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Old Master Prints

Friday 31 March 2023, 10.00 AM




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JOSEPH DE LANDERSET, attributed to

Lot 3601 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

JOSEPH DE LANDERSET, attributed to

(1753 Fribourg 1824)
1. Idyllic landscape with shepherds and herd crossing a river; 2. Idyllic hilly landscape with farmhouses and herd by a river. Two counterparts.
Gouaches, heightened in white on paper, mounted on old card.
63 x 82 cm. In old gold frame of the period.
With insignificant small paint flakes and some traces of wear. Overall in fine condition with fresh colours.

CHF 2 000 / 3 000 | (€ 2 060 / 3 090)

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MATHIAS GABRIEL LORY, attributed to

Lot 3602* - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

MATHIAS GABRIEL LORY, attributed to

(1784 Bern 1846)
View from a hill over a vast Italian landscape, carts and resting travellers in the foreground.
Watercolour on firm wove paper (papier vélin).
18.2 x 26 cm.
The upper half of the image with minimal even browning, individual insignificant stains. The verso with some traces of glue from previous mounting in the corners. Overall in fine condition with fresh colours.

CHF 600 / 800 | (€ 620 / 820)

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FRANZ KAISERMANN

Lot 3603 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

FRANZ KAISERMANN

(Yverdon 1765–1833 Rome)
View of the temples of Paestum.
Watercolour, pen and brown ink, black chalk.
65 x 102 cm. In original gold frame of the period.
65 x 102 cm. Im originalen Goldrahmen der Zeit.

CHF 3 000 / 4 000 | (€ 3 090 / 4 120)

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CARL WILHELM KOLBE

Lot 3604 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

CARL WILHELM KOLBE

(Berlin 1757–1835 Dessau)
The Shepherd Boys. 1799.
Etching on laid paper without watermark.
43.5 x 37.2 cm.
Martens 191 I/II (of II); Jentsch 63 I/II (of II, intermediate state: with the clouds, but before the plate number 63 upper left). - A splendid, deep black impression, printing with rich contrast. Mostly trimmed to the platemark, partly with thread margins around it, partly on or just inside it. The left margin with small backed tear outside of the image. With some traces of wear. The verso with slight storage marks. Overall in good condition. Provenance: - Collection of Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a.

CHF 500 / 700 | (€ 520 / 720)

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FRANZ ANTON LEITENSTORFFER

Lot 3605 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

FRANZ ANTON LEITENSTORFFER

(Reutte 1721–1795 Mannheim)
Standing male nude, Roman ruins in the background. Circa 1745.
Etching on laid paper without watermark.
35 x 26.1 cm.
A fine, mainly even and clear impression with small margins around the platemark. The upper left and lower right corners outside of the image previously made-up. Individual small tears, such as below the centre of the left margin and in the lower right margin. Some stains and light traces of wear mainly in the margins. Overall in good condition. Provenance: - Collection of Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a.

CHF 400 / 600 | (€ 410 / 620)

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ALBRECHT DÜRER

Lot 3606 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

ALBRECHT DÜRER

(1471 Nuremberg 1528)
Ercules (Hercules Conquering the Molionide Twins; Hercules Conquering Cacus), 1496/98.
Woodcut on laid paper without watermark.
39.5 x 28.7 cm.
Bartsch 127; Schoch/Mende/Scherbaum 105; Meder 238 III a (of c, with the continuous crack and the damaged right eye of the woman, before the horizon gap between the tree and little tree). - A strong and clear impression on evenly lightly browned paper. Subtle staining in places. The borderline in pen and black ink. Individual tiny holes in the paper, mainly at the outer margins. The verso with pencil annotations and with some traces of previous mounting.

CHF 600 / 800 | (€ 620 / 820)

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ALBRECHT DÜRER

Lot 3607* - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

ALBRECHT DÜRER

(1471 Nuremberg 1528)
The Martyrdom of the Ten Thousand. 1497.
Woodcut on laid paper with watermark: coat of arms.
40.4 x 29.3 cm (sheet size).
Bartsch 117; Schoch/Mende/Scherbaum 104; Meder 218 g (of g). - A fine, strong and mainly clear impression with margins around the borderline. Paper evenly somewhat browned, scattered subtle stains. The verso with some traces of previous mounting. Overall in good condition.

