanne. Via inheritance to the current owner.

Lot 3458 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

TIEPOLO, GIAMBATTISTA (Venice 1696 - 1770 Madrid).Head of a young woman turned to the left, seen slightly from below. Black chalk drawing on wove paper with watermark. (unclear). 21 x 14.2 cm. Old attribution on back of frame: J..B. Tiepolo and old inscription.: Collection Edouard de Cerenville. Gold frame. - fully laid on backing sheet. - Expertise by George Knox 03.02.2007. Provenance: René de Cérenville, Lausanne. Via inheritance to the current owner.

Kopf einer jungen Frau nach links, leicht von unten gesehen. Schwarze Kreidezeichnung auf Bütten mit Wz. (undeutlich). 21 x 14,2 cm. Auf der Rückwand der Rahmung alte Zuschreibung: J..B. Tiepolo und alt bez.: Collection Edouard de Cerenville. Echtgoldrahmung. - Ganzflächig auf Untersatzbogen aufgezogen. - Expertise von George Knox vom 03.02.2007. Provenienz: René de Cérenville, Lausanne. Durch Erbfolge an den jetzigen Besitzer.

CHF 20 000 / 30 000 | (€ 18 690 / 28 040)

Sold for CHF 42 000

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TIEPOLO, GIOVANNI DOMENICO (1727 Venice 1804).Horses stampeding. Pen in brown with brown wash. 18.1 x 24.9 cm. Signed lower left.: Dom. Tiepolo. Old numbering verso in brown pen on upper margin: 11 and old inscription.: Fotografata dal Valencia fa parte della Raccolta di 100 Disegni originali di Tiepolo. Old monogram lower right: C. Framed. - Minor foxing, otherwise very good condition. - Expertise by George Knox 03.02.2007 Provenance: René de Cérenville, Lausanne. Via inheritance to the current owner.

Lot 3460 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

TIEPOLO, GIOVANNI DOMENICO (1727 Venice 1804).Horses stampeding. Pen in brown with brown wash. 18.1 x 24.9 cm. Signed lower left.: Dom. Tiepolo. Old numbering verso in brown pen on upper margin: 11 and old inscription.: Fotografata dal Valencia fa parte della Raccolta di 100 Disegni originali di Tiepolo. Old monogram lower right: C. Framed. - Minor foxing, otherwise very good condition. - Expertise by George Knox 03.02.2007 Provenance: René de Cérenville, Lausanne. Via inheritance to the current owner.

Stürmende Pferde. Feder in Braun, braun laviert. 18,1 x 24,9 cm. Unten links sign.: Dom. Tiepolo. Verso mit der Feder in Braun am oberen Rand alt num.: 11 und alt bez.: Fotografata dal Valencia fa parte della Raccolta di 100 Disegni originali di Tiepolo. Unten rechts altes Monogramm: C. Gerahmt. - Minim stockfleckig, sonst in sehr schöner Erhaltung. - Expertise von George Knox vom 03.02.2007 Provenienz: René de Cérenville, Lausanne. Durch Erbfolge an den jetzigen Besitzer.

CHF 12 000 / 15 000 | (€ 11 210 / 14 020)

Sold for CHF 38 400

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MENZEL, ADOLF VON (Breslau 1815 - 1905 Berlin).Study of a woman's hand holding an armrest, 1887. Carpentry pencil, partly rubbed. 12.8 x 21 cm. Monogrammed and dated: A.M. 87. Numbered verso in pencil by another hand: 8200. Framed. - Good condition. With slight light border. Remains of old mount verso. - Dr. Ursula Riemann-Rehyer of the Berlin cabinet of engravings has verbally confirmed the authenticity of the drawing and will include it in the catalogue raisonné of Menzel's drawings which is in preparation.

Lot 3438* - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

MENZEL, ADOLF VON (Breslau 1815 - 1905 Berlin).Study of a woman's hand holding an armrest, 1887. Carpentry pencil, partly rubbed. 12.8 x 21 cm. Monogrammed and dated: A.M. 87. Numbered verso in pencil by another hand: 8200. Framed. - Good condition. With slight light border. Remains of old mount verso. - Dr. Ursula Riemann-Rehyer of the Berlin cabinet of engravings has verbally confirmed the authenticity of the drawing and will include it in the catalogue raisonné of Menzel's drawings which is in preparation.

