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L'histoire de Koller est étroitement liée aux arts décoratifs depuis 1958. Mobilier, argenterie, porcelaine et sculpture font partie du noyau central de nos compétences les plus anciennes, et de nombreuses pièces d’exception ont été vendues lors de nos enchères au fil des décennies.

La multitude et la qualité du mobilier ancien, des arts décoratifs et des objets de collection vendus deux fois par an chez Koller est pratiquement unique en Europe.

Des créations de célèbres ébénistes tels que Charles Cressent, Abraham Roentgen, André-Charles Boulle, Bernard van Risen Burgh, Johann Friedrich Spindler et Adam Weisweiler sont régulièrement présentées. Koller s'est également forgé une solide réputation en tant que l'une des principales maisons de ventes aux enchères européennes spécialisées en horlogerie ancienne, avec des pièces d’horlogers illustres tels que Berthoud, Deverberie, Breguet, Le Roy, Lépine et Jaquet-Droz.

Depuis la fondation de la maison Koller, la porcelaine et la faïence occupent une place importante dans nos ventes aux enchères et témoignent de cette longue et importante tradition suisse de collectionner la céramique. De nombreuses pièces prestigieuses ont été vendues chez Koller. Les pièces de collection de Meissen, Sèvres, Strasbourg, Nymphenburg, Du Paquier, Zurich, ainsi que la majolique italienne et les créations de la Russie impériale sont convoitées par notre clientèle avertie et génèrent régulièrement des prix records.

Nos ventes aux enchères d'argenterie présentent régulièrement des pièces de haute qualité du 16e au 20e siècle. Les pièces d'orfèvrerie proposées dans nos ventes proviennent non seulement de manufactures suisses, mais aussi de centres de production d'argenterie de renommée historique mondiale, tels que Londres, Augsbourg, Paris, Moscou, Saint-Pétersbourg, Turin et Nuremberg. 

Le département des Arts Décoratifs organise régulièrement des ventes aux enchères de collections entières, avec des catalogues dédiés et soigneusement étudiés qui non seulement assurent une vente réussie de la collection, mais constituent un témoignage pour le collectionneur et un document utile pour les futurs collectionneurs et chercheurs. Citons par exemple la collection de porcelaine du Dr Siegfried Ducret, la collection d'instruments scientifiques Nessi et la collection de sculptures et d'objets antiques romains et égyptiens de Dre Sylvia Legrain.

Nos ventes aux enchères d'arts décoratifs ont lieu en mars et septembre. Les consignations sont acceptées jusqu'à mi-janvier pour la vente de mars et jusqu'à mi-juillet pour la vente de septembre.

Nos spécialistes se feront un plaisir d'évaluer vos objets en vue d'une éventuelle vente aux enchères.

Prochaines ventes aux enchères


18 septembre 2025. Voulez-vous vendre du mobilier ancien lors de notre vente de septembre ? Contactez-nous avant la mi-juillet pour une estimation sans obligation.

Estimations / Consignations


Si vous souhaitez consigner des œuvres à l'une de nos ventes aux enchères, nous les évaluerons gratuitement. Veuillez nous envoyer des photos si possible, ou nous appeler. Nous conviendrons d'un rendez-vous pour examiner vos œuvres à votre domicile ou dans l'un de nos bureaux à Zurich, Genève, Florence, Munich ou Düsseldorf. Vous recevrez ensuite nos estimations afin que vous puissiez prendre votre décision.

Demander une estimation maintenant
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Contact


Stephan Koller

Responsable du département
Mobilier & Décoration skoller@kollerauctions.com
+41 44 445 63 41

