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Old Master Prints

Friday 27 March 2015, 9.30 AM



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ITALIAN.Anonymous, circa 1800. Antique fountain with visitors, three of which on horseback. Gouache, heightened with white. 10.5 x 14.5 cm. Old frame.

Lot 6856* - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

ITALIAN.Anonymous, circa 1800. Antique fountain with visitors, three of which on horseback. Gouache, heightened with white. 10.5 x 14.5 cm. Old frame.

Anonym, um 1800. Antike Brunnenanlage mit Besuchern, davon drei auf einem Pferd. Gouache, weiss gehöht. 10,5 x 14,5 cm. Alte Rahmung.

CHF 150 / 200 | (€ 150 / 210)

Sold for CHF 244 (including buyer's premium)

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JAN VAN OS (Middelharnis 1744 - 1808 The Hague).Lot of 2 sheets.: 1. Head of a calf. 2. Head of an ox. Watercolour, each ca. 18 x 15 cm (image). Signed in brown pen below the image to the right: J: van Os. fecit. Framed as a pair.

Lot 6857 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

JAN VAN OS (Middelharnis 1744 - 1808 The Hague).Lot of 2 sheets.: 1. Head of a calf. 2. Head of an ox. Watercolour, each ca. 18 x 15 cm (image). Signed in brown pen below the image to the right: J: van Os. fecit. Framed as a pair.

Lot von 2 Bll.: 1. Kopf eines Kalbs. 2. Kopf eines Ochsen Aquarelle, jeweils ca. 18 x 15 cm (licht). Unterhalb der Darstellung rechts mit brauner Feder signiert: J: van Os. fecit. Als Gegenstücke gerahmt.

CHF 400 / 600 | (€ 410 / 620)

Sold for CHF 732 (including buyer's premium)

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JERRY, F. (active 19th century).The Sydney coastline. Watercolour over pencil, 19.5 x 35.5 cm (image). Signed lower left: FJerry st. Framed.

Lot 6858 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

JERRY, F. (active 19th century).The Sydney coastline. Watercolour over pencil, 19.5 x 35.5 cm (image). Signed lower left: FJerry st. Framed.

Die Küste von Sydney. Aquarell über Bleistift, 19,5 x 35,5 cm (licht). Unten links signiert: FJerry st. Gerahmt.

CHF 500 / 700 | (€ 520 / 720)

Sold for CHF 14 640 (including buyer's premium)

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GROUP OF FOUR DRAWINGS: 1. French , 18th century. Design for ceiling stucco work. Pen and brush in grey. 17.5 x 49 cm. 2. French , 18th century. Designs for mirror frames. Grey pen, 26 x 41.5 cm. 3. French , 18th century. Studies of ornament. Mounted on backing sheet. Brown pen, with some brown brush, grey wash. Sheet size: 44 x 27 cm. 4. French , 19th century Design for a fountain with fish and design for fountain figures. Pen and brush in grey. 25.5 x 24 cm and 25.5 x 29.2 cm.

Lot 6864* - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

GROUP OF FOUR DRAWINGS: 1. French , 18th century. Design for ceiling stucco work. Pen and brush in grey. 17.5 x 49 cm. 2. French , 18th century. Designs for mirror frames. Grey pen, 26 x 41.5 cm. 3. French , 18th century. Studies of ornament. Mounted on backing sheet. Brown pen, with some brown brush, grey wash. Sheet size: 44 x 27 cm. 4. French , 19th century Design for a fountain with fish and design for fountain figures. Pen and brush in grey. 25.5 x 24 cm and 25.5 x 29.2 cm.

