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L'histoire de Koller est étroitement liée aux arts décoratifs depuis 1958. Mobilier, argenterie, porcelaine et sculpture font partie du noyau central de nos compétences les plus anciennes, et de nombreuses pièces d’exception ont été vendues lors de nos enchères au fil des décennies.

La multitude et la qualité du mobilier ancien, des arts décoratifs et des objets de collection vendus deux fois par an chez Koller est pratiquement unique en Europe.

Des créations de célèbres ébénistes tels que Charles Cressent, Abraham Roentgen, André-Charles Boulle, Bernard van Risen Burgh, Johann Friedrich Spindler et Adam Weisweiler sont régulièrement présentées. Koller s'est également forgé une solide réputation en tant que l'une des principales maisons de ventes aux enchères européennes spécialisées en horlogerie ancienne, avec des pièces d’horlogers illustres tels que Berthoud, Deverberie, Breguet, Le Roy, Lépine et Jaquet-Droz.

Depuis la fondation de la maison Koller, la porcelaine et la faïence occupent une place importante dans nos ventes aux enchères et témoignent de cette longue et importante tradition suisse de collectionner la céramique. De nombreuses pièces prestigieuses ont été vendues chez Koller. Les pièces de collection de Meissen, Sèvres, Strasbourg, Nymphenburg, Du Paquier, Zurich, ainsi que la majolique italienne et les créations de la Russie impériale sont convoitées par notre clientèle avertie et génèrent régulièrement des prix records.

Nos ventes aux enchères d'argenterie présentent régulièrement des pièces de haute qualité du 16e au 20e siècle. Les pièces d'orfèvrerie proposées dans nos ventes proviennent non seulement de manufactures suisses, mais aussi de centres de production d'argenterie de renommée historique mondiale, tels que Londres, Augsbourg, Paris, Moscou, Saint-Pétersbourg, Turin et Nuremberg. 

Le département des Arts Décoratifs organise régulièrement des ventes aux enchères de collections entières, avec des catalogues dédiés et soigneusement étudiés qui non seulement assurent une vente réussie de la collection, mais constituent un témoignage pour le collectionneur et un document utile pour les futurs collectionneurs et chercheurs. Citons par exemple la collection de porcelaine du Dr Siegfried Ducret, la collection d'instruments scientifiques Nessi et la collection de sculptures et d'objets antiques romains et égyptiens de Dre Sylvia Legrain.

Nos ventes aux enchères d'arts décoratifs ont lieu en mars et septembre. Les consignations sont acceptées jusqu'à mi-janvier pour la vente de mars et jusqu'à mi-juillet pour la vente de septembre.

Nos spécialistes se feront un plaisir d'évaluer vos objets en vue d'une éventuelle vente aux enchères.

LA VÉNUS BARTHOLONI

La beauté incarnée, en marbre pur


De l’Antiquité grecque et romaine à une luxueuse villa au bord du lac Léman : partez sur les traces d’une sculpture de la déesse de l’amour – au fil d’un voyage à travers les siècles.


Pour les sous-titres, cliquez sur « CC » sous la vidéo YouTube. D’autres langues peuvent être sélectionnées via Paramètres ⚙.


Lots phares

PROCHAINES VENTES

17 septembre 2026. Vous souhaitez vendre des mobilier lors de notre prochaine vente aux enchères ? Contactez-nous pour une estimation gratuite et sans engagement.

ibid online only: 22 septembre 2026

Estimations / Consignations

Si vous souhaitez consigner des œuvres à l'une de nos ventes aux enchères, nous les évaluerons gratuitement. Veuillez nous envoyer des photos si possible, ou nous appeler. Nous conviendrons d'un rendez-vous pour examiner vos œuvres à votre domicile ou dans l'un de nos bureaux à Zurich, Genève, Florence, Munich ou Düsseldorf. Vous recevrez ensuite nos estimations afin que vous puissiez prendre votre décision.

