Follower of GERARD VAN HONTHORST

(1592 Utrecht 1656)

Two boys with a bird's nest.

Oil on panel.

82.2 × 63 cm.

COMMODE

Late Régence, Rhône Valley or Suisse romande, middle of the 18th century.

Walnut, moulded and carved with stylized shell. Front "en arbalète" with 3 drawers, the fronts with paneled fields. Brass mounts, later. Losses and repairs.

133 x 63 x 80 cm.

GERRIT CLAESZ BLEKER

(ca. 1593 Haarlem 1656)

Equestrian combat. 1632.

Oil on panel.

Lower right with traces of a signature and a date: (G. D. Bleker) 16(3)2.

63.5 × 100.5 cm.

LARGE BRONZE MORTAR WITH PESTLE

In the style of the Late Renaissance, Italy.

Brown patinated bronze, decorated with ornamental leaf friezes, laurel garlands and heads of satyrs in relief. Inscribed GBA and dated 1630.

D 26 cm, H 21.5 cm.

Circle of ANTON MIROU

(Antwerp 1578–1627 Frankenthal)

Market day in a village by a river.

Oil on panel.

30.8 × 44.7 cm.

Circle of DAVID VINCKBOONS the Elder

(Mechelen 1576–1632 Amsterdam)

Village street with a blind hurdy-gurdy player.

Oil on panel.

35 × 57.5 cm.

17th century follower of JAN BRUEGHEL the Elder

(Brussels 1568–1625 Antwerp)

Forest clearing with resting peasants.

Oil on panel.

49 × 68.5 cm.

CARVED AND GILT ROCOCO MIRROR

Ansbach, ca. 1765/70.

Lime, carved with rocailles, leaves, scrolls and flowers, and gilt. Rectangular frame with pierced top (with restorations). Restored.

108 x 57 cm.

Circle of ABRAHAM MIGNON

(Frankfurt 1640–1679 Utrecht)

Flower still life in a niche with a lizard.

Oil on canvas.

Traces of a monogram lower left.

93.5 × 76 cm.

ROCOCO CARTEL CLOCK

Louis XV, Paris ca. 1760. The dial and the movement signed Gault à Paris. Denis Gault, maître from 1741 onwards.

Bronze, chiseled and fire-gilt. White enamel dial. Gilt hands. Movement, striking the 1/2-hour on bell, converted to movement with Brocot escapement. 1 key.

H 73 cm, W 40 cm.

SAINT JOSEPH WITH THE CHRIST CHILD

Baroque, Austria, middle of the 18th century.

Wood, carved, hollowed and closed, and polychrome painted and parcel-gilt (paintwork retouched). One thumb, replaced.

H 90 cm.

PAIR OF ORNAMENTAL FIGURES ON A BAROQUE CABINET

Probably Flemish, 17th century.

Bronze, chiseled and gilt.

H 16.5 and 16 cm.

JOHANN GEORGE VON HAMILTON (CIRCLE OF)

(Munich 1672–1737 Vienna)

Portrait of a nobleman on horseback.

Oil on canvas.

With monogram lower right on the collar of the dog: P.D.H.

74.5 × 57 cm.

PAIR OF CHAIRS

Régence, France ca. 1720.

Solid beech, carved with shells and leaves. Caning. Cushion with yellow velour cover.

50 x 48 x 95 cm.

Studio of FRANS FRANCKEN the Younger

(1581 Antwerp 1642)

Floral still life, with a large bouquet of flowers in a vase on a stone table.

Oil on panel.

73 × 50 cm.

Circle of JOHN MICHAEL WRIGHT

(1617 London before 1694)

Portrait of an English slave trader.

Oil on canvas.

133 × 107 cm.

VERDURE TAPESTRY

Aubusson, 18th century.

Depicting a wide wooded landscape with birds.

180 x 225 cm.

SIMON PIETERSZ. VERELST

(The Hague 1644 – ca. 1721 London)

Still life with flowers in a glass vase.

Oil on canvas.

59.7 × 49.5 cm.

IGNAZ STERN

(Passau ca. 1679–1748 Rome)

The Birth of Christ, featuring the Adoration of the Shepherds. 1737.

Oil on canvas.

102.2 × 141.5 cm.

SMALL CARTEL CLOCK

Louis XV, France, 18th century. The pocket watch movement signed Lebiez à Angers. Jean-Baptiste Lebiez 1715-1758.

Bronze, chiseled and gilt. Pierced case decorated with rocaille and an eagle, grapes and tendrils. White, later, enameled dial with the hours in Roman numerals. Fine hands. Dial, with losses.

H 23 cm, W 14.5 cm.

WRITING DESK AS "BUREAU DOS D'ÂNE"

Louis XV, Aachen or Liège, ca. 1760.

Walnut, intricately carved with rocailles, flower garlands, latticework and scrolls. Inclined, hinged writing surface, the inside with 4 small drawers and with a compartment in the bottom. Below, 2 larger and 2 smaller drawers and 1 sham drawer. Brass mounts. 2 keys. Restorations.

81 x 42(open 72) x 94 cm.

DANIEL SEGHERS and ERASMUS QUELLINUS THE YOUNGER

(1590 Antwerp 1661) (1607 Antwerp 1678)

Madonna and Child, in a cartouche surrounded by flowers.

Oil on copper.

Signed bottom left: D. S. Soc tis JESU.

83 × 60 cm.

NICOLAES VAN VERENDAEL

(1640 Antwerp 1691)

A pair: Bouquets of flowers with roses and carnations in stone niches.

Oil on canvas.

Each 35.5 × 30.2 cm.

AN ELIZABETH I SILVER-GILT CUP

London, 1576. With maker's mark A?.

On a stepped round base, with chased decoration. Sides and borders engraved.

H 21.5 cm. 480 g. Silver 925.

PAIR OF LIDDED BOXES WITH CHINOISERIE DECOR

London, 1683. Maker's mark Benjamin Traherne.

Octagonal. Engraved all around with figures, tendrils and ruins.

H 5.2 cm. D 7 cm. Total weight 315 g. Silver 925.