Lot von vier Zeichnungen: 1. Französisch, 18. Jh.. Entwurf für eine Deckenstuckatur. Feder und Pinsel in Grau, 17,5 x 49 cm. 2. Französisch, 18. Jh. Entwürfe zu Spiegelrahmungen. Feder in Grau, 26 x 41,5 cm. 3. Französisch, 18. Jh.. Ornamentstudien, auf einen Unterlagenbogen montiert. Feder in Braun, teils mit Pinsel in Braun und Grau laviert. Bogengrösse: 44 x 27 cm. 4. Französisch, 19. Jh. Brunnenentwurf mit Fischen und Entwürfe für Brunnenfiguren. Feder und Pinsel in Grau. 25,5 x 24 cm und 25,5 x 29,2 cm.

CHF 400 / 500 | (€ 410 / 520)

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LUGARDON, JEAN LEONARD (1801 Geneva 1884).Study for the painting "Wilhelm Tell rettet Baumgarten" (William Tell saves Baumgarten). Black chalk, heightened with white. Squared with black chalk, on grey paper. 69.9 x 45 cm.

Lot 6867 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

LUGARDON, JEAN LEONARD (1801 Geneva 1884).Study for the painting "Wilhelm Tell rettet Baumgarten" (William Tell saves Baumgarten). Black chalk, heightened with white. Squared with black chalk, on grey paper. 69.9 x 45 cm.

Studie zum Gemälde "Wilhelm Tell rettet Baumgarten". Schwarze Kreide, weiss gehöht. Mit schwarzer Kreide quadriert, auf grauem Papier. 69,9 x 45 cm.

CHF 600 / 800 | (€ 620 / 820)

Sold for CHF 2 318 (including buyer's premium)

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MENN, BARTHELEMY (1815 Geneva 1893).Study of a standing man. Black chalk. 18.5 x 11.3 cm. Provenance: - Collection of Daniel Baud-Bovy (1870-1958), Geneva - Collection of Aline Baud-Bovy, Geneva

Lot 6870* - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

MENN, BARTHELEMY (1815 Geneva 1893).Study of a standing man. Black chalk. 18.5 x 11.3 cm. Provenance: - Collection of Daniel Baud-Bovy (1870-1958), Geneva - Collection of Aline Baud-Bovy, Geneva

Studie zu einem stehenden Mann. Schwarze Kreide. 18,5 x 11,3 cm.

CHF 600 / 800 | (€ 620 / 820)

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DUTCH, 18/19TH CENTURY.Broad landscape with tree by the water and a path with passers-by. Pen and brush in grey over black crayon. On laid paper, without watermark. 24.7 x 19.7 cm. Verso old inscription in pencil: Van Brussel te Utrecht. Framed.

Lot 6879 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

DUTCH, 18/19TH CENTURY.Broad landscape with tree by the water and a path with passers-by. Pen and brush in grey over black crayon. On laid paper, without watermark. 24.7 x 19.7 cm. Verso old inscription in pencil: Van Brussel te Utrecht. Framed.

Weite Landschaft mit Baum an einem Gewässer und Weg mit einem Passanten. Feder und Pinsel in Grau über schwarzem Stift. Auf Bütten, ohne Wz., 24,7 x 19,7 cm. Verso mit Bleistift alt bezeichnet: Van Brussel te Utrecht. Gerahmt.

CHF 150 / 200 | (€ 150 / 210)

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STROBL, THERESE (active in 18th century).Der Kupferstichhändler (The print dealer), circa 1770/80. Grey pen with watercolour, 36.5 x 26 cm. With black pen outer line. Titled in brown pen below the image: Kupferstichhändler: Marchandd'Estampes. Signed lower right: Therese de Strobl. Gold frame.

Lot 6887 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

STROBL, THERESE (active in 18th century).Der Kupferstichhändler (The print dealer), circa 1770/80. Grey pen with watercolour, 36.5 x 26 cm. With black pen outer line. Titled in brown pen below the image: Kupferstichhändler: Marchandd'Estampes. Signed lower right: Therese de Strobl. Gold frame.

Der Kupferstichhändler, um 1770/80. Feder in Grau, Aquarell, 36,5 x 26 cm. Die Einfassungslinie mit schwarzer Feder. Mit brauner Feder unterhalb der Darstellung betitelt: Kupferstichhändler: Marchandd'Estampes. Unten rechts signiert: Therese de Strobl. Echtgoldrahmung.