Demander une estimation maintenant
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Contact

Stephan Koller

Responsable du département
Mobilier & Décoration skoller@kollerauctions.com
+41 44 445 63 41

Flavio de Corso

Mobilier & Décoration decorso@kollerauctions.com
+41 44 445 63 46

Lara Halter

Mobilier & Décoration halter@kollerauctions.com
+41 44 445 63 45


Représentants

Koller Genève

Cyril Himmer
geneva@kollerauctions.com
+41 22 311 03 85

Koller Munich

Fiona Seidler
muenchen@kollerauctions.com
+49 89 22 802 766

Koller Düsseldorf

Ulrike Gruben
duesseldorf@kollerauctions.com
+49 211 30 14 36 38

Koller Italie

Lapo Bacarelli
italia@kollerauctions.com
+39 366 994 1836

Koller Chine

Jing Li
beijing@kollerauctions.com
+86 135 2039 8057

DIE BARTHOLONI-VENUS

Die Verkörperung von Schönheit, aus reinem Marmor


Von der Antike Griechenlands und Roms bis zu einer luxuriösen Villa am Genfersee: Folgen Sie mit uns den Spuren einer Skulptur der Göttin der Liebe – auf einer Reise durch Jahrtausende.


Für Untertitel klicken Sie auf «CC» unter dem YouTube-Video. Weitere Sprachen wählen Sie über Einstellungen ⚙.

RÉSULTATS SÉLECTIONNÉS Mobilier & Décoration

A MUMMY MASK

Egypt, probably from Fayum, Ptolemaic, ca. 3rd–1st c. BC.
Stuccoed and painted kartonage, in part gilt. The contours of the eyes and the eyelid line are inlaid with lapis lazuli, the pupils with glass and white or black enamel. A two-part stranded wig, parted at the front and falling down to the chest, with an Ankh knot on the back, the loops of which transition into a Uraeus serpent. A relief scarab with spread wings on the front of the crown-cap. Figurative and geometric decoration on the strands in three ranks; the lowest rank with four seated genies each holding the Uas scepter, above them the enthroned Osiris on the right strand, accompanied by the four sons of Horus: Hapi and Duamutef, and on the left strand Amset and Kebehsenuef. The strands end with a falcon crowned with a sun disk, holding the feather of the goddess Maat in its talons. The inside with a later, probably Arabic annotation.
H 45.5 cm, L 28.5 cm, D 27.5 cm.
Gilding and polychrome paintwork with losses. Cracks.

CHF 50 000 (frais inclus)
Information sans garantie.

A216 / 1001
Détails  image
A MUMMY MASK
A MUMMY MASK

CHF 50 000

A MARBLE TORSO OF THE “BARTHOLONI” VENUS

Roman, Imperial period, ca. 2nd century AD. Knidian type, after the Hellenistic model by Praxiteles, “Aphrodite of Knidos” (ca. 350/340 BC).
Carrara marble, sculpted in the round. Venus, Goddess of love, stands naked, leaning slightly forward in a contrapposto pose with her weight on her right leg. Her left leg is extended and bent at the knee. Remains of the original support on the outside of the thigh. The right arm was originally lowered, with the hand, which is now missing, positioned above the pubic triangle. The left shoulder is slightly pulled back. An old engraved inventory number, 170, is visible on the support. Mounted on a later rotating base.
H without base 120 cm, H with base 184 cm.
Repairs. Cleaned. Rubbing and chipping. Fillings.

CHF 1.17 Mio. (frais inclus)
Information sans garantie.

A216 / 1006*
Détails  image
A MARBLE TORSO OF THE “BARTHOLONI” VENUS
A MARBLE TORSO OF THE “BARTHOLONI” VENUS

CHF 1.17 Mio.

A MONUMENTAL COPTIC WALL HANGING

Coptic, Egypt, probably found in Sheikh Abadeh, ca. 5th–7th century AD.
Linen ground with polychrome wool threads. The upper depiction with three worshippers standing under round arches, their hands raised in prayer. The left and middle figures are probably female, wearing elaborate necklaces and earrings, the middle one also wearing elaborate hair ornaments. Above their heads are remnants of Greek inscriptions. Mosaic decoration on columns and arches. Below this is an image segment with a round medallion, probably a sun symbol, flanked by two birds, the left one probably an eagle, the right one a peacock. Below this is an image segment with five standing figures, the left and middle ones with wings, possibly representing angels, their hands also raised in prayer. The central figure has a halo and a staff. The figure on the far left also has a staff. Again with remnants of Greek titles. The lowest image zone shows leaping lions between trees. The four image zones are bordered by four horizontal strips with geometric, partly offset patterns. On the left and right, the four image zones are lined by two column-like vertical strips, with a head visible in each of the lower areas. An additional wide border with geometric meander band decoration frames the lower half of the scene. An additional lower strip shows a flock of birds, probably doves, with a stylized geometric garland of flowers.
Ca. 405 × 310 cm.
Various fragments joined together. Partially supplemented. Restorations. Tears.