Studie einer weiblichen Hand, eine Armlehne umfassend, 1887. Zimmermannsbleistift, partiell gewischt. 12,8 x 21 cm. Monogrammiert und datiert: A.M. 87. Verso mit Bleistift von fremder Hand num.: 8200. Gerahmt. - Guter Erhaltungszustand. Minim lichtrandig. Verso Reste alter Montierung. - Dr. Ursula Riemann-Rehyer vom Berliner Kupferstich-Kabinett hat die Echtheit der Zeichnung mündlich bestätigt und wird sie in das geplantesWerkverzeichnis der Menzelzeichnungen aufnehmen.

CHF 5 000 / 7 000 | (€ 4 670 / 6 540)

Sold for CHF 28 800

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BOUCHER, FRANCOIS (1703 Paris 1770).Boy seated on a stone. Red chalk drawing on wove paper with watermark: VDI(?). 15.3 x 11.3 cm. Old inscription below left in pen: Boucher. Entitled and inscribed verso on frame: Vente Gutekunst und Klippstein, Berne pour Catalogue G.u.K. Alte u. Moderne Graphik I. Teil. 16/17. Mai 1935. No 481. Gold frame. Very attractive spotless sheet. Verso with remains of old mount. - Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Lot 3405 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

BOUCHER, FRANCOIS (1703 Paris 1770).Boy seated on a stone. Red chalk drawing on wove paper with watermark: VDI(?). 15.3 x 11.3 cm. Old inscription below left in pen: Boucher. Entitled and inscribed verso on frame: Vente Gutekunst und Klippstein, Berne pour Catalogue G.u.K. Alte u. Moderne Graphik I. Teil. 16/17. Mai 1935. No 481. Gold frame. Very attractive spotless sheet. Verso with remains of old mount. - Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Auf einem Stein sitzender Knabe nach links. Rötelzeichnung auf Bütten mit Wz: VDI(?). 15,3 x 11,3 cm. Mit der Feder unten links alt bez.: Boucher. Auf der Rückwand der Rahmung betit. u. bez.: Vente Gutekunst und Klippstein, Berne pour Catalogue G.u.K. Alte u. Moderne Graphik I. Teil. 16/17. Mai 1935. No 481. Echtgoldrahmung. - Sehr schönes, tadellos erhaltenes Blatt. Verso Reste alter Montierung. - Provenienz: René de Cérenville, Lausanne. Durch Erbfolge an den jetzigen Besitzer.

CHF 9 000 / 12 000 | (€ 8 410 / 11 210)

Sold for CHF 21 600

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SCHENAU, JOHANN ELEAZAR (Gross-Schönau 1737 - 1806 Dresden).L'Horoscope chez Cagliostro. Pen in grey over pencil preparatory drawing, with grey wash and partial watercolouring. 38 x 31 cm. Old inscription verso in pencil: J.E.Schenau, entitled and inscribed.: tres beau cartouche Louis XVI.. From the collection of Louis Galichon (Lugt 1060, verso). Gold frame. - Scattered minor foxing. With smoothed crease on right margin. Mounted verso on upper margin in passepartout. Overall good condition.

Lot 3452 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

SCHENAU, JOHANN ELEAZAR (Gross-Schönau 1737 - 1806 Dresden).L'Horoscope chez Cagliostro. Pen in grey over pencil preparatory drawing, with grey wash and partial watercolouring. 38 x 31 cm. Old inscription verso in pencil: J.E.Schenau, entitled and inscribed.: tres beau cartouche Louis XVI.. From the collection of Louis Galichon (Lugt 1060, verso). Gold frame. - Scattered minor foxing. With smoothed crease on right margin. Mounted verso on upper margin in passepartout. Overall good condition.

L'Horoscope chez Cagliostro. Feder in Grau über Bleistiftvorzeichnung, grau laviert und partiell aquarelliert. 38 x 31 cm. Verso mit Bleistift alt bezeichnet: J.E.Schenau, betit. u. bez.: tres beau cartouche Louis XVI.. Aus der Sammlung Louis Galichon (Lugt 1060, verso). Echtgoldrahmen. - Vereinzelt gering stockfleckig. Am rechten Rand geglättete Knickfalte. Verso am oberen Rand in das Passepartout montiert. Insgesamt guter Erhaltungszustand.