Flavio de Corso

Mobilier & Décoration decorso@kollerauctions.com
+41 44 445 63 46

Lara Halter

Mobilier & Décoration halter@kollerauctions.com
+41 44 445 63 45

Lots phares


RÉSULTATS SÉLECTIONNÉS Mobilier


LARGE CYCLADIC IDOL - FROM A SWISS PRIVATE COLLECTION

Early Cycladic, Spedos type, ca. 2500–2400 BC. Attributed to the Goulandris Sculptor.
Marble. Large fragment of a female idol. Lyre-shaped head with a prominent, elongated nose merging directly into a receding forehead, harmoniously rounded chin. Long, slightly thickened neck (restored). Sloping shoulders, the shoulder base at slightly different heights. Broad torso with small, widely spaced, pointed breasts. The slender arms are crossed under the chest. Slightly bulging belly, notched underbelly fold merging into a stylized pubic triangle. Slightly curved thighs with a deeply notched thigh slit. Visible notched upper arm slits on the back. Straight back with slightly bulging buttocks and a deeply notched thigh slit. With a later metal frame.
H without mount 42.6 cm.
LARGE CYCLADIC IDOL - FROM A SWISS PRIVATE COLLECTION
LARGE CYCLADIC IDOL - FROM A SWISS PRIVATE COLLECTION

CHF 622 000

BRONZE FIGURE OF A STANDING STALLION

Northern Italy, ca. 1530. Probably Severo Calzetta da Ravenna (active ca. 1496–ca. 1543) or Andrea Briosco (1470–1532).
Bronze with dark lacquer. With the right front leg raised, the tail tied with a ribbon.
H 24 cm, with marble plinth ca. 34 cm.
BRONZE FIGURE OF A STANDING STALLION
BRONZE FIGURE OF A STANDING STALLION

CHF 42 500

A PAIR OF ROYAL GAMES TABLES WITH TWO PLAYING FIELDS FROM THE GATTSCHINA PALACE

Transition, Russia, St. Petersburg, end of the 18th century. Cyrillic inventory labels and numbers. "Гатчинского дворца правление" (Board of the Gatchina Palace)
Tulipwood, purpleheart, amaranth and other woods in veneer, inlaid in rectangular reserves and fillets and as geometric decoration. Rectangular double-hinged leaf, edged in brass rod, on a cut-out frame and curved legs, one leg can be swung out. Bronze sabots with ball and claw feet (later). The cover inlaid with a diamond pattern in a matching reserve. When opened once, a corresponding marquetry and a chessboard are displayed, when opened a second time, partly lined with felt, and with recessed cavities for the game pieces at the edges. One hidden drawer. Table 1: On the underside with various annotations and a paper label in Cyrillic script, numbered 15505 and inventory number G.610. Various pencil annotations inscribed “Restored on May 24, 1977, Christie's carpentry”. Table 2: Slightly different in construction. Annotation and paper label in Cyrillic script on the underside, numbered 6232 and inventory number G.1358.
Each 91.5 × 45.5 (91) × 78 cm.
A PAIR OF ROYAL GAMES TABLES WITH TWO PLAYING FIELDS FROM THE GATTSCHINA PALACE
A PAIR OF ROYAL GAMES TABLES WITH TWO PLAYING FIELDS FROM THE GATTSCHINA PALACE

CHF 40 000

IMPORTANT BOULLE VITRINE CABINET

Louis-Philippe, Paris, ca. 1840/50. Attributed to Alexandre-Louis Bellangé (1797–1861). Some of the bronzes are monogrammed on the back bT.
Ebony and tortoiseshell with red underlay, decorated with engraved brass inlays in the form of geometric fillets, arabesques, birds and flowers. Rectangular body on a cut-out frame, merging directly into stepped feet. Glazed, single-door front between slightly flared pilaster strips. Rich, finely chased and gilt bronze decoration in the form of leaf masks, allegorical trophies, satyr heads, rocailles, leaf and acanthus friezes, rosettes and mesh. Escutcheon with rocaille mask. 1 key. Restoration plaque on the back.
131 × 57.5 × 207 cm.
IMPORTANT BOULLE VITRINE CABINET
IMPORTANT BOULLE VITRINE CABINET

CHF 70 000

JOSEPH CHAUMET

(1852–1928)
Allegorical figure of winter (?), ca. 1925. Bronze, parcel-gilt, parcel-silvered, and partly copper-colored and greenish patinated. Signed at the base J. Chaumet Joaillier-orfèvre Paris-Londres.
H 65 cm, W 33 cm.
JOSEPH CHAUMET
JOSEPH CHAUMET