CHF 646 400 (frais inclus)
Information sans garantie.

A216 / 1011*
Détails  image
A MONUMENTAL COPTIC WALL HANGING
A MONUMENTAL COPTIC WALL HANGING

CHF 646 400

THE ARCHANGEL MICHAEL - FORMERLY IN THE COLLECTION OF PRINCE EMANUEL OF LIECHTENSTEIN

Austria, Carinthia, Villach workshop, ca. 1480.
Carved wood, flattened on the back, painted, and in part gilt. The archangel stands in full armor in an expressive, dynamic pose with his sword raised, holding the Scale of Souls in his left hand. His cloak falls in soft, sweeping folds.
H 125 cm.
Paintwork partially restored. Wings, hands, and sword replaced. Chips on one of the weighing pans and on a fold in the garment. Figures on the Scale of Souls incomplete.

CHF 62 500 (frais inclus)
Information sans garantie.

A216 / 1013
Détails  image
THE ARCHANGEL MICHAEL - FORMERLY IN THE COLLECTION OF PRINCE EMANUEL OF LIECHTENSTEIN
THE ARCHANGEL MICHAEL - FORMERLY IN THE COLLECTION OF PRINCE EMANUEL OF LIECHTENSTEIN

CHF 62 500

RICHLY INLAID MINIATURE CABINET

Southern Germany, second half of the 16th century. The ivory inlays are partly based on engravings by Virgil Solis (1514–1562).
Wood partly ebonized and richly inlaid with floral and foliage motifs featuring birds, hunting scenes, royal equestrian figures, etc. in rectangular reserves framed by scrollwork. Rectangular body structured by pilasters and molded cornices on a straight molded frame. Hinged lid with prismatic top, opening onto a compartment and side drawer. The top is inlaid with a cityscape, hunters with their prey, falconers on horseback, hunting dogs, and bears, hares, and wild boars, horsemen with pistols, and a cavalry battle. The inside of the lid is decorated with tendrils and birds. Finely engraved, gilt lock plate. The front has double doors above a drawer. The doors show a royal couple on horseback. The drawer front has two hunting scenes (probably later additions), owls, and birds. The double doors open onto eight drawers arranged around a door, the inlay work of which matches the exterior; the door shows a king with a scepter. The side walls and the back wall show royal horsemen in the middle section, the upper friezes show birds, and the lower friezes show hunting scenes. The pilasters in the lower section feature a total of nine ancient heroes based on engravings by Virgil Solis with different coats of arms. Iron grips on the sides.
45 × 33 × 38.5 cm.
Losses, minor supplements, missing parts, and cracks.

CHF 75 000 (frais inclus)
Information sans garantie.

A216 / 1019
Détails  image
RICHLY INLAID MINIATURE CABINET
RICHLY INLAID MINIATURE CABINET

CHF 75 000

GOLD/ENAMEL CLOCK “AU CERCLE TOURNANT” DESIGNED AS AN EGG

Replica of the so-called “Madonna Lily Clock Egg” by Carl Fabergé, made by Meister, Zürich, 1982. Marked EM and with gold stamp 750.
Gold 750 (468.53 g) in four shades on a transparent yellow enamel base, set with diamonds (in total 11.64 ct.). The egg rests on a short, indented central shaft and is supported by two acanthus leaf scrolls on either side. On a stepped rectangular base with feet designed as pine cones. Rich applied decoration in the form of vases, leaves and flower tendrils, the year 1899 and relief leaf friezes. The egg is crowned by a wreath of rose blossoms from which lilies grow, the calyxes crafted from quartzite, the pistils crafted in gold and diamonds. White rotating chapter ring, Roman hour numerals applied in silver with diamonds. The fixed hand is formed by an applied arrow and bow set with diamonds. Mechanical movement with balance wheel, spring winding via battery. With original leather-lined case.
9.5 × 5.5 × 27 cm.

CHF 106 250 (frais inclus)
Information sans garantie.