CHF 2 500 / 3 500 | (€ 2 340 / 3 270)

Sold for CHF 19 200

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BARBIERI, GIOVANNI FRANCESCO, called GUERCINO (Cento 1591 - 1666 Bologna).A monk resting on a staff. Red chalk drawing on wove paper. With coat of arms of crossed swords, oak leaves and crossed swords above. 19.8 x 19.2 cm. Original mount on wove paper. With collector's number in pen: 56. Verso with old inscription in pencil: Guercino. Gold frame. The lower section slightly rippled, the margins with slight browning. Good condition. - Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Lot 3402 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

BARBIERI, GIOVANNI FRANCESCO, called GUERCINO (Cento 1591 - 1666 Bologna).A monk resting on a staff. Red chalk drawing on wove paper. With coat of arms of crossed swords, oak leaves and crossed swords above. 19.8 x 19.2 cm. Original mount on wove paper. With collector's number in pen: 56. Verso with old inscription in pencil: Guercino. Gold frame. The lower section slightly rippled, the margins with slight browning. Good condition. - Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Auf einen Stock gestützter Mönch. Rötelzeichnung auf Bütten mit Wz: Wappenschild mit gekreuzten Schwertern, Eichenlaub, darüber gekreuzte Schwerter. 19,8 x 19,2 cm. Auf Bütten alt montiert. Dort mit der Feder alte Sammlernummer vermerkt: 56. Verso mit Bleistift alte Zuschreibung: Guercino. Echtgoldrahmung. - Der untere Bereich leicht gewellt, die Ränder minim gebräunt. Guter Erhaltungszustand. - Provenienz: René de Cérenville, Lausanne. Durch Erbfolge an den jetzigen Besitzer.

CHF 7 000 / 9 000 | (€ 6 540 / 8 410)

Sold for CHF 14 400

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SIMONINI, FRANCESCO (Parma 1686 - 1753 Florence).Broad landscape with soldiers on horseback and on foot. Pen in brown, washed in brown and grey, traces of black chalk. 45 x 110 cm. Edging line in black chalk and brown brush. Signed lower right in pen: Fran:eo Simonini Parm:. Old inscription verso in pen verso.: Stampe firmate Simonini Epoca 700. Framed. - Scattered small worm holes. The margins with small tears and scattered backed tears. Slight foxing in places. Overall good condition.

Lot 3456 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

SIMONINI, FRANCESCO (Parma 1686 - 1753 Florence).Broad landscape with soldiers on horseback and on foot. Pen in brown, washed in brown and grey, traces of black chalk. 45 x 110 cm. Edging line in black chalk and brown brush. Signed lower right in pen: Fran:eo Simonini Parm:. Old inscription verso in pen verso.: Stampe firmate Simonini Epoca 700. Framed. - Scattered small worm holes. The margins with small tears and scattered backed tears. Slight foxing in places. Overall good condition.

Weite Landschaft mit Soldatenzug zu Pferd und zu Fuss. Feder in Braun, braun und grau laviert, Spuren von schwarzer Kreide. 45 x 110 cm. Einfasslinie mit schwarzer Kreide und Pinsel in Braun. Mit der Feder unten rechts signiert: Fran:eo Simonini Parm:. Verso mit der Feder alt bez.: Stampe firmate Simonini Epoca 700. Gerahmt. - Einzelne Wurmlöchlein. Die Ränder mit kleinen Ausrissen und einzelnen hinterlegten Einrissen. Stellenweise leicht stockfleckig. Insgesamt gut erhalten.