CHF 75 000

ANTHROPOMORPHIC MEZCALA FIGURE

Late Preclassic, Mezcala, Mexico, ca. 300-100 BC.
Greyish-green volcanic stone carved in relief. Standing figure with forearms in relief, placed diagonally on the stomach. The legs split. Geometric and canted facial features. Distinctive eyebrow arches, nose, mouth and receding forehead. On a chrome-plated steel base.
H 34 cm, L 9.3 cm.
ANTHROPOMORPHIC MEZCALA FIGURE
ANTHROPOMORPHIC MEZCALA FIGURE

CHF 97 500

FIGURE OF A SATYR

Italy, Venice, 2nd half of the 16th century. Attributed to Andrea di Alessandri, called Il Bresciano (ca. 1550-1575).
Brown patinated bronze. Depicting a standing satyr with crossed hooves and outstretched right arm, holding a panpipe in his left hand. On an ebonized, retracted wooden base. The bottom of the base with Italian customs stamps dated April 9, 1965 and with auction labels and inventory number.
H without base 18 cm.
FIGURE OF A SATYR
FIGURE OF A SATYR

CHF 85 000

ENAMELED SKELETON CLOCK WITH SECONDS, MOON PHASE AND DATE

Paris, ca. 1790, signed Gaston Joly (François-Pierre dit Gaston Jolly, maître 1784 in Paris).
Brass and gilt bronze. The cobalt blue enamel, painted with leaf garlands, flowers and star motifs, probably by Coteau or Dubuisson. White enamel chapter ring with Arabic numerals for the hours, the seconds and date in black and red, respectively. Visible, partially open movement. Mounted on an arched base on flattened feet, decorated with a pomegranate. On a white marble plinth and round feet decorated with a leaf frieze. The front of the base has a recess with an applied laurel garland in gilt bronze. Above the movement, a small enamel dial with a semi-circular aperture to indicate the moon phase. Movement with half-hour strike on bell. Spiral pendulum. With a black base and glass dome. 1 key.
23 × 13 × 41 cm; H with base and dome 52 cm.
ENAMELED SKELETON CLOCK WITH SECONDS, MOON PHASE AND DATE
ENAMELED SKELETON CLOCK WITH SECONDS, MOON PHASE AND DATE

CHF 60 000

EXTREMELY RARE EUCHARISTIC DOVE

Limoges, 1st third of the 13th century.
Chased, engraved and parcel-gilt copper with polychrome enamel champlevé in the form of feathers and flowered arabesques. Ciborium designed as a dove on a round base. The upper side of the tail, the round base and the movable wings on the sides made of thick copper with gemstone inlays. The body rests on two tubular legs, which transition directly into a flat round base, without feet. Hinged lid with a handle (possibly replaced) on the dove's back, opening onto a hollow host container.
19.5 × 25 cm.
EXTREMELY RARE EUCHARISTIC DOVE
EXTREMELY RARE EUCHARISTIC DOVE

CHF 162 500

GOLD ENAMEL BOX WITH SINGING BIRD AUTOMATON, CLOCK AND SMALL CYLINDER MUSIC BOX MECHANISM

Geneva, ca. 1810-25, Rochat Brothers (Rochat Frères, active in Geneva 1810-1825), Maker's mark IGRC for Rémond Lamy Mercier & Co.
Gold, engine-turned and overlaid with translucent cobalt blue enamel. Rectangular shape, the corners rounded and decorated with floral motifs in engraved gold and white enamel. Framed by decorative leaf friezes in white enamel and gold. Hinged lid, framed in a pearl frieze. Underneath, a white/blue enamel cover engraved with flowers with the winding holes for the singing bird automaton and a small cylinder music box mechanism. The center of the lid has an oval opening framed by a pearl frieze and covered by an oval lid depicting a couple in love. This lid opens via a sliding lever and reveals the whistling and moving bird. The hinged front contains a small clock with a white enamel dial and bezel lined with pearls, the movement with 4/4 hour repeater and second hand. Another hinged cover on the side for storing the winding key.
8.4 × 6.2 × 2.8 cm.
GOLD ENAMEL BOX WITH SINGING BIRD AUTOMATON, CLOCK AND SMALL CYLINDER MUSIC BOX MECHANISM
GOLD ENAMEL BOX WITH SINGING BIRD AUTOMATON, CLOCK AND SMALL CYLINDER MUSIC BOX MECHANISM

CHF 206 250