A216 / 1164*
Détails  image
GOLD/ENAMEL CLOCK “AU CERCLE TOURNANT” DESIGNED AS AN EGG
GOLD/ENAMEL CLOCK “AU CERCLE TOURNANT” DESIGNED AS AN EGG

CHF 106 250

A CYCLADIC MARBLE IDOL - FORMER COLLECTIONS OF SIR JACOB EPSTEIN (1880–1959) & CARLO MONZINO (1933–1996)

Early Cycladic, Early Spedos type, approx. 2600–2500 BC. Attributed to the “Karo” sculptor.
White marble with minimal pigment residue, known as “ghost paint.” Full-figured female idol. Harmonious, lyre-shaped head with a short, well-proportioned nose transitioning directly into a receding forehead and an ellipsoid chin. Relatively short neck, only slightly thickening toward the shoulders. The shoulders are markedly arched, with the shoulder line at the same height. The torso is stocky and compact with widely spaced, raised breasts. The hands are clasped under the chest, almost completely covering the abdomen. The left arm is crossed over the right, forming a slight diagonal. Narrow lower abdominal fold. Curvy, protruding hips, tucked in at the knees, slightly spread lower legs with spread feet. Deeply indented thigh cleft, at knee level and opening down to the ankles. Hinted, incised toes. Neck and back in a straight line with a notch from the spine to the thighs. Legs angled, positioned slightly in front of the torso. With a plexiglass stand and box.
H 17.8 cm, W 5.5 cm.
Restored breaks. Surface cleaned. Incrustations in places. Dark, punctiform deposits. Scratches on the hip.

CHF 225 000 (frais inclus)
Information sans garantie.

A214 / 1050
Détails  image
A CYCLADIC MARBLE IDOL - FORMER COLLECTIONS OF SIR JACOB EPSTEIN (1880–1959) & CARLO MONZINO (1933–1996)
A CYCLADIC MARBLE IDOL - FORMER COLLECTIONS OF SIR JACOB EPSTEIN (1880–1959) & CARLO MONZINO (1933–1996)

CHF 225 000

ISTORIATO PLATE WITH A FAMILY COAT-OF-ARMS - The Embden Collection

Renaissance, Venice, ca. 1570. Probably Orazio Fortezza (or Horacije Fortezza, Šibenik, ca. 1530–1596)
Brass, finely engraved and partially blackened. The lip features three medallions of Roman statesmen, with three battle scenes in cartouches between them, framed by tendrils with mythical creatures. In the center is a battle scene with soldiers and horsemen on horseback, three banners labeled SPQR and PON. Probably a depiction of the Battle of Pharsalus or a battle between Romans and Barbarians. In the middle is a coat of arms, probably of an Italian family (possibly Collalto).
Ø 50 cm.
Perforation in the rim, minor dents and scuffs.

CHF 43 750 (frais inclus)
Information sans garantie.

A214 / 1107*
Détails  image
ISTORIATO PLATE WITH A FAMILY COAT-OF-ARMS - The Embden Collection
ISTORIATO PLATE WITH A FAMILY COAT-OF-ARMS - The Embden Collection

CHF 43 750

SAINT CHRISTOPHER WITH THE INFANT JESUS - The Embden Collection

Northern Germany/The Netherlands, ca.1580.
Boxwood, finely carved in the round. The saint is depicted wearing a turban, a buttoned and belted doublet, and a long cloak, leaning on a large branch as a staff, and standing in a body of water. The Christ Child with the globe is crouching on his shoulders, and the two are making eye contact. On an octagonal stepped base with two blank coat-of-arms cartouches on the front.
H 38 cm.
One hand of Saint Christopher with a break, the Christ Child's right arm is missing. Cracks and losses.

CHF 30 000 (frais inclus)
Information sans garantie.

A214 / 1113*
Détails  image
SAINT CHRISTOPHER WITH THE INFANT JESUS - The Embden Collection
SAINT CHRISTOPHER WITH THE INFANT JESUS - The Embden Collection

CHF 30 000

RELIC CHEST WITH SILVER MOUNT

Colonial work for Portugal or Spain, 16th/17th century.
Tortoiseshell and silver. Rectangular box with multi-curved hinged lid. Chased silver fittings with vine and animal decoration. Raised lock with birds and a lizard-like reptile as a clasp (no key). Side handles and central handle on the lid. Red wax seal on the reverse with the coat of arms of Cardinal Camillo Paolucci Merlini (1692–1763).
29.5 × 18.5 × 13.5 cm.
Losses, cracks, and supplements.

CHF 110 000 (frais inclus)
Information sans garantie.

A214 / 1135*
Détails  image
RELIC CHEST WITH SILVER MOUNT
RELIC CHEST WITH SILVER MOUNT

CHF 110 000