CHF 5 000 / 7 000 | (€ 4 670 / 6 540)

Sold for CHF 14 400

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ISABEY, JEAN-BAPTISTE (Nancy 1767-1855 Paris).Portrait of the painter Francois André Vincent (1746 -1816). Pencil drawing. 13.3 x 9.7 cm. Signed in the centre of the right margin.: J. Jsabey. In old brass frame engraved verso: F.A.Vincent, Peintre, éleve de' Vien. Gd. Prix de Rome 1768. Membre de l'Institut.- - Minor browning. - Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Lot 3426 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

ISABEY, JEAN-BAPTISTE (Nancy 1767-1855 Paris).Portrait of the painter Francois André Vincent (1746 -1816). Pencil drawing. 13.3 x 9.7 cm. Signed in the centre of the right margin.: J. Jsabey. In old brass frame engraved verso: F.A.Vincent, Peintre, éleve de' Vien. Gd. Prix de Rome 1768. Membre de l'Institut.- - Minor browning. - Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Porträt des Malers Francois André Vincent (1746 -1816). Bleistiftzeichnung. 13,3 x 9,7 cm. Am rechten Rand mittig sign.: J. Jsabey. In altem Messingrahmen mit rückseitiger Gravure: F.A.Vincent, Peintre, éleve de' Vien. Gd. Prix de Rome 1768. Membre de l'Institut.- Wohl Studie zu einem Miniaturbildnis des Malers. - Minim gebräunt. - Provenienz: René de Cérenville, Lausanne. Durch Erbfolge an den jetzigen Besitzer.

CHF 1 200 / 1 500 | (€ 1 120 / 1 400)

Sold for CHF 10 200

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GERMAN.-Anonymous, 18th century. Christ arisen with putti and angel holding the cross. Red chalk drawing, heightened with white chalk. With pencil squares. 67 x 96 cm. - Very attractive large format preparatory drawing. The upper and lower edges torn and damaged. With several vertical creases and some foxing. Good overall impression.

Lot 3410 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

GERMAN.-Anonymous, 18th century. Christ arisen with putti and angel holding the cross. Red chalk drawing, heightened with white chalk. With pencil squares. 67 x 96 cm. - Very attractive large format preparatory drawing. The upper and lower edges torn and damaged. With several vertical creases and some foxing. Good overall impression.

Anonym, 18. Jh.. Der auferstandene Christus mit Putten und das Kreuz tragendem Engel. Rötelzeichnung, mit weisser Kreide gehöht. Mit Bleistift quadriert. 67 x 96 cm. - Sehr schöne, grossformatige Vorzeichnung. Der obere und untere Blattrand mit Papierausrissen und Läsuren. Mehrere vertikale Faltungen, wenige Flecken. Guter Gesamteindruck.

CHF 1 000 / 1 500 | (€ 930 / 1 400)

Sold for CHF 8 400

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PERINO DEL VAGA (real name PIERO DI GIOVANNI BONACCORSI; Florence 1501-1547 Rome), Circle of Saint Peter with the key. Pen in brown with brown wash. On old wove paper with watermark: Sun. 36.3 x 19.5 cm (image). The top rounded. With old inscription lower right Pelegrino. Old numbering top centre: 89. Verso old inscription.: Al Molto. Gold frame. - Small loss to paper on lower left edge. Very attractive condition.

Lot 3441 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

PERINO DEL VAGA (real name PIERO DI GIOVANNI BONACCORSI; Florence 1501-1547 Rome), Circle of Saint Peter with the key. Pen in brown with brown wash. On old wove paper with watermark: Sun. 36.3 x 19.5 cm (image). The top rounded. With old inscription lower right Pelegrino. Old numbering top centre: 89. Verso old inscription.: Al Molto. Gold frame. - Small loss to paper on lower left edge. Very attractive condition.

Hl. Petrus mit dem Schlüssel. Feder in Braun, braun laviert. Auf altem Bütten mit WZ: Sonne. 36,3 x 19,5 cm (licht). Oben halbrund abgerundet. Unt. re. alt bez.: Pelegrino. Ob. mittig alt. num.: 89. Verso alt. bez.: Al Molto. Echtgoldrahmung. - Kleiner Papierverlust am linken unteren Rand. Sehr schöner Erhaltungszustand.