CHF 400 / 600 | (€ 410 / 620)

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TERRY, HENRY JOHN (Great Marlow 1818 - 1880 Lausanne).View of Alby sur Chéran. Watercolour. 25.8 x 36.6 cm. Inscribed, signed and dated lower right: Le Vieux pont Alby. 11.9.64. Stamped: H.Terry.

Lot 6888 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

TERRY, HENRY JOHN (Great Marlow 1818 - 1880 Lausanne).View of Alby sur Chéran. Watercolour. 25.8 x 36.6 cm. Inscribed, signed and dated lower right: Le Vieux pont Alby. 11.9.64. Stamped: H.Terry.

Blick auf Alby sur Chéran. Aquarell. 25,8 x 36,6 cm. Unten rechts bezeichnet, signiert und datiert: Le Vieux pont Alby. 11.9.64. Gestempelt: H.Terry.

CHF 300 / 400 | (€ 310 / 410)

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TÖPFFER, ADAM - WOLFGANG (1766 Geneva 1847).Portrait of a young woman. Silver crayon, coloured crayon, on brown paper. 13.8 x 9.8 cm (oval). Provenance: - Collection of Carmen Fontanet, Geneva, Lugt 3225

Lot 6890 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

TÖPFFER, ADAM - WOLFGANG (1766 Geneva 1847).Portrait of a young woman. Silver crayon, coloured crayon, on brown paper. 13.8 x 9.8 cm (oval). Provenance: - Collection of Carmen Fontanet, Geneva, Lugt 3225

Porträt einer jungen Frau. Silberstift, farbige Kreide, auf braunem Papier. 13,8 x 9,8 cm (im Oval).

CHF 300 / 400 | (€ 310 / 410)

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WIGAND, BALTHASAR (Vienna 1770 - 1846 Felixdorf).Die Völkerschlacht bei Leipzig, 1813 (The Battle of Leipzig). Gouache, 18 x 31.5 cm (image). Inscribed and signed twice within the image: Wigand f. and "gemahlt von Wigand". Framed.

Lot 6893 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

WIGAND, BALTHASAR (Vienna 1770 - 1846 Felixdorf).Die Völkerschlacht bei Leipzig, 1813 (The Battle of Leipzig). Gouache, 18 x 31.5 cm (image). Inscribed and signed twice within the image: Wigand f. and "gemahlt von Wigand". Framed.

Die Völkerschlacht bei Leipzig, 1813. Gouache, 18 x 31,5 cm (licht). Innerhalb der Darstellung bezeichnet und zweimal signiert: Wigand f. und "gemahlt von Wigand". Gerahmt.

CHF 500 / 700 | (€ 520 / 720)

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ALBERTI, CHERUBINO (Borgo San Sepolcro 1553 - 1615 Rome).Tobias and the angel, 1575. Etching, 31.7 x 21.2 cm. Bartsch XVII 70.58. Pub by Ni. van Aelst. – Strong, clear impression with small margin around the plate edge. Good condition.

Lot 6894 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

ALBERTI, CHERUBINO (Borgo San Sepolcro 1553 - 1615 Rome).Tobias and the angel, 1575. Etching, 31.7 x 21.2 cm. Bartsch XVII 70.58. Pub by Ni. van Aelst. – Strong, clear impression with small margin around the plate edge. Good condition.

Tobias und der Engel, 1575. Radierung, 31,7 x 21,2 cm. Bartsch XVII 70.58. Verlegt bei Ni. van Aelst. - Kräftiger und klarer Druck mit kleinem Rand um die Plattenkante. Gut erhalten.