CHF 500 / 700 | (€ 520 / 720)

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ALBRECHT DÜRER

Lot 3608 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

ALBRECHT DÜRER

(1471 Nuremberg 1528)
The Entombment. Sheet 10 of the series: The Large Passion. Circa 1496/97.
Woodcut on laid paper with watermark: Gothic 'P' with Wäppchen and 'A' (Meder 325, c. 1570).
38.6 x 27.5 cm.
Bartsch 12; Schoch/Mende/Scherbaum 163; Meder 123 editions after 1511, without text: a (of g). - With even heavy browning and somewhat spotted in places. The borderline probably retraced with old pen. With some old backed tears, such as in the central fold on the left, above the central fold on the right and at both lower corners. Several thin spots and with some traces of previous mounting.

CHF 700 / 900 | (€ 720 / 930)

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ALBRECHT DÜRER

Lot 3609 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

ALBRECHT DÜRER

(1471 Nuremberg 1528)
The Virgin and Child Seated by the Wall. 1514
Engraving on laid paper without watermark.
14.8 x 10.2 cm.
Bartsch 40; Schoch/Mende/Scherbaum 73; Meder 36 Ib (of II). - A silvery, even impression, somewhat weaker in places, with small margins around the platemark. Fixed at the upper corners on card mount. The upper left margin with tear, the upper right corner torn off and reattached. The lower edge on the right with minute paper loss outside the platemark. The upper left half of the image slightly browned, likewise slightly browned at upper right. Scattered tiny fox marks.

CHF 700 / 900 | (€ 720 / 930)

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MATTHÄUS ZASINGER (Master MZ)

Lot 3610* - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

MATTHÄUS ZASINGER (Master MZ)

(Munich 1477–after 1503)
Shooting the Dead Father (The Martyrdom of Saint Sebastian).
Engraving on laid paper with watermark: eagle (trimmed).
17.1 x 24.2 cm.
Bartsch (Master MZ) VI, p.373, 4; Nagler, Monogrammist (Master MZ) IV, 2278, 4; Lehrs 4. - An excellent, strong, even and clear impression with small margins around the platemark. The verso with older annotations in pencil. Very good condition.

CHF 400 / 600 | (€ 410 / 620)

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BARTOLOMMEO CORIOLANO

Lot 3611 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

BARTOLOMMEO CORIOLANO

(Bologna, c. 1599–1676 Rome)
Herodias and Salome with the head of John the Baptist. 1631. After GUIDO RENI.
Chiaroscuro woodcut from three blocks.
17.2 x 19 cm.
Bartsch 19 - A very fine, even and clear impression mainly with thread margins around the borderline. The verso with annotations in pencil. Overall in very good condition. Provenance: - Collection of Philipp Himmelheber (1899-1968), Karlsruhe, Lugt 1352a.

CHF 900 / 1 200 | (€ 930 / 1 240)

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GIULIO DI ANTONIO BONASONE

Lot 3612 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

GIULIO DI ANTONIO BONASONE

(1498–1574 Bologna)
Cupid presenting to Ceres stems of grain. 1540.
Etching.
14.1 x 15.8 cm.
Bartsch 2; Massari 99. - A superb, deep black, even and clear impression. With small margins around the platemark above and below, with thread margins at left and right. In very good condition. - Very rare. Provenance: - Collection of E. Fabricius (–1920), Berlin, Lugt 847a and Lugt 919th. - Collection of Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a.

CHF 400 / 600 | (€ 410 / 620)

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NICOLO BOLDRINI

Lot 3613 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

NICOLO BOLDRINI

(wood engraver from Vicenza, active c. 1540–1566)
Milon of Kroton with the lion, after PORDENONE or TITIAN, 1566.
Woodcut on laid paper with watermark (not identified).
29.3 x 42 cm (slightly uneven).
Passavant VI, 70; Muraro/Rosand 81 - A strong, deep black, mostly clear impression. The borderline visible in places, trimmed to or just inside the borderline in places. One sloping horizontal crack in the block faintly retouched with pen, another faint crack from the right edge of the print above the rear part of the lion. Single insignificant spots. Overall in good condition.