CHF 2 000 / 3 000 | (€ 1 870 / 2 800)

Sold for CHF 8 400

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LAMPI, GIOVANNI BATTISTA (Rome 1751 - 1830 Siena).Portrait of a nobleman. Black chalk drawing, heightened in white, on paper with beige ground. Black chalk margin line. 33.7 x 26.5 cm. Inscribed verso in pencil.: Lampi par Portrait au...( illegible). Framed.- Old inscription on the back of the frame, with biographical notes on Lampi.: ...Porträits de la familie Potocki, du Roi Stanislas Aug.II Emp. de Pologne de la Karina Maria-Federowne de Potemkine. - Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Lot 3434 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

LAMPI, GIOVANNI BATTISTA (Rome 1751 - 1830 Siena).Portrait of a nobleman. Black chalk drawing, heightened in white, on paper with beige ground. Black chalk margin line. 33.7 x 26.5 cm. Inscribed verso in pencil.: Lampi par Portrait au...( illegible). Framed.- Old inscription on the back of the frame, with biographical notes on Lampi.: ...Porträits de la familie Potocki, du Roi Stanislas Aug.II Emp. de Pologne de la Karina Maria-Federowne de Potemkine. - Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Männliches Porträt eines Adeligen. Schwarze Kreidzeichnung, weiss gehöht, auf beige grundiertem Papier. Einfasslinie mit schwarzer Kreide. 33,7 x 26,5 cm. Verso mit Bleistift bez.: Lampi par Portrait au...( nicht lesbar). Gerahmt.- Auf der Rückwand der Rahmung von alter Hand mit biographischen Notizen zu Lampi bez.: ...Porträits de la familie Potocki, du Roi Stanislas Aug.II Emp. de Pologne de la Karina Maria-Federowne de Potemkine. - Provenienz: René de Cérenville, Lausanne. Durch Erbfolge an den jetzigen Besitzer.

CHF 3 000 / 5 000 | (€ 2 800 / 4 670)

Sold for CHF 7 200

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RENI, GUIDO (1575 Bologna 1642), attributed.Heads of two bearded men (two apostles?). Pen in brown on wove paper. 20.4 x 9.1 cm. With old inscription on the centre of the left margin in pen: Guido Reni. Collector's stamp on lower right corner (unidentified). Framed. - Mounted verso on the margins on bronze coloured band. Minor foxing and browning. Good condition.

Lot 3446 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

RENI, GUIDO (1575 Bologna 1642), attributed.Heads of two bearded men (two apostles?). Pen in brown on wove paper. 20.4 x 9.1 cm. With old inscription on the centre of the left margin in pen: Guido Reni. Collector's stamp on lower right corner (unidentified). Framed. - Mounted verso on the margins on bronze coloured band. Minor foxing and browning. Good condition.

Köpfe zweier bärtiger Männer (Apostelköpfe?). Feder in Braun auf Bütten. 20,4 x 9,1 cm. Am linken Rand mittig mit der Feder alt bezeichnet: Guido Reni. Die rechte untere Ecke mit altem Sammlerstempel (nicht identifiziert). Gerahmt. - Rückseitig umlaufend an den Rändern auf bronzefarbenes Band montiert. Minim fleckig und gebräunt. Gut erhalten.

CHF 1 500 / 2 000 | (€ 1 400 / 1 870)

Sold for CHF 6 960

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DÜRER, ALBRECHT (1471 Nuremberg 1528), RENAISSANCE.Samson killing the lion. Brown pen drawing on wove paper. 37 x 34.5 cm. Enlarged near contemporary partial copy of Albrecht Dürer's woodcut "Samson tötet den Löwen" of 1497/98 (Meder 107; Schoch/Mende/Scherbaum 127). Framed. - Numerous small holes through ink damage, partly old backing. Paper loss to the edges and corners and old restoration with wove paper. Several tears also with old backing. Traces of old folds visible. Some small rubbed areas. Despite the distress mentioned, a good overall impression.

Lot 3412 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

DÜRER, ALBRECHT (1471 Nuremberg 1528), RENAISSANCE.Samson killing the lion. Brown pen drawing on wove paper. 37 x 34.5 cm. Enlarged near contemporary partial copy of Albrecht Dürer's woodcut "Samson tötet den Löwen" of 1497/98 (Meder 107; Schoch/Mende/Scherbaum 127). Framed. - Numerous small holes through ink damage, partly old backing. Paper loss to the edges and corners and old restoration with wove paper. Several tears also with old backing. Traces of old folds visible. Some small rubbed areas. Despite the distress mentioned, a good overall impression.