CHF 300 / 400 | (€ 310 / 410)

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ALDEGREVER, HEINRICH (Paderborn 1502 - 1561 Soest).Titus Manlius lässt seinen Sohn enthaupten, 1553 (Titus Manlius has his son beheaded). Copper engraving, 11.4 x 7.4 cm. Bartsch/Hollstein 72. – Trimmed to the outer line, which is mostly visible. Even browning. The upper left corner slightly creased. Verso remains of old mount. Overall good condition.

Lot 6895 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

ALDEGREVER, HEINRICH (Paderborn 1502 - 1561 Soest).Titus Manlius lässt seinen Sohn enthaupten, 1553 (Titus Manlius has his son beheaded). Copper engraving, 11.4 x 7.4 cm. Bartsch/Hollstein 72. – Trimmed to the outer line, which is mostly visible. Even browning. The upper left corner slightly creased. Verso remains of old mount. Overall good condition.

Titus Manlius lässt seinen Sohn enthaupten, 1553. Kupferstich, 11,4 x 7,4 cm. Bartsch/Hollstein 72. - Bis zur Einfassungslinie beschnitten, diese überwiegend sichtbar. Gleichmässig etwas gebräunt. Die obere linke Ecke wenig knittrig. Verso Reste alter Montierung. - Insgesamt gut erhalten.

CHF 300 / 400 | (€ 310 / 410)

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BEATRIZET, NICOLAUS (Thionville 1515 - 1565 Rome).After Raffaelo Sanzio. Joseph interprets his brothers’ dreams, 1541. Etching, 24 x 38 cm. Bartsch XV, 9. – Fully mounted on backing sheet.

Lot 6896 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

BEATRIZET, NICOLAUS (Thionville 1515 - 1565 Rome).After Raffaelo Sanzio. Joseph interprets his brothers’ dreams, 1541. Etching, 24 x 38 cm. Bartsch XV, 9. – Fully mounted on backing sheet.

Nach Raffaelo Sanzio. Joseph deutet die Träume seiner Brüder, 1541. Radierung, 24 x 38 cm. Bartsch XV, 9. - Ganzflächig auf Unterlagenbogen aufgezogen.

CHF 300 / 400 | (€ 310 / 410)

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BOLSWERT, SCHELTE ADAMS (Bolsward 1586 - 1659 Antwerp).After Peter Paul Rubens. Landscape with horse and cart in the moonlight. From the series of small landscapes. Copper engraving, 32.5 x 44.5 cm. (Sheet size: 44.5 x 57.5 cm). Hollstein 309 IV (of V, with publisher Gillis Hendricx address). – Very fine, deep black and contrasting impression with broad margins around the plate edge. With smoothed central vertical fold. The margins with scattered defects, creases and traces of handling. With traces of former binding on left margin. Very good condition.

Lot 6897 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

BOLSWERT, SCHELTE ADAMS (Bolsward 1586 - 1659 Antwerp).After Peter Paul Rubens. Landscape with horse and cart in the moonlight. From the series of small landscapes. Copper engraving, 32.5 x 44.5 cm. (Sheet size: 44.5 x 57.5 cm). Hollstein 309 IV (of V, with publisher Gillis Hendricx address). – Very fine, deep black and contrasting impression with broad margins around the plate edge. With smoothed central vertical fold. The margins with scattered defects, creases and traces of handling. With traces of former binding on left margin. Very good condition.

Nach Peter Paul Rubens. Landschaft mit einem Pferdekarren bei Mondlicht. Aus der Folge der kleinen Landschaften. Kupferstich, 32,5 x 44,5 cm. (Bogengrösse: 44,5 x 57,5 cm). Hollstein 309 IV (von V, mit der Verlegeradresse von Gillis Hendricx). - Sehr schöner, tiefschwarzer und differenzierter Druck mit breiten Rändern um die Plattenkante. Mit geglätteter vertikaler Mittelfalte. Die Ränder mit einzelnen Läsuren, Knickfalten und Gebrauchsspuren. Am linken Rand mittig Spuren alter Heftung. - Sehr guter Erhaltungszustand.