CHF 300 / 400 | (€ 310 / 410)

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GUIDO RENI

Lot 3614 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

GUIDO RENI

(1575 Bologna 1642)
Lot of two sheets: 1. Woman with a cushion; 2. Woman with a cross. Circa 1590-1600.
Etchings.
16 x 7.9 cm and 16.1 x 7.7 cm (both sheet size).
Bartsch 48 and 49 (the attribution to Guido Reni adopted by Bartsch, Nagler and Le Blanc is questioned by Veronika Birke, who assigns the sheets to PARMIGIANINO.). - Fine, clear and even impressions, each with margins around the borderline and/or with the partly visible platemark. With light traces of wear. No.1 with small abrasion at upper margin. The verso of each somewhat browned and with annotations in pencil. Overall in fine condition. Provenance: - Collection of Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a.

CHF 1 500 / 2 000 | (€ 1 550 / 2 060)

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GIUSEPPE CALETTI IL CREMONESE

Lot 3615 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

GIUSEPPE CALETTI IL CREMONESE

(Ferrara, c. 1600–1660 Cremona)
Saint Roch. Circa 1620-30.
Etching.
14.3 x 8.7 cm.
Bartsch 5 II. - A superb, strong impression, printing with rich contrast. Three sides with small to thread margins around the platemark, the lower margin trimmed to the platemark. Scattered stains, the verso with annotations in pencil. Overall in good condition. - Very rare. Provenance: - Collection of P. Davidsohn (1839-before 1924), London, Vienna, Berlin, Lugt 654. - Collection of Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a.

CHF 700 / 900 | (€ 720 / 930)

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ANTONIO DA TRENTO

Lot 3616 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

ANTONIO DA TRENTO

(Trento, c. 1520–1555 Fontainebleau)
The Virgin and Child and Saint John the Baptist as an infant. After Francesco Mazzola, called PARMIGIANINO.
Chiaroscuro woodcut printed in black and brown inks from two blocks, oval.
19.3 x 23.6 cm.
Bartsch XII, p. 56, 12 - A very fine and strong impression with small margins around the borderline. Subtle foxing mainly at lower margin. The verso with uniform subtle foxing and some occasional stains. Overall in good condition. Provenance: - Collection of E. Fabricius (- around 1920), Berlin, Lugt 847a. - Collection of Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a.

CHF 1 000 / 1 500 | (€ 1 030 / 1 550)

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JAN PIETERSZ. SAENREDAM

Lot 3617 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

JAN PIETERSZ. SAENREDAM

(Zaandam 1565–1607 Assendelft)
After Hendrik GOLTZIUS. Four sheets from the series: Women of the New Testament: 1. Mary Magdalene; 2. The Samaritan Woman; 3. The Adulteress; 4. The Woman of Canaan. Circa 1595.
Etchings.
Each 19.5 x 14 cm
Hollstein 35; 59; 60 and 61 - Very fine, silvery, even and clear impressions with margins around the platemark. With scattered subtle stains, some abrasions and light traces of wear. No. 1 with restored tear at right margin. Each numbered in old pencil at lower left corner. Overall in good condition. Provenance: - Collection of E. Fabricius (- around 1920), Berlin, Lugt 847a - Collection of Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a.

CHF 600 / 800 | (€ 620 / 820)

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ISAAK MAJOR

Lot 3618 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

ISAAK MAJOR

(Frankfurt a.M., c. 1576–c. 1645 Vienna) 1630/36)
Rocky landscape with Saint Jerome and the lion. 1622. after ROELANDT SAVERY.
Engraving on laid paper.
52.7 x 69.4 cm.
Nagler 1; Hollstein 7 I (of II, before Wagner's address). - A fine, even and clear impression. Trimmed to the subject and mounted on old backing sheet. The horizontal central fold somewhat creased, some closed tears. Some stains and abrasions, light traces of wear. Overall still in good condition. Provenance: - State Collection of Prints and Drawings of the Veste Coburg, Lugt 451a.

CHF 600 / 800 | (€ 620 / 820)

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ORAZIO BORGIANNI

Lot 3619 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

ORAZIO BORGIANNI

(1574 Rome 1616)
The Lamentation of Christ. Circa 1612/15.
Etching on laid paper without watermark.
23.5 x 22.2 cm (sheet size).
Bartsch 2; Bellini 14 III - An even, clear impression, mainly trimmed to the borderline. The paper with even subtle browning and light traces of wear mainly in the lower margin. Provenance: - Collection of Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a.