Samson tötet den Löwen. Federzeichnung in Braun auf Büten. 37 x 34,5 cm. Vergrösserte, zeitnahe Teilkopie nach Albrecht Dürers Holzschnitt "Samson tötet den Löwen" von 1497/98 (Meder 107; Schoch/Mende/Scherbaum 127). Gerahmt. - Zahlreiche Löchlein durch Tintenfrass, teilweise alt hinterlegt. Papierverluste an den Rändern und Ecken mit Bütten alt ergänzt. Mehrere Einrisse ebenfalls alt hinterlegt. Spuren alter Faltungen sichtbar. Einige wenige Stellen mit Bereibungen. Trotz der genannten Mängel guter Gesamteindruck.

CHF 2 500 / 3 500 | (€ 2 340 / 3 270)

Sold for CHF 6 600

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FRENCH SCHOOL.-Circa 1770. Pair of works. 1. Antique arch. 2. Temple with figures. Pen in grey and brown, with wash, watercolour and opaque white. Each 21.5 x 14.2 cm. Original mount. Gold frame. - Very attractive condition. -Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Lot 3417 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

FRENCH SCHOOL.-Circa 1770. Pair of works. 1. Antique arch. 2. Temple with figures. Pen in grey and brown, with wash, watercolour and opaque white. Each 21.5 x 14.2 cm. Original mount. Gold frame. - Very attractive condition. -Provenance: René de Cérenville, Geneva. Via inheritance to the current owner.

Um 1770. Zwei Gegenstücke. 1. Antiker Torbogen mit Passanten. 2. Tempelanlage mit Besuchern. Feder in Grau und Braun, laviert, Aquarell und Deckweiss. Jeweils 21,5 x 14,2 cm. Alt montiert. Echtgoldrahmung. - Sehr schöner Erhaltungszustand. -Provenienz: René de Cérenville, Lausanne. Durch Erbfolge an den jetzigen Besitzer.

CHF 5 000 / 7 000 | (€ 4 670 / 6 540)

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LE PRINCE, JEAN-BAPTISTE (Metz 1734 - 1781 St. Denis du Port), attributed.Vanitas (Death and the Oriental). Brush in brown over red chalk drawing on wove paper. 21 x 18.5 cm. The margin line in brown pen. With old inscription and numbering in pencil verso: Le Prince No. 501. Old frame. - Good condition. - Provenance: Galerie Kurt Meissner Zurich; Private collection, Switzerland.

Lot 3436 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

LE PRINCE, JEAN-BAPTISTE (Metz 1734 - 1781 St. Denis du Port), attributed.Vanitas (Death and the Oriental). Brush in brown over red chalk drawing on wove paper. 21 x 18.5 cm. The margin line in brown pen. With old inscription and numbering in pencil verso: Le Prince No. 501. Old frame. - Good condition. - Provenance: Galerie Kurt Meissner Zurich; Private collection, Switzerland.

Vanitas (Der Orientale und der Tod). Pinsel in Braun über Rötelzeichnung auf Bütten. 21 x 18,5 cm. Einfasslinie mit der Feder in Braun. Verso mit Bleistift alt zugeschrieben und nummeriert: Le Prince No. 501. Alte Rahmung. - Guter Erhaltungszustand. - Provenienz: Galerie Kurt Meissner Zürich; Privatsammlung Schweiz.

CHF 1 500 / 2 500 | (€ 1 400 / 2 340)

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RICHTER, LUDWIG (1803 Dresden 1884).Landscape study with two walkers and a woman on a donkey. Pencil and pen in brown. 23.5 x 29.5 cm on wove paper with watermark: Putto, holding a broad band over himself. Old inscription verso in pencil: Richter. Old frame. - Good condition. - Lit: K.J.Friedrich, Die Gemälde Ludwig Richters, Berlin 1937, ill. 29. - Provenance: Galerie Kurt Meissner, Zurich. Private collection, Switzerland.

Lot 3447 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

RICHTER, LUDWIG (1803 Dresden 1884).Landscape study with two walkers and a woman on a donkey. Pencil and pen in brown. 23.5 x 29.5 cm on wove paper with watermark: Putto, holding a broad band over himself. Old inscription verso in pencil: Richter. Old frame. - Good condition. - Lit: K.J.Friedrich, Die Gemälde Ludwig Richters, Berlin 1937, ill. 29. - Provenance: Galerie Kurt Meissner, Zurich. Private collection, Switzerland.