CHF 400 / 600 | (€ 410 / 620)

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BOLSWERT, SCHELTE ADAMS (Bolswert 1586 – 1659 Antwerp).Soo D'oude de Songen Soo Pepen De Jongen. I.Iordaens invent. et pinxit. S. a Bolwert sculpsit. Etching. Circa 1650. 33.5 x 46 cm. Framed. – Somewhat foxed.

Lot 6898 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

BOLSWERT, SCHELTE ADAMS (Bolswert 1586 – 1659 Antwerp).Soo D'oude de Songen Soo Pepen De Jongen. I.Iordaens invent. et pinxit. S. a Bolwert sculpsit. Etching. Circa 1650. 33.5 x 46 cm. Framed. – Somewhat foxed.

Soo D'oude de Songen Soo Pepen De Jongen. I.Iordaens invent. et pinxit. S. a Bolwert sculpsit. Radierung. Um 1650. 33,5 x 46 cm. Gerahmt. - Etwas stockfleckig.

CHF 120 / 180 | (€ 120 / 190)

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CALLOT, JACQUES (1592 Nancy 1635).Le Parterre de Nancy ou Jardin du Nancy. Etching, 25.5 x 38.8 cm. Meaume 622, Lieure 566 II (of II, with address of Israel Silvestre). – With the plate edge mostly visible, trimmed in parts as far as the plate edge. Glued onto backing board. Overall good condition.

Lot 6900* - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

CALLOT, JACQUES (1592 Nancy 1635).Le Parterre de Nancy ou Jardin du Nancy. Etching, 25.5 x 38.8 cm. Meaume 622, Lieure 566 II (of II, with address of Israel Silvestre). – With the plate edge mostly visible, trimmed in parts as far as the plate edge. Glued onto backing board. Overall good condition.

Le Parterre de Nancy ou Jardin du Nancy. Radierung, 25,5 x 38,8 cm. Meaume 622, Lieure 566 II (von II, mit der Adresse von Israel Silvestre). - Überwiegend mit der sichtbaren Plattenkante bzw. stellenweise auf diese geschnitten. Auf Unterlagenkarton aufgeklebt. Insgesamt in guter Erhaltung.

CHF 300 / 400 | (€ 310 / 410)

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CASTIGLIONE, SALVATORE (1620 - circa 1676).The raising of Lazarus, 1645. Etching, 11,5 x 21.3 cm. Bellini (Castiglione) 23. – With small margin around the plate edge. Good condition.

Lot 6902 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

CASTIGLIONE, SALVATORE (1620 - circa 1676).The raising of Lazarus, 1645. Etching, 11,5 x 21.3 cm. Bellini (Castiglione) 23. – With small margin around the plate edge. Good condition.

Die Auferstehung des Lazarus, 1645. Radierung, 11,5 x 21,3 cm. Bellini (Castiglione) 23. - Mit kleinem Rand um die Plattenkante. Gut erhalten.

CHF 200 / 300 | (€ 210 / 310)

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GHEYN, JACQUES DE III (Leiden 1596 - 1641 Utrecht).After Hendrick Goltzius (1558 -1617). Triton, blowing on a shell. Circa 1615. Etching, 19.5 x 16.2 cm. The New Hollstein 19 probably I (of II). – Clear and deep black impression with fine margin around the outer line. With small paper loss on lower left margin, restored paper loss or hole on right elbow. Closed horizontal tear over elbow. Fully attached to backing sheet. Despite these issues, a fine overall impression.

Lot 6905 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

GHEYN, JACQUES DE III (Leiden 1596 - 1641 Utrecht).After Hendrick Goltzius (1558 -1617). Triton, blowing on a shell. Circa 1615. Etching, 19.5 x 16.2 cm. The New Hollstein 19 probably I (of II). – Clear and deep black impression with fine margin around the outer line. With small paper loss on lower left margin, restored paper loss or hole on right elbow. Closed horizontal tear over elbow. Fully attached to backing sheet. Despite these issues, a fine overall impression.

