FLORENTINE MASTER, CIRCA 1400

The Crucifixion.

Gold ground and tempera on panel.

58 × 31 cm.

Circle of CATARINO DI MARCO DA VENEZIA, probably MARCO DI MARTINO DE ROXATIS

(active in Venice 14th century) (active in Venice circa 1375)

Saint Christina of Bolsena. Circa 1375.

Tempera on panel.

Inscribed upper left: S[ancta] XP[isti]NA.

98 × 39.5 cm.

Attributed to GIROLAMO DA BRESCIA

(circa 1490 Florence 1529)

Saint Anthony of Padua and Saint Nicolo da Tolentino.

Tempera on panel.

123.5 × 42.2 cm.

MAESTRO DI SAN JACOPO A MUCCIANA

(active circa 1390 Florence 1420)

Madonna and Child with Saint Francis and Saint Catherine.

Gold ground and tempera on panel.

38.5 × 20.5 cm.

GIOVANNI DEL BIONDO

(Pratovecchio 1356–1399 Florence)

Madonna dell’Umiltà and two angels.

Tempera and gold ground on panel.

95.5 × 61 cm.

SIENESE MASTER, CIRCA 1440

Madonna and Child.

Tempera and gold ground on panel.

48 × 33 cm.

CRISTOFORO DI BINDOCCIO AND MEO DI PERO

(active in Siena, circa 1350–1407)

The Madonna enthroned, with the Child, John the Baptist, Peter, Paul and Mary Magdalene, Man of Sorrows in the gable. Circa 1380–90.

Tempera and gold ground on panel.

52.4 × 22.5 cm.

BERNARDINO LANINO

(Mortara 1512–1578 Vercelli)

Saint Hieronymus.

Oil on panel.

32 × 17.6 cm.

GIACOMO FRANCIA

(1484 Bologna 1557)

Madonna and Child before a landscape.

Oil on panel.

36.5 × 26.7 cm.

(16th century follower of ) PIETER COECKE VAN AELST

(Aalst 1502–1550 Brussels)

Wing from a triptych: The Adoration of the Shepherds.

Oil on panel.

60.7 × 28.5 cm.

TOMASO D’ANTONIO MANZUOLI called MASO DA SAN FRIANO

(circa 1531 Florence 1571)

Madonna and Child with John the Baptist.

Oil on panel.

60.5 × 43 cm.

Workshop of LUCAS CRANACH the Elder, probably HANS CRANACH

(Kronach 1472–1553 Weimar) (Wittenberg 1513–1537 Bologna)

Portrait of a woman in lavish dress with bonnet. Circa 1535.

Oil on panel.

50.3 × 35.5 cm.

NORTH GERMAN MASTER, END OF THE 16TH CENTURY

Panel painted on both sides with the Last Judgement and Calvary.

Oil on panel.

118 × 70.5 cm.

LORENZ STRAUCH

(1554 Nuremeberg 1630)

Portrait of a noblewoman. 1602.

Oil on panel.

Inscribed, dated and monogrammed upper left: AETATIS SUAE 24. ANO 1602. LS (ligature).

50 × 38 cm.

ADRIAEN VAN OVERBEKE

(active circa 1508 Antwerp 1529)

Adoration of the Magi.

Oil on panel.

72 × 55.5 cm.

Circle of MEYNNART WEWYCK / ANGLO-FLEMISH SCHOOL, CIRCA 1520

(active circa 1502 England 1525)

Portrait of a young nobleman. Circa 1520.

Oil on panel.

30.6 × 20.6 cm.

Workshop of MASTER OF THE MORRISON TRIPTYCH

(active in Antwerp circa 1500–1510)

The Madonna and Child surrounded by angels playing music.

Oil on panel.

56.3 × 42.5 cm.

Circle of HERRI MET DE BLES

(Dinant c. 1510–c. 1560 Antwerp)

Hieronymus in a landscape.

Oil on panel.

62 × 75.3 cm.

Circle of PIETER COECKE VAN AELST

(Aalst 1502–1550 Brussels)

Triptych: Adoration of the Magi (central panel), The Annunciation (left), The Flight into Egypt (right).

Oil on panel.

85.5 × 63 cm (central panel), wings each 85.5 × 31 cm

FLEMISH SCHOOL, CIRCA 1600

Broad landscape with village festival "gans trekken".

Oil on panel.

40,5 × 60 cm.

SCHOOL OF FONTAINEBLEAU, CIRCA 1570

Diana hunting.

Oil on panel.

68.8 × 92.8 cm.

ANTWERP MANNERIST ARTIST, CIRCA 1520

The Adoration of the Magi.

Oil on panel.

70.8 × 47.3 cm.

Follower of HIERONYMUS BOSCH

(circa 1450's-Hertogenbosch circa 1516)

Christ crowned with thorns.

Oil on panel.

34.8 × 28.6 cm.

Circle of QUENTIN MASSYS

(Leuven 1466–1530 Antwerp)

Mater Dolorosa.

Oil and gold ground on panel.

51 × 35.2 cm.

CORNELIS CORNELISZ. VAN HAARLEM

(1562 Haarlem 1638)

Portrait of a man aged 29. 1622.

Oil on panel.

Inscribed and dated upper left: Aetatis. svae. 29. 1622.

65 × 52 cm.