Landschaftsstudie mit zwei Wanderern und Frau auf einem Esel. Bleistift und Feder in Braun. 23,5 x 29,5 cm auf Bütten mit WZ: Putto, ein breites Band über sich haltend. Verso mit Bleistift alt bez.: Richter. Alte Rahmung. - Gut erhalten. - Literatur: K.J.Friedrich, Die Gemälde Ludwig Richters, Berlin 1937, Abb. 29. - Die Komposition mit zentraler Wanderergruppe und rahmenden Bäumen erinnert an das Gemälde "Blick in Amalfi" von 1826 in Leipzig, doch stammt die Zeichnung dem Stil nach erst aus den vierziger Jahren. - Provenienz: Galerie Kurt Meissner, Zürich. Privatsammlung Schweiz.

CHF 2 000 / 3 000 | (€ 1 870 / 2 800)

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KERN, ANTON (Tetschen 1709 - 1747 Dresden).Temple scene. Brush in brown over black chalk, partly heightened in white, on light brown paper. 16.8 x 15.2 cm. Original mount and inscribed: Anton Kern 1745. Old collector's number in brown pen upper right: N. 3. - Fully backed. Attractive condition.

Lot 3432* - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

KERN, ANTON (Tetschen 1709 - 1747 Dresden).Temple scene. Brush in brown over black chalk, partly heightened in white, on light brown paper. 16.8 x 15.2 cm. Original mount and inscribed: Anton Kern 1745. Old collector's number in brown pen upper right: N. 3. - Fully backed. Attractive condition.

Tempelszene. Pinsel in Braun über schwarzer Kreide, teils weiss gehöht auf hellbraunem Papier. 16.,8 x 15,2 cm. Alt montiert und dort bezeichnet: Anton Kern 1745. Mit der Feder in Braun alte Sammlernumerierung oben rechts: N. 3. - Ganzflächig aufgezogen. Schöner Erhaltungszustand.

CHF 2 000 / 3 000 | (€ 1 870 / 2 800)

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BONINGTON, RICHARD PARKES (Arnold, Nottingham 1801 - 1828 London).Half length portrait of a bearded old man in historical costume. Brown brush with wash. 28 x 23.3cm. Verso with old inscription in pen (signed?): Richard Parkes Bonington. Gold frame. - Verso remains of old mount. Very good condition.

Lot 3404 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

BONINGTON, RICHARD PARKES (Arnold, Nottingham 1801 - 1828 London).Half length portrait of a bearded old man in historical costume. Brown brush with wash. 28 x 23.3cm. Verso with old inscription in pen (signed?): Richard Parkes Bonington. Gold frame. - Verso remains of old mount. Very good condition.

Halbporträt eines bärtigen alten Mannes im historischen Gewand. Pinsel in Braun, laviert. 28 x 23,3cm. Verso mit der Feder alt bezeichnet (signiert?): Richard Parkes Bonington. Echtgoldrahmung. - Verso Reste alter Montierung. Sehr guter Erhaltungszstand.

CHF 1 000 / 1 500 | (€ 930 / 1 400)

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WIGAND, BALTHASAR (1771 Vienna 1846).The church and monastery Maria-Hülf in Vienna. Gouache on paper. 8.3 x 14.2 cm (Sheet size with inscription: 10 x 15 cm). Entitled centre bottom, signed right: Wigand. Old frame. - Good condition. Two small spots of foxing, minor fading and browning.

Lot 3462 - A140 Old Master Drawings - Friday 23 March 2007, 02.00 PM

WIGAND, BALTHASAR (1771 Vienna 1846).The church and monastery Maria-Hülf in Vienna. Gouache on paper. 8.3 x 14.2 cm (Sheet size with inscription: 10 x 15 cm). Entitled centre bottom, signed right: Wigand. Old frame. - Good condition. Two small spots of foxing, minor fading and browning.

Die Kirche und Kloster zu Maria-Hülf in Wien. Gouache auf Papier. 8,3 x 14,2 cm (Blattgrösse mit der Beschriftung: 10 x 15 cm). Unten mittig betitelt, rechts signiert: Wigand. Alte Rahmung. - Guter Erhaltungszustand. Zwei kleine Fleckchen, minim verblasst und gebräunt.

CHF 2 200 / 2 500 | (€ 2 060 / 2 340)

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