Nach Hendrick Goltzius (1558 -1617). Triton, auf einer Muschel blasend. Um 1615. Radierung, 19,5 x 16,2 cm. The New Hollstein 19 wohl I (von II). - Klarer und tiefschwarzer Druck mit feinem Rändchen um die Einfassungslinie. Mit kleinem Papierverlust am unteren linken Rand, restaurierter Papierverlust oder Loch am rechten Ellenbogen. Geschlossener horizontaler, wohl durchgehender Riss über dem Ellenbogen. Ganzflächig auf Unterlagenbogen aufgelegt. Trotz der grösseren Erhaltungsmängel schöner Gesamteindruck.

CHF 400 / 600 | (€ 410 / 620)

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MEYER - AMDEN, OTTO (Bern 1885 - 1933 Zurich).Standing young male nude, 1923. Algraphy, 30.1 x 24.2 cm (Sheet size: 50 x 40 cm). Numbered in pencil lower right: 17. Signed verso in pencil: Otto Meyer, Amden. – Very fine impression in almost untouched condition.

Lot 6909 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

MEYER - AMDEN, OTTO (Bern 1885 - 1933 Zurich).Standing young male nude, 1923. Algraphy, 30.1 x 24.2 cm (Sheet size: 50 x 40 cm). Numbered in pencil lower right: 17. Signed verso in pencil: Otto Meyer, Amden. – Very fine impression in almost untouched condition.

Stehender Knabenakt, 1923. Algraphie, 30,1 x 24,2 cm (Bogengrösse: 50 x 40 cm). Unten rechts mit Bleistift nummeriert: 17. Verso mit Bleistift signiert: Otto Meyer, Amden. - Sehr schöner Druck in nahezu unberührter Erhaltung.

CHF 500 / 700 | (€ 520 / 720)

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PIRANESCI, FRANCESCO (Rome 1756/58 - 1820 Paris).1. Posticum Panthei. 2. Reliquiae Xysti M. Agrippae, adhaerentes Pantheo. 3. Reliquiae Thermarum ipsius Agrippae. Etching, 21 x 44 cm. With engraved numbering upper right: Tab. XXIV. Framed.

Lot 6910 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

PIRANESCI, FRANCESCO (Rome 1756/58 - 1820 Paris).1. Posticum Panthei. 2. Reliquiae Xysti M. Agrippae, adhaerentes Pantheo. 3. Reliquiae Thermarum ipsius Agrippae. Etching, 21 x 44 cm. With engraved numbering upper right: Tab. XXIV. Framed.

1. Posticum Panthei. 2. Reliquiae Xysti M. Agrippae, adhaerentes Pantheo. 3. Reliquiae Thermarum ipsius Agrippae. Radierung, 21 x 44 cm. Oben rechts gestochen nummeriert: Tab. XXIV. Gerahmt.

CHF 200 / 300 | (€ 210 / 310)

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PIRANESI, GIOVANNI BATTISTA (Mogliano 1720 - 1778 Rome).Veduta del Tempio di Giove Tonante, 1756. Etching, 40 x 60,2 cm. Hind 44 II/III (of VI, with address and price). Framed. – Very fine, strong and clear impression with margin. Minor foxing. Overall very good condition.

Lot 6912 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

PIRANESI, GIOVANNI BATTISTA (Mogliano 1720 - 1778 Rome).Veduta del Tempio di Giove Tonante, 1756. Etching, 40 x 60,2 cm. Hind 44 II/III (of VI, with address and price). Framed. – Very fine, strong and clear impression with margin. Minor foxing. Overall very good condition.

Veduta del Tempio di Giove Tonante, 1756. Radierung, 40 x 60,2 cm. Hind 44 II/III (von VI, mit der Adresse und dem Preis). Gerahmt. - Sehr schöner, kräftiger und klarer Druck mit Rand. Minim fleckig, insgesamt in sehr guter Erhaltung.