CHF 400 / 600 | (€ 410 / 620)

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ADRIAEN LOMMELIN

Lot 3620 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

ADRIAEN LOMMELIN

(Amniens, c. 1637–1675/77 Antwerp)
Margareta Lemon. After Anton van DYCK.
Etching on laid paper with watermark: crowned coat of arms with three crosses, held by two lions (fragmented).
26.1 x 18.6 cm.
Dutuit 113; Mauquoy-Hendrickx 111 II (of II). - A fine, strong, even and clear impression with small margins around the platemark. Evenly browned in the mat window and with some occasional stains. With smoothed central fold. Older annotations in pencil on the verso. Overall still in good condition. - Very rare. Provenance: - Collection of P. Davidsohn (1839-before 1924) Danzig, Vienna, Berlin, Lugt 654. - Private collection, Switzerland.

CHF 400 / 600 | (€ 410 / 620)

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CORNELIS PIETERZ BEGA

Lot 3621 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

CORNELIS PIETERZ BEGA

(1620/32 Haarlem 1664)
1. Man in a short coat, standing; 2. Young woman with jug, standing. Circa 1650.
Etchings on laid paper.
4.5 x 3.7 cm and 3.5 x 3.5 cm.
Hollstein 8 and 9 - Fine, strong, clear and even impressions from the uncleaned plate. Both sheets with small margins around the platemark. The verso with annotations in pencil. No. 2 with some old traces of glue. Very good condition. Provenance: - Collection of Philipp Herrmann (1899-1968), Karlsruhe, Lugt 1352a.

CHF 300 / 400 | (€ 310 / 410)

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REMBRANDT HARMENSZ. VAN RIJN

Lot 3622 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606–1669 Amsterdam)
Jan Uytenbogaert, preacher of the Remonstrants.
Etching on laid paper without watermark.
22.5 x 18.5 cm.
Bartsch 279; Hinterding/Rutgers (The New Hollstein) 153 VII-VIII (of IX). - A very fine, strong, and even impression, printing with rich contrast, with small margins around the platemark. The paper with even light browning and with some traces of wear. A minute thin spot at left margin outside of the image. Overall in fine condition. Provenance: - A. Firmin- Didot (1790-1876), Paris, Lugt 119. - Private collection, Switzerland.

CHF 900 / 1 200 | (€ 930 / 1 240)

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REMBRANDT HARMENSZ. VAN RIJN

Lot 3623* - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606–1669 Amsterdam)
The Large Descent from the Cross. 1633.
Etching and engraving on Japan paper, mounted on card.
52.5 x 40.8 cm (sheet size: 84.5 x 54.5 cm).
Bartsch 81; White-Boon 81 V (of V); Hinterding/Rutgers (The New Hollstein) 119 VII/ VIII (of VIII, with the address: Imp. Lamoureux v. S. Jean de Beautvais 12 Paris). - A fine, strong impression, printing with rich contrast. The card mount heavily browned and stained. The outermost edges of the verso with old mountings. The image in very good, nearly pristine condition.

CHF 700 / 1 000 | (€ 720 / 1 030)

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REMBRANDT HARMENSZ. VAN RIJN

Lot 3624 - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606–1669 Amsterdam)
The Large Raising of Lazarus. Circa 1632.
Etching on laid paper.
36.6 x 25.7 cm.
Bartsch 73; Hinterding/Rutgers (New Hollstein) 113 VIII (of IX). - An excellent, clear impression partly with thread margins around the platemark/ around the subject. Even slight browning. The corners slightly bumped in places. Occasional insignificant stains, a few abrasions and some creasing in places. The lower and left edges with small water stains, visible only from the verso. Older annotations in pencil on the verso. Overall in good condition.

CHF 1 000 / 1 500 | (€ 1 030 / 1 550)

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REMBRANDT HARMENSZ. VAN RIJN

Lot 3625* - A204 Old Master Prints - Friday 31 March 2023, 10.00 AM

REMBRANDT HARMENSZ. VAN RIJN

(Leiden 1606–1669 Amsterdam)
The Crucifixion (small plate). Circa 1635.
Etching on fine laid paper.
9.7 x 6.8 cm (sheet size: 12.2 x 9 cm).
Bartsch 80; Nowell-Usticke 80 I (of IV); Hinterding/Rutgers (New Hollstein) 143 I/II (of III, with the signature still visible). A fine, clear impression with margins around the platemark. With even subtle browning and minimal foxing. With traces of previous mounting, which slightly shows through to the front at the left margin. Overall in good condition.

CHF 1 500 / 2 000 | (€ 1 550 / 2 060)

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