CHF 400 / 600 | (€ 410 / 620)

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PIRANESI, GIOVANNI BATTISTA (Mogliano 1720 - 1778 Rome).Veduta dell' Arco di Tito, 1771. From the series: Vedute di Roma. Etching, 47.5 x 71 cm. Hind 98 II (of IV). – Strong, deep black impression with full margins. With stronger browning and scattered restored defects in the margins. Otherwise minor foxing and with light traces of handling.

Lot 6913 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

PIRANESI, GIOVANNI BATTISTA (Mogliano 1720 - 1778 Rome).Veduta dell' Arco di Tito, 1771. From the series: Vedute di Roma. Etching, 47.5 x 71 cm. Hind 98 II (of IV). – Strong, deep black impression with full margins. With stronger browning and scattered restored defects in the margins. Otherwise minor foxing and with light traces of handling.

Veduta dell' Arco di Tito, 1771. Aus der Folge: Vedute di Roma. Radierung, 47,5 x 71 cm. Hind 98 II (von IV). - Kräftiger, tiefschwarzer Druck mit den vollen Rändern. Dort stärker gebräunt und mit einzelnen restaurierten Läsuren. Sonst wenig stockfleckig und mit leichten Gebrauchsspuren.

CHF 400 / 600 | (€ 410 / 620)

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PIRANESI, GIOVANNI BATTISTA (Mogliano 1720 - 1778 Rome).Lot of 2 views from the series: Vedute di Roma. 1. Colonna Antonia, 1758. Etching, 54.5 x 40.2 cm. Hind 52 IV/V (of VII, no price and before the numbers. 2. Obelisco Egizio, 1759. Etching, 54.5 x 40.5 cm. Hind 53 III (of V). Old numbering in brown pen lower right: n.III. – Both sheets with margin and in fine and fresh condition.

Lot 6914 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

PIRANESI, GIOVANNI BATTISTA (Mogliano 1720 - 1778 Rome).Lot of 2 views from the series: Vedute di Roma. 1. Colonna Antonia, 1758. Etching, 54.5 x 40.2 cm. Hind 52 IV/V (of VII, no price and before the numbers. 2. Obelisco Egizio, 1759. Etching, 54.5 x 40.5 cm. Hind 53 III (of V). Old numbering in brown pen lower right: n.III. – Both sheets with margin and in fine and fresh condition.

Lot von 2 Ansichten aus der Folge: Vedute di Roma. 1. Colonna Antonia, 1758. Radierung, 54,5 x 40,2 cm. Hind 52 IV/V (von VII, ohne den Preis und vor den Nummern). 2. Obelisco Egizio, 1759. Radierung, 54,5 x 40,5 cm. Hind 53 III (von V). Mit brauner Feder unten rechts alt nummeriert: n.III. - Beide Blätter mit Rand und in schöner und frischer Erhaltung.

CHF 600 / 800 | (€ 620 / 820)

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PIRANESI, GIVOVANNI BATTISTA (Mogliano 1720 - 1778 Rome).Gruppo di Colonne, che regge due archi d'un grande Cortile..., 1743. Etching, 24.3 x 49.5 cm. – With a fine margin around the outer line. Good condition.

Lot 6915 - W244 Old Master Prints - Friday 27 March 2015, 9.30 AM

PIRANESI, GIVOVANNI BATTISTA (Mogliano 1720 - 1778 Rome).Gruppo di Colonne, che regge due archi d'un grande Cortile..., 1743. Etching, 24.3 x 49.5 cm. – With a fine margin around the outer line. Good condition.

Gruppo di Colonne, che regge due archi d'un grande Cortile..., 1743. Radierung, 24,3 x 49,5 cm. - Mit feinem Rändchen um die Einfassungslinie. Gut erhalten.

CHF 250 / 300 | (€ 260 / 310)

Sold for CHF 305 (including buyer's premium)

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